Here, seen ons gawes
- Doringveld Congregation, Composer Not Specified, Dargie, Dave
- Authors: Doringveld Congregation , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308639 , vital:58941 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-20
- Description: Easter Vigil Mass hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Doringveld Congregation , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308639 , vital:58941 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-20
- Description: Easter Vigil Mass hymn.
- Full Text: false
- Date Issued: 1988
Here, skenk ons vryheid
- Composition Workshop Choir, Composer not specified, Dargie, Dave
- Authors: Composition Workshop Choir , Composer not specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309494 , vital:59044 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-02
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
- Authors: Composition Workshop Choir , Composer not specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309494 , vital:59044 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-02
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
Hier's ek weer
- Susan, Hendrik, not specified, composer not specified, Tracey, Hugh
- Authors: Susan, Hendrik , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243118 , vital:51118 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3135 , D-ABC3
- Description: Afrikaans dance band song
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Susan, Hendrik , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243118 , vital:51118 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3135 , D-ABC3
- Description: Afrikaans dance band song
- Full Text: false
- Date Issued: 0000-00-00
Hierdie keer gaan nie maklik wees nie
- Authors: Visser, Deon Claudius
- Date: 2021-04
- Subjects: Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Short stories, Afrikaans -- 21st century , Afrikaans fiction -- 21st century , Afrikaans fiction -- History and criticism
- Language: Afrikaans
- Type: thesis , text , Masters , MA
- Identifier: http://hdl.handle.net/10962/178317 , vital:42929
- Description: My tesis bestaan uit twee versamelings van prosa wat verwant en in noue verband met mekaar tree. Die prosa is fragmentaries en kort maar verbind met ‟n oorkoepelende storie wat in beide Afrikaans en Engels voorgelê word. Die Afrikaanse deel van my tesis ondersoek die verlede, en die Engels die toekoms. My algemene bron van inspirasie vir die struktuur en voorlegging van die tesis word verkry vanaf die klassieke raamverteller konvensie soos gebruik in One Thousand and One Nights, hierdie konvensie maak gebruik van raamfragmente wat binne ‟n groter geheel gevind kan word. Dit is juis hierdie komplekse struktuur wat dit moontlik maak om tyd, hede en verlede asook die toekoms, te kan ondersoek en uit te beeld. Verder maak dit dit ook moontlik om gekoppelde herinneringe, gedagteneigings, en fantasieverhale te kan gebruik as die dryfkrag van die oorkoepelende storie. Met betrekking tot kontemporêre fiksie vind ek die meeste aanklank en invloed by Sandra Cisneros se boek House on Mango Street. Ek het by hierdie verhaal geleer hoe om vignette en kortverhale onafhanklik maar met ‟n motief-verbinding aan mekaar te koppel. Tematies gesproke handel my tesis oor herinneringe, nostalgie, familieverhoudings, die dood asook afsluiting en aanbeweging. In terme van hierdie temas vind ek dat Nathan Trantraal se Chokers en Survivors, en Noudat Slapende Honde deur Ronelda S. Kamfer my die meeste insae gee oor die verhouding tussen Afrikaans en Engels in die literatuur. Verder is Loftus Marais se taalgebruik en die vermenging van taal in Staan in die Algemeen Nader aan Vensters ook insiggewend. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-04
- Authors: Visser, Deon Claudius
- Date: 2021-04
- Subjects: Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Short stories, Afrikaans -- 21st century , Afrikaans fiction -- 21st century , Afrikaans fiction -- History and criticism
- Language: Afrikaans
- Type: thesis , text , Masters , MA
- Identifier: http://hdl.handle.net/10962/178317 , vital:42929
