Van dagboek tot reisjoernaal : 'n literêre ondersoek na intertekstualiteit in Bidsprinkaan (2005) van André P. Brink
- Authors: Nagel, Amilinda
- Date: 2009
- Subjects: Brink, André Philippus, 1935-2015. Bidsprikaan , Afrikaans fiction -- 21st century -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:8457 , http://hdl.handle.net/10948/1050 , Brink, André Philippus, 1935-2015. Bidsprikaan , Afrikaans fiction -- 21st century -- History and criticism
- Description: The dissertation offers a reception study followed by a critical analysis of Bidsprinkaan by André P. Brink [Praying Mantis, 2005], as well as a careful study of the relevant historical and anthropological intertexts pertaining to the text. This research adds to a fuller understanding of the history of Cupido Kakkerlak and the missionaries. Brink encoded the novel with certain historical and anthropological codes, well-hidden beneath the surface of his fictional writing, thus achieving a finely balanced interaction between fact and fiction in his novelistic construct. This novelistic amalgam of the imaginative world with the historical and anthropological material, gives multidimensionality to the text which is not visible at a first superficial reading. Failing to recognize the traces to these intertexts, would result in a lesser understanding of the conflicting fields in which the main character is positioned, specifically between indigenous belief and Christianity, as well as between indigenous culture and mythology on the one hand, and western culture on the other hand. The author ‘encodes’ the novel (to use the terminology of Jakobson’s communication model) with these historical and anthropological intertexts, which the reader has to ‘decode’ in order to unlock the novel. One central technique therefore, is that of interwoven fact and fiction. This is a technique employed in most of Brink’s novels, such as ‘n Oomblik in die wind, 1975 [An Instant in the Wind], Houd-den-Bek, 1982 [A chain of voices,], Die eerste lewe van Adamastor, 1986 [The First Life of Adamastor, 1993], Inteendeel, 1993 [On the Contrary, 1993] and Duiwelskloof, 1998 [Devil’s Valley, 1998]. Khoi and San history, culture and identity also figure centrally in these novels. A further aspect of my hypothesis is suggested by the politically correct Afrikaans title, Bidsprinkaan (the common nomenclature for the praying mantis is “hotnotsgot”, which roughly translates as “hottentots’ god”, with obvious racial pejorative suggestion). Brink’s use of “bidsprinkaan” for his title, alerts the reader to contemporary political sensitivity, thus contrasting the society of two centuries ago with the present. The more sophisticated reading process followed here compares colonial and postcolonial South African societies, and attempts to tease out the implied ideological facet embedded in the novel.
- Full Text:
- Date Issued: 2009
- Authors: Nagel, Amilinda
- Date: 2009
- Subjects: Brink, André Philippus, 1935-2015. Bidsprikaan , Afrikaans fiction -- 21st century -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:8457 , http://hdl.handle.net/10948/1050 , Brink, André Philippus, 1935-2015. Bidsprikaan , Afrikaans fiction -- 21st century -- History and criticism
- Description: The dissertation offers a reception study followed by a critical analysis of Bidsprinkaan by André P. Brink [Praying Mantis, 2005], as well as a careful study of the relevant historical and anthropological intertexts pertaining to the text. This research adds to a fuller understanding of the history of Cupido Kakkerlak and the missionaries. Brink encoded the novel with certain historical and anthropological codes, well-hidden beneath the surface of his fictional writing, thus achieving a finely balanced interaction between fact and fiction in his novelistic construct. This novelistic amalgam of the imaginative world with the historical and anthropological material, gives multidimensionality to the text which is not visible at a first superficial reading. Failing to recognize the traces to these intertexts, would result in a lesser understanding of the conflicting fields in which the main character is positioned, specifically between indigenous belief and Christianity, as well as between indigenous culture and mythology on the one hand, and western culture on the other hand. The author ‘encodes’ the novel (to use the terminology of Jakobson’s communication model) with these historical and anthropological intertexts, which the reader has to ‘decode’ in order to unlock the novel. One central technique therefore, is that of interwoven fact and fiction. This is a technique employed in most of Brink’s novels, such as ‘n Oomblik in die wind, 1975 [An Instant in the Wind], Houd-den-Bek, 1982 [A chain of voices,], Die eerste lewe van Adamastor, 1986 [The First Life of Adamastor, 1993], Inteendeel, 1993 [On the Contrary, 1993] and Duiwelskloof, 1998 [Devil’s Valley, 1998]. Khoi and San history, culture and identity also figure centrally in these novels. A further aspect of my hypothesis is suggested by the politically correct Afrikaans title, Bidsprinkaan (the common nomenclature for the praying mantis is “hotnotsgot”, which roughly translates as “hottentots’ god”, with obvious racial pejorative suggestion). Brink’s use of “bidsprinkaan” for his title, alerts the reader to contemporary political sensitivity, thus contrasting the society of two centuries ago with the present. The more sophisticated reading process followed here compares colonial and postcolonial South African societies, and attempts to tease out the implied ideological facet embedded in the novel.
