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Geochemistry and petrogenesis of the Etendeka volcanic rocks from SWA Namibia

- Erlank, Anthony J, Marsh, Julian S, Duncan, Andrew R, Miller, R M, Hawkesworth, C J, Betton, P J, Rex, D C

  • Authors: Erlank, Anthony J , Marsh, Julian S , Duncan, Andrew R , Miller, R M , Hawkesworth, C J , Betton, P J , Rex, D C
  • Date: 1984
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/133923 , vital:37041 , https://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetailamp;idt=6519919
  • Description: The volcanic rocks of the Etendeka Formation from north-west SWA/Namibia have a present-day coverage of 70,000 km² and comprise a series of interbedded basalts, latites and quartz latites, together with four varieties of intrusive dolerite. Apart from one group of dolerites (regional dolerites) which have mineralogical and geochemical similarities to the Lesotho Formation lavas from the Central area, the Etendeka volcanics differ from all other Karoo volcanics by virtue of their Cretaceous age, stratigraphy, mineralogy, geochemistry, and range in mineralogical, elemental and isotopic compositions for the basaltic rocks.
  • Full Text:
  • Date Issued: 1984

Geochemistry of Karoo basalts and dolerites in the northeastern Orange Free State: Recognition and origin of the new Karoo basalt magma types.

- Marsh, J S

  • Authors: Marsh, J S
  • Date: 1984
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/71283 , vital:29829
  • Description: One of the most significant results emerging from the Karoo Volcanics Project of the NGP ls the recognition of a number of geochemically distinct basalt magma types occurring within the lower part of the Karoo volcanic pile in the Northeastern Cape and Southern Lesotho.
  • Full Text: false
  • Date Issued: 1984

Geochemistry of Karoo basalts and dolerites in the northeastern Orange Free State: Recognition and origin of the new Karoo basalt magma types.

- Marsh, Julian S

  • Authors: Marsh, Julian S
  • Date: 1984
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/71288 , vital:29830
  • Description: One of the most significant results emerging from the Karoo Volcanics Project of the NGP ls the recognition of a number of geochemically distinct basalt magma types occurring within the lower part of the Karoo volcanic pile in the Northeastern Cape and Southern Lesotho.
  • Full Text:
  • Date Issued: 1984

Gloria

- Vallem, Umlambi, Mixed Church Choir and Queenstown Cathedral Congregation, Composer Not Specified, Dargie, Dave, Huwiler, Kurt

Goethe's theory of colours: Rudolf Steiner's foundation for an impulse in painting

- Coetzee, Cyril Lawlor

  • Authors: Coetzee, Cyril Lawlor
  • Date: 1984
  • Subjects: Goethe, Johann Wolfgang Von, 1749-1832 -- Aesthetics Steiner, Rudolf, 1861-1925 Color in art Painting, Modern Goethe, Johann Wolfgang Von, 1749-1832 -- Knowledge -- Art
  • Language: English
  • Type: Thesis , Masters , MFA
  • Identifier: vital:2464 , http://hdl.handle.net/10962/d1008571
  • Description: From Introduction: In his influential treatise, Concerning the Spiritual in Art, Wassily Kandinsky refers to Goethe's "prophetic remark" made in connection with the relationship between the arts in which Goethe had asserted that "painting must count this relationship her main foundation". Kandinsky went on to say that Painting in his day stood "at the first stage of a road by which she abstraction of composition". I will, according to her thought and arrive own possibilities, make art an finally at purely artistic What he seems to have been suggesting is that form, colour and sound are differentiated expressions of a unifying spiritual content, that this spiritual content lives also somehow in the human soul and that it is the new task of the artist to awaken original creativity from out of this spirit by working consciously in creative empathy with the laws implicit in form, colour and sound. The extent to which this view of creativity is indebted to Goethe is only fully realised when it is discovered how closely Kandinsky's writings on colour recapitulate his. In an unpublished essay: Goethe's Theory of Colours : Its relation to some aspects in . the history of Art, Michael Grimly argues that not only Kandinsky in Germany but also Chevreul, the colour-theoretician who was, in France, the leading light, in a technical sense, both of Delacroix and of the Impressionists simply repeats in his writings on Colour many of the ideas that Goethe had already formulated.
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  • Date Issued: 1984

Gold Fields House - under construction

  • Date: 1984
  • Subjects: Rhodes University -- Buildings -- Photographs Rhodes University -- History -- Photographs
  • Type: Image
  • Identifier: http://hdl.handle.net/10962/33619 , vital:24165 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6596
  • Full Text: false
  • Date Issued: 1984

Gold Fields House - under construction

  • Date: 1984
  • Subjects: Rhodes University -- Buildings -- Photographs Rhodes University -- History -- Photographs
  • Type: Image
  • Identifier: http://hdl.handle.net/10962/33628 , vital:24166 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 6597
  • Full Text: false
  • Date Issued: 1984

Great Amen

- Vallem, Umlambi, Mixed Church Choir and Queenstown Cathedral Congregation, Composer Not Specified, Dargie, Dave, Huwiler, Kurt

Haleluya Haleluya Nanku mzimba

- Zola Choir, Composer Not Specified, Dargie, Dave

Helele Homna

- Maryville Centre workshop participants, Dargie, Dave

Heleleho wemama

- Ndini, Nobonile, Maci, Noiron, Composer Not Specified, Dargie, Dave

History field trips in and around East London as related to the standard eight Cape history syllabus

- Marshall, B I C

Holy God we praise

- Church Congregation, Composer not specified, Dargie, Dave, Huwiler, Kurt

Holy God we praise thy name

- Queenstown Roman Catholic Cathedral ordination choir of 1984, Composer not specified, Dargie, Dave

Holy God we Praise thy name

- Nowotay, N., Doctor, Mixed Church Choir and Queenstown Cathedral Congregation, Composer Not Specified, Dargie, Dave, Huwiler, Kurt

Holy Holy

- Maryville Centre workshop participants, Dargie, Dave

Hosannah

- St Augustines' Congregation, Composer Not Specified, Dargie, Dave

Igazi leMvana

- Zola Choir, Jouberton Marimbas, Dargie, Dave

  • Authors: Zola Choir , Jouberton Marimbas , Dargie, Dave
  • Date: 1984
  • Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Soweto f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/290479 , vital:56753 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD082-13
  • Description: Sunday Mass hymn at Zondi, Soweto with marimba accompaniment.
  • Full Text: false
  • Date Issued: 1984

Igazi Lemvana

- Queenstown Roman Catholic Cathedral ordination choir of 1984, Banana, C., President Reverand, Dargie, Dave

Igazi Lemvana

- Mixed Church Choir and Queenstown Cathedral Congregation, Vallem, Umlambi, Composer Not Specified, Dargie, Dave, Huwiler, Kurt

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