Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193304 , vital:45319 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-13
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193304 , vital:45319 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-13
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193318 , vital:45321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-15
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193318 , vital:45321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-15
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193313 , vital:45320 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-14
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193313 , vital:45320 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-14
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Chimveka tune
- Eight small Chopi boys, Tracey, Hugh
- Authors: Eight small Chopi boys , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193331 , vital:45322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-16
- Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
- Full Text: false
- Date Issued: 1963
- Authors: Eight small Chopi boys , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193331 , vital:45322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-16
- Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
- Full Text: false
- Date Issued: 1963
Chimveka tune
- Eight small Chopi boys, Tracey, Hugh
- Authors: Eight small Chopi boys , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193340 , vital:45323 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-17
- Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
- Full Text: false
- Date Issued: 1963
- Authors: Eight small Chopi boys , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193340 , vital:45323 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-17
- Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
- Full Text: false
- Date Issued: 1963
Chingomani
- Eleven girls of Banguza's village, Luzi Chowane (Leader), Tracey, Hugh
- Authors: Eleven girls of Banguza's village , Luzi Chowane (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194230 , vital:45432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-07
- Description: The girls wore rattles strapped to their right ankles. The costume was composed of rather long cotton blouses, skirts, trousers and grass skirts over all. The drum was hung onto a stick planted into the soft sand and was played with two light sticks by a blind drummer. Luzi Chowane is the leader of the Ngodo dancers and composed this item for the girls to dance, directing it by whistle. He altered the tone of the whistle by placing finger and thumb on either side of the fipple. This can be heard best during the drum solo. As with so much African dance music the sight of the dance is often more entertaining than the sound of the dance music. This movement lasrs 4m. 50s. when they give 'cries', followed by the second movement at 5m. 20s. which in turn is followed by short 'tokozela' cries at 6m. 40s. Young girls dance with drum Muchinga, clapping with wooden clappers, hand clapping and whistle.
- Full Text: false
- Date Issued: 1963
- Authors: Eleven girls of Banguza's village , Luzi Chowane (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194230 , vital:45432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-07
- Description: The girls wore rattles strapped to their right ankles. The costume was composed of rather long cotton blouses, skirts, trousers and grass skirts over all. The drum was hung onto a stick planted into the soft sand and was played with two light sticks by a blind drummer. Luzi Chowane is the leader of the Ngodo dancers and composed this item for the girls to dance, directing it by whistle. He altered the tone of the whistle by placing finger and thumb on either side of the fipple. This can be heard best during the drum solo. As with so much African dance music the sight of the dance is often more entertaining than the sound of the dance music. This movement lasrs 4m. 50s. when they give 'cries', followed by the second movement at 5m. 20s. which in turn is followed by short 'tokozela' cries at 6m. 40s. Young girls dance with drum Muchinga, clapping with wooden clappers, hand clapping and whistle.
- Full Text: false
- Date Issued: 1963
Chiriri chogwitisa Hengisela
- Katinyane wa Katini (Leader), Tracey, Hugh
- Authors: Katinyane wa Katini (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194794 , vital:45493 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-12
- Description: This recording clearly demonstrates the progress of a single item of music over 20 years among an entirley aural (non-literate) musical people. For purposes of the recording the singers sang each verse only once and not the usual twice each. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Katinyane wa Katini (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194794 , vital:45493 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-12
- Description: This recording clearly demonstrates the progress of a single item of music over 20 years among an entirley aural (non-literate) musical people. For purposes of the recording the singers sang each verse only once and not the usual twice each. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Chiriri Eto anga mahwa tambuzi
- Pondekane (Leader), Tracey, Hugh
- Authors: Pondekane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194752 , vital:45488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-08
- Description: A powerful opening played in octaves. The scale was:- 496, 448, 404, 364, 328, 300, 272, 248 vs. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Pondekane (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194752 , vital:45488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-08
- Description: A powerful opening played in octaves. The scale was:- 496, 448, 404, 364, 328, 300, 272, 248 vs. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Chiriri Movement Heleweda chigubu
- Mkoma Mahiketa wa Gwelana (Leader), Tracey, Hugh
- Authors: Mkoma Mahiketa wa Gwelana (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194602 , vital:45467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-05
- Description: Note how the opening Cadenza is a brief summary of the main musical ideas to be treated in the body of the work (Chiriri movement). The woman who ululates in this piece used to take a shield and dance with the men in her young days, an unusual practice but done on rare occassions as the Ngodo is essentially an athletic dance for men only. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Mahiketa wa Gwelana (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194602 , vital:45467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-05
- Description: Note how the opening Cadenza is a brief summary of the main musical ideas to be treated in the body of the work (Chiriri movement). The woman who ululates in this piece used to take a shield and dance with the men in her young days, an unusual practice but done on rare occassions as the Ngodo is essentially an athletic dance for men only. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Chitewetewe
- Dibeyoane waChiginyana, Tracey, Hugh
- Authors: Dibeyoane waChiginyana , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194542 , vital:45460 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-13
- Description: Chitewetewe is a short song with which is sung between dance movements. They are usually very short and some have excellent simple accompaniments. Song between dance movements with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Dibeyoane waChiginyana , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mavila f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194542 , vital:45460 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-13
- Description: Chitewetewe is a short song with which is sung between dance movements. They are usually very short and some have excellent simple accompaniments. Song between dance movements with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Chitewetewe and Mabandla
- Ngodo of Cabo Nkala, Composer not specified, Tracey, Hugh
- Authors: Ngodo of Cabo Nkala , Composer not specified , Tracey, Hugh
- Date: 1949-06-10
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala District f-rh
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201216 , vital:46338 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-027 , Research no. CT7
- Description: Indigenous folk song with timbila xylophones, singing and background cries, accompanied by rattles. Short orchestral dance song for Ngodo of Cabo Nkala of 1949.
