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Die Christelike en die tragiese: intreerede aan die Universiteit Rhodes

  • Authors: Antonissen, R K J E
  • Date: 1959
  • Language: Afrikaans
  • Type: Text
  • Identifier: vital:592 , http://hdl.handle.net/10962/d1020661
  • Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
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  • Date Issued: 1959

Poppehysie

  • Authors: Arendse, Ashwin Albert
  • Date: 2021-04
  • Subjects: Swartlandse Kaaps poetry -- 21st century , Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Afrikaans poetry -- 21st century , African literature -- History and criticism
  • Language: Afrikaans
  • Type: thesis , text , Masters , MA
  • Identifier: http://hdl.handle.net/10962/178259 , vital:42925
  • Description: My thesis, is geskryf in Swartlandse Kaaps, ’n streeksvariant van Kaaps. Die poems is free verses wat afspeel tien ie backdrop van Malmesbury en Stellenbosch se “Coloured areas” mette analysis van dialect en ideolect wat eie is annie mense wat ampe altyd feature innie stories wat ek vertel. Die thesis explore die liefde asse konsep. Dit kyk na hoe die desperate need vi absent liefde ’n toxic relationship feed tussen ’n jong couple ennie destructive impact van liefde oppe pesoon wie nooit geleer was hoe om lief te wies vi annes ie. Dan kyk ek oek na hoe die previous generations, dit van my ma en pa liefde reject et asse unaffordable excess inne community wat brutal en harsh is. Antonio Gramsci se konsep vannie organic intellectual, dien asse philosophical underpinning virrie thesis d.w.s die hoofkarakter dien asse orator virrie intellectual en cultural insights wattie everyman in sy community nie self kan express ie. Die organic intellectual express díe thoughts innie cultural taal van sy social class. Die thesis explore stories soes it vetel wôd dee mense soes my oupa en mense wattie altyd aware is dat hulle stories in hulle in hettie. In dai way val it tot some degree binne die terrain van oral traditions. Die thesis wil dip into die collective conscious vanne social group wat die worst aspects van liewe in Syd-Afrika experience et. Ek voel free verse is ie ideal form van expression vi my in regards tot die skryf van die thesis, omdat ek daamee die line successfully kan blur tussen ie ‘language of the people’ en my eie individual leaning toward poetic language en forms. In terms van style draw ek op vorige digbundels in Kaaps, most notably op Nathan Trantraal se baie controlled, free verse digbundel, ‘Alles het niet kom wôd,’en Ronelda S. Kamfer se technique van ‘oorvertel’, in haa digbundel ‘grond/Santekraam’. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
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  • Date Issued: 2021-04

Byvoeding van skape op aangeplante weiding in 'n mediterreense klimaat

  • Authors: Aucamp, Barend Bernadus
  • Date: 2001
  • Subjects: Sheep -- Feeding and feeds
  • Language: Afrikaans
  • Type: Thesis , Masters , MTech (Agriculture)
  • Identifier: vital:10949 , http://hdl.handle.net/10948/44 , Sheep -- Feeding and feeds
  • Description: Tydens embrio ontwikkeling groei weefsel deur selvermeedering, maar soos wat soogdiere volwassendheid nader vind groei net plaas deur sel vergroting. Volwassenheid word beskou as wanneer spiergroei ‘n maksimum bereik. Groei sluit die neerlegging van vet in, maar spiermassa is van primêre belang. Die groeikurwe (Fig 1) waarin massatoename teenoor ouderdom vergelyk word, volg ‘n sigmoidale kurwe (Owens et al, 1993). Onder ideale toestande is die groeitempo van lammers relatief konstant van kort na geboorte totdat die helfte van volwassemassa bereik word, waarna dit geleidelik afneem tot volwassenheid (Black, 1983). Die afname in groeitempo begin gewoonlik met die bereiking van puberteit (Owens et al, 1993).
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  • Date Issued: 2001

Opname van die Kaapse Middelland en Karroogebied: deel 1: n Geografiese studie van die Kaapse middelland- en Karroogebied, met spesiale verwysing na die fisiografie en elemente van bodembenutting

Die aktualiteit in die poësie van A Roland Holst

  • Authors: Bezuidenhout, Gertruida Catharina
  • Date: 1954
  • Subjects: Roland Holst, Adrianus, 1888-1976 -- Criticism and interpretation , Dutch poetry -- 20th century -- History and criticism
  • Language: Afrikaans
  • Type: Thesis , Masters , MA
  • Identifier: vital:3639 , http://hdl.handle.net/10962/d1013499
  • Description: From Verantwoording: By die ondersoek na die rol wat die aktualiteit in die poësie van A. Roland Holst speel, wou ons veral nagaan of die gedigte waarin elemente van die aktualiteit aanwesig is, in wese van sy orige werk verskil. Hoofstuk II, “Teen die Wereld” gaan veral sover dit die inhoud betref, op hierdie vraag in. In die derde en vierde hoofstukke is na aanleiding van ‘n aantal verteenwoordigende gedigte getrag om meer in besonderhede, en ook wat die vorm aangaan, die saak van nader te beskou, en die resultate van die ondersoek is in die Slotbeskouing saamgevat.
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  • Date Issued: 1954

'n Sintaktiese ondersoek na die gebruik van die neweskikkende voegwoord in Afrikaans

'n Sintaktiese ondersoek na die gebruik van onderskikkende voegwoorde en sinsverbindende woorde in Afrikaans

Op hom die groot hosannas : enkele aspekte van die modern Christelike poësie in Afrikaans

  • Authors: Bosman, Maria Elizabeth
  • