Wenyuk' umziyoni
- Group performance, Group Composition, Dargie, Dave
- Authors: Group performance , Group Composition , Dargie, Dave
- Date: 2004
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Alice sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/343401 , vital:63004 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC345-04
- Description: Traditional music
- Full Text: false
- Date Issued: 2004
- Authors: Group performance , Group Composition , Dargie, Dave
- Date: 2004
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Alice sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/343401 , vital:63004 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC345-04
- Description: Traditional music
- Full Text: false
- Date Issued: 2004
Aun Nom De L'Amite
- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129808 , vital:36334 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-06
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129808 , vital:36334 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-06
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
Baladjigui Moussa
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128870 , vital:36176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-07
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128870 , vital:36176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-07
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Black man Redemption
- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129813 , vital:36335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-07
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129813 , vital:36335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-07
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
Cheikhul Khadim
- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130279 , vital:36398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-06
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130279 , vital:36398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-06
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
Dekendo
- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130269 , vital:36394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-04
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130269 , vital:36394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-04
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
Droit de l'Enfant (Akhi Dawni)
- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130274 , vital:36395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-05
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130274 , vital:36395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-05
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
Ecoute Fils
- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129818 , vital:36336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-08
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129818 , vital:36336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-08
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
Faux Depart
- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129776 , vital:36330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-02
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129776 , vital:36330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-02
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
Gis Na Xalebi
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130440 , vital:36419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-01
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130440 , vital:36419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-01
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Integration Africaine
- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130245 , vital:36391 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-01
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
- Authors: Pap Jibi Ba (lead vocal) , Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals) , Cheikh Tidiane Tall (guitar) , Pape Ndiaye (sabar, talmba tamb) , Dame Mbaye (xalam) , Studio 2000
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130245 , vital:36391 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC40-01
- Description: Modern Senegalese song accompanied by traditional instruments including the sabar, xalam and talmba tamb, that create a combination of mbalax, yaba, ndaga, wolof and yela peul rhythms, fused with Afro-Cuban and soul music
- Full Text: false
- Date Issued: 2000
Ligueyante
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128846 , vital:36173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-04
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128846 , vital:36173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-04
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Madame Siby
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128832 , vital:36171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-02
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128832 , vital:36171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-02
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Manore
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Njambaar
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130449 , vital:36421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-02
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130449 , vital:36421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-02
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Onow Nee Jik Weel
- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130482 , vital:36428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-06
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
- Authors: Mbaye Ndiaye (lead vocal, riiti) , Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus) , Alioune Gueye (guitar) , Elou Fall (keyboard, programming, drums) , Pape Ndiaye (percussion) , Jololi
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130482 , vital:36428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC43-06
- Description: Traditional Senegalese song performed with traditional instruments featuring the riiti Senegalese violin, the xalam, and the tama, as well as percussion and guitar
- Full Text: false
- Date Issued: 2000
Revolution
- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129803 , vital:36333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-05
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129803 , vital:36333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-05
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
Sare Bamba
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128841 , vital:36172 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-03
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128841 , vital:36172 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-03
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Taara
- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129785 , vital:36331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-03
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer) , Amadou Barry aka Doug E Tee or Duggy-Tee (performer) , Positive Black Soul (band name aka PBS) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 2000
- Subjects: Rap (Music) , Folk music , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129785 , vital:36331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC33-03
- Description: Senegalese hip hop song accompanied by traditional Senegalese instruments
- Full Text: false
- Date Issued: 2000
Touba
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128860 , vital:36174 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-05
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128860 , vital:36174 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-05
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000