- Full Text:
- Date Issued: 2009
Tanga nokufumadeka Hompa
- Music workshop participants, Group composition, Dargie, Dave
- Authors: Music workshop participants , Group composition , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not Specified sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/410845 , vital:70753 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC119a-03
- Description: Composition session at music workshop, with a drum-accompanied chant-like recital and talking at the end.
- Full Text: false
- Date Issued: 1980
- Authors: Music workshop participants , Group composition , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not Specified sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/410845 , vital:70753 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC119a-03
- Description: Composition session at music workshop, with a drum-accompanied chant-like recital and talking at the end.
- Full Text: false
- Date Issued: 1980
Tanga nokufumadeka Hompa
- Music workshop participants, Group composition, Dargie, Dave
- Authors: Music workshop participants , Group composition , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not Specified sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/410832 , vital:70752 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC119a-02
- Description: Composition session at music workshop, with a spoken introduction followed by a drum-accompanied chant-like recital and clapping.
- Full Text: false
- Date Issued: 1980
- Authors: Music workshop participants , Group composition , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa City not Specified sa
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/410832 , vital:70752 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC119a-02
- Description: Composition session at music workshop, with a spoken introduction followed by a drum-accompanied chant-like recital and clapping.
- Full Text: false
- Date Issued: 1980
Roman-waarheid en roman-fiksie: 'n ondersoek na die waarheidsgehalte van sekere Afrikaanse aktualiteitsromans en na die waarheidsmaatstaf in die aktualiteitsromankritiek
- Authors: Mulock-Houwer, F A M
- Date: 1963
- Subjects: Afrikaans fiction -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3633 , http://hdl.handle.net/10962/d1012910
- Description: Dit het my herhaaldelik getref dat, by die beoordeling van bepaalde tipes Afrikaanse romans, deur die kritici sekere maatstawwe aangelê word wat as artistieke of literêre kriteria nie geldig, nie ter sake nie, en daarom meestal ook ontoelaatbaar is. Ek bedoel meer bepaaldelik die historiese en aktualiteitsromans: genres wat hul tematiese materiaal grotendeels betrek uit die verbye of hedendaagse "werklikheid" van die gemeenskap waartoe, in prakties alle gevalle, én die auteurs én die kritici van daardie romans behoort. Die ongeldige, slegs ten dele geldige of verkeerd gebruikte geldige kriteria vind hul oorsprong in 'n foutiewe vereenselwiging van die letterkundige kriterium "waarheid in die roman" met die aktualiteitsmaatstawwe "objektiewe werklikheid" en "oordeel oor hierdie werklikheid wat in die roman gevel word". 'n Ondersoek na die grondbeginsels van die romankritiek, die mate van ooreenkoms wat die Afrikaaner kritiek daarmee vertoon, en dus ook na die "waarheidsgehalte" van die betrokke romans self, vorm die opset van hierdie verhandeling. In die loop van die ondersoek het dit egter spoedig geblyk dat die onderwerp te wyd was, en dat dit die beste beperk kon word deur te konsentreer op 'n kleiner aantal romans binne een genre. Die keuse het geval op die aktualiteitsroman, en meer bepaaldelik op 'n negetal romans i.v.m. die "nie-blanke aktualiteit" en "rasseverhoudings in Suid-Afrika". Hierdie keuse is gedoen om twee hoofredes. Eerstens omdat die rasseprobleem veral sedert die Tweede Wêreldoorlog en meer bepaaldelik sedert die Atlantiese Oorkonde (1942) dié heersende wêreldprobleem geword het. Die rassebeleid in Suid-Afrika is derhalwe skerp in die lig gestel, met die gevolg dat Suid-Afrikaners daartoe gedryf is om hulle houding nie net in die praktyk te handhaaf nie, maar ook teoretiee en godsdienstig te