"My novel, Hill of Fools"
- Authors: Peteni, R L , Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7038 , http://hdl.handle.net/10962/d1007376 , http://hdl.handle.net/10520/EJC47869
- Description: preprint , R.L. Peteni - 'There is a tendency in human beings to pay no heed to events in small remote areas. They would rather concern themselves only with those events which make headlines, with political upheavals and industrial conflicts centred in large metropolitan regions. Yet there is always drama and human conflict in the humblest rural village. In selecting a pastoral theme and small fictitious villages in an obscure corner of Keiskammahoek as the setting of the novel, I had an ironic intention. Themes illustrated in these obscure villages would, I believed, have more universal application than they would if I had selected a larger centre, identifiable personages and known political trends. I did not want anybody to sit back, complacent, feeling that the spotlight was on Lennox Sebe’s Ciskei alone, or Kaiser Matanzima’s Transkei, or John Vorster’s apartheid South Africa. The spotlight is on the Ciskei, yes, on Transkei, on South Africa, on any other country where public life and personal relationships are bedevilled by tribalism or racialism or any form of sectionalism.
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- Date Issued: 2004
"Something rotten in this age of hope": Wesley Deintje directs The HamletMachine (Rhodes University Theatre, 28 September 2007)
- Authors: Wright, Laurence
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:7048 , http://hdl.handle.net/10962/d1007390
- Description: Heiner Müller’s most famous play (Die Hamletmaschine, 1977) has evolved into something of a familiar war-horse for student theatre. The United States in particular has taken to the work; indeed, it was meant in part for them: “Heil Coca-cola!” says the script. For today’s South African ears this has become, very aptly, “Hail the Rainbow Nation!” What young director can resist it? Only eight pages in extent, the sparse yet densely referential text offers unfettered scope for interpretation and contextualization. Sure, the original offered Muller’s despairing take on the collapse of western civilisation, typified in the East German predicament where intellectuals felt trapped between the total failure of ‘actually existing socialism’ – that ideological mirage – in the German Democratic Republic, and the horrors of emergent bandit capitalism presaging an uncomfortable future. But the spaces in the text are so capacious that almost any claim to climactic despair can be entertained: idiot consumerism, gender oppression and aggression, political treachery and malfeasance, fascism, existential angst, intellectual cowardice, the postmodern condition, the rejection of hope.
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- Date Issued: 2008
'Iron on iron': modernism engaging apartheid in some South African railway poems
- Authors: Wright, Laurence
- Date: 2011
- Language: English
- Type: text , article
- Identifier: vital:7068 , http://hdl.handle.net/10962/d1007459 , https://doi.org/10.1080/00138398.2011.626177
- Description: preprint , Modernism tends to be criticised, internationally, as politically conservative. The objection is often valid, although the charge says little about the quality of artistic achievement involved. This article argues that the alliance between Modernism and political conservatism is by no means a necessary one, and that there are instances where modernist vision has been used to convey substantive political insight, effective social critique and solid resistance. To illustrate the contrast,the article juxtaposes the abstract Modernism associated with Ben Nicholson and World War 2, with a neglected strain of South African railway poetry which uses modernist techniques to effect a powerful critique of South Africa’s apartheid dispensation. The article sustains a distinction between universalising modernist art that requires ethical work from its audiences to achieve artistic completion, and art in which modernist vision performs the requisite ethical work within its own formal constraints. Four very different South African railway poems, by Dennis Brutus, John Hendrickse, Alan Paton, and Leonard Koza, are examined and contextualised to demonstrate ways in which a modernist vision has been used to portray the social disruptions caused by apartheid. Modernist techniques are used to turn railway experience into a metonym for massive social disruption,without betraying the social reality of the transport technology involved.
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- Date Issued: 2011
A research prospectus for the humanities
- Authors: Wright, Laurence
- Date: 2006
- Language: English
- Type: Book chapter , text
- Identifier: vital:7027 , http://hdl.handle.net/10962/d1007213
- Description: The humanities in South Africa, as elsewhere, face a crisis of credibility.There is pressing need for the humanities to articulate their social and educational purpose more clearly, so that their academic value is recognised beyond the confines of academia.The aim of reshaping human character and society remains the foundational impulse of the humanities. This is achieved through the careful study of specially selected exemplary 'texts': literary works, fine art, social schemes, intellectual movements, historical episodes, and philosophical and religious outlooks.Students are required to respond in person to both 'text' and the discourse of which it is an exemplary instantiation. This is the manner in which they act to influence character and society.