- Description: My tesis bestaan uit twee versamelings van prosa wat verwant en in noue verband met mekaar tree. Die prosa is fragmentaries en kort maar verbind met ‟n oorkoepelende storie wat in beide Afrikaans en Engels voorgelê word. Die Afrikaanse deel van my tesis ondersoek die verlede, en die Engels die toekoms. My algemene bron van inspirasie vir die struktuur en voorlegging van die tesis word verkry vanaf die klassieke raamverteller konvensie soos gebruik in One Thousand and One Nights, hierdie konvensie maak gebruik van raamfragmente wat binne ‟n groter geheel gevind kan word. Dit is juis hierdie komplekse struktuur wat dit moontlik maak om tyd, hede en verlede asook die toekoms, te kan ondersoek en uit te beeld. Verder maak dit dit ook moontlik om gekoppelde herinneringe, gedagteneigings, en fantasieverhale te kan gebruik as die dryfkrag van die oorkoepelende storie. Met betrekking tot kontemporêre fiksie vind ek die meeste aanklank en invloed by Sandra Cisneros se boek House on Mango Street. Ek het by hierdie verhaal geleer hoe om vignette en kortverhale onafhanklik maar met ‟n motief-verbinding aan mekaar te koppel. Tematies gesproke handel my tesis oor herinneringe, nostalgie, familieverhoudings, die dood asook afsluiting en aanbeweging. In terme van hierdie temas vind ek dat Nathan Trantraal se Chokers en Survivors, en Noudat Slapende Honde deur Ronelda S. Kamfer my die meeste insae gee oor die verhouding tussen Afrikaans en Engels in die literatuur. Verder is Loftus Marais se taalgebruik en die vermenging van taal in Staan in die Algemeen Nader aan Vensters ook insiggewend. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-04
Hoe ry die boeke
- Susan se Orkes, not specified, composer not specified, Tracey, Hugh
- Authors: Susan se Orkes , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243102 , vital:51116 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3134 , XYZABC67
- Description: Afrikaans dance band song
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Susan se Orkes , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243102 , vital:51116 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3134 , XYZABC67
- Description: Afrikaans dance band song
- Full Text: false
- Date Issued: 0000-00-00
Holy Holy, somebody loves me
- Church Choir, Composer Not Specified, Dargie, Dave
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309033 , vital:58990 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-53
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309033 , vital:58990 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-53
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
Hoofletter K Kleurling - 'n besonderse Suid-Afrikaanse
- Authors: Thomas, Cornelius
- Date: 2016
- Language: Afrikaans
- Type: book chapter , text
- Identifier: http://hdl.handle.net/10962/59771 , vital:27647 , http://naledi.online/product/ons-kom-van-ver/
- Description: Hoofletter K Kleurling.
- Full Text: false
- Date Issued: 2016
- Authors: Thomas, Cornelius
- Date: 2016
- Language: Afrikaans
- Type: book chapter , text
- Identifier: http://hdl.handle.net/10962/59771 , vital:27647 , http://naledi.online/product/ons-kom-van-ver/
- Description: Hoofletter K Kleurling.
- Full Text: false
- Date Issued: 2016
Horrelpoot (2006) van Eben Venter as apokaliptiese roman: 'n intertekstuele studie
- Authors: Roth, Johan Friedrich
- Date: 2011
- Subjects: Venter, Eben. Hoorelpoort , Apocalyptic literature
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:8445 , http://hdl.handle.net/10948/1492 , Venter, Eben. Hoorelpoort , Apocalyptic literature
- Description: The dissertation offers a comparative reading of Eben Venter's Horrelpoot (2006) and Joseph Conrad's A Heart of Darkness (1902). The aim of this investigation is to establish whether the Afrikaans novel is overshadowed by the classical text, or whether it is an independent text in its own right. Following on a short reception study of reviews and articles published on Venter's latest fictional work, Horrelpoot, is read as an apocalyptic and / or dystopic novel. Whereas Conrad's novel is set in the Congo, Eben Venter opts for a fictionalized post-apartheid South African society riddled with social problems and a complete lack of infrastructure. The ideological notions pertaining to white South African fearing a black future form the crux of Venter's analysis of the contemporary white psyche in South Africa. From an intertextual point of view Venter's re-writing of Conrad's classic is a clear example of how, according to Kristeva's definition, one sign system is transposed into another. What is the result of this for the reception of the contemporary novel? Is one able to read Venter's novel without having to rely on Conrad's novel as intertext? An overview of the different theoretical views on intertextuality is also provided. The apocalyptic vision in Venter's novel is also examined against the background of a series of related novels in South Africa that deal with the same issue. In the 1980s apocalyptic novels focused primarily on apartheid society as symbolizing a dystopic, amoral and oppressive society that needed to be overthrown in favour of a more utopian non-racial society. Venter's novel places a question mark behind such an assumption as it shows that living in a post-apartheid society could even be worse and more dictatorial.
