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Musambo kabwalala ya ba lalua

  • Authors: Group of Lulua men, women and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Dibaya f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183904 , vital:44082 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-03
  • Description: This item has an interesting opening, the two Chisahnji coming in one after the other, followed by the drum, solo voice and eventually the people until the whole dance is in full swing. It is notable that the basis of the song is not merely repetitive. Bitanda Kakunda dance, with 2 Chisahanji gourd resonator, 1 goblet drum, weighted, pinned and hand beaten, 3 basket rattles and hand clapping
  • Full Text: false
  • Date Issued: 1957

Mutoka chini

Mutombo ko saye

Mutomboko

Mutomboko

Mutoto wa mashikini

Mutoto wa mashikini

  • Authors: Myundu Gabriel (Dilele munenge flute) , Kwadi Bonza (Chisanzhi) , Luba men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kabongo f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183886 , vital:44080 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-01
  • Description: This rather unusual duet played by two elderly men on Chisanzhi and Dilele munenge flute is remarkable for the musicianship they display. When asked why they played music like this, they replied, "To give our haters courage." In view of the severe troubles with which they and their people were to be confronted in the years ahead one can only hope that their music did indeed give them and their families that courage to face their ordeals in the Kasai and the Katanga so shortly to overtake them. The flute player uses voiced notes while he blows. The music is sometimes played to the "Sultan", the chief, 'in order to refresh his spirit'. Nyundu Gabriel said that when he was feeling sad, tired of depressed he would play this music to cheer himself up. The Chisanzhi (Mbira) keeps up a fascinating accompaniment. (See also TR 39 and TR 40). Self delectative song with sibe blown flute and Chisanzhi (-13.37206 x 18-)
  • Full Text: false
  • Date Issued: 1957

Mutshalenga bakulala kabalale batwe nka kubhalenga

Mutshalenga bakulala kabalale batwe nka kubhalenga (We are the men who do nothing but dance)

Nalongana maani (What will I do today)

Shabansa katende

Shabansa Katende

Tombe chenipape change mishemba (The one who stole is dead)

  • Authors: Kabango Prospere and friends , Kabango Prospere , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ensemble playing , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135645 , vital:37284 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-05
  • Description: The ah sounds interpoltaed by the chorus are made purposely either by expressing the syllable or by blowing out of the side of the mouth. "The one who is dead is dead because he stole. The owner of the stolen money cast a spell upon him and he died." Lament with chisanzhi mbira with box and sound holes.
  • Full Text: false
  • Date Issued: 1957

Tuhuri

  • Authors: Large group of Kasai women and 6 men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137745 , vital:37555 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-05
  • Description: The buzzing or nasalizing effect of the small mirliton membranes inserted into the side of the drums is clearly heard throughout this recording. The women who play the singing gourds hold their mouths just inside the orifice of their gourds and voice their notes with taught lips, using alternate sides of their mouth, as if they were lipping a trumpet or bugle. The cavity of the gourd thus resonates the sound produced. In addition, they slap the outside of their gourd rhythmically as they hold it between the palms of their hands. Wedding and ceremonial with 4 goblet drums, closed, pinned, weighted, with mirlitons. Quiet hand clapping (-12.05-) and 4 singing gourds. (-11.13-).
  • Full Text: false
  • Date Issued: 1957

Tunaswanyisa nyakotolo

wa ya ye ku chika. Chishiba mai walene (The water that does not move)

  • Authors: Large group of of Luba men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137812 , vital:37562 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-10
  • Description: The item starts with the sound of the double bell and a weighted drum, follwed by the recitative statement by the leader. Eventually the full chorus begins with a simple repeated refrain. The pauses in the drum rhythm mark the moment when one of the drummers throws up his drum into the air, catches it again betwenn his knees and continues the rhythm without losing tempo. It is a clever piece of showmanship and clearly enjoyed by the participators in the dance. Mambala dance song with 5 goblet drums, closed, pinned, weighted, with mirlitons, hand beaten and 1 double bell and basket rattle.
  • Full Text: false
  • Date Issued: 1957

Wadianda wa Bena Shimba (We are the people of Bena Shimba)

  • Authors: Group of 9 Bena Shimba women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Bakwanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139183 , vital:37712 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-01
  • Description: This group belonged to the Bena Shimba clan. As well as tipping and sometimes singing into their gourds through a length of metal pipe or tube, the gourd-blowers also struck the sides of the gourds with their hands. The gourds of this group were handsomely decorated with metal studs arranged in patterns. When asked when they performed this song, the answer was, "we sing it for funerals, but also on any sad occassion, for example when a man has to pay a large sum of money to another. Lament with 3 singing gourds (Chipuri), 1 basket rattle (-12.54-), hand clapping (-12.03-) and 1 bottle (-12.17-).
  • Full Text: false
  • Date Issued: 1957

Wenda nemukwene wa mudinga (If you walk with your friend, tell him to walk discreetly)

Mukwenu wadima madima

Singa tumbo yawa nduba

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