Je-je-je nyoli yangu
- Filimon Phiri, Tonga women, Hugh Tracey
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184902 , vital:44285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-11
- Description: The story is about a violent person who used to go about stealing chickens. He would claim that all the chicken in the village were his. It is not usual for the teller of the story to talk over the singing as is done in this case. Story song
- Full Text: false
- Date Issued: 1950
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184902 , vital:44285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-11
- Description: The story is about a violent person who used to go about stealing chickens. He would claim that all the chicken in the village were his. It is not usual for the teller of the story to talk over the singing as is done in this case. Story song
- Full Text: false
- Date Issued: 1950
John Omuoso
- Authors: Daudi Otuoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178799 , vital:42987 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-07
- Description: John Omuoso was a very good friend of the singer. He gave him his big bed, big enough to hold four men. He also gave him a bull and for all this Daudi loves Omuoso like a brother. Omuoso, they say, has four wives, all very gentle ladies. (It is not clear what relationship there is between the four man bed and the four gentle ladies). Praise song, with Thum 8 string lyre and Gara leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
- Authors: Daudi Otuoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178799 , vital:42987 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-07
- Description: John Omuoso was a very good friend of the singer. He gave him his big bed, big enough to hold four men. He also gave him a bull and for all this Daudi loves Omuoso like a brother. Omuoso, they say, has four wives, all very gentle ladies. (It is not clear what relationship there is between the four man bed and the four gentle ladies). Praise song, with Thum 8 string lyre and Gara leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
John Owade
- Authors: Ogalo Mirasi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya Kisumu f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178751 , vital:42983 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-03
- Description: "I have an uncle, John Owade, who is the nicest man on earth. He bought me all my clothes and many other things as well--bless him."The box is struck with the iron and the iron is sounded with an nail or small bolt. Praise song, with Orotu one string lute sound box (-12.16-) and iron (-12.151-).
- Full Text: false
- Date Issued: 1950
- Authors: Ogalo Mirasi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya Kisumu f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178751 , vital:42983 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-03
- Description: "I have an uncle, John Owade, who is the nicest man on earth. He bought me all my clothes and many other things as well--bless him."The box is struck with the iron and the iron is sounded with an nail or small bolt. Praise song, with Orotu one string lute sound box (-12.16-) and iron (-12.151-).
- Full Text: false
- Date Issued: 1950
Juma pembe
- Simai Bini Ali with Swahili men, Hugh Tracey
- Authors: Simai Bini Ali with Swahili men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179889 , vital:43246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-02
- Description: This short song is used for waking up the people for their last meal-the second of the night during the fast of Ramadhan. The singers go around singing and playing the drum at about 1-2 a.m. It is a picturesque Swahili/Mohammedan custom. The to membranes of the bass drum are tuned to different notes. Kigoma cha daku songs, with 2 tin rattles, 1 double-sided bass drum.
- Full Text: false
- Date Issued: 1950
- Authors: Simai Bini Ali with Swahili men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179889 , vital:43246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-02
- Description: This short song is used for waking up the people for their last meal-the second of the night during the fast of Ramadhan. The singers go around singing and playing the drum at about 1-2 a.m. It is a picturesque Swahili/Mohammedan custom. The to membranes of the bass drum are tuned to different notes. Kigoma cha daku songs, with 2 tin rattles, 1 double-sided bass drum.
- Full Text: false
- Date Issued: 1950
Kalilole
- Linilesi Sadiki with Yao girls, Hugh Tracey
- Authors: Linilesi Sadiki with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Blantyre Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154793 , vital:39776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-14
- Description: One day little boys went into the forest to play. There they found a big bird which asked them to sing a song the bird wanted to hear, so they went back to the village and consulted their parents about this. After hearing the song from the parents the little boys went back to the forest and sang the song which satisfied the big bird Kalilole. Story song.
- Full Text: false
- Date Issued: 1950
- Authors: Linilesi Sadiki with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Blantyre Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154793 , vital:39776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-14
- Description: One day little boys went into the forest to play. There they found a big bird which asked them to sing a song the bird wanted to hear, so they went back to the village and consulted their parents about this. After hearing the song from the parents the little boys went back to the forest and sang the song which satisfied the big bird Kalilole. Story song.