- Full Text:
- Date Issued: 2011
- Authors: Roth, Johan Friedrich
- Date: 2011
- Subjects: Venter, Eben. Hoorelpoort , Apocalyptic literature
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:8445 , http://hdl.handle.net/10948/1492 , Venter, Eben. Hoorelpoort , Apocalyptic literature
- Description: The dissertation offers a comparative reading of Eben Venter's Horrelpoot (2006) and Joseph Conrad's A Heart of Darkness (1902). The aim of this investigation is to establish whether the Afrikaans novel is overshadowed by the classical text, or whether it is an independent text in its own right. Following on a short reception study of reviews and articles published on Venter's latest fictional work, Horrelpoot, is read as an apocalyptic and / or dystopic novel. Whereas Conrad's novel is set in the Congo, Eben Venter opts for a fictionalized post-apartheid South African society riddled with social problems and a complete lack of infrastructure. The ideological notions pertaining to white South African fearing a black future form the crux of Venter's analysis of the contemporary white psyche in South Africa. From an intertextual point of view Venter's re-writing of Conrad's classic is a clear example of how, according to Kristeva's definition, one sign system is transposed into another. What is the result of this for the reception of the contemporary novel? Is one able to read Venter's novel without having to rely on Conrad's novel as intertext? An overview of the different theoretical views on intertextuality is also provided. The apocalyptic vision in Venter's novel is also examined against the background of a series of related novels in South Africa that deal with the same issue. In the 1980s apocalyptic novels focused primarily on apartheid society as symbolizing a dystopic, amoral and oppressive society that needed to be overthrown in favour of a more utopian non-racial society. Venter's novel places a question mark behind such an assumption as it shows that living in a post-apartheid society could even be worse and more dictatorial.
- Full Text:
- Date Issued: 2011
Hosannah
- Church Choir, Composer Not Specified, Dargie, Dave
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308935 , vital:58976 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-41
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308935 , vital:58976 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-41
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
Hosannah
- Church Choir, Composer Not Specified, Dargie, Dave
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308942 , vital:58977 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-42
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Church Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308942 , vital:58977 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-42
- Description: Palm Sunday Mass hymn.
- Full Text: false
- Date Issued: 1988
I have decided to follow Jesus
- Composition Workshop Choir, Peregrina, Sister, Dargie, Dave
- Authors: Composition Workshop Choir , Peregrina, Sister , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309543 , vital:59049 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-07
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
- Authors: Composition Workshop Choir , Peregrina, Sister , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309543 , vital:59049 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-07
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
Identity and difference: a postcolonial analysis of Cape Malay as depicted in the literary texts from selected South African writers
- Authors: Chaudhari, Shamiega
- Date: 2009-11
- Subjects: Postcolonialism , Orientalism
- Language: Afrikaans
- Type: text
- Identifier: http://hdl.handle.net/${Handle} , vital:64143