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- Date Issued: 2006
An introduction: Peteni in context
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7036 , http://hdl.handle.net/10962/d1007372 , http://hdl.handle.net/10520/EJC47870
- Description: preprint , It is rare for a writer to make a literary impact with only one novel. It is even more unusual when that work is written by a novice author in his early sixties. Yet such is the case of R.L. Peteni, whose novel, Hill of Fools, was published by David Philip in South Africa in 1976, and internationally in the same year by Heinemann in the African Writers Series. Four years later, in 1980, the book was translated by the author into Xhosa as Kwazidenge and published by the Lovedale Press. Twenty years after initial publication, in 1996, there came a television version of Kwazidenge broadcast by the SABC, starring Willie Thambo and Amanda Quwe, though the locale was translated – in the bizarre logic of television – to an urban environment on the Cape Flats. The transposition, though pragmatic in terms of television demographics, destroyed much of the point of Peteni’s work, for Hill of Fools is South Africa’s first regional novel in English by a black writer. It is also the first novel in English by a Xhosa-speaker.
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- Date Issued: 2004
Archdeacon Merriman, ‘Caliban’, and the Cattle-Killing of 1856–57
- Authors: Wright, Laurence
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:7026 , http://hdl.handle.net/10962/d1007212 , http://dx.doi.org/10.1080/00020180802242574
- Description: [From the introduction]: Did Archdeacon Merriman accept that Mhlakaza was Wilhelm Goliath? The short answer is that we don’t know. However, historical problems sometimes yield, or at least buckle slightly, when approached from unusual, tangential perspectives.I believe it can be shown that in the terrible aftermath of the Cattle-Killing, Nathaniel Merriman was brooding on his former servant, Wilhelm Goliath, and that evidence of this preoccupation emerges indirectly in a very open and unexpected forum: a public lecture on Shakespeare.
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- Date Issued: 2008
As You Like It: directed by Helen Flax. Mannville, Port Elizabeth. 2007: theatre review
- Authors: Wright, Laurence
- Date: 2007
- Language: English
- Type: text , review
- Identifier: vital:7051 , http://hdl.handle.net/10962/d1007410 , https://journals.co.za/content/iseasosa/19/1/EJC48089
- Description: preprint , This was a stylish, well-conceived production, which made sense and meaning from what is probably Shakespeare’s most delicate, and ‘English’, of comedies. The piece calls for strong ensemble playing, a full stage of equals rather than a few strong parts dominating the story. The Port Elizabeth Shakespearean Festival pulled it off marvelously.
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- Date Issued: 2007
Book review: Derek Barker: English Academic Literary Discourse in South Africa 1958-2004: A Review of 11 Academic Journals
- Authors: Wright, Laurence
- Date: 2006
- Language: English
- Type: Article
- Identifier: vital:7044 , http://hdl.handle.net/10962/d1007386
- Description: Barker’s book concerns the evolution and publishing trajectories of South African journals devoted to English literary studies between the years 1958 (when the first such journal, English Studies in Africa, came into being) and 2004, the end-date of the survey. In other words, his work coincides with the period in South African history when apartheid’s protagonists were pushing for total political and social ascendancy through to the nation’s emergence into the arena of democratic possibility.
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- Date Issued: 2006
Book Review:‘These Traits Portend’: review of Thabo Mbeki and the Struggle for the Soul of the ANC by William Mervyn Gumede
- Authors: Wright, Laurence
- Date: 2005
- Language: English
- Type: text , article
- Identifier: vital:7049 , http://hdl.handle.net/10962/d1007391 , https://www.researchgate.net/publication/29807204_Book_Review_'These_Traits_Portend'_Review_of_Thabo_Mbeki_and_the_Struggle_for_the_Soul_of_the_ANC_by_William_Mervyn_Gumede_Cape_Town_Zebra_Press_2005
- Description: preprint , “The identity of the old ANC is changing fast and its soul is becoming harder to locate” – so writes William Gumede in his best-selling account of the Mbeki presidency. This is a thoroughly admirable book, critical, informed and deeply concerned with the welfare of the people of South Africa, especially the poor – with no taint of political hagiography. The central plank of the critique concerns the ANC’s management of the economy. Gumede’s account of the genesis of GEAR and the devious way it was sprung on the tri-partite alliance is illuminating. It was done under the rubric of necessary modernization, according to Gumede, and allegiance to the Blair/Schroeder Third Way. But there were huge ancillary consequences: the loss of influence by the ordinary ANC membership, neglect of branch activity, sidelining of the parliamentary caucus, centralization of policy development in the office of the president, increasing reliance on consultants and relentless cosying up to big business.
