Showing items 48641 - 48660 of 63255

Nyumba ya mwari witu

- Tabitha Wairimu, Kikuyu Girls, Composer not specified, Tracey, Hugh

Nzaa ndume ta Gomba

- Munyithya wa Kyenze, Hugh Tracey

  • Authors: Munyithya wa Kyenze , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
  • Language: Kamba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175842 , vital:42629 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-03
  • Description: "I truly love you. You have pale hands like a European." The singer uses his lute as a rhythmic rather than a melodic instrument. His voice appears to be pitched well above the instrument. His voice appears to be pitched well above the two basic notes of his lute, but the interval may bear some constant relationship which is not discernable to a foreign ear at first hearing. On the other hand the lute may be considered as a two note 'drone' to the melody. It will be noticed that the pitch of his lute slightly lower in this and the next song "Musenga." Love song, with Mbebe, one string, bowed lute.
  • Full Text: false
  • Date Issued: 1950

Nzaa ndume ta Somba

- Munyithya wa Kyenze, performer not specified, Tracey, Hugh

Nzaa nduna ta Samba

- Munyithya wa Kyenze, Tracey, Hugh

Nzaireki akatera empihi

- Samuiri Bitadwa and Nyoro men, Hugh Tracey

  • Authors: Samuiri Bitadwa and Nyoro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169934 , vital:41840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-18
  • Description: Nzaireki is held up to ridicule for being a glutton. He ate far too much and was sick all night. Enough, in Bunyoro, as elsewhere, is as good as a feast. The drum and rattles perform in a rhythm typical of much of Bantu Africa. Orunyege dance song for men and women with Ebinyege leg rattles and Goblet drum long stem pegged open.
  • Full Text: false
  • Date Issued: 1950

Nzaireki akatera empihi

- Samuiri Bitadwa and Nyoro men, Hugh Tracey

  • Authors: Samuiri Bitadwa and Nyoro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169925 , vital:41839 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-18
  • Description: Nzaireki is held up to ridicule for being a glutton. He ate far too much and was sick all night. Enough, in Bunyoro, as elsewhere, is as good as a feast. The drum and rattles perform in a rhythm typical of much of Bantu Africa. Orunyege dance song for men and women with Ebinyege leg rattles and Goblet drum long stem pegged open.
  • Full Text: false
  • Date Issued: 1950

Nzaireki akatera empihi

- Samuiri Bitadwa, Nyoro men of Bunyoro District, composer not specified, Tracey, Hugh

Nzumani mwaya

- performer not specified, Giryama men, composer not specified, Tracey, Hugh

Nzumani mwaya

- Chandaruwa Waya, Giryama men, Folk, Tracey, Hugh

O bail dura ate amanha

- Grupo Manjacaziana, Performer not specified, Moises Ribeiro Manyati, Tracey, Hugh

O cheye

- Lengare Sakarani, Chaga men, composer not specified, Tracey, Hugh

O Cheye

- Lengare Sakarani, Chaga men, Folk, Tracey, Hugh

O cheye

- Lengare Skarani with Chaga men, Hugh Tracey

O Horombo

- Mireiyo Sanganga, Chaga men, Folk, Tracey, Hugh

O Horombo

- Mireiye Sanganga with Chaga men, Hugh Tracey

  • Authors: Mireiye Sanganga with Chaga men , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174345 , vital:42469 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-12
  • Description: Chief Horombo was the head chief of this section of the Chaga people. The Chaga living on the Southern slopes of Kilimanjaro were so divided amongst themselves that they developed five or six district dialects through isolation. The various streams cascading down the mountain from the snow caps acted as boundaries between the warring clans, each occupying a separate ridgr from top to bottom. Loyality song with sticks.
  • Full Text: false
  • Date Issued: 1950

O'winyi Tito obeyobo lobo

- Samuiri Oduonga, Chopi men and women, composer not specified, Tracey, Hugh

Obaba sabashiya

- The Natal Champions, Performer not specified, Composer not specified, Tracey, Hugh

Obalemege

- Yosamu Kanagwa, Toro men, composer not specified, Tracey, Hugh

Obalemege

- Yosamu Kanagwa, Toro men, Composer not specified, Tracey, Hugh

Obalemege

- Yosamu Kanagwa and Toro men, Hugh Tracey

  • Authors: Yosamu Kanagwa and Toro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170263 , vital:41875 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-06
  • Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
  • Full Text: false
  • Date Issued: 1950
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