Undendezana
- Mfihlelwa Magagula, Hugh Tracey
- Authors: Mfihlelwa Magagula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Zombode f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152195 , vital:39232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-03
- Description: This song is a children's country jingle. Children's rhymes.
- Full Text: false
- Date Issued: 1958
- Authors: Mfihlelwa Magagula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Zombode f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152195 , vital:39232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-03
- Description: This song is a children's country jingle. Children's rhymes.
- Full Text: false
- Date Issued: 1958
Sishimela Sishela Bafazi Lebantu (A bachelor makes love to other men's wives)
- Mkakwa Mugomezungu, Hugh Tracey
- Authors: Mkakwa Mugomezungu , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152704 , vital:39333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-11
- Description: The song was said to have originated in the Gollel district in Southern Swaziland. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
- Authors: Mkakwa Mugomezungu , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152704 , vital:39333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-11
- Description: The song was said to have originated in the Gollel district in Southern Swaziland. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
Izintombi Ziyasishiya (Some girls desert us and take others lovers)
- Mkakwa Mugomezungu, Hugh Tracey
- Authors: Mkakwa Mugomezungu , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152695 , vital:39332 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-10
- Description: This is an attractive little song accompanied by a very old and wheezy concertina most of whose original buttons were missing, some of which had been cleverly replaced by bits of reed. The burden of the song may have been more pointed because the singer was in fact a criminal serving a long sentence. The gaol where the recording was made was an open one with no walls or locked gates, and the prisoners they said made no attempt to escape. The song was said to have originated in the Gollel district in Southern Swaziland. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
- Authors: Mkakwa Mugomezungu , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152695 , vital:39332 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-10
- Description: This is an attractive little song accompanied by a very old and wheezy concertina most of whose original buttons were missing, some of which had been cleverly replaced by bits of reed. The burden of the song may have been more pointed because the singer was in fact a criminal serving a long sentence. The gaol where the recording was made was an open one with no walls or locked gates, and the prisoners they said made no attempt to escape. The song was said to have originated in the Gollel district in Southern Swaziland. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
Ah la la Mama
- Mpunyuka Madonsela, Hugh Tracey
- Authors: Mpunyuka Madonsela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Bremersdorp District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152686 , vital:39331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-09
- Description: "No woman is any better than any other woman. The only difference is whether you love them or not." This piece of homely philosophy no doubt reflects far more than a merely personal opinion. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
- Authors: Mpunyuka Madonsela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Bremersdorp District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152686 , vital:39331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-09
- Description: "No woman is any better than any other woman. The only difference is whether you love them or not." This piece of homely philosophy no doubt reflects far more than a merely personal opinion. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
Munto olapo
- Mushumbo Dlamini, the Star Brothers, composer not specified, Tracey, Hugh
- Authors: Mushumbo Dlamini , the Star Brothers , composer not specified , Tracey, Hugh
- Date: 1958
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Swaziland city not specified f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/396439 , vital:69182 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , GM02-13-TR71-A-4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1958
- Authors: Mushumbo Dlamini , the Star Brothers , composer not specified , Tracey, Hugh
- Date: 1958
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Swaziland city not specified f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/396439 , vital:69182 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , GM02-13-TR71-A-4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1958
Muntu olapo (You there, you men, what are you saying?)
- Mushumbo Dlamini and the Star Brothers, Hugh Tracey
- Authors: Mushumbo Dlamini and the Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152635 , vital:39325 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-04
- Description: The song continues, "My kness are shaking because my girl has left me." The 'MBUBE' type of singing is sometimes known as 'bombing' a word coined by Zulu and Swati men who originated such songs in Johannesburg. Mbuhe topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Mushumbo Dlamini and the Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152635 , vital:39325 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-04
- Description: The song continues, "My kness are shaking because my girl has left me." The 'MBUBE' type of singing is sometimes known as 'bombing' a word coined by Zulu and Swati men who originated such songs in Johannesburg. Mbuhe topical song.
- Full Text: false
- Date Issued: 1958
Nabaya banjibya ekhhaya (There they are, and they are calling me)
- Ntsandvose Mucina, five Swazi women and 5 men, Hugh Tracey
- Authors: Ntsandvose Mucina, five Swazi women and 5 men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152282 , vital:39242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-13
- Description: The clapping of the hands at the end was done by the cupped hand. Two of the women were wearing special white beads and coiffure to show they were patients of the sangoma. The hair was done in many fine plaits and ochred. Divination song.
- Full Text: false
- Date Issued: 1958
- Authors: Ntsandvose Mucina, five Swazi women and 5 men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152282 , vital:39242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-13
- Description: The clapping of the hands at the end was done by the cupped hand. Two of the women were wearing special white beads and coiffure to show they were patients of the sangoma. The hair was done in many fine plaits and ochred. Divination song.
