Fila II
- Group of Luba Men, Hugh Tracey
- Authors: Group of Luba Men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Lubangule f-cg
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182974 , vital:43899 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-13
- Description: These funeral songs are sung to cheer themselves up, but can also be sung at any time, they said. "While we sing we think of our own village." Recorded at the Kipushi Mine, Katanga. Fila dance song with 4 goblet drums and struck bottle
- Full Text: false
- Date Issued: 1952
- Authors: Group of Luba Men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Lubangule f-cg
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182974 , vital:43899 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-13
- Description: These funeral songs are sung to cheer themselves up, but can also be sung at any time, they said. "While we sing we think of our own village." Recorded at the Kipushi Mine, Katanga. Fila dance song with 4 goblet drums and struck bottle
- Full Text: false
- Date Issued: 1952
Kabamba
- Kalonda Leonard and his friends, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kalonda Leonard and his friends , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/390003 , vital:68504 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0784-F1N1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kalonda Leonard and his friends , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/390003 , vital:68504 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0784-F1N1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kabamba
- Kalonda Leonard and two friends, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kalonda Leonard and two friends , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/390047 , vital:68509 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0786-F1N6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kalonda Leonard and two friends , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/390047 , vital:68509 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0786-F1N6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kabamba
- Kalonda Leonard, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kalonda Leonard , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320167 , vital:60305 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2875-XYZ7062
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kalonda Leonard , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320167 , vital:60305 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2875-XYZ7062
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kabamba
- Kalonda Leonard, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kalonda Leonard , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389657 , vital:68471 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0779-F1M7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kalonda Leonard , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389657 , vital:68471 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0779-F1M7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kabamba
- Kalonda, Leonard, With Friends, Composer not specified, Tracey, Hugh
- Authors: Kalonda, Leonard , With Friends , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320027 , vital:60286 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2867-XYZ7070
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kalonda, Leonard , With Friends , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320027 , vital:60286 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2867-XYZ7070
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kabamba
- Leonard Kalonda, Two Friends, Composer not specified, Tracey, Hugh
- Authors: Leonard Kalonda , Two Friends , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320661 , vital:60362 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2922-XYZ7075
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Leonard Kalonda , Two Friends , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/320661 , vital:60362 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2922-XYZ7075
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kabamba mucheso
- Kabundji Nioka and Senga Louis with Songe, Hugh Tracey
- Authors: Kabundji Nioka and Senga Louis with Songe , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182078 , vital:43797 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-14
- Description: Mucheso is a gmae played by the children. The song develops into a kind of noisy cannon which was only brought to an end by the familiar 'A,r,r,r,r' of the leader. Funeral song for a chief with Chisanzhi 18 notes and rattle
- Full Text: false
- Date Issued: 1952
- Authors: Kabundji Nioka and Senga Louis with Songe , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182078 , vital:43797 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-14
- Description: Mucheso is a gmae played by the children. The song develops into a kind of noisy cannon which was only brought to an end by the familiar 'A,r,r,r,r' of the leader. Funeral song for a chief with Chisanzhi 18 notes and rattle
- Full Text: false
- Date Issued: 1952
Kabamba Mucheso
- Kabundji Nioka, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kabundji Nioka , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/322820 , vital:60605 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2977-XYZ7137
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kabundji Nioka , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/322820 , vital:60605 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2977-XYZ7137
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kabange
- Luba men and women, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Luba men and women , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/390354 , vital:68540 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0797-F1P2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Luba men and women , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/390354 , vital:68540 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0797-F1P2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kabange
- Group of Luba men and women, Hugh Tracey
- Authors: Group of Luba men and women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kinkondje f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181991 , vital:43788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-09
- Description: The four drummers were the chief singers together with their women. Malimba 2 xylophones, on frames without resonators.. 3 goblet drums, once called Itumba and the others Mutumbwe. The Itumba drum was a closed drum with a mirliton fixed into its side, 20" high and with 12 1/2" membrane. The Mutumbwe drums were both weighted with paste to lower their pitch, and had similar mirlitons. The large slit drum, Kunri, was insulated from the ground as it had no legs. In this respect the slit drums behave physically like a xylophone note and must be supported at the two nodes or they will not sound properly. Budye dance, with 2 xylophones, 3 conical drums and 1 slit drum
- Full Text: false
- Date Issued: 1952
