Ikwara watindi tindibala
- Authors: Bulasiyo Namawa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169448 , vital:41751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-05
- Description: This song recalls the days when the Gishu were first subdued by the English during the early occupation of Uganda. Topical song with Lidungu seven string lyre.
- Full Text: false
- Date Issued: 1950
Ikwara watindi tindibala
- Authors: Namawa, Bulasiyo , Gishu men , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda City not specified f-ug
- Language: Gishu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297830 , vital:57632 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2009-XYZ5444
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ila, kafa, nduga zangu (Whenever I die, my friend)
- Authors: Ramadhani Fataki (Udi), Saidi Salum Nana (Mandoline) and Tatu Binti Jama , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179638 , vital:43129 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-09
- Description: The Arab influence is still strong up country particularly along the old Arab trading routes. All the seven items on this side of the disc represent an evening's entertainment spent with a Mohamedan Swahili family in Tabora whose taste in music leans towrds the Arab side of the family than the African. Two close friends who frequently play together in the evenings recorded these items. The wife of one of them provides some of the solos. They are typical, no doubt, of a musical evening at home by Swahili players anywhere in East Africa. All the items were recorded in the small sitting room of their Swahili home. The men singers sat around a table in the light of a parafin lamp and their veiled wwomefolk sat on mats in the adjoining rooms, watching through the doorways. "Whenever I die, my friend, either in town or country, among hites or blacks, play and dance Rungu for me at my funeral." Topical Taarab song, with 1 Udi, 1 Mandoline and 1 Duff tambourine drum (-14.91-).
- Full Text: false
- Date Issued: 1950
Ilemere abagorra nsonga ilemere
- Authors: Yohana Byabachwezi , Toro men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda city not specified f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/294139 , vital:57167 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1893-XYZ5320T
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilemere abagorra nsonga ilemere
- Authors: Yohana Byabachwezi with Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170426 , vital:41921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-07
- Description: Topical songs of this nature are sung at parties and weddings, with local subject matter such as their cattle and their crops. The style of singing would appear to be Hima rather than Bantu. Topical song.
- Full Text: false
- Date Issued: 1950
Ilemere abagorra nsonga ilemere
- Authors: Yohana Byabachwezi , Toro men , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Uganda city not specified f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/368246 , vital:66081 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0246-D5M4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilikazi lyayango bulo
- Authors: Wibingile, Kabaza , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291429 , vital:56859 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1775-XYZ5195a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilikazi lyayango bulo
- Authors: Wibingile Kabaza , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172704 , vital:42272 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-05
- Description: "The woman refuses food, but the child wants to eat some maize." The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175273 , vital:42559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-05
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175256 , vital:42558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-04
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175251 , vital:42557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-03
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315892 , vital:59766 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2749-XYZ6230c
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175164 , vital:42549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-01
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315860 , vital:59762 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2749-XYZ6230b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175246 , vital:42556 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-02
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315854 , vital:59760 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2749-XYZ6230a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge flute tunes
- Authors: Balekebosa Kayala , performer not specified , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/382403 , vital:67665 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO600-D2R16
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge flute tunes
- Authors: Balekebosa Kayala , performer not specified , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/382167 , vital:67640 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO591-D2R15
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge thuli (a
- Authors: Balekebosa, Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/283048 , vital:55904 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1479-XYZT4944a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge thuli (b
- Authors: Balekebosa, Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/283063 , vital:55906 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1479-XYZT4944b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950