- Full Text: false
- Date Issued: 1958
Demelabantu ungangezwe (Attack, for you are as great as the world)
- Ntsandvose Mucina, with 5 women and 5 men, Hugh Tracey
- Authors: Ntsandvose Mucina, with 5 women and 5 men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152292 , vital:39243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-14
- Description: The sangoma wore a fur hat and feathers. The word, no doubt, in this case was contained by the hills and a few miles outside. Divination song
- Full Text: false
- Date Issued: 1958
- Authors: Ntsandvose Mucina, with 5 women and 5 men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152292 , vital:39243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-14
- Description: The sangoma wore a fur hat and feathers. The word, no doubt, in this case was contained by the hills and a few miles outside. Divination song
- Full Text: false
- Date Issued: 1958
Inkonjana emnyama (Black swallow)
- Obed Mazia, Jameson Hlope and Wilton Macabo, Hugh Tracey
- Authors: Obed Mazia, Jameson Hlope and Wilton Macabo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152769 , vital:39340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-05
- Description: Dance with 2 penny whistles and guitar.
- Full Text: false
- Date Issued: 1958
- Authors: Obed Mazia, Jameson Hlope and Wilton Macabo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152769 , vital:39340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-05
- Description: Dance with 2 penny whistles and guitar.
- Full Text: false
- Date Issued: 1958
O Hlahla-gowam (Oh, Hlahla is mine)
- Obed Mazia, Jameson Hlope and Wilton Macabo, Hugh Tracey
- Authors: Obed Mazia, Jameson Hlope and Wilton Macabo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152774 , vital:39341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-06
- Description: Dance with 2 penny whistles and guitar.
- Full Text: false
- Date Issued: 1958
- Authors: Obed Mazia, Jameson Hlope and Wilton Macabo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152774 , vital:39341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-06
- Description: Dance with 2 penny whistles and guitar.
- Full Text: false
- Date Issued: 1958
Ngoneni ngoneni bakithi (What have I done in Mataffin?)
- Roselina Ndohle and Juana Nkosi, Hugh Tracey
- Authors: Roselina Ndohle and Juana Nkosi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa South Africa Mataffin, Nelspruit, Transvaal f-sa
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152872 , vital:39351 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-14
- Description: This attractive and delightfull little melody may well form the motif of some future Swazi composition of much larger proportion. The two elderly Swati women who san it were friends and little knew how excellent was their rustic melody. Self delectative song with Makweyana bow.
- Full Text: false
- Date Issued: 1958
- Authors: Roselina Ndohle and Juana Nkosi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa South Africa Mataffin, Nelspruit, Transvaal f-sa
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152872 , vital:39351 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-14
- Description: This attractive and delightfull little melody may well form the motif of some future Swazi composition of much larger proportion. The two elderly Swati women who san it were friends and little knew how excellent was their rustic melody. Self delectative song with Makweyana bow.
- Full Text: false
- Date Issued: 1958
Uyolala wedwane (You are going to sleep alone, my friend)
- Roselina Ndohle and Juana Nkosi, Hugh Tracey
- Authors: Roselina Ndohle and Juana Nkosi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Matafin, Nelspruit, Transvaal f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152863 , vital:39350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-13
- Description: This old woman, the player of the bow, is one of the descandants of the migrant Swazis who fled with Chief Matswafeni and settled near Nelspruit. The chief's name Matswafeni, mispronounced by Zulu people as Matafene became further distorted in the months of local English into "Mataffin", the name of this large citrus estate. Self delectative song with Makweyana musical bow, stressed and resonated.
- Full Text: false
- Date Issued: 1958
- Authors: Roselina Ndohle and Juana Nkosi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Matafin, Nelspruit, Transvaal f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152863 , vital:39350 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-13
- Description: This old woman, the player of the bow, is one of the descandants of the migrant Swazis who fled with Chief Matswafeni and settled near Nelspruit. The chief's name Matswafeni, mispronounced by Zulu people as Matafene became further distorted in the months of local English into "Mataffin", the name of this large citrus estate. Self delectative song with Makweyana musical bow, stressed and resonated.
- Full Text: false
- Date Issued: 1958
Uhamba Kwa Mtombeni (If I leave Mtombeni, I do not say goodbye)
- Authors: Samuel Tabete , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152677 , vital:39330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-08
- Description: "We intombi yazi khetela kwa mganami kwa sho umuntu. A ibanjwa ngamandla we mganami wam' kuyazithethelwa maa. U hamba kwa mtombeni a ngi valelisi we ma." "A girl choses for herself, friend, they say. She is not to be forced. You must speak for yourself. If I leave Mtombeni's house I do not say goodbye." Topical song with concertina.
- Full Text: false
- Date Issued: 1958
- Authors: Samuel Tabete , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152677 , vital:39330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-08
- Description: "We intombi yazi khetela kwa mganami kwa sho umuntu. A ibanjwa ngamandla we mganami wam' kuyazithethelwa maa. U hamba kwa mtombeni a ngi valelisi we ma." "A girl choses for herself, friend, they say. She is not to be forced. You must speak for yourself. If I leave Mtombeni's house I do not say goodbye." Topical song with concertina.
- Full Text: false
- Date Issued: 1958
Kuphuka Tsine (They are coming up)
- Small group of Swazi men, Hugh Tracey
- Authors: Small group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Peaks Timbers Compound, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152546 , vital:39308 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-05
- Description: "Kuphuka tsine. Shayi saluthi. Kukhema lizulu. Vuma sesaba ngwenyama. Uyatincoba ikhali wasakhene gcekeni." "We are coming up to salute our chief. The rain is raining. We agree, we are affraid of you. You can defend yourself from attack by armed men. You have placed us on a flat place!" UKOHLEHLA group song.