- Authors: Group of Luba men and women , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kinkondje f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181991 , vital:43788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-09
- Description: The four drummers were the chief singers together with their women. Malimba 2 xylophones, on frames without resonators.. 3 goblet drums, once called Itumba and the others Mutumbwe. The Itumba drum was a closed drum with a mirliton fixed into its side, 20" high and with 12 1/2" membrane. The Mutumbwe drums were both weighted with paste to lower their pitch, and had similar mirlitons. The large slit drum, Kunri, was insulated from the ground as it had no legs. In this respect the slit drums behave physically like a xylophone note and must be supported at the two nodes or they will not sound properly. Budye dance, with 2 xylophones, 3 conical drums and 1 slit drum
- Full Text: false
- Date Issued: 1952
Kalamba wa badya
- Kayoka Ladislas, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kayoka Ladislas , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/322959 , vital:60619 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2984-XYZ7170
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislas , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/322959 , vital:60619 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2984-XYZ7170
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kalamba wa badya
- Kayoka Ladislas and group of Luba men, Hugh Tracey
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182544 , vital:43839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-09
- Description: All Mbira played by the Luba are called 'Chisanzhi' but a Chisanzhi was bass notes on the left instead of central is called Bilonda ba Bukabala. Tuning:- 488, 440, 364, 320, 284, 268, 244 vs. Topical song with Chisanzhi Mbira
- Full Text: false
- Date Issued: 1952
- Authors: Kayoka Ladislas and group of Luba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kandakanda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182544 , vital:43839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-09
- Description: All Mbira played by the Luba are called 'Chisanzhi' but a Chisanzhi was bass notes on the left instead of central is called Bilonda ba Bukabala. Tuning:- 488, 440, 364, 320, 284, 268, 244 vs. Topical song with Chisanzhi Mbira
- Full Text: false
- Date Issued: 1952
Kalenda wa muchombela
- Kankolongo Alidor, Hugh Tracey
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182593 , vital:43845 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-13
- Description: The Likembe was rested on a guitar which acted as a resonator and the rhythm was tapped out on the body of the guitar. As it stands the instrument appears to be pentatonic but reference to other examples shows that the scale played is in fact hexatonic one note being absent from this assembly. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182593 , vital:43845 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-13
- Description: The Likembe was rested on a guitar which acted as a resonator and the rhythm was tapped out on the body of the guitar. As it stands the instrument appears to be pentatonic but reference to other examples shows that the scale played is in fact hexatonic one note being absent from this assembly. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
Kalenda wa muchombela
- Kankolongo Alidor, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kankolongo Alidor , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/322891 , vital:60611 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2980-XYZ7174
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/322891 , vital:60611 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2980-XYZ7174
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kalonji
- Kalonji Marcel, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kalonji Marcel , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/321732 , vital:60479 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2956-XYZ7106
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kalonji Marcel , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/321732 , vital:60479 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2956-XYZ7106
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kanenga
- Authors: Louis Mulowa , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182985 , vital:43900 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-14
- Description: A player was sorry when his friend finished his food so he sat down to sing to his Chisanzhi Mbira. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
- Full Text: false
- Date Issued: 1952
- Authors: Louis Mulowa , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182985 , vital:43900 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-14
- Description: A player was sorry when his friend finished his food so he sat down to sing to his Chisanzhi Mbira. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
- Full Text: false
- Date Issued: 1952
Kasadi ngandu
- Kankolongo Alidor, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kankolongo Alidor , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Bulawayo f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/323857 , vital:60717 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2996-XYZ7175
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Bulawayo f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/323857 , vital:60717 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2996-XYZ7175
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Kasadi ugandu
- Kankolongo Alidor, Hugh Tracey
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182604 , vital:43846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-14
- Description: The Likembe was rested on a guitar which acted as a resonator and the rhythm was tapped out on the body of the guitar. As it stands the instrument appears to be pentatonic but reference to other examples shows that the scale played is in fact hexatonic one note being absent from this assembly. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182604 , vital:43846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-14
- Description: The Likembe was rested on a guitar which acted as a resonator and the rhythm was tapped out on the body of the guitar. As it stands the instrument appears to be pentatonic but reference to other examples shows that the scale played is in fact hexatonic one note being absent from this assembly. Topical song with Chisanzhi Likembe
- Full Text: false
- Date Issued: 1952
Kasadi ugandu
- Kankolongo Alidor, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Kankolongo Alidor , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of the Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/387852 , vital:68282 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO740-F1X2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Kankolongo Alidor , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic republic of the Congo city not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/387852 , vital:68282 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO740-F1X2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952