Endai kwenyu watonga, usare machinda (Go away home Watonga, leaving the sons of Chiefs)
- S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera, Hugh Tracey
- Authors: S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179155 , vital:39868 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-10
- Description: This item is based upon well known and traditional melody of the region which has changed little, if al all, in the last thirty years when first recorded by me (Hugh Tracey), the only distinguishable difference merely reflecting the relative ability of the various players. This style of playing and the type of Mbira used, the Madebe dza Mondoro, are common both to the Sena/Tonga tribe and the Budya clan of the Korekore tribe in the Mtoko district who live further west. Party song with 3 Matebe dza Mondoro (Mbira) and Murumbi drum.
- Full Text: false
- Date Issued: 1959
- Authors: S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179155 , vital:39868 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-10
- Description: This item is based upon well known and traditional melody of the region which has changed little, if al all, in the last thirty years when first recorded by me (Hugh Tracey), the only distinguishable difference merely reflecting the relative ability of the various players. This style of playing and the type of Mbira used, the Madebe dza Mondoro, are common both to the Sena/Tonga tribe and the Budya clan of the Korekore tribe in the Mtoko district who live further west. Party song with 3 Matebe dza Mondoro (Mbira) and Murumbi drum.
- Full Text: false
- Date Issued: 1959
Kari muchipfuwa kanaziwa ne mwene wako (What is in your heart only yourself can tell)
- Murira, Madzikuminga, Muzengedza and Madera, Hugh Tracey
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179105 , vital:39866 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-08
- Description: The great volume of sound mabe by the Matebe inside their resonators of large gourds gives a grand impression of what it is like to play in a band of this nature. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179105 , vital:39866 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-08
- Description: The great volume of sound mabe by the Matebe inside their resonators of large gourds gives a grand impression of what it is like to play in a band of this nature. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
Mbiya ambwiya wo tiende (Grandmother, let us go)
- Authors: Jesi Tembo , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179081 , vital:39872 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-14
- Description: A hyena's grandmother died and so he went off to suckle from a woman in order to show people that he was in reality the son of the woman. The meaning of this story is not clear, though it is among the many African stories in which people turn themselves or are turned into animals to stress a moral point. Story song.
- Full Text: false
- Date Issued: 1959
- Authors: Jesi Tembo , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179081 , vital:39872 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-14
- Description: A hyena's grandmother died and so he went off to suckle from a woman in order to show people that he was in reality the son of the woman. The meaning of this story is not clear, though it is among the many African stories in which people turn themselves or are turned into animals to stress a moral point. Story song.
- Full Text: false
- Date Issued: 1959
Murumi wakaenda ku Harari (The man who went to Harari (Salsibury))
- Tonga married women, Hugh Tracey
- Authors: Tonga married women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179134 , vital:39871 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-13
- Description: The story concerns a husband who went off to work at Harari (Salisbury) and spent three years there. But when he came back he only brought to his wife an empty sack or a hat or just paper only, or a mouse skin, or a mole. In factnothing of value at all! Story song.
- Full Text: false
- Date Issued: 1959
- Authors: Tonga married women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179134 , vital:39871 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-13
- Description: The story concerns a husband who went off to work at Harari (Salisbury) and spent three years there. But when he came back he only brought to his wife an empty sack or a hat or just paper only, or a mouse skin, or a mole. In factnothing of value at all! Story song.
- Full Text: false
- Date Issued: 1959
Njenjenje
- Madzimbone and younf Tonga women, Hugh Tracey
- Authors: Madzimbone and younf Tonga women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179199 , vital:39870 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-12
- Description: The leader was an old woman and the chorus a number of young married women. Party song.
- Full Text: false
- Date Issued: 1959
- Authors: Madzimbone and younf Tonga women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179199 , vital:39870 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-12
- Description: The leader was an old woman and the chorus a number of young married women. Party song.
- Full Text: false
- Date Issued: 1959
Ririka-ririka rerera-ririka (When I die what shall I leave behind)
- Young Tonga women, Hugh Tracey
- Authors: Young Tonga women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179210 , vital:39869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-11
- Description: A song sung after supper in the evening. Party song.
- Full Text: false
- Date Issued: 1959
- Authors: Young Tonga women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko District, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179210 , vital:39869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-11
- Description: A song sung after supper in the evening. Party song.