- Description: The identity of the Cape Malay is usually reduced to the submissive, the comic and the exotic dishes such as bobotie, curry and samosas. Terms like "slams","slaamaaier" and "halfnaatjie" (Roos 2003:3) were just a few of the derogatory names that was awarded to the Cape Malay. Many of these terms and identity constructions are in the South African literature immortalized. The true history, the struggle, tears and sacrifices of this community slipped by unnoticed and in silence. And today, after all this suffering, they become identity is called into question and this identity is referred to as a controversial identity. In the Western Cape this identity mainly centered around being Malay, being Coloured, Being Cape Muslim or Black Muslim. It seems as if the Cape Malay is in an intermediate identity (defined in English as "inbetweenness") are trapped, defined by their "Muslimness","Cape-ness", "Malay-ness" and "Coloured-ness". This dissertation examines the controversy of the Cape Malay identity and focus specifically on identity construction and Otherness. It emphasizes certain characteristics that people divided due to certain character traits that are different from the norm and therefore cause that they are considered the Other. The study is undertaken with the aim of establishing the authenticity of the Cape Malay identity state and how it is depicted in the works of selected South African writers. It intends to look specifically at the construction of identity through Otherness during the colonial period in Southern Africa as well as how these identities were implemented, rejected or accepted is. , Thesis (MA) -- Faculty of Social Sciences and Humanities, 2009
- Full Text:
- Date Issued: 2009-11
- Authors: Chaudhari, Shamiega
- Date: 2009-11
- Subjects: Postcolonialism , Orientalism
- Language: Afrikaans
- Type: text
- Identifier: http://hdl.handle.net/${Handle} , vital:64143
- Description: The identity of the Cape Malay is usually reduced to the submissive, the comic and the exotic dishes such as bobotie, curry and samosas. Terms like "slams","slaamaaier" and "halfnaatjie" (Roos 2003:3) were just a few of the derogatory names that was awarded to the Cape Malay. Many of these terms and identity constructions are in the South African literature immortalized. The true history, the struggle, tears and sacrifices of this community slipped by unnoticed and in silence. And today, after all this suffering, they become identity is called into question and this identity is referred to as a controversial identity. In the Western Cape this identity mainly centered around being Malay, being Coloured, Being Cape Muslim or Black Muslim. It seems as if the Cape Malay is in an intermediate identity (defined in English as "inbetweenness") are trapped, defined by their "Muslimness","Cape-ness", "Malay-ness" and "Coloured-ness". This dissertation examines the controversy of the Cape Malay identity and focus specifically on identity construction and Otherness. It emphasizes certain characteristics that people divided due to certain character traits that are different from the norm and therefore cause that they are considered the Other. The study is undertaken with the aim of establishing the authenticity of the Cape Malay identity state and how it is depicted in the works of selected South African writers. It intends to look specifically at the construction of identity through Otherness during the colonial period in Southern Africa as well as how these identities were implemented, rejected or accepted is. , Thesis (MA) -- Faculty of Social Sciences and Humanities, 2009
- Full Text:
- Date Issued: 2009-11
Introduction
- Group Composition, Dargie, Dave, Maria, Margarita
- Authors: Group Composition , Dargie, Dave , Maria, Margarita
- Date: 1982-11-02
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku f-sx
- Language: Kuanyama, Kwanyama , Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/278222 , vital:55364 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD057-09
- Description: Church Music Composition Workshop.
- Full Text: false
- Date Issued: 1982-11-02
- Authors: Group Composition , Dargie, Dave , Maria, Margarita
- Date: 1982-11-02
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa Namibia Oshikuku f-sx
- Language: Kuanyama, Kwanyama , Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/278222 , vital:55364 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD057-09
- Description: Church Music Composition Workshop.