verdedig. As aktualiteitsprobleem is die rassesituasie dus die interessantste en dié wat die meeste opspraak wek. Die tweede rede vir my keuae is die feit dat die kritieke oor die "romans oor rasseverhoudings", juis weens die aktualiteitstweedrag oor hierdie situasie, die volledigste voorbeeld vorm van die heersende "werklikheid"/"waarheid"-verwarring in die Afrikaanse aktualiteitsroman-kritiek. Die skripsie is in drie hoofdele verdeel: ʹn ondersoek na die waarheidemaatstaf in die kritiek, toepassing van hierdie maatstaf op romans oor die naturel en op die kritieke daaroor, en die verdere uitwerking daarvan i.v.m. romans oor die kleurling. Die nege romans wat ter sprake gebring is, mag beskou word as die noemenewaardigste kuns-en-aktualiteitspogings in hul genre, en tewens as 'n volledige aanduiding van die algemene ontwikkelingsgang van daardie genre. Die gekose volgorde van die romans dien dan ook om twee hooffaktore te omlyn: (a) die ontwikkeling van die aktualiteitsiening vanuit die idilliese plaasverband van Franz se romans, via die beperkte siening van die nie-blanke stadsproblematiek, na ʹn paging tot 'n volledige Suid-Afrikaanse probleemstelling in Rabie se Ons, die Afgod, en (b) die kunsgehalte van die betrokke romans en die mate waarin dit die draagkrag van die tendens beinvloed, en wederom die mate waarin die keuse van die tema en tendens die waarheidsgehal teen draagkrag van die romans as aktualiteitskommentare bepaal. Ons het gevolglik die romans oor die naturel, wat die eerste fase van die aktualiteitsiening behandel, in Deel II geplaas, en die romans oor die kleurling, van die staanspoor af meer problematies van aard, en as groep dié wat die mees gevorderde aktualiteitsiening vertoon in Deel III. Die slotbeskouing is ʹn kort samevatting van die mate van ontwikkeling in die Afrikaanse aktualiteitsroman oor die nie-blanke, en 'n vasstelling van die aard van die werklikheiq/waarheid-digotomie in die kritieke daaromtrent.
- Full Text:
- Date Issued: 1963
- Authors: Mulock-Houwer, F A M
- Date: 1963
- Subjects: Afrikaans fiction -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3633 , http://hdl.handle.net/10962/d1012910
- Description: Dit het my herhaaldelik getref dat, by die beoordeling van bepaalde tipes Afrikaanse romans, deur die kritici sekere maatstawwe aangelê word wat as artistieke of literêre kriteria nie geldig, nie ter sake nie, en daarom meestal ook ontoelaatbaar is. Ek bedoel meer bepaaldelik die historiese en aktualiteitsromans: genres wat hul tematiese materiaal grotendeels betrek uit die verbye of hedendaagse "werklikheid" van die gemeenskap waartoe, in prakties alle gevalle, én die auteurs én die kritici van daardie romans behoort. Die ongeldige, slegs ten dele geldige of verkeerd gebruikte geldige kriteria vind hul oorsprong in 'n foutiewe vereenselwiging van die letterkundige kriterium "waarheid in die roman" met die aktualiteitsmaatstawwe "objektiewe werklikheid" en "oordeel oor hierdie werklikheid wat in die roman gevel word". 'n Ondersoek na die grondbeginsels van die romankritiek, die mate van ooreenkoms wat die Afrikaaner kritiek daarmee vertoon, en dus ook na die "waarheidsgehalte" van die betrokke romans self, vorm die opset van hierdie verhandeling. In die loop van die ondersoek het dit egter spoedig geblyk dat die onderwerp te wyd was, en dat dit die beste beperk kon word deur te konsentreer op 'n kleiner aantal romans binne een genre. Die keuse het geval op die aktualiteitsroman, en meer bepaaldelik op 'n negetal romans i.v.m. die "nie-blanke aktualiteit" en "rasseverhoudings in Suid-Afrika". Hierdie keuse is gedoen om twee hoofredes. Eerstens omdat die rasseprobleem veral sedert die Tweede Wêreldoorlog en meer bepaaldelik sedert die Atlantiese Oorkonde (1942) dié heersende wêreldprobleem geword het. Die rassebeleid in Suid-Afrika is derhalwe skerp in die lig gestel, met die gevolg dat Suid-Afrikaners daartoe gedryf is om hulle houding nie net in die praktyk te handhaaf nie, maar ook teoretiee en godsdienstig te verdedig. As aktualiteitsprobleem is die rassesituasie dus die interessantste en dié wat die meeste opspraak wek. Die tweede rede vir my keuae is die