- Full Text: false
- Date Issued: 1959
Waramba ukuma (He refused the relationship)
- Murira, Madzikuminga, Muzengedza and Madera, Hugh Tracey
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179072 , vital:39867 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-09
- Description: "You refused friendship, Machinda. You refused friendship, it is worn out." Machinda was the title given to the sons of the Monomotapa and may well have come down from those days in the sixteenth century when the Monomotapa held sway over this part of what is now Southern Rhodesia. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
- Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179072 , vital:39867 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-09
- Description: "You refused friendship, Machinda. You refused friendship, it is worn out." Machinda was the title given to the sons of the Monomotapa and may well have come down from those days in the sixteenth century when the Monomotapa held sway over this part of what is now Southern Rhodesia. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
- Full Text: false
- Date Issued: 1959
Ai-ye! Nzara yakabora (Ai-ye! Famine has come)
- Young Tonga men and girls, Hugh Tracey
- Authors: Young Tonga men and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179125 , vital:39861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-05
- Description: The reed pipe players both sang and blowed their pipes alternately each having a distinct part in the complex whole. This recording omitted the usual drum accompaniment for clarity's sake only. Gororombe dance with 4 sets of end blown pipes, rattles and drums.
- Full Text: false
- Date Issued: 1958
- Authors: Young Tonga men and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179125 , vital:39861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-05
- Description: The reed pipe players both sang and blowed their pipes alternately each having a distinct part in the complex whole. This recording omitted the usual drum accompaniment for clarity's sake only. Gororombe dance with 4 sets of end blown pipes, rattles and drums.
- Full Text: false
- Date Issued: 1958
China mureya
- Zemaria Leon Marunga, Hugh Tracey
- Authors: Zemaria Leon Marunga , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156445 , vital:40002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-03
- Description: The tune is said to be connected with a song about a person who did not like giving food away to anyone else. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Zemaria Leon Marunga , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156445 , vital:40002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-03
- Description: The tune is said to be connected with a song about a person who did not like giving food away to anyone else. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
Doka, wandimara chiperi (They have refused me the beans)
- Nyungwe men and women, Hugh Tracey
- Authors: Nyungwe men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Tete f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156490 , vital:40009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-08
- Description: The drums were brought in order. The small time keeper first. All were played with sticks except Tewe, the largest. Dai dance with 5 drums.
- Full Text: false
- Date Issued: 1958
- Authors: Nyungwe men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Tete f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156490 , vital:40009 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-08
- Description: The drums were brought in order. The small time keeper first. All were played with sticks except Tewe, the largest. Dai dance with 5 drums.
- Full Text: false
- Date Issued: 1958
Famba mpore usadngana mumbuyo (Go over carefully, do not look behind you)
- Authors: Zuake Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Malawi Bulolo, Chiromo District f-rh
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156436 , vital:40001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-02
- Description: He says the instrument he plays belonged to his father who lived South of the Zambezi near Sena, but who migrated about 150 miles north up the Shire river tributary to the Zambezi into Nyasaland. The old man was so pleased with his performance that when we played back his recording he immediately began to play himself in accompaniment. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Zuake Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Malawi Bulolo, Chiromo District f-rh
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156436 , vital:40001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-02
- Description: He says the instrument he plays belonged to his father who lived South of the Zambezi near Sena, but who migrated about 150 miles north up the Shire river tributary to the Zambezi into Nyasaland. The old man was so pleased with his performance that when we played back his recording he immediately began to play himself in accompaniment. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
Kari muchipfuwa kana ziwa ne mwene (Only you can tell what you are thinking in your heart)
- Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza, Hugh Tracey
- Authors: Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156550 , vital:40019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-14
- Description: "In your heart (litt. in your chest.") This tune they said, is played at any time and on any occassion when the music of the Matebe is called for. The three outside notes on either hand are plucked upwards by the first fingers. Scale of the instrument:- 158, 140, 124, 114, 104, 95, 86, 79. Topical song with 3 Matebe dza Mondoro mbira bell and 1 Murumbi bowl drum.
- Full Text: false
- Date Issued: 1958
- Authors: Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156550 , vital:40019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-14
- Description: "In your heart (litt. in your chest.") This tune they said, is played at any time and on any occassion when the music of the Matebe is called for. The three outside notes on either hand are plucked upwards by the first fingers. Scale of the instrument:- 158, 140, 124, 114, 104, 95, 86, 79. Topical song with 3 Matebe dza Mondoro mbira bell and 1 Murumbi bowl drum.
