Guy Butler (obituary)
- Authors: Wright, Laurence
- Date: 1999
- Language: English
- Type: Article
- Identifier: vital:7052 , http://hdl.handle.net/10962/d1007411
- Description: An obituary focusing on Guy Butler's Shakespearean preoccupations. The 1999/2000 volume of Shakespeare in Southern Africa only appeared in 2001. The Butler obituary was included as a 'stop-press' item as the volume went to print, which accounts for the apparent anomaly between the date of publication and the date of Guy Butler's death.
- Full Text:
- Date Issued: 1999
- Authors: Wright, Laurence
- Date: 1999
- Language: English
- Type: Article
- Identifier: vital:7052 , http://hdl.handle.net/10962/d1007411
- Description: An obituary focusing on Guy Butler's Shakespearean preoccupations. The 1999/2000 volume of Shakespeare in Southern Africa only appeared in 2001. The Butler obituary was included as a 'stop-press' item as the volume went to print, which accounts for the apparent anomaly between the date of publication and the date of Guy Butler's death.
- Full Text:
- Date Issued: 1999
The Winter's Tale shaping our own Renaissance. A play for the 21st Century
- Authors: Wright, Laurence
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455874 , vital:75464 , https://hdl.handle.net/10520/AJA1011582X_198
- Description: The Winters Tale is an extraordinarily elusive play. My contention in this paper" is that, just as Hamlet became the Shakespearean drama for the nineteenth century, and King Lear spoke deeply to the twentieth centu-ry, so it may well be that The Winters Tale will take centre stage for the new millennium. We used to know what the play was about in an easy, non-problematic fashion. It was about repentance and reconciliation; it was about the cycle of the seasons; it was about the Pandosto sub-title,“The Triumph of Time"; later, it became a tricksy celebration of con-tention between Art and Nature (despite the considerable discomfort inflicted upon the dramatis personae), an experiment in the new genre of tragicomedy, or a glittering theatrical tour de force–a romance, but heartless and rather empty. I would maintain that beneath all such read-ings is the assumption that the play is really “a winter's tale': a some-what inconsequential yarn suitable for whiling away a cold evening round the fireside, a view often infused with some lingering taint of the Edwardian view that Shakespeare had “gone sloppy” in his technique."
- Full Text: false
- Date Issued: 1999
- Authors: Wright, Laurence
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455874 , vital:75464 , https://hdl.handle.net/10520/AJA1011582X_198
- Description: The Winters Tale is an extraordinarily elusive play. My contention in this paper" is that, just as Hamlet became the Shakespearean drama for the nineteenth century, and King Lear spoke deeply to the twentieth centu-ry, so it may well be that The Winters Tale will take centre stage for the new millennium. We used to know what the play was about in an easy, non-problematic fashion. It was about repentance and reconciliation; it was about the cycle of the seasons; it was about the Pandosto sub-title,“The Triumph of Time"; later, it became a tricksy celebration of con-tention between Art and Nature (despite the considerable discomfort inflicted upon the dramatis personae), an experiment in the new genre of tragicomedy, or a glittering theatrical tour de force–a romance, but heartless and rather empty. I would maintain that beneath all such read-ings is the assumption that the play is really “a winter's tale': a some-what inconsequential yarn suitable for whiling away a cold evening round the fireside, a view often infused with some lingering taint of the Edwardian view that Shakespeare had “gone sloppy” in his technique."
- Full Text: false
- Date Issued: 1999
Epic into Romance: The Tempest 4.1 and Virgil's Aeneid
- Authors: Wright, Laurence
- Date: 1996
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455641 , vital:75445 , https://hdl.handle.net/10520/AJA1011582X_95
- Description: At the conclusion of the betrothal masque for Ferdinand and Miranda, during the dance of the nymphs and reapers, Prospero calls out to the performing spirits," Well done, A void. No more." He has forgotten, as he tells us," that foul conspiracyl Of the beast Caliban and his confed-erates! Against my life"(4.1. 139-41). The entire spectacle vanishes into nothingness. Miranda and Ferdinand are taken aback. Miranda says she's never seen her father in such a state before. Prospero pretends that Ferdinand is alarmed, not by Prospero's own state of emotional disarray, but by the collapse of the masque. And he turns to Ferdinand and launches into what must be one of the three or four best-known speeches in Shakespeare: Be cheerful, sir; Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air, And, like the baseless fabric of this vision, The cloud-capped towers, the gorgeous palaces, The solemn temples, the great globe itself Yea, all which it inherit, shall dissolve, And, like this insub-stantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.(4.1. 148-158).
- Full Text:
- Date Issued: 1996
- Authors: Wright, Laurence
- Date: 1996
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455641 , vital:75445 , https://hdl.handle.net/10520/AJA1011582X_95
- Description: At the conclusion of the betrothal masque for Ferdinand and Miranda, during the dance of the nymphs and reapers, Prospero calls out to the performing spirits," Well done, A void. No more." He has forgotten, as he tells us," that foul conspiracyl Of the beast Caliban and his confed-erates! Against my life"(4.1. 139-41). The entire spectacle vanishes into nothingness. Miranda and Ferdinand are taken aback. Miranda says she's never seen her father in such a state before. Prospero pretends that Ferdinand is alarmed, not by Prospero's own state of emotional disarray, but by the collapse of the masque. And he turns to Ferdinand and launches into what must be one of the three or four best-known speeches in Shakespeare: Be cheerful, sir; Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air, And, like the baseless fabric of this vision, The cloud-capped towers, the gorgeous palaces, The solemn temples, the great globe itself Yea, all which it inherit, shall dissolve, And, like this insub-stantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.(4.1. 148-158).
