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Atuwendi kumanzi ntwende kumulonga tukateke menda (Go to the river, go to draw water.Let us get water)

- Timoti Sadimbi, Hugh Tracey

  • Authors: Timoti Sadimbi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138117 , vital:37595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-16
  • Description: Timoti wet the flute with water first before playing. These flutes, they say, are played in January and February, and finished in March, during the time when they start to eat the new season's summer crop of mealies. They are played in the field. The flute is played with the fingers of the right hand palm turned inwards and is held in thus hand only. Flute tune for harvest with Mutetule usibgwa transverse reed flute x 3, open at far end.
  • Full Text: false
  • Date Issued: 1957

Aunakuva unafoko upendukile (Can't you understand your mother has changed her mind)

- Group of young Mpondo married women, Hugh Tracey

Aya-ye kufwafwile Lozhine totale kamile malila

- Three Chokwe men, Hugh Tracey

Ayaya wo- mami- yami- e

- Three Chokwe men, Hugh Tracey

  • Authors: Three Chokwe men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137047 , vital:37482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-03
  • Description: The drums are introduced one after the other, the third drum being heavily weighted and having a distinct buzzing tone, takes the main syncopation. The voices are introduced a full minute after the drums have set the rhythm. Chisira initiation dance with 3 goblet drums, open, pinned, weighted, hand beaten.
  • Full Text: false
  • Date Issued: 1957

Aye welele wa Mhalaka (Alas for a bachelor)

- Ngoi Nono and Kabongo Anastase with friends, Hugh Tracey

Ba ku Mageledi fyo balila

- Lala men and women (Performers), Composer not specified, Hugh Tracey

Ba Machi Bwanga

- Composer not specified, Hugh Tracey

  • Authors: Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134331 , vital:37123 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-06
  • Description: The singer calls his girl Machi Bwanga and the other women, including the mother of Changwe, to come and help him to sing.
  • Full Text: false
  • Date Issued: 1957

Ba Mari' tukasambe (Mary let us go to wash ourselves)

- Adamsoni Kabamba, Hugh Tracey

  • Authors: Adamsoni Kabamba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134675 , vital:37190 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-06
  • Description: "Mary let us go to wash ourselves at the river. On earth we live but to die. Mary join in the singing because we both know we live but to die. There are some beautiful peple on earth; so Mary sing with me this song." Self-delectative song with Kankowele mbira, fan-shaped, with external resonator.
  • Full Text: false
  • Date Issued: 1957

Ba Serenje balokulila bawishibo (Serenje is weeping over his father)

- Adamsoni Kabamba, Hugh Tracey

  • Authors: Adamsoni Kabamba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134640 , vital:37186 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-04
  • Description: "When Serenje's father died, he mourned for a long time. "Toranchi" has taught me how to shoot on the rifle range, so, now I have learnt to shoot, I may be going to the war, and do not know if I will ever come back." This is a piece of fantasy, for in fact, Mr. Torrence has not taught him to shoot, but it is an oblique form of flattery and praise. He is fond of Mr. Torrence who is assistant African personnel manager, and that is why he sings about him in this way. The fact that Mr. Torrence was an officer in the King's African Rifles during the war may have contributed to the singer's hero worship of him. Self-delectative song with Kankowele fan-shaped mbira with external resonator.
  • Full Text: false
  • Date Issued: 1957

Baba ndarota kufa

- Simon Sitole, Hugh Tracey

  • Authors: Simon Sitole , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Mt. Selinda f-rh
  • Language: Ndau
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181789 , vital:43768 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-11
  • Description: "The singer dreamt one day of his own death and tells his mother, sister and the rest of his family about his dream." In fact, the singer Simon Sitole is repeating the words of a song heard from another man and does not refer to himself. Only the opening line was picked up. He made up the rest for himself. Wistful song with Mbira dza WaNdau
  • Full Text: false
  • Date Issued: 1957

Babalasi (The hangover)

- Irene Buyiswa Ndumo, Jury Mpelho, Jury Mpelho, Hugh Tracey

  • Authors: Irene Buyiswa Ndumo, Jury Mpelho , Jury Mpelho , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135957 , vital:37318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-08
  • Description: This is about a certain coloured man who suffered from such a permanent hangover (babalasi) that he couldn't eat. He got so thin that his trousers were flapping around him. Topical song with dance band.
  • Full Text: false
  • Date Issued: 1957

Bachituta panchi (The defeated one)

- William Mapulanga and Friends, Hugh Tracey

Badazi Bomthandazo (Christian women)

- Young boys, Hugh Tracey

  • Authors: Young boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150668 , vital:38995 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-13
  • Description: This Mbayizelo or Impezu dance is not performed for any special occasion but just for fun. One young boy plays the repeated melody or the mouth organ, while the others do a kind of prancing dance while making a rhythmic roaring noise in their throats. Mbayizelo dance song, with mouth organ (harmonica).
  • Full Text: false
  • Date Issued: 1957

Baka Mutanda

- Group of Bemba boys, Hugh Tracey

Bam! Mfana kabanina undenzenzima (Bam! Whose son has made me pregnant)

- Group of Gcaleka women, Hugh Tracey

  • Authors: Group of Gcaleka women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151237 , vital:39042 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-11
  • Description: This song, sung without a trace of shyness, rather indicated a social state of affairs which was an accepted fact. It was not possible to obtain the true history behind the words and quite likely they contain an allusion of some local romance rather than to a local tragedy. Women's dance, with clapping.
  • Full Text: false
  • Date Issued: 1957

Bamangolosa bachusuwano

- Performer not specified, Edward Kalunga (Composer), Hugh Tracey

Bamba nzi munyika (What they are saying in the country)

- Chakobola Sheni, Hugh Tracey

  • Authors: Chakobola Sheni , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139082 , vital:37703 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-14
  • Description: The singer had his noise pierced (the tip of the septum), which until recently was a common practice among Tonga. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
  • Full Text: false
  • Date Issued: 1957

Bamgufya ba kwoti bana pengili amapa (I have got white hair)

- John Lushi, Hugh Tracey

  • Authors: John Lushi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Lake Bangwelu f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/140152 , vital:37840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-12
  • Description: "Tungusa chipembele mwela mucalo tungusa bali twamba bali naka muchalo chabene." "I have got 'white hair with wings' in a strange world but I am sorry that I am very fat and cannot fly." The meaning of this appears to be that the singer is a stranger in a strange land, with no friend and nowhere to go. The phrase 'white hair with wings', they say, is local saying or proverb. Wistful song with guitar and bottle.
  • Full Text: false
  • Date Issued: 1957

Bamwioka mwana anku angu (You have taken my chicken and roasted it)

- Samson Mwetwa and group of Tonga men, Hugh Tracey

Banakalunga Chikula

- Performer not specified, Edward Kalunga (Composer), Hugh Tracey

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