Introduction for Piet Koornhof, 1978
- Authors: Henderson, Derek Scott
- Date: 1978
- Subjects: Koornhof, Pieter G.J. (1925-2007)
- Language: Afrikaans , English
- Type: Text
- Identifier: vital:7375 , http://hdl.handle.net/10962/d1017255 , Koornhof, Pieter G.J. (1925-2007)
- Full Text:
- Date Issued: 1978
- Authors: Henderson, Derek Scott
- Date: 1978
- Subjects: Koornhof, Pieter G.J. (1925-2007)
- Language: Afrikaans , English
- Type: Text
- Identifier: vital:7375 , http://hdl.handle.net/10962/d1017255 , Koornhof, Pieter G.J. (1925-2007)
- Full Text:
- Date Issued: 1978
Introduction
- Group Composition, Dargie, Dave, Maria, Margarita
- Authors: Group Composition , Dargie, Dave , Maria, Margarita
- Date: 1982-11-02
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku f-sx
- Language: Kuanyama, Kwanyama , Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/278222 , vital:55364 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD057-09
- Description: Church Music Composition Workshop.
- Full Text: false
- Date Issued: 1982-11-02
- Authors: Group Composition , Dargie, Dave , Maria, Margarita
- Date: 1982-11-02
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku f-sx
- Language: Kuanyama, Kwanyama , Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/278222 , vital:55364 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD057-09
- Description: Church Music Composition Workshop.
- Full Text: false
- Date Issued: 1982-11-02
Identity and difference: a postcolonial analysis of Cape Malay as depicted in the literary texts from selected South African writers
- Authors: Chaudhari, Shamiega
- Date: 2009-11
- Subjects: Postcolonialism , Orientalism
- Language: Afrikaans
- Type: text
- Identifier: http://hdl.handle.net/${Handle} , vital:64143
- Description: The identity of the Cape Malay is usually reduced to the submissive, the comic and the exotic dishes such as bobotie, curry and samosas. Terms like "slams","slaamaaier" and "halfnaatjie" (Roos 2003:3) were just a few of the derogatory names that was awarded to the Cape Malay. Many of these terms and identity constructions are in the South African literature immortalized. The true history, the struggle, tears and sacrifices of this community slipped by unnoticed and in silence. And today, after all this suffering, they become identity is called into question and this identity is referred to as a controversial identity. In the Western Cape this identity mainly centered around being Malay, being Coloured, Being Cape Muslim or Black Muslim. It seems as if the Cape Malay is in an intermediate identity (defined in English as "inbetweenness") are trapped, defined by their "Muslimness","Cape-ness", "Malay-ness" and "Coloured-ness". This dissertation examines the controversy of the Cape Malay identity and focus specifically on identity construction and Otherness. It emphasizes certain characteristics that people divided due to certain character traits that are different from the norm and therefore cause that they are considered the Other. The study is undertaken with the aim of establishing the authenticity of the Cape Malay identity state and how it is depicted in the works of selected South African writers. It intends to look specifically at the construction of identity through Otherness during the colonial period in Southern Africa as well as how these identities were implemented, rejected or accepted is. , Thesis (MA) -- Faculty of Social Sciences and Humanities, 2009
- Full Text:
- Date Issued: 2009-11
- Authors: Chaudhari, Shamiega
- Date: 2009-11
- Subjects: Postcolonialism , Orientalism
- Language: Afrikaans
- Type: text
- Identifier: http://hdl.handle.net/${Handle} , vital:64143
- Description: The identity of the Cape Malay is usually reduced to the submissive, the comic and the exotic dishes such as bobotie, curry and samosas. Terms like "slams","slaamaaier" and "halfnaatjie" (Roos 2003:3) were just a few of the derogatory names that was awarded to the Cape Malay. Many of these terms and identity constructions are in the South African literature immortalized. The true history, the struggle, tears and sacrifices of this community slipped by unnoticed and in silence. And today, after all this suffering, they become identity is called into question and this identity is referred to as a controversial identity. In the Western Cape this identity mainly centered around being Malay, being Coloured, Being Cape Muslim or Black Muslim. It seems as if the Cape Malay is in an intermediate identity (defined in English as "inbetweenness") are trapped, defined by their "Muslimness","Cape-ness", "Malay-ness" and "Coloured-ness". This dissertation examines the controversy of the Cape Malay identity and focus specifically on identity construction and Otherness. It emphasizes certain characteristics that people divided due to certain character traits that are different from the norm and therefore cause that they are considered the Other. The study is undertaken with the aim of establishing the authenticity of the Cape Malay identity state and how it is depicted in the works of selected South African writers. It intends to look specifically at the construction of identity through Otherness during the colonial period in Southern Africa as well as how these identities were implemented, rejected or accepted is. , Thesis (MA) -- Faculty of Social Sciences and Humanities, 2009
- Full Text:
- Date Issued: 2009-11
I have decided to follow Jesus
