Showing items 181 - 200 of 364

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Kemai 2

- Kankolongo Alidor, Performer not specified, Composer not specified, Tracey, Hugh

Kemai I

- Kayoka Ladislas with Kankolongo Alidor, Hugh Tracey

Kemai I

- Kayoka Ladislas, Performer not specified, Composer not specified, Tracey, Hugh

Kemai II

- Kankolongo Alidor, Performer not specified, Composer not specified, Tracey, Hugh

Kemai II

- Kankolongo Alidor, Hugh Tracey

  • Authors: Kankolongo Alidor , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/182615 , vital:43847 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-15
  • Description: "Two people had an argument. The rest came to find out what the trouble was, whereupon one left, leaving the other talking into space, at which they all said "what's the matter with him?" Kemai appears to be a common title for a piece of music, though they are not necessarily similar to each other. Only further research could elucidate this point. Topical song with Chisanzhi Likembe
  • Full Text: false
  • Date Issued: 1952

Kemai II

- Kankolongo Alidor, Performer not specified, Composer not specified, Tracey, Hugh

Kemai III

- Kankolongo Alidor, Hugh Tracey

  • Authors: Kankolongo Alidor , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/182620 , vital:43848 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-16
  • Description: "Two people had an argument. The rest came to find out what the trouble was, whereupon one left, leaving the other talking into space, at which they all said "what's the matter with him?" Kemai appears to be a common title for a piece of music, though they are not necessarily similar to each other. Only further research could elucidate this point. Topical song with Chisanzhi Likembe
  • Full Text: false
  • Date Issued: 1952

Ketu hunyinga

- Group of Luba men and women, Hugh Tracey

  • Authors: Group of Luba men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kinkondje f-rh
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181986 , vital:43787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-08
  • Description: The four drummers were the chief singers together with their women. Malimba 2 xylophones, on frames without resonators.. 3 goblet drums, once called Itumba and the others Mutumbwe. The Itumba drum was a closed drum with a mirliton fixed into its side, 20" high and with 12 1/2" membrane. The Mutumbwe drums were both weighted with paste to lower their pitch, and had similar mirlitons. The large slit drum, Kunri, was insulated from the ground as it had no legs. In this respect the slit drums behave physically like a xylophone note and must be supported at the two nodes or they will not sound properly. Budye dance, with 2 xylophones, 3 conical drums and 1 slit drum
  • Full Text: false
  • Date Issued: 1952

Ketu hunyinga

- Luba men and women, performer not specified, Composer not specified, Tracey, Hugh

Ketus Hunyinga

- Luba men and women, Performer not specified, Composer not specified, Tracey, Hugh

Kia Mwangala kia yanamatumbe

- Group of 12 Luba men and women, Hugh Tracey

  • Authors: Group of 12 Luba men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kolwezi f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183958 , vital:44089 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-09
  • Description: Drums. Kayanda - conical, open, pegged and weighted (-14.2-). Mitumbwe - goblet, pinned, closed and weighted (-14.52-). Ditumba - goblet, pinned, closed, mirliton (-14.51251-). The drums enter one after the other and end in the same way. The difference in tone between the weighted and the unweighted membranes of the drums can be clearly heard - the weighted drums being both lower in tone and also emitting a slightly slurred or portamento tone, while the unweighted drum sounds a clear hollow note. Katendo dance, with 2 Goblet drums, pegged, closed and hand beaten, and 1 conical drum, pegged, open, and hand beaten
  • Full Text: false
  • Date Issued: 1952

Kufatcha Mama

- Mulazhi Ronger, performer not specified, Composer not specified, Tracey, Hugh

Kufidi mpara bituta

- Eresina and Kasai women, Hugh Tracey

Kutenge Kwibwe

- Senga Ari, Four Songe men, Folk, Tracey, Hugh

Kutenge kwibwi

- Senga Ari, Four Songe Men, composer not specified, Tracey, Hugh

Kutenge kwibwi

- Senga Ari, Four Songe Men, composer not specified, Tracey, Hugh

Leku Malemba

- Four Songe men, performer not specified, Composer not specified, Tracey, Hugh

Leru malemba

- Senga Ari, Songe men, composer not specified, Tracey, Hugh

Lolo inamotinga

- Performer not specified, composer not specified, Tracey, Hugh

Lupunga

- Kayoka Ladislas with Kankolongo Alidor, Hugh Tracey

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