- Full Text:
- Date Issued: 1996
A checklist of South African theses and dissertations on Shakespeare
- Authors: Wright, Laurence
- Date: 1993
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455547 , vital:75438 , https://hdl.handle.net/10520/AJA1011582X_23
- Description: This checklist is in two parts. The first lists South African Shakespearean theses and dissertations, as well as some work on Shakespeare completed abroad by South Africans recently or currently active in the country. A few items in which Shakespeare is an important subordinate focus are included. The second list is devoted to Shakespearean pedagogy. Neither list is comprehensive.
- Full Text:
- Date Issued: 1993
- Authors: Wright, Laurence
- Date: 1993
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455547 , vital:75438 , https://hdl.handle.net/10520/AJA1011582X_23
- Description: This checklist is in two parts. The first lists South African Shakespearean theses and dissertations, as well as some work on Shakespeare completed abroad by South Africans recently or currently active in the country. A few items in which Shakespeare is an important subordinate focus are included. The second list is devoted to Shakespearean pedagogy. Neither list is comprehensive.
- Full Text:
- Date Issued: 1993
English in South Africa : effective communication and the policy debate : inaugural lecture delivered at Rhodes University
- Authors: Wright, Laurence
- Date: 1993
- Subjects: Communication -- South Africa , English language -- South Africa , South Africa -- Politics and government -- 1993-1994
- Language: English
- Type: Text
- Identifier: vital:683 , http://hdl.handle.net/10962/d1020752 , ISBN 0620031557
- Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
- Full Text:
- Date Issued: 1993
- Authors: Wright, Laurence
- Date: 1993
- Subjects: Communication -- South Africa , English language -- South Africa , South Africa -- Politics and government -- 1993-1994
- Language: English
- Type: Text
- Identifier: vital:683 , http://hdl.handle.net/10962/d1020752 , ISBN 0620031557
- Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
- Full Text:
- Date Issued: 1993
Aspects of Shakespeare in post-colonial Africa
- Authors: Wright, Laurence
- Date: 1990
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455614 , vital:75443 , https://hdl.handle.net/10520/AJA1011582X_182
- Description: Two views capture in cameo the most obvious conflict over Shake-speare's presence in post-colonial Africa. The late Okot p'Bitek, when newly appointed as Director of Uganda's National Theatre, set tradi-tional drummers to play outside the building; he was, in David Rubadiri's words," challenging... the British Council, which thought it had exclusive rights to put Shakespeare there all the time instead of getting the ordi-nary people... to come and see local plays".
- Full Text:
- Date Issued: 1990
- Authors: Wright, Laurence
- Date: 1990
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455614 , vital:75443 , https://hdl.handle.net/10520/AJA1011582X_182
- Description: Two views capture in cameo the most obvious conflict over Shake-speare's presence in post-colonial Africa. The late Okot p'Bitek, when newly appointed as Director of Uganda's National Theatre, set tradi-tional drummers to play outside the building; he was, in David Rubadiri's words," challenging... the British Council, which thought it had exclusive rights to put Shakespeare there all the time instead of getting the ordi-nary people... to come and see local plays".
- Full Text:
- Date Issued: 1990
Shakespeare and the bomber pilot: A reply to Colin Gardner
- Authors: Wright, Laurence
- Date: 1988
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455734 , vital:75452 , https://hdl.handle.net/10520/AJA1011582X_59
- Description: I want to start at what may seem an unfair distance from the kind of view Colin Gardner has put forward. Early in 1947 the date is signifi-cant-a group of science students at Cambridge asked that some lec-tures on English Literature be organised for their special benefit. TR Henn responded and versions of his lectures were later published as The Apple and the Spectroscope (1951). In the book, Henn records the reaction of one of his students to Macbeth's speech at 1.7. 16-25: Be-sides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongu'd against The deep damnation of his taking off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubin, hors'd U pan the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
- Full Text:
- Date Issued: 1988
- Authors: Wright, Laurence
- Date: 1988
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455734 , vital:75452 , https://hdl.handle.net/10520/AJA1011582X_59
- Description: I want to start at what may seem an unfair distance from the kind of view Colin Gardner has put forward. Early in 1947 the date is signifi-cant-a group of science students at Cambridge asked that some lec-tures on English Literature be organised for their special benefit. TR Henn responded and versions of his lectures were later published as The Apple and the Spectroscope (1951). In the book, Henn records the reaction of one of his students to Macbeth's speech at 1.7. 16-25: Be-sides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongu'd against The deep damnation of his taking off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubin, hors'd U pan the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
- Full Text:
- Date Issued: 1988