- Composition Workshop Choir, Peregrina, Sister, Dargie, Dave
- Authors: Composition Workshop Choir , Peregrina, Sister , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309543 , vital:59049 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-07
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
- Authors: Composition Workshop Choir , Peregrina, Sister , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309543 , vital:59049 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-07
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
Hosannah
- Church Choir, Composer Not Specified, Dargie, Dave
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308935 , vital:58976 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-41
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308935 , vital:58976 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-41
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
Hosannah
- Church Choir, Composer Not Specified, Dargie, Dave
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308942 , vital:58977 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-42
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308942 , vital:58977 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-42
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
Horrelpoot (2006) van Eben Venter as apokaliptiese roman: 'n intertekstuele studie
- Authors: Roth, Johan Friedrich
- Date: 2011
- Subjects: Venter, Eben. Hoorelpoort , Apocalyptic literature
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:8445 , http://hdl.handle.net/10948/1492 , Venter, Eben. Hoorelpoort , Apocalyptic literature
- Description: The dissertation offers a comparative reading of Eben Venter's Horrelpoot (2006) and Joseph Conrad's A Heart of Darkness (1902). The aim of this investigation is to establish whether the Afrikaans novel is overshadowed by the classical text, or whether it is an independent text in its own right. Following on a short reception study of reviews and articles published on Venter's latest fictional work, Horrelpoot, is read as an apocalyptic and / or dystopic novel. Whereas Conrad's novel is set in the Congo, Eben Venter opts for a fictionalized post-apartheid South African society riddled with social problems and a complete lack of infrastructure. The ideological notions pertaining to white South African fearing a black future form the crux of Venter's analysis of the contemporary white psyche in South Africa. From an intertextual point of view Venter's re-writing of Conrad's classic is a clear example of how, according to Kristeva's definition, one sign system is transposed into another. What is the result of this for the reception of the contemporary novel? Is one able to read Venter's novel without having to rely on Conrad's novel as intertext? An overview of the different theoretical views on intertextuality is also provided. The apocalyptic vision in Venter's novel is also examined against the background of a series of related novels in South Africa that deal with the same issue. In the 1980s apocalyptic novels focused primarily on apartheid society as symbolizing a dystopic, amoral and oppressive society that needed to be overthrown in favour of a more utopian non-racial society. Venter's novel places a question mark behind such an assumption as it shows that living in a post-apartheid society could even be worse and more dictatorial.
- Full Text:
- Date Issued: 2011
- Authors: Roth, Johan Friedrich
- Date: 2011
- Subjects: Venter, Eben. Hoorelpoort , Apocalyptic literature
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:8445 , http://hdl.handle.net/10948/1492 , Venter, Eben. Hoorelpoort , Apocalyptic literature
- Description: The dissertation offers a comparative reading of Eben Venter's Horrelpoot (2006) and Joseph Conrad's A Heart of Darkness (1902). The aim of this investigation is to establish whether the Afrikaans novel is overshadowed by the classical text, or whether it is an independent text in its own right. Following on a short reception study of reviews and articles published on Venter's latest fictional work, Horrelpoot, is read as an apocalyptic and / or dystopic novel. Whereas Conrad's novel is set in the Congo, Eben Venter opts for a fictionalized post-apartheid South African society riddled with social problems and a complete lack of infrastructure. The ideological notions pertaining to white South African fearing a black future form the crux of Venter's analysis of the contemporary white psyche in South Africa. From an intertextual point of view Venter's re-writing of Conrad's classic is a clear example of how, according to Kristeva's definition, one sign system is transposed into another. What is the result of this for the reception of the contemporary novel? Is one able to read Venter's novel without having to rely on Conrad's novel as intertext? An overview of the different theoretical views on intertextuality is also provided. The apocalyptic vision in Venter's novel is also examined against the background of a series of related novels in South Africa that deal with the same issue. In the 1980s apocalyptic novels focused primarily on apartheid society as symbolizing a dystopic, amoral and oppressive society that needed to be overthrown in favour of a more utopian non-racial society. Venter's novel places a question mark behind such an assumption as it shows that living in a post-apartheid society could even be worse and more dictatorial.