- Full Text: false
- Date Issued: 1949-06-10
- Authors: Ngodo of Cabo Nkala , Composer not specified , Tracey, Hugh
- Date: 1949-06-10
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala District f-rh
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/201216 , vital:46338 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-027 , Research no. CT7
- Description: Indigenous folk song with timbila xylophones, singing and background cries, accompanied by rattles. Short orchestral dance song for Ngodo of Cabo Nkala of 1949.
- Full Text: false
- Date Issued: 1949-06-10
Chitotwane
- Chitokiso, Natiawane, Chopi women, Tracey, Hugh
- Authors: Chitokiso, Natiawane , Chopi women , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala District f-rh
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/200853 , vital:46286 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-024 , Research no. CR23
- Description: Indigenous folk song with singing, clapping and a mixture of background cries and yodelling, accompanied by whistling.
- Full Text: false
- Date Issued: 1949-06-08
- Authors: Chitokiso, Natiawane , Chopi women , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala District f-rh
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/200853 , vital:46286 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-024 , Research no. CR23
- Description: Indigenous folk song with singing, clapping and a mixture of background cries and yodelling, accompanied by whistling.
- Full Text: false
- Date Issued: 1949-06-08
Dadada nzana mteka
- Katini, Katinyane, Ngodo of Zavala, Tracey, Hugh
- Authors: Katini, Katinyane , Ngodo of Zavala , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico, Zavala District f-rh
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/200251 , vital:46214 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-021 , Research no. CR8
- Description: Indigenous folk song with timbila xylophones, singing and background cries, accompanied by whistling and rattles. Orchestral dance song for the Ngeniso movement of the Ngodo of Zavala of 1949.
- Full Text: false
- Date Issued: 1949-06-08
- Authors: Katini, Katinyane , Ngodo of Zavala , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico, Zavala District f-rh
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/200251 , vital:46214 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-021 , Research no. CR8
- Description: Indigenous folk song with timbila xylophones, singing and background cries, accompanied by whistling and rattles. Orchestral dance song for the Ngeniso movement of the Ngodo of Zavala of 1949.
- Full Text: false
- Date Issued: 1949-06-08
Data didzongololo
- Chidayane, Adao, Ngodo of Cabo Nyambele, Tracey, Hugh
- Authors: Chidayane, Adao , Ngodo of Cabo Nyambele , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala District f-rh
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/200792 , vital:46278 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-023 , Research no. CR19
- Description: Indigenous folk song with timbila xylophones, singing and background yodelling, accompanied by rattles. Orchestral dance song for the Mzeno movement of the Ngodo of Cabo Nyambele of 1949.
- Full Text: false
- Date Issued: 1949-06-08
- Authors: Chidayane, Adao , Ngodo of Cabo Nyambele , Tracey, Hugh
- Date: 1949-06-08
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala District f-rh
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/200792 , vital:46278 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-023 , Research no. CR19
- Description: Indigenous folk song with timbila xylophones, singing and background yodelling, accompanied by rattles. Orchestral dance song for the Mzeno movement of the Ngodo of Cabo Nyambele of 1949.
- Full Text: false
- Date Issued: 1949-06-08
Detyetye kusheka
- Tabarirevu Muyambo, Tracey, Hugh
- Authors: Tabarirevu Muyambo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Folk songs, Ndau , Chopi (African people) , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mwanditura f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194275 , vital:45439 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-12
- Description: A lovely melody taken from a Rungano story. The present musician himself had added his own instrumental accompaniment to an old song. After the last song, it is surprising to find that this is played on the same instrument, the key or mode seems to be quite different. "He-he-he laughing! He-he-he on the path! Do not be surprise if you see the Buzi river brown, It was because Manyati washed his gums. It is really me they are talking about. The little girl has disappointed me, She told me to wash myself so that we could be lovers; So I waited to be the first to wash in the pool." Spoken: "This is why the girls all laugh at us!" Song from a story with Mbira dze chiNdau.
