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Kalele kiwetu yamba mwana ambaya

- Large group of Kasai women, Hugh Tracey

Kalombo (Thank you)

- Large group of Lunda women and Kalemba, Hugh Tracey

  • Authors: Large group of Lunda women and Kalemba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
  • Language: Lunda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139490 , vital:37743 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-09
  • Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
  • Full Text: false
  • Date Issued: 1957

Kankola kame

- Group of Lunda women and Albertina Kashiala, Hugh Tracey

Kantende maninga

- 8 Luba men with Nyundu Gabriel (flute), Hugh Tracey

Kupa lomba uachi lela mezhi

- Large group of Kasai women and 5 men, Hugh Tracey

  • Authors: Large group of Kasai women and 5 men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bakwakulumba-Kalamuzeu f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183913 , vital:44083 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-04
  • Description: One drummer raised and lowered the pitch of his drum by pressing his left elbow on and off the membrane of the drum. This excellent item gives a good impression of the spirit of the Mambala dance, the attractive lift to the rhythm, the sure participation of the dancers and the clever drumming of the men. The tone value of the mirliton placed on the side of the closed drums is well illustrated. The Mambala is clearly an enjoyable dance. Mambala dance with 4 goblet drums, closed, pinned, weighted with mirlitons and hand beaten, pieces of wood struck together, metal bell used as rattle
  • Full Text: false
  • Date Issued: 1957

Kyabula wa in kande Mpuya (You paddler of the canoe, save me)

- R. Chimengwa and 5 Kaonde men, Hugh Tracey

  • Authors: R. Chimengwa and 5 Kaonde men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Kaonde (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Solwezi f-za
  • Language: Kaonde
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139241 , vital:37718 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-05
  • Description: The gist of the song is about a man who was drowning in the river, and he called on all his friends to come and save him. His canoe was drifiting away and he could not swim. This song, they said, was used when going to raid the Lozi tribe manay years ago, before Europeans came to the country in the nineteenth century. Fighting song.
  • Full Text: false
  • Date Issued: 1957

Libela (We are going to dance)

- R. Chimengwa and 5 Kaonde men, Hugh Tracey

Luba Drum Rhythms

- Kabongo Alfred, Kayemba Donatien, Kayemba Dita, Mukendi Jean, Mukendi Crispin, Punga Justin, Muleka Therese, Hugh Tracey

Lulua mukwabumba

- Anastasia Bampelea, Luba women, Hugh Tracey

Luwendo

- Group of 6 Luba men, Hugh Tracey

Malona diya wadikenge leli kufwa (Malona was warned of danger)

- Group of 14 Lunda men and 4 women, Hugh Tracey

  • Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
  • Language: Lunda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139357 , vital:37730 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-14
  • Description: "Malona was warned of danger but she paid no attention and thus met with an accident." This song follows common Lunda pattern with the chorus singing in organum. The Lunda tribe occupy the watershed from which three great rivers arise: the Zambezi, the Lualaba and the Kasai, the one flowing east to the Indian ocean and the other two comprising the main southern branches of the Congo flowing westwards to the Atlantic. Kahaku ceremonial dance song with rattle and struck bottle.
  • Full Text: false
  • Date Issued: 1957

Masengu

- Kasongo Adalbert, Hugh Tracey

Mazha

- Group of 6 Luba men, Hugh Tracey

  • Authors: Group of 6 Luba men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137680 , vital:37549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-03
  • Description: "Masha" , the player of the female xylophone turned his left hand rubber-headed beater around, and hit the tonic (194 vs) continously while playing normally with the right hand, after the fashion of the Kanyoka players. The male range is 194 vs through two octaves and 1 note to 880. The female has two notes below 194 i.e. 160 and 144. 194 appears to be the tone centre. The scale of the instrument as follows: 880 776, 640, 576, 520, 480, 440, 388, 320, 288, 260, 240, 220, 194, 160. Ceremonial pieces for a Chief with 2 Siimba xylophones, 3 goblet drums, pinned, weighted, closed, with mitlitons and hand beaten.
  • Full Text: false
  • Date Issued: 1957

Mbainaka (Farewell-I am going)

- Alexis Chovu and group of 12 Bena Shimba women, Hugh Tracey

Mudima zenzele (Mad bat)

- Kaseba Anatole, Hugh Tracey

Muleba mushianda tato

- Ngoi Nono, Kabongo Anastase with 9 Luba men, Hugh Tracey

Muleka mwene ngoie

- A. Kaseba, Hugh Tracey

  • Authors: A. Kaseba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137904 , vital:37572 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR040-07
  • Description: The singer goes on to enumerate all the various districts where the rumor of the fame of this legendary beauty has arrived. "Muleka is a girl so beautiful that her fame has spread far and wide throughout the Kasai." This is a good example of a new accompaniment to an indifenous form of song. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1957

Musambo

- Large group of of Luba men and women, Hugh Tracey

Musambo kabwalala ya ba lalua

- Group of Lulua men, women and girls, Hugh Tracey

  • Authors: Group of Lulua men, women and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Dibaya f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183904 , vital:44082 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-03
  • Description: This item has an interesting opening, the two Chisahnji coming in one after the other, followed by the drum, solo voice and eventually the people until the whole dance is in full swing. It is notable that the basis of the song is not merely repetitive. Bitanda Kakunda dance, with 2 Chisahanji gourd resonator, 1 goblet drum, weighted, pinned and hand beaten, 3 basket rattles and hand clapping
  • Full Text: false
  • Date Issued: 1957

Mutoka chini

- Nyundu Gabriel (flute) and Kwadi Bonza (mbira) with Luba men, Hugh Tracey

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