- Full Text:
- Date Issued: 2011
Hoofletter K Kleurling - 'n besonderse Suid-Afrikaanse
- Authors: Thomas, Cornelius
- Date: 2016
- Language: Afrikaans
- Type: book chapter , text
- Identifier: http://hdl.handle.net/10962/59771 , vital:27647 , http://naledi.online/product/ons-kom-van-ver/
- Description: Hoofletter K Kleurling.
- Full Text: false
- Date Issued: 2016
- Authors: Thomas, Cornelius
- Date: 2016
- Language: Afrikaans
- Type: book chapter , text
- Identifier: http://hdl.handle.net/10962/59771 , vital:27647 , http://naledi.online/product/ons-kom-van-ver/
- Description: Hoofletter K Kleurling.
- Full Text: false
- Date Issued: 2016
Holy Holy, somebody loves me
- Church Choir, Composer Not Specified, Dargie, Dave
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309033 , vital:58990 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-53
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309033 , vital:58990 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-53
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
Hoe ry die boeke
- Susan se Orkes, not specified, composer not specified, Tracey, Hugh
- Authors: Susan se Orkes , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243102 , vital:51116 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3134 , XYZABC67
- Description: Afrikaans dance band song
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Susan se Orkes , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243102 , vital:51116 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3134 , XYZABC67
- Description: Afrikaans dance band song
- Full Text: false
- Date Issued: 0000-00-00
Hierdie keer gaan nie maklik wees nie
- Authors: Visser, Deon Claudius
- Date: 2021-04
- Subjects: Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Short stories, Afrikaans -- 21st century , Afrikaans fiction -- 21st century , Afrikaans fiction -- History and criticism
- Language: Afrikaans
- Type: thesis , text , Masters , MA
- Identifier: http://hdl.handle.net/10962/178317 , vital:42929
- Description: My tesis bestaan uit twee versamelings van prosa wat verwant en in noue verband met mekaar tree. Die prosa is fragmentaries en kort maar verbind met ‟n oorkoepelende storie wat in beide Afrikaans en Engels voorgelê word. Die Afrikaanse deel van my tesis ondersoek die verlede, en die Engels die toekoms. My algemene bron van inspirasie vir die struktuur en voorlegging van die tesis word verkry vanaf die klassieke raamverteller konvensie soos gebruik in One Thousand and One Nights, hierdie konvensie maak gebruik van raamfragmente wat binne ‟n groter geheel gevind kan word. Dit is juis hierdie komplekse struktuur wat dit moontlik maak om tyd, hede en verlede asook die toekoms, te kan ondersoek en uit te beeld. Verder maak dit dit ook moontlik om gekoppelde herinneringe, gedagteneigings, en fantasieverhale te kan gebruik as die dryfkrag van die oorkoepelende storie. Met betrekking tot kontemporêre fiksie vind ek die meeste aanklank en invloed by Sandra Cisneros se boek House on Mango Street. Ek het by hierdie verhaal geleer hoe om vignette en kortverhale onafhanklik maar met ‟n motief-verbinding aan mekaar te koppel. Tematies gesproke handel my tesis oor herinneringe, nostalgie, familieverhoudings, die dood asook afsluiting en aanbeweging. In terme van hierdie temas vind ek dat Nathan Trantraal se Chokers en Survivors, en Noudat Slapende Honde deur Ronelda S. Kamfer my die meeste insae gee oor die verhouding tussen Afrikaans en Engels in die literatuur. Verder is Loftus Marais se taalgebruik en die vermenging van taal in Staan in die Algemeen Nader aan Vensters ook insiggewend. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-04
- Authors: Visser, Deon Claudius
- Date: 2021-04
- Subjects: Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Short stories, Afrikaans -- 21st century , Afrikaans fiction -- 21st century , Afrikaans fiction -- History and criticism
- Language: Afrikaans
- Type: thesis , text , Masters , MA
- Identifier: http://hdl.handle.net/10962/178317 , vital:42929
- Description: My tesis bestaan uit twee versamelings van prosa wat verwant en in noue verband met mekaar tree. Die prosa is fragmentaries en kort maar verbind met ‟n oorkoepelende storie wat in beide Afrikaans en Engels voorgelê word. Die Afrikaanse deel van my tesis ondersoek die verlede, en die Engels die toekoms. My algemene bron van inspirasie vir die struktuur en voorlegging van die tesis word verkry vanaf die klassieke raamverteller konvensie soos gebruik in One Thousand and One Nights, hierdie konvensie maak gebruik van raamfragmente wat binne ‟n groter geheel gevind kan word. Dit is juis hierdie komplekse struktuur wat dit moontlik maak om tyd, hede en verlede asook die toekoms, te kan ondersoek en uit te beeld. Verder maak dit dit ook moontlik om gekoppelde herinneringe, gedagteneigings, en fantasieverhale te kan gebruik as die dryfkrag van die oorkoepelende storie. Met betrekking tot kontemporêre fiksie vind ek die meeste aanklank en invloed by Sandra Cisneros se boek House on Mango Street. Ek het by hierdie verhaal geleer hoe om vignette en kortverhale onafhanklik maar met ‟n motief-verbinding aan mekaar te koppel. Tematies gesproke handel my tesis oor herinneringe, nostalgie, familieverhoudings, die dood asook afsluiting en aanbeweging. In terme van hierdie temas vind ek dat Nathan Trantraal se Chokers en Survivors, en Noudat Slapende Honde deur Ronelda S. Kamfer my die meeste insae gee oor die verhouding tussen Afrikaans en Engels in die literatuur. Verder is Loftus Marais se taalgebruik en die vermenging van taal in Staan in die Algemeen Nader aan Vensters ook insiggewend. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-04
