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Mulipe Kodi

- Madeje Matengo with Gogo women, Hugh Tracey

  • Authors: Madeje Matengo with Gogo women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174165 , vital:42448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR154-08
  • Description: "I have gone down the hill many a time. In answer to the call from the chief. All they tell us is 'Pay your tax'." An attractive chant in which Gogo people find consolation by singing about themselves. This song is a typical example of Gogo 'lining' where the soloist gives out the first word of the next stanza. At the end of the song one singer shouts out 'Bas', 'the end'. Topical song
  • Full Text: false
  • Date Issued: 1950

Mulipe kodi

- Matergo, Madeje, Gogo men, Tracey, Hugh

Mwimbizi wa Nindo

- Malaika Chedega with Gogo men and women, Hugh Tracey

  • Authors: Malaika Chedega with Gogo men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dodoma f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174291 , vital:42463 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-06
  • Description: "I am the best singer and my songs are liked by many people. I will compose new songs which will defeat others in the same way that the King (King George VI) defeated Hitler." The Gogo people have long imitated their neighbours the Masai and have copied many customs, particularly in cosmetics and coiffure. The group singing this song was more colourful than most Bantu, the women wearing bright coloured clothes and beads, the men smeared with red ochre and fat. Nindo praise song.
  • Full Text: false
  • Date Issued: 1950

Mwimbizi Wa Nindo

- Chedeza, Malaika, Gogo men and women, Tracey, Hugh

Mzelelo wanja tsawu kohotela

- Nyhomwanili, Gogo men and women, Composer not specified, Tracey, Hugh

Mzelelo wanju isawu kolotela nili

- Nyinamwaluku, Gogo People, Composer not specified, Tracey, Hugh

Ngoma drum rhythms

- Nhonyi Maluwatu with Gogo women, Hugh Tracey

  • Authors: Nhonyi Maluwatu with Gogo women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174156 , vital:42447 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR154-07
  • Description: The first rhythm was based upon the words of a lullaby "Mwana hai yo hee." "Keep silent my child". The second had no word base. The drums were all played by women standing in a circle with their drums held between their knees. They played with great vitality. The drums varied from about 12" across to small ones of about 3" only. Each type of drum maintained its own rhythm which can be heard i the recording. Ngoma drum rhythms.
  • Full Text: false
  • Date Issued: 1950

Nkanga zikulima

- Nyakwela, Gogo men and women, Composer not specified, Tracey, Hugh

Nkanga Zikulima

- Nyakwela, Composer not specified, Tracey, Hugh

Nkanga Zikulima

- Nyakwela, Gogo men and women, Composer not specified, Tracey, Hugh

Nkanga zikulima

- Nyakela with Gogo man and women, Hugh Tracey

  • Authors: Nyakela with Gogo man and women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174185 , vital:42450 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR154-10
  • Description: "Come and see how the Nkanga work in their garden." The Malimba were large trough shaped zithers, 3' 10" long supported at either end by two large gourds upon which they were held. Owing to the lowness of the notes they produced, the sound of the drums drowned them. But the three players shook their long strings of red ochred hair in most ecstatic style as they played and sang. The Zithers were tuned as follows:-103, 90, 84, 76, 63 vs. Both 76 and 63 vs had two strings each. The strings are plucked about 4 inches from one end. The spectators crowd around the small group of zither players and drummers, who sitting on the ground or standing holding their hour glass drums between their knees, jump and shake their long locks as if they were possessed. They say several hours of this performance frequently gives the performers a kind of involuntary hysteria which takes time to calm. The drums appear to be played out of tune with the rest of the performance. Dance song for Isumbi dance with 2 hour glass drums (-14.31201-), 3 Malimba trough zithers (-10.3515-), Ndwala bells (-12.55-), flat tin rattles(-12.54-).
  • Full Text: false
  • Date Issued: 1950

O Horombo

- Mireiye Sanganga with Chaga men, Hugh Tracey

  • Authors: Mireiye Sanganga with Chaga men , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174345 , vital:42469 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-12
  • Description: Chief Horombo was the head chief of this section of the Chaga people. The Chaga living on the Southern slopes of Kilimanjaro were so divided amongst themselves that they developed five or six district dialects through isolation. The various streams cascading down the mountain from the snow caps acted as boundaries between the warring clans, each occupying a separate ridgr from top to bottom. Loyality song with sticks.
  • Full Text: false
  • Date Issued: 1950

Saiya Mikamba

- Yuspina Gadwin with Ghaga girls, Hugh Tracey

  • Authors: Yuspina Gadwin with Ghaga girls , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174318 , vital:42466 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-09
  • Description: "Saiya Mikamba is sick." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similiar to songs in the schools. Temo dance song for girls with stamping and bass drums, laced, played with sticks, (-14.05303-).
  • Full Text: false
  • Date Issued: 1950

Sanza na sia

- Yuspina Gadwin with Ghaga girls, Hugh Tracey

  • Authors: Yuspina Gadwin with Ghaga girls , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174323 , vital:42467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-10
  • Description: "Do not be shy and keep secrets to yourself."Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similiar to songs in the schools. Temo dance song for girls with stamping and bass drums, laced, played with sticks, (-14.05303-).
  • Full Text: false
  • Date Issued: 1950

Siamawe siya

- Yuspina Gadwin with Ghaga girls, Hugh Tracey

  • Authors: Yuspina Gadwin with Ghaga girls , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174309 , vital:42465 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-08
  • Description: "All the men are joining the army and leave us behind to do the work." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similiar to songs in the schools. Temo dance song for girls with stamping and bass drums, laced, played with sticks, (-14.05303-).
  • Full Text: false
  • Date Issued: 1950

Tanganyika

- chapi, Yobwa, Gogo men and women, Tracey, Hugh

Tanganyika Part I

- Yobwa Chapi with Gogo men and women, Hugh Tracey

  • Authors: Yobwa Chapi with Gogo men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174272 , vital:42461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-04
  • Description: "Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men, women and chidldren. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recorded out in the open in the village of Mvumi without reharsal of any kind. It seems likely that it could have continued almost indefinitely, but the exigencies of the recording apparatus and the fact that it was taken before the advent of long playing records made abbreviation necessary. The unexpected loud passages were unfortunately slightly over modulated but, with the technical faults except this recording gives a fair idea of the artistic ca[abilities of these remarkable performers. The recording is in two parts, the second pitched lower than the first and accompanied by a flute obligato which has little if any direct bearing on the melody itself. Nindo praise song with Mulanzi flute in Part II.
  • Full Text: false
  • Date Issued: 1950

Tanganyika Part II

- Yobwa Chapi with Gogo men and women, Hugh Tracey

  • Authors: Yobwa Chapi with Gogo men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174278 , vital:42462 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-05
  • Description: "Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men, women and chidldren. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recorded out in the open in the village of Mvumi without reharsal of any kind. It seems likely that it could have continued almost indefinitely, but the exigencies of the recording apparatus and the fact that it was taken before the advent of long playing records made abbreviation necessary. The unexpected loud passages were unfortunately slightly over modulated but, with the technical faults except this recording gives a fair idea of the artistic ca[abilities of these remarkable performers. The recording is in two parts, the second pitched lower than the first and accompanied by a flute obligato which has little if any direct bearing on the melody itself. Nindo praise song with Mulanzi flute in Part II.
  • Full Text: false
  • Date Issued: 1950

Title not specified

- Gogo men, Composer not specified, Tracey, Hugh

Title not specified

- Gogo women, Composer not specified, Tracey, Hugh

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