Showing items 121 - 140 of 439

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Abarinda nibarwana

- Eria Rubanda and Nkole men, Hugh Tracey

Ali Majengo

- Kyomile Kabanyolekile with Haya men, Hugh Tracey

  • Authors: Kyomile Kabanyolekile with Haya men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171926 , vital:42139 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-04
  • Description: "My love is in Majengo." (the red light district of Bukoba). The great social problem of Bukoba (1950) is the general laxity of morals which followed up on the rise in thier standard of living through the planting of coffee. Men and women alike have lost their standards of recent years. Sung while paddling out to lay nets. The cries are the traditional cries are the traditional cries of the fishermen out on the lake. Paddling song with conical laced drum, beaten with sticks and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1950

Amaligi

- Eria Rubanda, Nkole men, Composer not specified, Tracey, Hugh

Amarwa tinganywa

- Eriya Bakwasa, performer not specified, Tracey, Hugh

Amarwa tinganywa

- Bakwasa, Eriya, Tracey, Hugh

  • Authors: Bakwasa, Eriya , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda city not specified f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/295658 , vital:57365 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1911-XYZ5344
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Amarwa tinganywa

- Eriya Bakwasa, Hugh Tracey

  • Authors: Eriya Bakwasa , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169611 , vital:41776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-03
  • Description: "I will not have anything to do with beer." This old well meaning phrase rings all too hollow in any language and the audience responded in time honoured ribaldry. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
  • Full Text: false
  • Date Issued: 1950

Aramutanga

- Bomera and Tibuhoire, Hugh Tracey

  • Authors: Bomera and Tibuhoire , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169798 , vital:41825 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-05
  • Description: Tunes, like the bosun's piping in the navy, which drum and pipe the Mukama as he leaves his Kikale (house) to go his rounds or visit the Council Chamber or court. The Nsegu pipes are made in two sections and joined together by binding with hide, or iguana skin which is shrunk or bound onto the two halves. Way of 'piping' the Mukama with two Nsegu end blown vertical, open flutes.
  • Full Text: false
  • Date Issued: 1950

Aramutanga

- Bomera, Tibuhoire, Composer not specified, Tracey, Hugh

Ayahangire abakazi

- Mburabwiko, Festo, Nyoro men and women, Mburabwikyo, Festo, Tracey, Hugh

Ayahangiri abakazi

- Festo Mburabwikyo and Nyoro men and women, Hugh Tracey

Ayemere Kasunau nkwanzi

- Faisi Wabunoha and Toro women, Hugh Tracey

Ayemere Kasunsi Nkwanzi

- Faisi Wabunoha, Toro women, Composer not specified, Tracey, Hugh

Ayemere Kasunsu nkwanzi

- Faisi Wabumoka, Toro women of Toro District, composer not specified, Tracey, Hugh

Baligira Ukeitwoha

- Evanili Kanengere, Ganda men and women, Composer not specified, Tracey, Hugh

Banyangkole itwe tukore tata

- Performer not specifed, Composer not specified, Tracey, Hugh

Batele bwankya

- Norobeti Michaili with Haya boys, Hugh Tracey

Bateme Makonge

- Kagaruki Nkokolo with Haya men, Hugh Tracey

Bireke bifwerya

- Ernest Kibuka, Haya men of Bukoba District, composer not specified, Tracey, Hugh

Bireke kifwerya

- Ernest Kibuka with Haya men, Hugh Tracey

  • Authors: Ernest Kibuka with Haya men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172051 , vital:42153 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-13
  • Description: Many years ago the people of Bukoba tried to come to some agreement about making a paramount chief. The idea failed owing to the narrow loyality of the various peoples of their own minor chiefs. Those who had proposed the amalgamation sang, "Leave the fools alone," resolving to carry out their intentions at some future date. The accent of the clapping falls on pulses 2, 5 and 7 in the 8 pulse measure. Topical song with conical laced drum and clapping.
  • Full Text: false
  • Date Issued: 1950

Bojo mwije

- Haya boys, Borozi, J.B., Tracey, Hugh

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