Hier's ek weer
- Susan, Hendrik, not specified, composer not specified, Tracey, Hugh
- Authors: Susan, Hendrik , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243118 , vital:51118 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3135 , D-ABC3
- Description: Afrikaans dance band song
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Susan, Hendrik , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243118 , vital:51118 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3135 , D-ABC3
- Description: Afrikaans dance band song
- Full Text: false
- Date Issued: 0000-00-00
Here, skenk ons vryheid
- Composition Workshop Choir, Composer not specified, Dargie, Dave
- Authors: Composition Workshop Choir , Composer not specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309494 , vital:59044 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-02
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
- Authors: Composition Workshop Choir , Composer not specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309494 , vital:59044 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-02
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
Here, seen ons gawes
- Doringveld Congregation, Composer Not Specified, Dargie, Dave
- Authors: Doringveld Congregation , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308639 , vital:58941 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-20
- Description: Easter Vigil Mass hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Doringveld Congregation , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308639 , vital:58941 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-20
- Description: Easter Vigil Mass hymn.
- Full Text: false
- Date Issued: 1988
Here skenk ons vryheid
- Composition Workshop Choir, Composer not specified, Dargie, Dave
- Authors: Composition Workshop Choir , Composer not specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309489 , vital:59043 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-01
- Description: Practise session during composition workshop, first they say the words then clap, add harmony and drum accompaniment.
- Full Text: false
- Date Issued: 1988
- Authors: Composition Workshop Choir , Composer not specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309489 , vital:59043 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-01
- Description: Practise session during composition workshop, first they say the words then clap, add harmony and drum accompaniment.
- Full Text: false
- Date Issued: 1988
Here ontferm oor ons
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338568 , vital:62410 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-02
- Description: Afrikaans Kyrie originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338568 , vital:62410 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-02
- Description: Afrikaans Kyrie originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
Here ontferm oor ons
- Katurura workshop participants, Composer not specified, Dargie, Dave
- Authors: Katurura workshop participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Windhoek sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338866 , vital:62461 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-17
- Description: Afrikaans Kyrie accompanied by clapping
- Full Text: false
- Date Issued: 1979
- Authors: Katurura workshop participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Windhoek sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338866 , vital:62461 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-17
- Description: Afrikaans Kyrie accompanied by clapping
- Full Text: false
- Date Issued: 1979
Heilig heilig Here = Holy, Holy Lord
- Church congregation, Suping, T. W., Dargie, Dave
- Authors: Church congregation , Suping, T. W. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/413374 , vital:71030 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC133-07
- Description: Catholic hymn, accompanied by the drum and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Church congregation , Suping, T. W. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/413374 , vital:71030 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC133-07
- Description: Catholic hymn, accompanied by the drum and clapping
- Full Text: false
- Date Issued: 1979
Heilig heilig
- Katurura workshop participants, Sukwini, T. W., Dargie, Dave
- Authors: Katurura workshop participants , Sukwini, T. W. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Windhoek sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/339001 , vital:62476 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332b-12
- Description: Afrikaans Sanctus accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Katurura workshop participants , Sukwini, T. W. , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Windhoek sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/339001 , vital:62476 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332b-12
- Description: Afrikaans Sanctus accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Heilig heilig
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338661 , vital:62424 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-08
- Description: Afrikaans Sanctus originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338661 , vital:62424 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-08
- Description: Afrikaans Sanctus originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979