feit dat die kritieke oor die "romans oor rasseverhoudings", juis weens die aktualiteitstweedrag oor hierdie situasie, die volledigste voorbeeld vorm van die heersende "werklikheid"/"waarheid"-verwarring in die Afrikaanse aktualiteitsroman-kritiek. Die skripsie is in drie hoofdele verdeel: ʹn ondersoek na die waarheidemaatstaf in die kritiek, toepassing van hierdie maatstaf op romans oor die naturel en op die kritieke daaroor, en die verdere uitwerking daarvan i.v.m. romans oor die kleurling. Die nege romans wat ter sprake gebring is, mag beskou word as die noemenewaardigste kuns-en-aktualiteitspogings in hul genre, en tewens as 'n volledige aanduiding van die algemene ontwikkelingsgang van daardie genre. Die gekose volgorde van die romans dien dan ook om twee hooffaktore te omlyn: (a) die ontwikkeling van die aktualiteitsiening vanuit die idilliese plaasverband van Franz se romans, via die beperkte siening van die nie-blanke stadsproblematiek, na ʹn paging tot 'n volledige Suid-Afrikaanse probleemstelling in Rabie se Ons, die Afgod, en (b) die kunsgehalte van die betrokke romans en die mate waarin dit die draagkrag van die tendens beinvloed, en wederom die mate waarin die keuse van die tema en tendens die waarheidsgehal teen draagkrag van die romans as aktualiteitskommentare bepaal. Ons het gevolglik die romans oor die naturel, wat die eerste fase van die aktualiteitsiening behandel, in Deel II geplaas, en die romans oor die kleurling, van die staanspoor af meer problematies van aard, en as groep dié wat die mees gevorderde aktualiteitsiening vertoon in Deel III. Die slotbeskouing is ʹn kort samevatting van die mate van ontwikkeling in die Afrikaanse aktualiteitsroman oor die nie-blanke, en 'n vasstelling van die aard van die werklikheiq/waarheid-digotomie in die kritieke daaromtrent.
- Full Text:
- Date Issued: 1963
Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier
- Mudzanani, Nndanduleni Bethuel
- Authors: Mudzanani, Nndanduleni Bethuel
- Date: 1990
- Subjects: Olivier, Gerrit, 1954- , Hambidge, Joan, 1956- , De Jong, Marianne , Afrikaans literature -- History and criticism , Afrikaans literature -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3599 , http://hdl.handle.net/10962/d1002174 , Olivier, Gerrit, 1954- , Hambidge, Joan, 1956- , De Jong, Marianne , Afrikaans literature -- History and criticism , Afrikaans literature -- Criticism and interpretation
- Description: Currently, in the period of Poststructualism literature is widely approached as a cultural and social phenomenon and the aims of literary studies as the illuminating of social codes, ideology etc. embedded in literature. This study evaluates the contribution of specific critics working within the so-called "New paradigm". The concept "New paradigm" is used as an umbrella term covering a number of distinct developments, referring to literature as a system of literary "actions" rather than as a canon of books. In recent years several Afrikaans critics have embraced or adapted current theories in the domains of Deconstruction, Ideology Criticism, Literary, Sociology, Recepticm Aesthetics, Semiotics and Feminism. This study explores and evaluates the application of such theoretical paradigms to their work in the field of practical criticism. This study also explores the relationship between current theories of literature and their antecedents. The notion of current literary theory and practice not only as a broadening of scope and content of the notion of the "literary" but on the other hand as a liberation of theory and practice from an over-deterministic thrust (i.e. the approach of literature as no more than a set of social documents) is also evaluated in this study. A twofold aim of this study can thus be defined: a. to determine the extent to which the shift from the "old" to "new" theories was made necessary by the developing literary and social scene; b. to examine the links beween theory and practice in the work of specific, key figures in Afrikaans. Is it possible for theory and practice to be separated? Is there an important consistence in the relationship between the two in the work of the figures chosen?