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- Date Issued: 2005
Can formal language planning link to grassroots cultural initiatives?: an informal investigation
- Authors: Wright, Laurence
- Date: 2002
- Language: English
- Type: Article
- Identifier: vital:7041 , http://hdl.handle.net/10962/d1007381
- Description: Formal language planning is inevitably a top-down, highly technical process. Success for such planning would seem to depend on engaging productively with existing or readily developed social motivation within the society. This article reports on an informal investigation into how ordinary language practitioners and cultural workers in South Africa view the possibilities of contributing to the country’s emerging language dispensation, what they regard as their most useful possible contributions, and what they expect from the language planners and ‘government’ in support of South Africa’s Language Policy and Plan.
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- Date Issued: 2002
Confronting the African nightmare: Yael Farber’s SeZaR (theatre review)
- Authors: Wright, Laurence
- Date: 2001
- Language: English
- Type: Article
- Identifier: vital:7046 , http://hdl.handle.net/10962/d1007388
- Description: Yael Farber’s adaptation of Julius Caesar marks something of a breakthrough in South African Shakespeare productions. The key achievement is that the play is no longer about Rome or Renaissance England, nor is it about processes of cultural translation or trendy theatrical Africanisation, largely cosmetic. This production is, in a generous way, squarely and pointedly about Africa.
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- Date Issued: 2001
Cultivating Grahamstown: Nathaniel Merriman, Shakespeare and Books
- Authors: Wright, Laurence
- Date: 2008
- Language: English
- Type: Article
- Identifier: vital:7033 , http://hdl.handle.net/10962/d1007367
- Description: In 1857, Archdeacon Nathaniel Merriman delivered two public lectures on Shakespeare under the auspices of the “General Institute” of Grahamstown. The first, “On the Study of Shakspeare”, was given on 2 September and “Shakspeare, As Bearing on English History” two months later, on Friday 6 November. This article sets out to place the lectures in their local context, by providing a brief sketch of literary and cultural life in the town, in which the appreciation of Shakespeare played no small part.
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- Date Issued: 2008
David Lurie's learning and the meaning of J.M. Coetzee's Disgrace
- Authors: Wright, Laurence
- Date: 2010
- Language: English
- Type: text , article
- Identifier: vital:7063 , http://hdl.handle.net/10962/d1007428 , http://hdl.handle.net/10520/EJC47864
- Description: preprint , One of the teasing characteristics of novels soused in literariness, like J.M. Coetzee’s, is their tendency to leak, to bleed, into vast inchoate terrains of intertextuality.The reader is constantly challenged to measure and assess their implications within or against the frail containing form of the story, much as Russian formalism taught us to keep sujet and fable in perpetual dialogue. However, it has become apparent that in the dense thickets of commentary occasioned by Coetzee’s most controversial novel, Disgrace (1999), insufficient attention has been paid to the intertextual implications of David Lurie’s learning, his scholarly preoccupations. Unless the reader attempts this kind of exploration, two of the most vexed issues freighting the novel’s central fabulation: Lucy’s curiously stoical, impassive response to her rape, together with her decision to stay on in South Africa; and David Lurie’s sudden, seemingly inexplicable care for the doomed dogs, from their last moments at the animal shelter until he lovingly consigns their corpses to the incinerator, must remain opaque. In particular, the final words of the novel, “Yes, I am giving him up” (220), uttered in relation to the immanent “Lösung” of the little dog Bev Shaw calls Driepoot, will tend to taunt the reader, rather than illuminate.
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- Date Issued: 2010
Disgrace as J.M.Coetzee's Tempest
- Authors: Wright, Laurence
- Date: 2008
- Language: English
- Type: Book chapter
- Identifier: vital:7030 , http://hdl.handle.net/10962/d1007217
- Description: Amid the deluge of criticism and commentary evoked by Disgrace, quite remarkably nobody has noticed that the book re-engages exactly the energies Shakespeare deployed in The Tempest, a play which has become an icon, if not the icon, of colonial and post-colonial studies.
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- Date Issued: 2008
Ecological thinking: Schopenhauer, J M Coetzee and who we are in the world
- Authors: Wright, Laurence
- Date: 2008
- Language: English
- Type: text , article
- Identifier: vital:7031 , http://hdl.handle.net/10962/d1007362 , https://doi.org/10.5848/CSP.0926.00001
- Description: preprint , For the ecological agenda to make substantive progress, we will have to see powerful people and social agencies turning away from the ecological insanity that threatens us all, and for this to happen, people need to embrace voluntary renunciation, on the understanding that this is not self-sacrifice, but a different and more satisfying way of being in the world. The paper offers some thought, provoked by reading J.M. Coetzee and Arthur Schopenhauer, about what would make this change possible, what might enable it; and secondly why it is implausible that any such ideal might actually come to pass.
