Site of struggle: the Freedom Park fracas and the divisive legacy of South Africa’s Border War/Liberation Struggle
- Authors: Baines, Gary F
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/126954 , vital:35938 , https://doi.10.1080/02533950903076428
- Description: In South Africa, Carcharias taurus is commonly known as the ragged-tooth shark or raggie. The species is also referred to as the sand-tiger shark in North America and as the grey-nurse shark in Australia. It is a long-lived species with an estimated longevity of up to 40 years (Goldman 2002). Female sharks reach sexual maturity at approximately 10 years (Goldman 2002), and they exhibit a biennial reproductive cycle (Branstetter and Musick 1994, Lucifora et al. 2002, G Cliff, Natal Sharks Board, unpublished data). Intra-uterine cannibalisation results in a maximum fecundity of two pups per litter after a gestation period of approximately 9–12 months (Bass et al. 1975, Gilmore et al. 1983). These life-history characteristics make this species particularly susceptible to overexploitation.
- Full Text:
- Date Issued: 2010
- Authors: Baines, Gary F
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/126954 , vital:35938 , https://doi.10.1080/02533950903076428
- Description: In South Africa, Carcharias taurus is commonly known as the ragged-tooth shark or raggie. The species is also referred to as the sand-tiger shark in North America and as the grey-nurse shark in Australia. It is a long-lived species with an estimated longevity of up to 40 years (Goldman 2002). Female sharks reach sexual maturity at approximately 10 years (Goldman 2002), and they exhibit a biennial reproductive cycle (Branstetter and Musick 1994, Lucifora et al. 2002, G Cliff, Natal Sharks Board, unpublished data). Intra-uterine cannibalisation results in a maximum fecundity of two pups per litter after a gestation period of approximately 9–12 months (Bass et al. 1975, Gilmore et al. 1983). These life-history characteristics make this species particularly susceptible to overexploitation.
- Full Text:
- Date Issued: 2010
De La Rey rides (yet) again : Afrikaner identity politics and nostalgia in post-apartheid South Africa
- Authors: Baines, Gary F
- Date: 2009
- Language: English
- Type: Conference paper
- Identifier: vital:6158 , http://hdl.handle.net/10962/d1007078
- Description: In 2006 a relatively unknown South African artist with the stage name Bok van Blerk released his debut album called “De la Rey”. The album included a music video of the title track that calls upon the legendary Boer War general to save the volk (people) from the wantonly destructive strategies of the British imperial forces: the scorched earth policy and the subsequent internment of women and children in concentration camps. The British justified such extreme – some would say ‘genocidal’ – strategies so as to prevent non-combatants from supporting the irregular Boer soldiers. Although he did not believe that the war could be won on account of the overwhelming odds that the Boer forces faced, De la Rey still fought to the bitter end. Needless to say, he was on the losing side.
- Full Text:
- Date Issued: 2009
- Authors: Baines, Gary F
- Date: 2009
- Language: English
- Type: Conference paper
- Identifier: vital:6158 , http://hdl.handle.net/10962/d1007078
- Description: In 2006 a relatively unknown South African artist with the stage name Bok van Blerk released his debut album called “De la Rey”. The album included a music video of the title track that calls upon the legendary Boer War general to save the volk (people) from the wantonly destructive strategies of the British imperial forces: the scorched earth policy and the subsequent internment of women and children in concentration camps. The British justified such extreme – some would say ‘genocidal’ – strategies so as to prevent non-combatants from supporting the irregular Boer soldiers. Although he did not believe that the war could be won on account of the overwhelming odds that the Boer forces faced, De la Rey still fought to the bitter end. Needless to say, he was on the losing side.
- Full Text:
- Date Issued: 2009
On location: Narratives of the South African city of the late 1940s and 1950s in film and literature
- Authors: Baines, Gary F
- Date: 2009
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/125397 , vital:35779 , https://doi.10.1080/02582470308671922
- Description: This article is about narratives, about the forms and meanings constructed by South African storytellers, especially writers and filmmakers. It examines the relationships between examples of these two different narrative forms of literature (fiction and non-fiction) and feature film. Following Turner, the point of departure is that the study of narrative has the potential to provide a framework within which such a two pronged approach can be undertaken. This is not to say that the production of meaning takes place within an exclusive literary or cinematic context. Rather, this approach will allow us to obtain a fuller picture of the narrative of the South African city than is possible by concentrating on one medium. It is based on the premise that narratives are ultimately produced by culture; thus these cultural constructions generate meanings, take on a significance, and assume forms that are articufations of the values, beliefs -the ideology - of the culture.' Literature and film offer specific forms for such narratives. By adopting an interdisciplinary approach which borrows insights from literary and film studies, this article attempts to make a contribution to the fledgling field of South African cultural studies.
- Full Text:
- Date Issued: 2009
On location: Narratives of the South African city of the late 1940s and 1950s in film and literature
- Authors: Baines, Gary F
- Date: 2009
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/125397 , vital:35779 , https://doi.10.1080/02582470308671922
- Description: This article is about narratives, about the forms and meanings constructed by South African storytellers, especially writers and filmmakers. It examines the relationships between examples of these two different narrative forms of literature (fiction and non-fiction) and feature film. Following Turner, the point of departure is that the study of narrative has the potential to provide a framework within which such a two pronged approach can be undertaken. This is not to say that the production of meaning takes place within an exclusive literary or cinematic context. Rather, this approach will allow us to obtain a fuller picture of the narrative of the South African city than is possible by concentrating on one medium. It is based on the premise that narratives are ultimately produced by culture; thus these cultural constructions generate meanings, take on a significance, and assume forms that are articufations of the values, beliefs -the ideology - of the culture.' Literature and film offer specific forms for such narratives. By adopting an interdisciplinary approach which borrows insights from literary and film studies, this article attempts to make a contribution to the fledgling field of South African cultural studies.
- Full Text:
- Date Issued: 2009
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