- Full Text:
- Date Issued: 1990
- Authors: Mudzanani, Nndanduleni Bethuel
- Date: 1990
- Subjects: Olivier, Gerrit, 1954- , Hambidge, Joan, 1956- , De Jong, Marianne , Afrikaans literature -- History and criticism , Afrikaans literature -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3599 , http://hdl.handle.net/10962/d1002174 , Olivier, Gerrit, 1954- , Hambidge, Joan, 1956- , De Jong, Marianne , Afrikaans literature -- History and criticism , Afrikaans literature -- Criticism and interpretation
- Description: Currently, in the period of Poststructualism literature is widely approached as a cultural and social phenomenon and the aims of literary studies as the illuminating of social codes, ideology etc. embedded in literature. This study evaluates the contribution of specific critics working within the so-called "New paradigm". The concept "New paradigm" is used as an umbrella term covering a number of distinct developments, referring to literature as a system of literary "actions" rather than as a canon of books. In recent years several Afrikaans critics have embraced or adapted current theories in the domains of Deconstruction, Ideology Criticism, Literary, Sociology, Recepticm Aesthetics, Semiotics and Feminism. This study explores and evaluates the application of such theoretical paradigms to their work in the field of practical criticism. This study also explores the relationship between current theories of literature and their antecedents. The notion of current literary theory and practice not only as a broadening of scope and content of the notion of the "literary" but on the other hand as a liberation of theory and practice from an over-deterministic thrust (i.e. the approach of literature as no more than a set of social documents) is also evaluated in this study. A twofold aim of this study can thus be defined: a. to determine the extent to which the shift from the "old" to "new" theories was made necessary by the developing literary and social scene; b. to examine the links beween theory and practice in the work of specific, key figures in Afrikaans. Is it possible for theory and practice to be separated? Is there an important consistence in the relationship between the two in the work of the figures chosen?
- Full Text:
- Date Issued: 1990
'n Ondersoek na die aanwending van 'n enkele mikrorekenaar in die klaskamer as hulpmiddel vir die onderrig van wiskunde in die sekondere skool
- Authors: Mostert, Marthinus Petrus
- Date: 1992
- Subjects: Education, Secondary -- South Africa -- Computer-assisted instruction Mathematics -- Study and teaching (Secondary) -- Data processing Computer-assisted instruction -- South Africa Educational technology -- South Africa
- Language: Afrikaans
- Type: Thesis , Masters , MEd
- Identifier: vital:1679 , http://hdl.handle.net/10962/d1003562
- Description: Suppes beweer dat "All teachers everywhere recognise the help that books give them in teaching students. The day is coming when computers will receive the same recognition. Teachers look on computers as a new and powerful tool for helping them to teach their students more effectively." In hierdie ondersoek word gepoog om op die voordele van die aanwending van een mikrorekenaar as hulpmiddel vir die onderwyser vir die onderrig van wiskunde, te wys. Die belangrikste oorwegings in die ondersoek was: 1. Efektiwiteit van die metode. 2. Bekostigbaarheid van die metode. Die effektiwiteit van hierdie metode van onderrig word hoofsaaklik bepaal deur die geskiktheid van die programmatuur. Programmeringsvaardighede aan die kant van onderwysopgeleide persone versterk hierdie oorweging. Deurdat slegs een mikrorekenaar gebruik word, word deels aan die tweede oorweging, naamllk bekostigbaarheld, voldoen. Programmeringsvaardighede, soos hierbo genoem, kan ook bydra tot die besparing van koste deurdat bogenoemde programmatuur 'intern' ontwikkel word. Die wens word uitgespreek dat hierdie metode van onderrig tot voordeel van die totale leerlingbevolking van die land aangewend sal kan word.