- Full Text: false
- Date Issued: 1950
Kaliya-liya, ndinde kaliya
- Hannington Ngoma, Henga boys and girls, Henga and Nyanja grils of Blantyre Secondary School, Hugh Tracey
- Authors: Hannington Ngoma , Henga boys and girls , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185813 , vital:44433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-03
- Description: There was once a man who used to work very hard from sunrise till sunset out in his fields. His wife used to cook many different kinds of food and as soon as it was ready she would send her young son to go out to the fields to call his father. This he did by singing him a song each time, when the father would stop working and come home. Story with song
- Full Text: false
- Date Issued: 1950
- Authors: Hannington Ngoma , Henga boys and girls , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185813 , vital:44433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-03
- Description: There was once a man who used to work very hard from sunrise till sunset out in his fields. His wife used to cook many different kinds of food and as soon as it was ready she would send her young son to go out to the fields to call his father. This he did by singing him a song each time, when the father would stop working and come home. Story with song
- Full Text: false
- Date Issued: 1950
Kalulu wakawa na nyina wakhe
- Widisoni Mazuku, Tumbuka men, Hugh Tracey
- Authors: Widisoni Mazuku , Tumbuka men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186273 , vital:44480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-06
- Description: There was once a rabbit who liked dancing but used to come home late at night. His mother taught him a special song to sing so that she would know who it was and let him in. A hyena heard the rabbit singing his song and made a plan to eat up his mother. First he was unsuccessful, but later on he succeeded. The mother opened the door and he ate her up. When the rabbit came home he could hear it was not his mother who replied and he killed the hyena with his axe. Story song
- Full Text: false
- Date Issued: 1950
- Authors: Widisoni Mazuku , Tumbuka men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186273 , vital:44480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-06
- Description: There was once a rabbit who liked dancing but used to come home late at night. His mother taught him a special song to sing so that she would know who it was and let him in. A hyena heard the rabbit singing his song and made a plan to eat up his mother. First he was unsuccessful, but later on he succeeded. The mother opened the door and he ate her up. When the rabbit came home he could hear it was not his mother who replied and he killed the hyena with his axe. Story song
- Full Text: false
- Date Issued: 1950
Kamsingi kaya
- Joel Jere, Ngoni men, Hugh Tracey
- Authors: Joel Jere , Ngoni men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Nkata Bay f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185059 , vital:44322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-02
- Description: This game is played with the logs in the same postion but a dancer stands over the centre log and dances, alternate feet banging the centre log down while the others hold it up at either end. This kind of singing game, they say has been done for twenty years or more. Singing game for children, with sticks beaten on the ground
- Full Text: false
- Date Issued: 1950
- Authors: Joel Jere , Ngoni men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Nkata Bay f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185059 , vital:44322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-02
- Description: This game is played with the logs in the same postion but a dancer stands over the centre log and dances, alternate feet banging the centre log down while the others hold it up at either end. This kind of singing game, they say has been done for twenty years or more. Singing game for children, with sticks beaten on the ground
- Full Text: false
- Date Issued: 1950
Kanamanye
- Tumbuka women and girls, Hugh Tracey
- Authors: Tumbuka women and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185077 , vital:44325 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-04
- Description: The initiation dance appears to be the more enjoyable event and not all a solemn occassion. Girls initiation song (uzamba dance) with 2 Mpanje goblet drums and clapping (-12.03-)
- Full Text: false
- Date Issued: 1950
- Authors: Tumbuka women and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185077 , vital:44325 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-04
- Description: The initiation dance appears to be the more enjoyable event and not all a solemn occassion. Girls initiation song (uzamba dance) with 2 Mpanje goblet drums and clapping (-12.03-)
- Full Text: false
- Date Issued: 1950
Kanthu pa Ingalandi
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184588 , vital:44238 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-03
- Description: He recalls the 1939-45 war when many thousands of Italian prisoners of war were taken. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184588 , vital:44238 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-03
- Description: He recalls the 1939-45 war when many thousands of Italian prisoners of war were taken. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Kawoza ndirinde
- Filimon Phiri, Tonga women, Hugh Tracey
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184911 , vital:44286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-12
- Description: The story is about a chief who died and left a window. People used to come and visit her every evening. She would play them a magical drum both to entertain her visitors and also to remind her of her husband. The drum would play rhythms by itself being touched. Story song
- Full Text: false
- Date Issued: 1950
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184911 , vital:44286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-12