- Full Text: false
- Date Issued: 1982-11-02
Introduction for Piet Koornhof, 1978
- Authors: Henderson, Derek Scott
- Date: 1978
- Subjects: Koornhof, Pieter G.J. (1925-2007)
- Language: Afrikaans , English
- Type: Text
- Identifier: vital:7375 , http://hdl.handle.net/10962/d1017255 , Koornhof, Pieter G.J. (1925-2007)
- Full Text:
- Date Issued: 1978
- Authors: Henderson, Derek Scott
- Date: 1978
- Subjects: Koornhof, Pieter G.J. (1925-2007)
- Language: Afrikaans , English
- Type: Text
- Identifier: vital:7375 , http://hdl.handle.net/10962/d1017255 , Koornhof, Pieter G.J. (1925-2007)
- Full Text:
- Date Issued: 1978
Investering : die problematiek van investering-besluitneming vir die privaatsektor in die vervaardigingsbedryf in die Grens, Ciskei en Transkei
- Authors: O'Neill, Richard Charles
- Date: 1987
- Subjects: Investments -- South Africa -- Ciskei , Investments -- South Africa -- Transkei
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:924 , http://hdl.handle.net/10962/d1001450
- Description: Die langtermynaard van 'n investering noop die voornemende investeerder om meer omsigtig te beplan as in die geval van 'n belegging wat gewoonlik oor 'n korter termyn strek. Die voornemende investeerder moet besef dat 'n investeringsbesluit nie in isolasie van eksterne faktore geneem kan word nie. Dit is daarom raadsaam dat die voornemende investeerder hom deeglik van die makro- en mikro ekonomiese milieu waarbinne die investering beoog word, sal vergewis. Ten einde die kompleksiteit van investeringsbesluitneming op te helder, word daareerstens in hoofstuk 1 op die begrip van investering gekonsentreer. Voorts word die beginsel dat die investeringsbesluit nie in isolasie geneem kan word nie, beklemtoon. In hierdie opsig word daar veral na die determinante van investering gekyk. In makro-ekonomiese verband word die gedagte sterk beklemtoon dat investering nodig is om kapitaalvorming te laat plaasvind wat op sy beurt een van die vereistes is om ontwikkeling te bevorder. As gevolg van meningsverskille ten opsigte van die invloed van investering in ontwikkelde teenoor ontwikkelende lande is daar gevolglik aandag aan enkele ekonomiese groeimodelle gegee. Gesien uit die oogpunt van die daarstelling van 'n konsessiepakket om streeksekonomiese ontwikkeling te stimuleer, is die huidige konsessiepakket met die determinante van investering vergelyk. Daardeur word die kwessie aangeraak of die konsessiepakket weI die teoretiese determinante van investering in ag geneem het. Die belangrike vraag of die nyweraars self met die konsessiepakket tevrede is, word in die empiriese studie behandel. Die langtermynaard van 'n investering sal die weldeurdagte investeerder dwing om 'n verdere determinant, naamlik die land as risikofaktor deeglik in ag te neem. Met hierdie veronderstelling word daar in hoofstuk 2 na die land waar die investering oorweeg sal word, naamlik Suid-Afrika gekyk. Daar word veral aan die ekonomiese ontwikkeling van Suid-Afrika aandag gegee. In hierdie opsig word die ongelyke verdeling van inkome wat gedurende die jare al hoe meer beklemtoon is, bespreek en word daar na owerheidspogings gekyk om die probleem op streeksvlak teen te werk. Hierdie owerheidspogings konsentreer helaas op die daarstelling van 'n streeksekonomiese beleid wat moes meehelp om die geografiese verskille in die verdeling van inkome teen te werk. Die streeksekonomiese beleid het gestalte gekry in die vorm van 'n konsessiepakket wat dan ook in hierdie hoofstuk bespreek word. Aangesien die konsessiepakket daarop ingestel was om nyweraars na gedesentraliseerde gebiede te lok, is dit 'n voorwaarde vir die sukses van streeksekonomiese beleid dat nyweraars wat gedesentraliseer het met die konsessiepakket tevrede moet wees. Die navorsingsmetodiek wat gevolg is om hierdie vraag te probeer beantwoord word in hoofstuk 3 bespreek. Daar word in hierdie hoofstuk na die onderwerp, die hipotese, die vraelys en die beantwoordingsmetode gekyk. Hierdie hoofstuk dien dus as 'n skakel tussen die eerste twee hoofstukke wat hoofsaaklik oor die normatiewe en teoretiese aspekte van investering gehandel het en hoofstuk 4 wat die navorsingsresultate oftewel die werklikheid verteenwoordig. Die hipotese dat gedesentraliseerde nywerhede nie met die konsessiepakket tevrede is nie, word in hoofstuk 4 met die navorsingsresultate vergelyk en daar word ook na die verskille wat tussen die Grens, Ciskei en Transkei voorgekom het, gekyk. Die beleidsimplikasies van die navorsingsresultate sowel as In samevatting van die verhandeling word in hoofstuk 5 behandel terwyl daar ook na die implikasies ten opsigte van die huidige debat in die ontwikkelingsekonomie gekyk word (Introduction, p. ix-xi)
- Full Text:
- Date Issued: 1987
- Authors: O'Neill, Richard Charles