- Full Text: false
- Date Issued: 1963
- Authors: Tabarirevu Muyambo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Folk songs, Ndau , Chopi (African people) , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Mwanditura f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194275 , vital:45439 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-12
- Description: A lovely melody taken from a Rungano story. The present musician himself had added his own instrumental accompaniment to an old song. After the last song, it is surprising to find that this is played on the same instrument, the key or mode seems to be quite different. "He-he-he laughing! He-he-he on the path! Do not be surprise if you see the Buzi river brown, It was because Manyati washed his gums. It is really me they are talking about. The little girl has disappointed me, She told me to wash myself so that we could be lovers; So I waited to be the first to wash in the pool." Spoken: "This is why the girls all laugh at us!" Song from a story with Mbira dze chiNdau.
- Full Text: false
- Date Issued: 1963
Dipswoti
- Jopele, Karolina, Chopi women and children, Composer not specified, Tracey, Hugh
- Authors: Jopele, Karolina , Chopi women and children , Composer not specified , Tracey, Hugh
- Date: 1949-06-03
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela, Zavala District f-rh
- Language: Chpoi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/198579 , vital:45998 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-014 , Research no. CM13
- Description: Indigenous folk story song with a mixture of spoken verse and chanting, interrupted by intermittent singing.
- Full Text: false
- Date Issued: 1949-06-03
- Authors: Jopele, Karolina , Chopi women and children , Composer not specified , Tracey, Hugh
- Date: 1949-06-03
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela, Zavala District f-rh
- Language: Chpoi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/198579 , vital:45998 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-014 , Research no. CM13
- Description: Indigenous folk story song with a mixture of spoken verse and chanting, interrupted by intermittent singing.
- Full Text: false
- Date Issued: 1949-06-03
Doane
- Machatini, Maviye, Tracey, Hugh
- Authors: Machatini, Maviye , Tracey, Hugh
- Date: 1949-06-03
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela, Zavala District f-rh
- Language: Chpoi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/198624 , vital:46003 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-014 , Research no. CM16
- Description: Indigenous folk song of personal lament, with singing, clapping and intermittent background yodelling and whistling.
- Full Text: false
- Date Issued: 1949-06-03
- Authors: Machatini, Maviye , Tracey, Hugh
- Date: 1949-06-03
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela, Zavala District f-rh
- Language: Chpoi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/198624 , vital:46003 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-014 , Research no. CM16
- Description: Indigenous folk song of personal lament, with singing, clapping and intermittent background yodelling and whistling.
- Full Text: false
- Date Issued: 1949-06-03
Dowane
- Young Chopi boys and girls with Chopi women, Composer not specified, Tracey, Hugh
- Authors: Young Chopi boys and girls with Chopi women , Composer not specified , Tracey, Hugh
- Date: 1949-06-02
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela, Zavala District f-rh
- Language: Chpoi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/198300 , vital:45965 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-011 , Research no. CL6
- Description: Indigenous folk song for children's night dance, with singing and clapping.
- Full Text: false
- Date Issued: 1949-06-02
- Authors: Young Chopi boys and girls with Chopi women , Composer not specified , Tracey, Hugh
- Date: 1949-06-02
- Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela, Zavala District f-rh
- Language: Chpoi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/198300 , vital:45965 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-011 , Research no. CL6
- Description: Indigenous folk song for children's night dance, with singing and clapping.
- Full Text: false
- Date Issued: 1949-06-02
Drum Rhythms
- Samuiri Oduonga and Chopi men and women, Hugh Tracey
- Authors: Samuiri Oduonga and Chopi men and women , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kigumba f-ug
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169210 , vital:41697 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-02
- Description: The bells on the ankles of one drummer can be heard though he was not dancing. The names of the two drums are: Timbo (the larger) and Pere (the smaller). Kyopere drum rhythms. Two long stem Goblet drums, open, pegged, with python skin membranes.
- Full Text: false
- Date Issued: 1950
- Authors: Samuiri Oduonga and Chopi men and women , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kigumba f-ug
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169210 , vital:41697 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-02
- Description: The bells on the ankles of one drummer can be heard though he was not dancing. The names of the two drums are: Timbo (the larger) and Pere (the smaller). Kyopere drum rhythms. Two long stem Goblet drums, open, pegged, with python skin membranes.
- Full Text: false
- Date Issued: 1950
Elosi aberu akipore imaniti abiro
- Iganitiyo Ekacholi and Teso men, Hugh Tracey
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169309 , vital:41713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-13
- Description: It is interesting to note the apparent differences in tone between the scale of the harp and the voice. Iganitiyo, the harp, made friends with Chief K. Omudeka and he visited him at his place over the border in Kenya. He was surprised at the great amount of land which was under cultivation there. He entertained the chief every evening of his visit by playing and singing to his Adedeu harp. Topical song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169309 , vital:41713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-13
- Description: It is interesting to note the apparent differences in tone between the scale of the harp and the voice. Iganitiyo, the harp, made friends with Chief K. Omudeka and he visited him at his place over the border in Kenya. He was surprised at the great amount of land which was under cultivation there. He entertained the chief every evening of his visit by playing and singing to his Adedeu harp. Topical song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950