- Description: The story is about a chief who died and left a window. People used to come and visit her every evening. She would play them a magical drum both to entertain her visitors and also to remind her of her husband. The drum would play rhythms by itself being touched. Story song
- Full Text: false
- Date Issued: 1950
Kayuni ngwata
- Widisoni Mazuku, Tumbuka men and women, Hugh Tracey
- Authors: Widisoni Mazuku , Tumbuka men and women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185548 , vital:44398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-19
- Description: This is an exhibition dance done by one or more dancers for the entertainment of the crowd. The drummers are men, friends of the solo dancer and the women of the village sing his dance song for him. His dance consists of a series of rhythmic shakes particularly from his waist down. He wears African made iron bells below the knee and above the ankle. Vimbuza dance song with 2 Goblet Mpanje drums and Mangwanda bells
- Full Text: false
- Date Issued: 1950
- Authors: Widisoni Mazuku , Tumbuka men and women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185548 , vital:44398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-19
- Description: This is an exhibition dance done by one or more dancers for the entertainment of the crowd. The drummers are men, friends of the solo dancer and the women of the village sing his dance song for him. His dance consists of a series of rhythmic shakes particularly from his waist down. He wears African made iron bells below the knee and above the ankle. Vimbuza dance song with 2 Goblet Mpanje drums and Mangwanda bells
- Full Text: false
- Date Issued: 1950
Kisonge
- Mzee Juma with Shirazi men, Hugh Tracey
- Authors: Mzee Juma with Shirazi men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179947 , vital:43253 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-08
- Description: The player takes some time to get into his rhythm. The first tune was played ith the instrument on the ground, the first fingers striking the notes downwards. The second tune was played with the instrument between the palms and plucked with the thumbs in the more usual manner. Instrumental tune, Marimba Madongo.
- Full Text: false
- Date Issued: 1950
- Authors: Mzee Juma with Shirazi men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179947 , vital:43253 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-08
- Description: The player takes some time to get into his rhythm. The first tune was played ith the instrument on the ground, the first fingers striking the notes downwards. The second tune was played with the instrument between the palms and plucked with the thumbs in the more usual manner. Instrumental tune, Marimba Madongo.
- Full Text: false
- Date Issued: 1950
Kitungule changu
- Mzee Juma with Shirazi men, Hugh Tracey
- Authors: Mzee Juma with Shirazi men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179965 , vital:43279 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-10
- Description: "My onion."Like the French who sometimes call their lovers "little cabbage" the Swahili also frequently refer to their beloved as a vegetable such as an 'onion', or 'corn con' or other food studd. Most instruments of this kind are brought to the island of Zanzibar by migrant labourers. It was known what tribal orign the Kidebe may have had. Ndebe dance song with Kidebe Mbira and Kayambi tin rattle.
- Full Text: false
- Date Issued: 1950
- Authors: Mzee Juma with Shirazi men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179965 , vital:43279 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-10
- Description: "My onion."Like the French who sometimes call their lovers "little cabbage" the Swahili also frequently refer to their beloved as a vegetable such as an 'onion', or 'corn con' or other food studd. Most instruments of this kind are brought to the island of Zanzibar by migrant labourers. It was known what tribal orign the Kidebe may have had. Ndebe dance song with Kidebe Mbira and Kayambi tin rattle.
- Full Text: false
- Date Issued: 1950
Koko
- Authors: Chewa women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186398 , vital:44494 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-14
- Description: These Mfunde songs with their closely echoed phrases follow a well understood pattern with two women leading and the others singing after them. They are sung for rain when the dry season is nearly over
- Full Text: false
- Date Issued: 1950
- Authors: Chewa women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186398 , vital:44494 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-14
- Description: These Mfunde songs with their closely echoed phrases follow a well understood pattern with two women leading and the others singing after them. They are sung for rain when the dry season is nearly over
- Full Text: false
- Date Issued: 1950
Koloni wanguya ku Masoku
- Authors: Maluba Mwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184848 , vital:44278 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-05
- Description: "There were two young men Koloni and Sandifolo who went to look for work." This player uses a short length or silver of bamboo as a bow, which was so efficient that he needed only to wet it with spittle once during the playing. The name Sandifolo would appear to be a local corruption of the English name Stanford or something similar. Beni dance song for men and women with Karigo one stringed bowed lute
- Full Text: false
- Date Issued: 1950
- Authors: Maluba Mwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184848 , vital:44278 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-05
- Description: "There were two young men Koloni and Sandifolo who went to look for work." This player uses a short length or silver of bamboo as a bow, which was so efficient that he needed only to wet it with spittle once during the playing. The name Sandifolo would appear to be a local corruption of the English name Stanford or something similar. Beni dance song for men and women with Karigo one stringed bowed lute