- Date: 1987
- Subjects: Investments -- South Africa -- Ciskei , Investments -- South Africa -- Transkei
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:924 , http://hdl.handle.net/10962/d1001450
- Description: Die langtermynaard van 'n investering noop die voornemende investeerder om meer omsigtig te beplan as in die geval van 'n belegging wat gewoonlik oor 'n korter termyn strek. Die voornemende investeerder moet besef dat 'n investeringsbesluit nie in isolasie van eksterne faktore geneem kan word nie. Dit is daarom raadsaam dat die voornemende investeerder hom deeglik van die makro- en mikro ekonomiese milieu waarbinne die investering beoog word, sal vergewis. Ten einde die kompleksiteit van investeringsbesluitneming op te helder, word daareerstens in hoofstuk 1 op die begrip van investering gekonsentreer. Voorts word die beginsel dat die investeringsbesluit nie in isolasie geneem kan word nie, beklemtoon. In hierdie opsig word daar veral na die determinante van investering gekyk. In makro-ekonomiese verband word die gedagte sterk beklemtoon dat investering nodig is om kapitaalvorming te laat plaasvind wat op sy beurt een van die vereistes is om ontwikkeling te bevorder. As gevolg van meningsverskille ten opsigte van die invloed van investering in ontwikkelde teenoor ontwikkelende lande is daar gevolglik aandag aan enkele ekonomiese groeimodelle gegee. Gesien uit die oogpunt van die daarstelling van 'n konsessiepakket om streeksekonomiese ontwikkeling te stimuleer, is die huidige konsessiepakket met die determinante van investering vergelyk. Daardeur word die kwessie aangeraak of die konsessiepakket weI die teoretiese determinante van investering in ag geneem het. Die belangrike vraag of die nyweraars self met die konsessiepakket tevrede is, word in die empiriese studie behandel. Die langtermynaard van 'n investering sal die weldeurdagte investeerder dwing om 'n verdere determinant, naamlik die land as risikofaktor deeglik in ag te neem. Met hierdie veronderstelling word daar in hoofstuk 2 na die land waar die investering oorweeg sal word, naamlik Suid-Afrika gekyk. Daar word veral aan die ekonomiese ontwikkeling van Suid-Afrika aandag gegee. In hierdie opsig word die ongelyke verdeling van inkome wat gedurende die jare al hoe meer beklemtoon is, bespreek en word daar na owerheidspogings gekyk om die probleem op streeksvlak teen te werk. Hierdie owerheidspogings konsentreer helaas op die daarstelling van 'n streeksekonomiese beleid wat moes meehelp om die geografiese verskille in die verdeling van inkome teen te werk. Die streeksekonomiese beleid het gestalte gekry in die vorm van 'n konsessiepakket wat dan ook in hierdie hoofstuk bespreek word. Aangesien die konsessiepakket daarop ingestel was om nyweraars na gedesentraliseerde gebiede te lok, is dit 'n voorwaarde vir die sukses van streeksekonomiese beleid dat nyweraars wat gedesentraliseer het met die konsessiepakket tevrede moet wees. Die navorsingsmetodiek wat gevolg is om hierdie vraag te probeer beantwoord word in hoofstuk 3 bespreek. Daar word in hierdie hoofstuk na die onderwerp, die hipotese, die vraelys en die beantwoordingsmetode gekyk. Hierdie hoofstuk dien dus as 'n skakel tussen die eerste twee hoofstukke wat hoofsaaklik oor die normatiewe en teoretiese aspekte van investering gehandel het en hoofstuk 4 wat die navorsingsresultate oftewel die werklikheid verteenwoordig. Die hipotese dat gedesentraliseerde nywerhede nie met die konsessiepakket tevrede is nie, word in hoofstuk 4 met die navorsingsresultate vergelyk en daar word ook na die verskille wat tussen die Grens, Ciskei en Transkei voorgekom het, gekyk. Die beleidsimplikasies van die navorsingsresultate sowel as In samevatting van die verhandeling word in hoofstuk 5 behandel terwyl daar ook na die implikasies ten opsigte van die huidige debat in die ontwikkelingsekonomie gekyk word (Introduction, p. ix-xi)
- Full Text:
- Date Issued: 1987
Ironie en ek : aspekte van die ironie as struktuurfaktor in die romanwerke van Marnix Gijsen
- Authors: Steyn, Karin
- Date: 1971
- Subjects: Irony in literature , Gijsen, Marnix, 1899-1984 -- Criticism and interpretation , Dutch fiction -- 20th Century
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3635 , http://hdl.handle.net/10962/d1013287
- Description: From Nawoord, p. 182. Ironie word in Gijsen se oeuvre nie alleenlik op 'n besondere wyse gebruik as 'n vorm van spel met woorde ter versiering of tot vermaak van die leser nie, maar irornie vorm ook 'n allerbelangrikste aspek van die struktuur van sy verhale. Gijsen "gebruik" nie in die eerste plaas ironie om die een of ander doel te bereik nie. Sy werke is ironies, en 'n begrip van die ironiese struktuur is in elke verhaal essensieel vir "n begrip van die verhaal self.