- Full Text:
- Date Issued: 1992
- Authors: Mostert, Marthinus Petrus
- Date: 1992
- Subjects: Education, Secondary -- South Africa -- Computer-assisted instruction Mathematics -- Study and teaching (Secondary) -- Data processing Computer-assisted instruction -- South Africa Educational technology -- South Africa
- Language: Afrikaans
- Type: Thesis , Masters , MEd
- Identifier: vital:1679 , http://hdl.handle.net/10962/d1003562
- Description: Suppes beweer dat "All teachers everywhere recognise the help that books give them in teaching students. The day is coming when computers will receive the same recognition. Teachers look on computers as a new and powerful tool for helping them to teach their students more effectively." In hierdie ondersoek word gepoog om op die voordele van die aanwending van een mikrorekenaar as hulpmiddel vir die onderwyser vir die onderrig van wiskunde, te wys. Die belangrikste oorwegings in die ondersoek was: 1. Efektiwiteit van die metode. 2. Bekostigbaarheid van die metode. Die effektiwiteit van hierdie metode van onderrig word hoofsaaklik bepaal deur die geskiktheid van die programmatuur. Programmeringsvaardighede aan die kant van onderwysopgeleide persone versterk hierdie oorweging. Deurdat slegs een mikrorekenaar gebruik word, word deels aan die tweede oorweging, naamllk bekostigbaarheld, voldoen. Programmeringsvaardighede, soos hierbo genoem, kan ook bydra tot die besparing van koste deurdat bogenoemde programmatuur 'intern' ontwikkel word. Die wens word uitgespreek dat hierdie metode van onderrig tot voordeel van die totale leerlingbevolking van die land aangewend sal kan word.
- Full Text:
- Date Issued: 1992
Lam van God
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338700 , vital:62430 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-13
- Description: Afrikaans Agnus Dei originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338700 , vital:62430 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-13
- Description: Afrikaans Agnus Dei originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Here ontferm oor ons
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338568 , vital:62410 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-02
- Description: Afrikaans Kyrie originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338568 , vital:62410 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-02
- Description: Afrikaans Kyrie originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
Creedo from the Missa Zimbabwe
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338643 , vital:62419 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-06
- Description: Afrikaans Creedo originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338643 , vital:62419 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-06
- Description: Afrikaans Creedo originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
Hallelujah Christus het opgestaan
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338832 , vital:62457 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-14
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338832 , vital:62457 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-14
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Jesus lewe Hallelujah
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338559 , vital:62406 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-01
- Description: Afrikaans religious song originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338559 , vital:62406 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-01
- Description: Afrikaans religious song originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
Onse vader
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338690 , vital:62427 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-11
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338690 , vital:62427 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-11
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Eer aan God in die hoogste hemel
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338577 , vital:62411 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-03
- Description: Afrikaans Gloria originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338577 , vital:62411 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-03
- Description: Afrikaans Gloria originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
Heilig heilig
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338661 , vital:62424 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-08
- Description: Afrikaans Sanctus originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338661 , vital:62424 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-08
- Description: Afrikaans Sanctus originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Hallelujah
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338629 , vital:62417 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-05
- Description: Afrikaans Hallelujah originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338629 , vital:62417 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-05
- Description: Afrikaans Hallelujah originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
Hallelujah Christus het opgestaan
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338840 , vital:62458 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-15
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338840 , vital:62458 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-15
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Hallelujah Christus het opgestaan
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338845 , vital:62460 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-16
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338845 , vital:62460 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-16
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
Wees bly almal = Offerande Lied
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338652 , vital:62421 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-07
- Description: Afrikaans Offertory song originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338652 , vital:62421 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-07
- Description: Afrikaans Offertory song originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
Eer aan God in die hoogste hemel
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338599 , vital:62414 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-04
- Description: Afrikaans Gloria originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338599 , vital:62414 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-04
- Description: Afrikaans Gloria originally composed for the Missa Zimbabwe accompanied by drums, rattle and clapping
- Full Text: false
- Date Issued: 1979
Onse vader
- Missa Zimbabwe in Afrikaans participants, Composer not specified, Dargie, Dave
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338695 , vital:62428 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-12
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979
- Authors: Missa Zimbabwe in Afrikaans participants , Composer not specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Namibia Doringveld sx
- Language: Afrikaans
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/338695 , vital:62428 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC332a-12
- Description: Afrikaans hymn originally composed for the Missa Zimbabwe accompanied by drums and clapping
- Full Text: false
- Date Issued: 1979