- Full Text: false
- Date Issued: 1958
Kore kore
- Younf Tonga men and women, Hugh Tracey
- Authors: Younf Tonga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179190 , vital:39860 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-04
- Description: The four drums used were 1) Mutumba, an open conical drum 37" tall, 11" membrane; 2) Jenje, an open cylindrical drum 14" tall on three legs with 10" head; 3) Miningo karipi-karipi, another conical open drum 25' tall with 9 and 4 quarter head; and a small closed drum, Usindi, 11" tall with 7 and a half head, on a three legged pedestal. The player of the two drums, Mutumba and Jenje, used his right heel to raise and lower the pitch of the Jenje as it lay on the ground beside the longer Mutumba, playing only with his hands. The other two players used sticks. The reeds were imported from the Salisbury district as no such reed grows in this district, they say, except in the Mazoe river nine miles away which was not so good as these. Four sets of end blown flutes (--11,325--). (1) 3 tied together. Katero, pitch 784, 744 and 680 vs (4 and a half" - 5") (2) 3 tied together. Shauriro, 680, 600, 552 vs (5 and a quarter , 6 and a quarter) (3) 2 tied together. Dendera, 504 and 448 vs (7", 7 and a half") (4) 2 tied together. Madobi, 416, 384 vs. (8 and a half, 8 and 3 quarters). Gororambe dance with end blown pipes, drums and rattles.
- Full Text: false
- Date Issued: 1958
- Authors: Younf Tonga men and women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179190 , vital:39860 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-04
- Description: The four drums used were 1) Mutumba, an open conical drum 37" tall, 11" membrane; 2) Jenje, an open cylindrical drum 14" tall on three legs with 10" head; 3) Miningo karipi-karipi, another conical open drum 25' tall with 9 and 4 quarter head; and a small closed drum, Usindi, 11" tall with 7 and a half head, on a three legged pedestal. The player of the two drums, Mutumba and Jenje, used his right heel to raise and lower the pitch of the Jenje as it lay on the ground beside the longer Mutumba, playing only with his hands. The other two players used sticks. The reeds were imported from the Salisbury district as no such reed grows in this district, they say, except in the Mazoe river nine miles away which was not so good as these. Four sets of end blown flutes (--11,325--). (1) 3 tied together. Katero, pitch 784, 744 and 680 vs (4 and a half" - 5") (2) 3 tied together. Shauriro, 680, 600, 552 vs (5 and a quarter , 6 and a quarter) (3) 2 tied together. Dendera, 504 and 448 vs (7", 7 and a half") (4) 2 tied together. Madobi, 416, 384 vs. (8 and a half, 8 and 3 quarters). Gororambe dance with end blown pipes, drums and rattles.
- Full Text: false
- Date Issued: 1958
Kusambare (I have no relatives)
- Authors: Zuake Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Malawi Bulolo, Chiromo District f-rh
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156427 , vital:40000 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-01
- Description: He says the instrument he plays belonged to his father who lived South of the Zambezi near Sena, but who migrated about 150 miles north up the Shire river tributary to the Zambezi into Nyasaland. The old man was so pleased with his performance that when we played back his recording he immediately began to play himself in accompaniment. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Zuake Gumbo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Malawi Bulolo, Chiromo District f-rh
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156427 , vital:40000 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-01
- Description: He says the instrument he plays belonged to his father who lived South of the Zambezi near Sena, but who migrated about 150 miles north up the Shire river tributary to the Zambezi into Nyasaland. The old man was so pleased with his performance that when we played back his recording he immediately began to play himself in accompaniment. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
Marume ma shora Mambo(The man blames the Chief)
- Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza, Hugh Tracey
- Authors: Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156541 , vital:40015 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-13
- Description: This item gives one an idea of the authentic music of the larger kinds of Mbira. One peculiarity of this type of mbira is the irregular sequence of the lower notes in the left hand from note number 4 onwards the order of decending scale being: 7-5-4-6-9-8-10-11-12. Topical song with 3 Matebe dza Mondoro mbira bell and 1 Murumbi bowl drum.