- Full Text:
- Date Issued: 1971
- Authors: Steyn, Karin
- Date: 1971
- Subjects: Irony in literature , Gijsen, Marnix, 1899-1984 -- Criticism and interpretation , Dutch fiction -- 20th Century
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3635 , http://hdl.handle.net/10962/d1013287
- Description: From Nawoord, p. 182. Ironie word in Gijsen se oeuvre nie alleenlik op 'n besondere wyse gebruik as 'n vorm van spel met woorde ter versiering of tot vermaak van die leser nie, maar irornie vorm ook 'n allerbelangrikste aspek van die struktuur van sy verhale. Gijsen "gebruik" nie in die eerste plaas ironie om die een of ander doel te bereik nie. Sy werke is ironies, en 'n begrip van die ironiese struktuur is in elke verhaal essensieel vir "n begrip van die verhaal self.
- Full Text:
- Date Issued: 1971
Izizweni
- Composition Workshop Choir, Composer Not Specified, Dargie, Dave
- Authors: Composition Workshop Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309581 , vital:59054 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-11
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
- Authors: Composition Workshop Choir , Composer Not Specified , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Katutura f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309581 , vital:59054 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD118-11
- Description: Practise session during composition workshop.
- Full Text: false
- Date Issued: 1988
J L B Smith: sy lewe en werk
- Date: 1968
- Subjects: Smith, J.L.B. (James Leonard Brierley), 1897-1968
- Language: Afrikaans
- Type: Text
- Identifier: vital:15056 , http://hdl.handle.net/10962/d1020238
- Full Text:
- Date Issued: 1968
- Date: 1968
- Subjects: Smith, J.L.B. (James Leonard Brierley), 1897-1968
- Language: Afrikaans
- Type: Text
- Identifier: vital:15056 , http://hdl.handle.net/10962/d1020238
- Full Text:
- Date Issued: 1968
Januarie, Februarie, Maart
- Hendrik Susan en sy Orkes and Jimmy Boonzaler, not specified, composer not specified, Tracey, Hugh
- Authors: Hendrik Susan en sy Orkes and Jimmy Boonzaler , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243075 , vital:51113 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3133 , ABC768-A
- Description: Topical song accompanied by various instruments
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Hendrik Susan en sy Orkes and Jimmy Boonzaler , not specified , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243075 , vital:51113 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3133 , ABC768-A
- Description: Topical song accompanied by various instruments
- Full Text: false
- Date Issued: 0000-00-00
Jesu Krestu o tsogile
- Composer Not Specified, Epukiro Folk, Dargie, Dave
- Authors: Composer Not Specified , Epukiro Folk , Dargie, Dave
- Date: 1981-05-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Epukiro f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/262156 , vital:53488 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD031-14
- Description: Indigenous music, Church Songs.
- Full Text: false
- Date Issued: 1981-05-02
- Authors: Composer Not Specified , Epukiro Folk , Dargie, Dave
- Date: 1981-05-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Nambia Epukiro f-sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/262156 , vital:53488 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD031-14
- Description: Indigenous music, Church Songs.
- Full Text: false
- Date Issued: 1981-05-02