La masculinité dans quelques oeuvres des romanciers Francophones Africains
- Joseph, Joy Ifeanyichukwu Osarumwense
- Authors: Joseph, Joy Ifeanyichukwu Osarumwense
- Date: 2019
- Subjects: Masculinity in literature , Men in literature , African fiction (French) -- History and criticism , Bâ, Mariama. Chant écarlate , Fassinou, Adélaïde, 1955-.Modukpè le rêve brisé , Sanusi, Ramonu Abiodun, 1961-.Le bistouri des larmes , Sanusi, Ramonu Abiodun, 1961-.Un nègre a violé une blonde à Dallas , Baboni, Azaratou.Vie de femme, vie de sang
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/97512 , vital:31446 , DOI 10.21504/10962/97512
- Description: This thesis is a sociocritic and comparative study in Francophone African Literature which examines how male and female authors depict masculinity amongst African men in selected works of Francophone authors and how it affects the emancipation of women in the society. These include Mariama Bâ’s Un chant écarlate (1981) from Senegal, Adelaïde Fassinou’s Modukpè le rêve brisé (2000) from Benin, Ramonu Sanusi’s Le bistouri des larmes (2005, 2010) from Nigeria, Azaratou Baboni’s Vie de femme, vie de sang, (2011) from Benin, Ramonu Sanusi’s Un nègre a violé une blonde à Dallas, (2016) from Nigeria. The study analyses the various forms of masculinity in the selected works of Francophone authors. The study also examines the notable similarities and differences in the portrayal of male characters in the novel and how prevailing environmental factors determine the themes in the novel. This study has demonstrated that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity in West Africa. These forms of masculinity have negative effects not only on the woman but affects the society in general. Furthermore, the study pleads for a social change with respect to Molara Leslie-Oguundipe’s theory on stiwanism (Ogundipe 1994: 229-230) The thesis is made of six chapters. In the first chapter, we outlined the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, we examined Raewyn Connell’s theory of Masculinity and Molara Leslie-Ogundipe’s theory of Stiwanism with respect to the selected novels. Raewyn Connell’s theory on masculinity a sociological theory was employed in analyzing the social patterns of societal relationships, social interaction and culture, while Molara Leslie-Ogundipe’s theory on stiwanism a literary theory mirrored the West African Society. Such analyses helped us in identifying how socio-cultural and religious contexts influence the attitude of men towards women. In the third chapter, we applied sociocritic and comparative analyses between Mariama’s Bâ’s Un Chant Écarlate and Adelaïde’s Fassinou’s Modukpè le rêve brisé. The study focuses on how hegemonic and marginalized forms of masculinity influences racial discrimination in mixed marriages, polygamy, unwanted pregnancy, secondary sterility and single motherhood. These masculinities had negative effects on women and the society. The study also analyzed how both male and female characters employed stiwanist strategy in enhancing peace and harmony in the society. In the fourth chapter, the study examined how hegemonic and marginalized forms of masculinity influenced domestic violence, primary sterility, female genital mutilation and its negative and permanent damage to the health of women, the loss of lives of women and children in Ramonu Sanusi’s Le bistouri des larmes and Baboni Azaratou’s Vie de femme, vie de sang. The study also examined how women can rise above traditional norms with respect to stiwanist activites. The fifth chapter analyzed the influence of socio-cultural and political challenges in a contemporary society with respect to marginalized form of masculinity. In the sixth chapter, the study concluded that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity. These forms of masculinites have negative effects on both sexes (male and female) as well as the society.
- Full Text:
- Date Issued: 2019
- Authors: Joseph, Joy Ifeanyichukwu Osarumwense
- Date: 2019
- Subjects: Masculinity in literature , Men in literature , African fiction (French) -- History and criticism , Bâ, Mariama. Chant écarlate , Fassinou, Adélaïde, 1955-.Modukpè le rêve brisé , Sanusi, Ramonu Abiodun, 1961-.Le bistouri des larmes , Sanusi, Ramonu Abiodun, 1961-.Un nègre a violé une blonde à Dallas , Baboni, Azaratou.Vie de femme, vie de sang
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/97512 , vital:31446 , DOI 10.21504/10962/97512
- Description: This thesis is a sociocritic and comparative study in Francophone African Literature which examines how male and female authors depict masculinity amongst African men in selected works of Francophone authors and how it affects the emancipation of women in the society. These include Mariama Bâ’s Un chant écarlate (1981) from Senegal, Adelaïde Fassinou’s Modukpè le rêve brisé (2000) from Benin, Ramonu Sanusi’s Le bistouri des larmes (2005, 2010) from Nigeria, Azaratou Baboni’s Vie de femme, vie de sang, (2011) from Benin, Ramonu Sanusi’s Un nègre a violé une blonde à Dallas, (2016) from Nigeria. The study analyses the various forms of masculinity in the selected works of Francophone authors. The study also examines the notable similarities and differences in the portrayal of male characters in the novel and how prevailing environmental factors determine the themes in the novel. This study has demonstrated that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity in West Africa. These forms of masculinity have negative effects not only on the woman but affects the society in general. Furthermore, the study pleads for a social change with respect to Molara Leslie-Oguundipe’s theory on stiwanism (Ogundipe 1994: 229-230) The thesis is made of six chapters. In the first chapter, we outlined the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, we examined Raewyn Connell’s theory of Masculinity and Molara Leslie-Ogundipe’s theory of Stiwanism with respect to the selected novels. Raewyn Connell’s theory on masculinity a sociological theory was employed in analyzing the social patterns of societal relationships, social interaction and culture, while Molara Leslie-Ogundipe’s theory on stiwanism a literary theory mirrored the West African Society. Such analyses helped us in identifying how socio-cultural and religious contexts influence the attitude of men towards women. In the third chapter, we applied sociocritic and comparative analyses between Mariama’s Bâ’s Un Chant Écarlate and Adelaïde’s Fassinou’s Modukpè le rêve brisé. The study focuses on how hegemonic and marginalized forms of masculinity influences racial discrimination in mixed marriages, polygamy, unwanted pregnancy, secondary sterility and single motherhood. These masculinities had negative effects on women and the society. The study also analyzed how both male and female characters employed stiwanist strategy in enhancing peace and harmony in the society. In the fourth chapter, the study examined how hegemonic and marginalized forms of masculinity influenced domestic violence, primary sterility, female genital mutilation and its negative and permanent damage to the health of women, the loss of lives of women and children in Ramonu Sanusi’s Le bistouri des larmes and Baboni Azaratou’s Vie de femme, vie de sang. The study also examined how women can rise above traditional norms with respect to stiwanist activites. The fifth chapter analyzed the influence of socio-cultural and political challenges in a contemporary society with respect to marginalized form of masculinity. In the sixth chapter, the study concluded that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity. These forms of masculinites have negative effects on both sexes (male and female) as well as the society.
- Full Text:
- Date Issued: 2019
L’entre-deux identitaire dans quelques oeuvres d’écrivains francophones “immigrantsˮ, “cas de Dany Laferrière, d’Alain Mabanckou, de Calixthe Beyala et de Lottin Wekapeˮ
- Kayumba, Viviane Ngoie Banza
- Authors: Kayumba, Viviane Ngoie Banza
- Date: 2019
- Subjects: African literature (French) -- History and criticism , Immigrants in literature , Mabanckou, Alain, 1966-. Black bazaar , Laferrière, Dany. Je suis un écrivain japonais , Beyala, Calixthe. Le Petit prince de Belleville , Wekape, Lottin, 1968-. J’appartiens au monde
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/150929 , vital:39018
- Description: This dissertation examines the theme of hybrid identities in Mabanckou, Laferrière, Beyala and Wekape’s novels : Black Bazar, Le Petit prince de Belleville, Je suis un écrivain japonais and J’appartiens au monde. Hybrid identity raises the issue of identity diversity and contemporary francophone literature is characterised by the emergence of fictional narratives increasingly numerous. This research undertaken is driven by the desire to extend the field of investigation in francophone literature by taking into account a varied corpus of Haitian, Congolese, and Cameroonian literatures. I have opted for writers who settled in a foreign country and have adopted a foreign language that they considered to be part of a foreign literary world; writers who are between two or more cultures which they depict in French. The few existing studies on hybrid identities on these four novels focused more on formal and linguistic analysis and omitted meaningful sociocritic analysis. It is clear that a full study on sociocritic approach on hybrid identity on these four authors remains to be done. The research is demonstrating how different characters created by these four postmodern immigrant French-speaking writers occasionally function similarly in their texts. This gives a clear understanding of the specific behaviour of immigrants characters, vis-à-vis their various situations in the novels, and how these immigrants seek to address the problems they encounter. As this research offers reflections related to the identities and nationalities of immigrants, Laferrière, Mabanckou, Beyala and Wekape’s texts are based on the search for social belonging and a literary membership in this modern world. Therefore, they are analysing their position in a literary field as well as in a social field. In their texts they highlight the Space real or imaginary. In which way and how this Space contribute to the evolution of francophone literature? To what extent does francophone literature takes into account this representation of the Space? These questions lead to a reflection on the position occupied by these authors in the francophone field and the source of their literary inspirations. My interest in these authors is motivated by the fact that, by living and writing in a country which is not their place of birth, they each reveal different aspects of hybrid identity. Each of them, has his or her personal and original way of tackling the problem of mixed identity. They present their characters in different situations and different contexts, showing that each has been in contact with several cultures which they have assimilated and each lived in his or her own way a particular story. My study’s focus is to understand the problems of contact of cultures and their consequences, and to explore how through the characters of the novel, immigrant French speaking writers understood their acculturation as themselves have experienced an identity crisis, resulting from the confrontation of the culture of their new homeland and the culture of their country of origin. For this reason, Bourdieu’s approach “la sociocritique” will help me to found out the origin of the author’s obsession with the question of hybrid identity. I have chosen these four immigrant speaking writers to explore the strategies implemented by the novels’ narrators to construct their identities and to find out how the narrators express the intentions of the authors. In their texts, Mabanckou, Beyala, Laferrière and Wekape have used various strategies to express the quest for identity which gives clear indications of the authors’ creativity such as humour, parody, or solemnity and gravity - and the narrative voices reveal distinctive attitudes in relation to hybrid identity. At this level, other approaches will also be called for, such as the work of Westphal, Doubrovsky, Genette, Colona, etc. Through my investigation, these works present similarities and dissimilarities. Each author tackled the questions of hybrid identities according to his own experience. From there, a different commitment emerges, depending on the degree of inquiry into questions about immigration. These authors all evoke the social precariousness of their characters or the immigrant and privilege an urban framework. The examination of these works allowed me to identify their place in Francophonie literature and to discover the importance of their texts. The four novels relate to the search for identity, an aesthetic way and a search for freedom. They possess aesthetic qualities, they have a high degree of coherence. Their romantic choice shows their creativity and their strategies engender a hybrid writing that stems from their position between several languages and place these novels within the world literature.
- Full Text:
- Date Issued: 2019
- Authors: Kayumba, Viviane Ngoie Banza
- Date: 2019
- Subjects: African literature (French) -- History and criticism , Immigrants in literature , Mabanckou, Alain, 1966-. Black bazaar , Laferrière, Dany. Je suis un écrivain japonais , Beyala, Calixthe. Le Petit prince de Belleville , Wekape, Lottin, 1968-. J’appartiens au monde
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/150929 , vital:39018
- Description: This dissertation examines the theme of hybrid identities in Mabanckou, Laferrière, Beyala and Wekape’s novels : Black Bazar, Le Petit prince de Belleville, Je suis un écrivain japonais and J’appartiens au monde. Hybrid identity raises the issue of identity diversity and contemporary francophone literature is characterised by the emergence of fictional narratives increasingly numerous. This research undertaken is driven by the desire to extend the field of investigation in francophone literature by taking into account a varied corpus of Haitian, Congolese, and Cameroonian literatures. I have opted for writers who settled in a foreign country and have adopted a foreign language that they considered to be part of a foreign literary world; writers who are between two or more cultures which they depict in French. The few existing studies on hybrid identities on these four novels focused more on formal and linguistic analysis and omitted meaningful sociocritic analysis. It is clear that a full study on sociocritic approach on hybrid identity on these four authors remains to be done. The research is demonstrating how different characters created by these four postmodern immigrant French-speaking writers occasionally function similarly in their texts. This gives a clear understanding of the specific behaviour of immigrants characters, vis-à-vis their various situations in the novels, and how these immigrants seek to address the problems they encounter. As this research offers reflections related to the identities and nationalities of immigrants, Laferrière, Mabanckou, Beyala and Wekape’s texts are based on the search for social belonging and a literary membership in this modern world. Therefore, they are analysing their position in a literary field as well as in a social field. In their texts they highlight the Space real or imaginary. In which way and how this Space contribute to the evolution of francophone literature? To what extent does francophone literature takes into account this representation of the Space? These questions lead to a reflection on the position occupied by these authors in the francophone field and the source of their literary inspirations. My interest in these authors is motivated by the fact that, by living and writing in a country which is not their place of birth, they each reveal different aspects of hybrid identity. Each of them, has his or her personal and original way of tackling the problem of mixed identity. They present their characters in different situations and different contexts, showing that each has been in contact with several cultures which they have assimilated and each lived in his or her own way a particular story. My study’s focus is to understand the problems of contact of cultures and their consequences, and to explore how through the characters of the novel, immigrant French speaking writers understood their acculturation as themselves have experienced an identity crisis, resulting from the confrontation of the culture of their new homeland and the culture of their country of origin. For this reason, Bourdieu’s approach “la sociocritique” will help me to found out the origin of the author’s obsession with the question of hybrid identity. I have chosen these four immigrant speaking writers to explore the strategies implemented by the novels’ narrators to construct their identities and to find out how the narrators express the intentions of the authors. In their texts, Mabanckou, Beyala, Laferrière and Wekape have used various strategies to express the quest for identity which gives clear indications of the authors’ creativity such as humour, parody, or solemnity and gravity - and the narrative voices reveal distinctive attitudes in relation to hybrid identity. At this level, other approaches will also be called for, such as the work of Westphal, Doubrovsky, Genette, Colona, etc. Through my investigation, these works present similarities and dissimilarities. Each author tackled the questions of hybrid identities according to his own experience. From there, a different commitment emerges, depending on the degree of inquiry into questions about immigration. These authors all evoke the social precariousness of their characters or the immigrant and privilege an urban framework. The examination of these works allowed me to identify their place in Francophonie literature and to discover the importance of their texts. The four novels relate to the search for identity, an aesthetic way and a search for freedom. They possess aesthetic qualities, they have a high degree of coherence. Their romantic choice shows their creativity and their strategies engender a hybrid writing that stems from their position between several languages and place these novels within the world literature.