- Full Text: false
- Date Issued: 1958
- Authors: Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156541 , vital:40015 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-13
- Description: This item gives one an idea of the authentic music of the larger kinds of Mbira. One peculiarity of this type of mbira is the irregular sequence of the lower notes in the left hand from note number 4 onwards the order of decending scale being: 7-5-4-6-9-8-10-11-12. Topical song with 3 Matebe dza Mondoro mbira bell and 1 Murumbi bowl drum.
- Full Text: false
- Date Issued: 1958
Musengu
- Murira, Madzikununga, Muzengedza and Madero, Hugh Tracey
- Authors: Murira, Madzikununga, Muzengedza and Madero , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155127 , vital:39857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-01
- Description: The leader starts the tune the second part coming in at 15 seconds, and the third at 27 seconds. Yodelling of this nature is typical of many South Rhodesian folk tunes. The drum comes in at 1m. 27s. and the drummer hits the body of the drum as well as the membrane. Mondoro song for ancestral rites with 3 Matebe dza Mondoro (Mbira) and a drum.
- Full Text: false
- Date Issued: 1958
- Authors: Murira, Madzikununga, Muzengedza and Madero , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mtoko, Southern Rhodesia f-rh
- Language: Tonga/Sena
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155127 , vital:39857 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-01
- Description: The leader starts the tune the second part coming in at 15 seconds, and the third at 27 seconds. Yodelling of this nature is typical of many South Rhodesian folk tunes. The drum comes in at 1m. 27s. and the drummer hits the body of the drum as well as the membrane. Mondoro song for ancestral rites with 3 Matebe dza Mondoro (Mbira) and a drum.
- Full Text: false
- Date Issued: 1958
Musengu
- Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza, Hugh Tracey
- Authors: Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156559 , vital:40020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-15
- Description: A lovely and typical melody of the district in this north eastern section of Southern Rhodesia. The Matebe were played without their deme resonators. The range of these instruments is over 3 octaves. When he heard himself on the recording the leader Sani said, "I can die now, it does not matter, because I am inside that (record) now." "Why are you not consistent? You say one thing today and another tomorrow." Range of the instrument:- 79 to 688 vs. 3 octaves - 148. Mondoro song for ancestral rites with 3 Matebe dza Mondoro.
- Full Text: false
- Date Issued: 1958
- Authors: Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156559 , vital:40020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-15
- Description: A lovely and typical melody of the district in this north eastern section of Southern Rhodesia. The Matebe were played without their deme resonators. The range of these instruments is over 3 octaves. When he heard himself on the recording the leader Sani said, "I can die now, it does not matter, because I am inside that (record) now." "Why are you not consistent? You say one thing today and another tomorrow." Range of the instrument:- 79 to 688 vs. 3 octaves - 148. Mondoro song for ancestral rites with 3 Matebe dza Mondoro.
- Full Text: false
- Date Issued: 1958
Ndaramba miranda kumudzi kwangu (I will have more trouble in my home)
- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156472 , vital:40006 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-06
- Description: The instrument was played inside a somewhat broken gourd. The player said his mother was a Nyungwe and his father came from Cenelimane. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156472 , vital:40006 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-06
- Description: The instrument was played inside a somewhat broken gourd. The player said his mother was a Nyungwe and his father came from Cenelimane. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
Ndarira (I cry)
- Dawusi Chirongo, Hugh Tracey
- Authors: Dawusi Chirongo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156454 , vital:40004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-04
- Description: The player was a man about 55 years. His father taught him to play the instrument as a child. Tuning of the instrument:- 440, 408, 368, 328, 276, 220. Self delectative song with Kalimiba Mbira with external resonator.
- Full Text: false
- Date Issued: 1958
- Authors: Dawusi Chirongo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156454 , vital:40004 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-04
- Description: The player was a man about 55 years. His father taught him to play the instrument as a child. Tuning of the instrument:- 440, 408, 368, 328, 276, 220. Self delectative song with Kalimiba Mbira with external resonator.
- Full Text: false
- Date Issued: 1958
Ndasaya may angu (I have lost my mother)
- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156481 , vital:40007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-07
- Description: A simple repetitive tune with little to say. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958
- Authors: A. A. C. Lubino and 2 Nyungwe women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156481 , vital:40007 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-07
- Description: A simple repetitive tune with little to say. Topical song with Sanzi mbira bell.
- Full Text: false
- Date Issued: 1958