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- Date Issued: 2008
English in South Africa : effective communication and the policy debate : inaugural lecture delivered at Rhodes University
- Authors: Wright, Laurence
- Date: 1993
- Subjects: Communication -- South Africa , English language -- South Africa , South Africa -- Politics and government -- 1993-1994
- Language: English
- Type: Text
- Identifier: vital:683 , http://hdl.handle.net/10962/d1020752 , ISBN 0620031557
- Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
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- Date Issued: 1993
Guy Butler (obituary)
- Authors: Wright, Laurence
- Date: 1999
- Language: English
- Type: Article
- Identifier: vital:7052 , http://hdl.handle.net/10962/d1007411
- Description: An obituary focusing on Guy Butler's Shakespearean preoccupations. The 1999/2000 volume of Shakespeare in Southern Africa only appeared in 2001. The Butler obituary was included as a 'stop-press' item as the volume went to print, which accounts for the apparent anomaly between the date of publication and the date of Guy Butler's death.
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- Date Issued: 1999
Guy Butler: 21 January 1918 - 26 April 2001
- Authors: Wright, Laurence
- Date: 2001
- Language: English
- Type: Article
- Identifier: vital:7053 , http://hdl.handle.net/10962/d1007413
- Description: [From Introduction]: For much of the last twenty-five years of his life, Butler’s thought and work were not perceived to be ‘current’ at all. His poetry was hardly read (what’s new there? – neither is anyone else’s); some of it lay in manuscript or obscure little publications until the Collected Poems appeared in 1999. The autobiographies attracted a loyal following amongst a small, educated reading public. His early dramas, though they met with initial success, were stifled by the poetic idiom to which they aspired, and by the racial claustrophobia against which they fought. (Demea, Butler’s South African reworking of the Medea, made it to the boards only in 1990 – the multi-racial cast, let alone the themes, kept it in hibernation until then.) The deluge of journalism and polemic suffered the usual fate of ephemera. Until resurrected by Stephen Watson in 1990, the essays and lectures remained buried in periodicals where they could not be assessed as a totality. His inspiring teaching was a gift to his students, hardly accessible to the wider society; and above all, much of his time was spent as homo commiticus, serving on the boards and sub-committees of numerous university institutions and other organizations, some of which he founded. In his autobiography, he observed wryly of his changed status following accession to the Chair of English at Rhodes in 1951: ‘Professors are not entirely themselves. Their interest as persons decreases because they are now public personages. Much of their time is spent on committees whose function is to pick the brains of individuals without giving them credit.’ Guy Butler gave generously of his brains in such circumstances.
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- Date Issued: 2001
Guy Butler’s South Africanism: ‘Being present where you are’
- Authors: Wright, Laurence
- Date: 2012
- Language: English
- Type: text , article
- Identifier: vital:7069 , http://hdl.handle.net/10962/d1007460 , https://doi.org/10.1080/10131752.2012.730182
- Description: preprint , A peer-reviewed lecture delivered at Rhodes University on the occasion of the presentation to Professor Wright of the English Academy's Gold Medal, 16 November 2011. Guy Butler (1918-2001) has been gone some ten years. This lecture sets out to illuminate the thinking behind his important role in South Africa's national life. The institutions he created continue to make vital cultural contributions in South Africa's efforts to make sense of its own complex historical make-up, working towards a happier, richer, and more equal future. However, despite what he achieved, there is little surety that today the rationale informing his massive effort to foster processes of artistic and cultural endeavour has been appreciated or accurately understood.
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- Date Issued: 2012
Hill of Fools: a South African Romeo and Juliet?
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7039 , http://hdl.handle.net/10962/d1007377 , http://hdl.handle.net/10520/EJC47866
- Description: preprint , What kind of debt does Hill of Fools owe to Shakespeare? Look up ‘Peteni’ in the Companion to South African English Literature (1986) and you will be told that Hill of Fools is “loosely based on the story of Romeo and Juliet” (155). Scan the first newspaper reviews (see “The Early Reception of Hill of Fools” in this volume) and it is noticeable that a great many journalists focus on the Shakespeare connection as a means of introducing the book to their readers. One of the publisher’s readers, Henry Chakava, urged before publication that once all references to tribe or tribalism had been excised “the result will be a Romeo and Juliet type story much more superior to Weep Not Child.” The author himself reportedly described the book as “a black Romeo and Juliet drama” (Tribune Reporter 1988). And, indeed, some kind of parallel is patent to anyone who reads Hill of Fools with Shakespeare’s play in mind.
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- Date Issued: 2004