Showing items 121 - 140 of 162

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Ndamutemba Nyanja

- Ganizani Nyirenda, Hugh Tracey

Ndarama zao kusowa

- Benson Phiri, Chewa men, Tracey, Hugh

Ndilandile kalata kwa Masula

- Falesi Phiri, Chewa women and girls, Tracey, Hugh

Ndipeko kayuni karimbula

- Nezala Shonga, Hugh Tracey

  • Authors: Nezala Shonga , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185326 , vital:44365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-09
  • Description: The singer remarks upon the cleverness of the whitemen in fighting with planes and guns. "Zekaria my friend, they even fly by night." At the end of the song he calls out "I have played very well! It is finished." Humorous aong with Bango board zither
  • Full Text: false
  • Date Issued: 1950

Nidapalamula I

- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey

Nidapalamula II

- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey

Nkhawa na dada

- Joel Jere, Ngoni men, Hugh Tracey

  • Authors: Joel Jere , Ngoni men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Nkata Bay f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185047 , vital:44321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-01
  • Description: The game sung here by men is usually played by children with two logs on the ground about 3 feet apart with another log between them like the letter H. The child lies along this third log and is bumped by the the others onto the first two at head and foot. This kind of singing game, they say has been done for twenty years or more. Singing game for children, with sticks beaten on the ground
  • Full Text: false
  • Date Issued: 1950

Nkhopa lero

- Widisoni Mazuku, Tumbuka men and women, Hugh Tracey

  • Authors: Widisoni Mazuku , Tumbuka men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185543 , vital:44396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-18
  • Description: This is an exhibition dance done by one or more dancers for the entertainment of the crowd. The drummers are men, friends of the solo dancer and the women of the village sing his dance song for him. His dance consists of a series of rhythmic shakes particularly from his waist down. He wears African made iron bells below the knee and above the ankle. Vimbuza dance song with 2 Goblet Mpanje drums and Mangwanda bells
  • Full Text: false
  • Date Issued: 1950

Nthumba na lume

- Lucy Nyamangwe, Tonga girls, Hugh Tracey

Okoma sakwatana

- Ganizani Nyirenda, Hugh Tracey

Oo! madoda!

- Falesi Phiri, Chewa women and girls, Tracey, Hugh

  • Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/187298 , vital:44598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-09
  • Description: "Men, rejoice and honour the flag of our King George!" This is the kind of African dance tune in which the qauntity of noise is more important than the quality of its production. The style of singing appears to be influenced by the songs usually taught in schools and cannot be said to be wholly indigenous in form. The women first sing and then circle around to the sound of the drums. They shake to and fro side to side, their fronts counter balancing their sterns in opposite motion. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
  • Full Text: false
  • Date Issued: 1950

Paja mundikonda mundilembele kalata

- Ganizani Nyirenda, Hugh Tracey

Paryi vilipo visika alendo amwe

- Alfuledi Nyoni, Tumbuka men, Hugh Tracey

Pasi pali kugona nkhulina

- Yafeti Zimba, Jafeti Zimba, Hugh Tracey

  • Authors: Yafeti Zimba , Jafeti Zimba , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kazimba f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185222 , vital:44341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-20
  • Description: The drinking songs of this area are largely composed of shouting and chanting without intelligable words. "Good people are lying dead under the ground! My wife boil the water for our beer." The two voices cause a celeste between them similar to the sound of over-modulation. Drinking song with clapping
  • Full Text: false
  • Date Issued: 1950

Pendeka

- Lucy Nyamangwe, Tonga women, Hugh Tracey

Roda ndirinde

- Nezala Shongs, Hugh Tracey

  • Authors: Nezala Shongs , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185095 , vital:44327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-06
  • Description: "Roda wait for me, I have been following you a long way. Please wait, I want to talk yo you." The singer is Ngoni buy belongs to one of the small Ngoni groups now living amongst the Tumbuka. Love song with Bango board Zither (7 notes)
  • Full Text: false
  • Date Issued: 1950

Slia Lazaro soka

- Beti Kamanga, Hugh Tracey

Suzgu muyaya

- Beti Kamanga, Hugh Tracey

  • Authors: Beti Kamanga , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184812 , vital:44274 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-01
  • Description: "Men from our country are living in Rhodesia with other tribes. While we, left at home, are enduring all the difficulties of Nyasaland (Present day Malawi)." This is well supported by the statistics (1950); it is said that of 20,000 Tonga of this Chinteche District, 8,000 have left permantely from Southern and Northern Rhodesia and South Africa, another 8,000 are away and expected to return within 5 years, and 4,000 only remain in the country, most of whom will be off again as soon as their money is spent. The women and old men are left to do all the agricultural and home work. Topical song with Bangwe raft zither, 7 strings
  • Full Text: false
  • Date Issued: 1950

Tangu kwata m'cembele

- Khwele Kwenda, Hugh Tracey

  • Authors: Khwele Kwenda , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
  • Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
  • Full Text: false
  • Date Issued: 1950

Tate o mwale de

- Shawa, Govati, Chewa women, Hugh Tracey

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