- Full Text: false
- Date Issued: 1950
Ku canya kwe manyanda
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184606 , vital:44240 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-05
- Description: "Typewriters which look like water; Angels wearing different clothes. And all the young men practising magic." Religious song (23.24) with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184606 , vital:44240 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-05
- Description: "Typewriters which look like water; Angels wearing different clothes. And all the young men practising magic." Religious song (23.24) with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
Kwenda munthowa nkluweme
- Patiriki Mphaka, Hugh Tracey
- Authors: Patiriki Mphaka , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185249 , vital:44357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-03
- Description: This instrument usually called Bangwe among the Yao is here called Bango. "It is good to walk along the path because then it is I meet my love." This simple song is typical of those of the older generation of musicians. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
- Authors: Patiriki Mphaka , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185249 , vital:44357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-03
- Description: This instrument usually called Bangwe among the Yao is here called Bango. "It is good to walk along the path because then it is I meet my love." This simple song is typical of those of the older generation of musicians. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
Leka nzunule
- Andurosi Banda, Tumbuka boys and girls, Hugh Tracey
- Authors: Andurosi Banda , Tumbuka boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185086 , vital:44326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-05
- Description: A new young people's dance. The boys dance in a group and the girls in another within the circle, the two drummers standing on one side. It consists of a number of simple rhythmic steps. The sound of the drums and whistle overshadows the voices in the recording, which in fact is the impression gained by spectators outside the circle of dancers. Saca dance song for boys and girls with two Maanje goblet drums, clapping (-12.03-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Andurosi Banda , Tumbuka boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185086 , vital:44326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-05
- Description: A new young people's dance. The boys dance in a group and the girls in another within the circle, the two drummers standing on one side. It consists of a number of simple rhythmic steps. The sound of the drums and whistle overshadows the voices in the recording, which in fact is the impression gained by spectators outside the circle of dancers. Saca dance song for boys and girls with two Maanje goblet drums, clapping (-12.03-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Magonde
- Chabarwa Musunda Sinyoro, Hugh Tracey
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180132 , vital:43317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-02
- Description: One of the best known tunes in all the Shona area of Southern Rhodesia. It has been associated with the older generation of forefathers and consquently played at all tribal or royal functions. The cock is above the Chief, because he wakes up still earler. Girls, let me make a magic. Grandmothers food! there is something suspicious under the plate. Which makes my heart turn over, (makes me want to be sick). My relative, my girl, dance well to delight my heart. Leave your husband and let us dance. Whatever happens we will pay for it, mu mother. What I have said is very little, and not enough to stop you cooking food. Girls just let me walk all over it. You girls, you refuse anyone until you feel you are about to die. I am also a man like other men. I am a cock, I am a ... (word not clear) and my spurs are worn out with strutting, (the ruffling of the wing feathers against the leg). The fowls have no holes in the village. Outside the village thay are afraid of cutting the trees. The older men with beards interfere. It is only their beards which make them sorry people. The Ndebele want administration all the time, and to pick and chose what they like from the cattle kraal. I am ugly but I am not a cannibal! I may be ugly but I am not a killer! I am ugly but still I do my ploughing! Song for the entertainment of chiefs, with Njari.
- Full Text: false
- Date Issued: 1950
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180132 , vital:43317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-02
- Description: One of the best known tunes in all the Shona area of Southern Rhodesia. It has been associated with the older generation of forefathers and consquently played at all tribal or royal functions. The cock is above the Chief, because he wakes up still earler. Girls, let me make a magic. Grandmothers food! there is something suspicious under the plate. Which makes my heart turn over, (makes me want to be sick). My relative, my girl, dance well to delight my heart. Leave your husband and let us dance. Whatever happens we will pay for it, mu mother. What I have said is very little, and not enough to stop you cooking food. Girls just let me walk all over it. You girls, you refuse anyone until you feel you are about to die. I am also a man like other men. I am a cock, I am a ... (word not clear) and my spurs are worn out with strutting, (the ruffling of the wing feathers against the leg). The fowls have no holes in the village. Outside the village thay are afraid of cutting the trees. The older men with beards interfere. It is only their beards which make them sorry people. The Ndebele want administration all the time, and to pick and chose what they like from the cattle kraal. I am ugly but I am not a cannibal! I may be ugly but I am not a killer! I am ugly but still I do my ploughing! Song for the entertainment of chiefs, with Njari.
- Full Text: false
- Date Issued: 1950