- Full Text:
- Date Issued: 2019
Chris McGregor in Paris, Palais des Glaces
- Authors: Koza, Christine
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Type: Article
- Identifier: vital:13552 , http://hdl.handle.net/10962/d1006435 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied article from Jazz Magazine about Chris McGregor.
- Full Text:
- Authors: Koza, Christine
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Type: Article
- Identifier: vital:13552 , http://hdl.handle.net/10962/d1006435 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied article from Jazz Magazine about Chris McGregor.
- Full Text:
Letter from Jack Lang to Chris McGregor's family
- Authors: Lang, Jack
- Date: 2012-09-20
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13482 , http://hdl.handle.net/10962/d1002618 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied letter from Jack Lang, ex-French Minister of Art and Culture, to Chris McGregor's family.
- Full Text:
- Authors: Lang, Jack
- Date: 2012-09-20
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13482 , http://hdl.handle.net/10962/d1002618 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied letter from Jack Lang, ex-French Minister of Art and Culture, to Chris McGregor's family.
- Full Text:
Chris McGregor: The second breath
- Authors: Latxague, Robert
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz musicians
- Language: French
- Type: Article
- Identifier: vital:13586 , http://hdl.handle.net/10962/d1009491 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz musicians
- Description: Photocopied interview from the French Jazz Magazine about a concert by Chris McGregor's Brotherhood of Breath at the music festival of Angoulême
- Full Text:
- Authors: Latxague, Robert
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz musicians
- Language: French
- Type: Article
- Identifier: vital:13586 , http://hdl.handle.net/10962/d1009491 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz musicians
- Description: Photocopied interview from the French Jazz Magazine about a concert by Chris McGregor's Brotherhood of Breath at the music festival of Angoulême
- Full Text:
Chris McGregor's Brotherhood of Breath: Yes please
- Authors: Lebrun, B
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz Musicians
- Language: French
- Type: Text
- Identifier: vital:13590 , http://hdl.handle.net/10962/d1012245 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz Musicians
- Description: Photocopied article from the French newspaper Ouest France about the recording "Yes please" (Musica Distribution) by Chris McGregor's Brotherhood of Breath.
- Full Text:
- Authors: Lebrun, B
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz Musicians
- Language: French
- Type: Text
- Identifier: vital:13590 , http://hdl.handle.net/10962/d1012245 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz Musicians
- Description: Photocopied article from the French newspaper Ouest France about the recording "Yes please" (Musica Distribution) by Chris McGregor's Brotherhood of Breath.
- Full Text:
Les yeux noirs
- Lecuona Cuban Boys, Makaroff, Grefiche, Tracey, Hugh
- Authors: Lecuona Cuban Boys , Makaroff, Grefiche , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Country not specified City not specified f-sa
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/206372 , vital:47015 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0785 , Research no. PDK501A
- Description: Orchestra dance band music
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Lecuona Cuban Boys , Makaroff, Grefiche , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Country not specified City not specified f-sa
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/206372 , vital:47015 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0785 , Research no. PDK501A
- Description: Orchestra dance band music
- Full Text: false
- Date Issued: 0000-00-00
Blue Notes, White and Black - The Unique White Child
- Lorrai, Marcello, Dimonopoli, Gregorio
- Authors: Lorrai, Marcello , Dimonopoli, Gregorio
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Jazz , Martin, Costant
- Language: French
- Type: Text
- Identifier: vital:13591 , http://hdl.handle.net/10962/d1012246 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Jazz , Martin, Costant
- Description: Two photocopied articles from the Italian newspaper Il Manifesto. The first article is an obituary of Chris McGregor and the second article is a conversation between the journalist and the critic and McGregor's friend Costant Martin. A picture of Chris McGregor at the time of Blue Notes is also accompanying this article.