- Full Text: false
- Date Issued: 1958
- Authors: Small group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Peaks Timbers Compound, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152546 , vital:39308 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-05
- Description: "Kuphuka tsine. Shayi saluthi. Kukhema lizulu. Vuma sesaba ngwenyama. Uyatincoba ikhali wasakhene gcekeni." "We are coming up to salute our chief. The rain is raining. We agree, we are affraid of you. You can defend yourself from attack by armed men. You have placed us on a flat place!" UKOHLEHLA group song.
- Full Text: false
- Date Issued: 1958
Indlaliso (Games)
- Swazi men of the "Lindimbi" age group., Hugh Tracey
- Authors: Swazi men of the "Lindimbi" age group. , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152509 , vital:39303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-01
- Description: The singers belonged to the Lindimbi group or regiment. The chant is one of these performed in their barracks when dancing is over. It seems each regiment has many such chants. They accompany the military exercises or drill by which the young men used to keep themselves in fighting trim. The chant with its frequent changes of rhythms which mark the change to a different movement. This performance was very well done. The men were all between the ages of 18 and 30, and belonged to the age group Lindimbi. They perform a number of movements, leaping forward and backward, tuning into file, marching around in a circle and many other actions. It is a most attractive dance drill. ENTONJENI is the old royal kraal. The hill nearby is still used as a burial ground for some members of the royal lineage. Tiga chant to accompany military games or drill.
- Full Text: false
- Date Issued: 1958
- Authors: Swazi men of the "Lindimbi" age group. , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152509 , vital:39303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-01
- Description: The singers belonged to the Lindimbi group or regiment. The chant is one of these performed in their barracks when dancing is over. It seems each regiment has many such chants. They accompany the military exercises or drill by which the young men used to keep themselves in fighting trim. The chant with its frequent changes of rhythms which mark the change to a different movement. This performance was very well done. The men were all between the ages of 18 and 30, and belonged to the age group Lindimbi. They perform a number of movements, leaping forward and backward, tuning into file, marching around in a circle and many other actions. It is a most attractive dance drill. ENTONJENI is the old royal kraal. The hill nearby is still used as a burial ground for some members of the royal lineage. Tiga chant to accompany military games or drill.
- Full Text: false
- Date Issued: 1958
Umtagato-we! (I am held)
- The Coal Brothers (Four young Swazi youth), Hugh Tracey
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152742 , vital:39337 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-02
- Description: One flute played the melody and the other two played an accompaniment at different pitches while the guitarist stummed out a couple of chords. Town dance with 3 penny whistles (whistle flutes) and a guitar.
- Full Text: false
- Date Issued: 1958
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152742 , vital:39337 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-02
- Description: One flute played the melody and the other two played an accompaniment at different pitches while the guitarist stummed out a couple of chords. Town dance with 3 penny whistles (whistle flutes) and a guitar.
- Full Text: false
- Date Issued: 1958
Samsoni and Delilah
- The Coal Brothers (Four young Swazi youth), Hugh Tracey
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152733 , vital:39336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-01
- Description: All penny whistle tunes seem to have but one parent and that is a certain gramophone record which all players attempt to imitate after their own fashion of folk composition, so that now, after a few years of penny whistle music, there is no telling what tune it represents. Dance with 3 penny whistles (whistle flutes) and guitar (manufactured).
- Full Text: false
- Date Issued: 1958
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152733 , vital:39336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-01
- Description: All penny whistle tunes seem to have but one parent and that is a certain gramophone record which all players attempt to imitate after their own fashion of folk composition, so that now, after a few years of penny whistle music, there is no telling what tune it represents. Dance with 3 penny whistles (whistle flutes) and guitar (manufactured).
- Full Text: false
- Date Issued: 1958
Mlembe special (Havelock compound special)
- The Star Brothers, Hugh Tracey
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152751 , vital:39338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-03
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Mlembe is a native Swati name for this Havelock asbestos mine. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152751 , vital:39338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-03
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Mlembe is a native Swati name for this Havelock asbestos mine. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
Barberton Special
- The Star Brothers, Hugh Tracey
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152756 , vital:39339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-04
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152756 , vital:39339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-04
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
Sakubona mtwan'ami (Good-day, my child)
- Timoti Dhlamini and "The Try Singers", Hugh Tracey
- Authors: Timoti Dhlamini and "The Try Singers" , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Swazi (African people) , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153178 , vital:39416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-02
- Description: A lively song in the Mbude style, sung with gusto by a well-drilled troop. Song of greeting (Mbude style).
- Full Text: false
- Date Issued: 1958
- Authors: Timoti Dhlamini and "The Try Singers" , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Swazi (African people) , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153178 , vital:39416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-02
- Description: A lively song in the Mbude style, sung with gusto by a well-drilled troop. Song of greeting (Mbude style).
- Full Text: false
- Date Issued: 1958