- Full Text:
- Authors: Lorrai, Marcello , Dimonopoli, Gregorio
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Jazz , Martin, Costant
- Language: French
- Type: Text
- Identifier: vital:13591 , http://hdl.handle.net/10962/d1012246 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Jazz , Martin, Costant
- Description: Two photocopied articles from the Italian newspaper Il Manifesto. The first article is an obituary of Chris McGregor and the second article is a conversation between the journalist and the critic and McGregor's friend Costant Martin. A picture of Chris McGregor at the time of Blue Notes is also accompanying this article.
- Full Text:
Chris McGregor and the South African Exiles
- Authors: Loupien, Serge
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Shepp, Archie
- Language: French
- Type: Text
- Identifier: vital:13592 , http://hdl.handle.net/10962/d1012247 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Shepp, Archie
- Description: Photocopied article in French about the reissue of the recording of Chris McGregor's "Thunderbolt" with his exiled friends from Blue Notes and British improvisers. There is also a picture of the CD's front cover with this article.
- Full Text:
- Authors: Loupien, Serge
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Shepp, Archie
- Language: French
- Type: Text
- Identifier: vital:13592 , http://hdl.handle.net/10962/d1012247 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa) , Shepp, Archie
- Description: Photocopied article in French about the reissue of the recording of Chris McGregor's "Thunderbolt" with his exiled friends from Blue Notes and British improvisers. There is also a picture of the CD's front cover with this article.
- Full Text:
McGregor: Without leaving an address
- Authors: Loupien, Serge
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Pukwana, Dudu , Moholo, Louis T.--1940- , Dyani, Johnny Mbizo , Jazz , Jazz Musicians
- Language: French
- Type: Text
- Identifier: vital:13593 , http://hdl.handle.net/10962/d1012249 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Pukwana, Dudu , Moholo, Louis T.--1940- , Dyani, Johnny Mbizo , Jazz , Jazz Musicians
- Description: Photocopied article from the French newspaper Libération about Chris McGregor's death. The author relates his life. A picture of Chris McGregor wearing a music notes shirt and pulling his hair is also accompanying the article.
- Full Text:
- Authors: Loupien, Serge
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Pukwana, Dudu , Moholo, Louis T.--1940- , Dyani, Johnny Mbizo , Jazz , Jazz Musicians
- Language: French
- Type: Text
- Identifier: vital:13593 , http://hdl.handle.net/10962/d1012249 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Pukwana, Dudu , Moholo, Louis T.--1940- , Dyani, Johnny Mbizo , Jazz , Jazz Musicians
- Description: Photocopied article from the French newspaper Libération about Chris McGregor's death. The author relates his life. A picture of Chris McGregor wearing a music notes shirt and pulling his hair is also accompanying the article.
- Full Text:
Bamba
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129206 , vital:36246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-03
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129206 , vital:36246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-03
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Bippe
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129233 , vital:36249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-06
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129233 , vital:36249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-06
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
La bal
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129145 , vital:36222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-02
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129145 , vital:36222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-02
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Debbo
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129211 , vital:36247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-04
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129211 , vital:36247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-04
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Futa
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129224 , vital:36248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-05
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129224 , vital:36248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-05
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Gaynako
- Malick Ly (composer, lead vocal, guitar solo), Daouda N'Diaye (chorus, drums, arrangement), Habib Niente (chorus, bass, orchestra leader), Pathe Dieng (chorus, percussion), Libasse Seye (keyboard), Studio 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129136 , vital:36221 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-01
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
- Authors: Malick Ly (composer, lead vocal, guitar solo) , Daouda N'Diaye (chorus, drums, arrangement) , Habib Niente (chorus, bass, orchestra leader) , Pathe Dieng (chorus, percussion) , Libasse Seye (keyboard) , Studio 2000
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129136 , vital:36221 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC19-01
- Description: Senegalese traditional rhythms and song fused with modern instruments and genres
- Full Text: false
- Date Issued: 2000
Bassa Kele
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129866 , vital:36340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-04
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129866 , vital:36340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-04
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Doni Taba
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129875 , vital:36341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-05
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129875 , vital:36341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-05
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Diarabi
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129880 , vital:36342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-06
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129880 , vital:36342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-06
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Be Ta Lame
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129849 , vital:36339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-03
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129849 , vital:36339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-03
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999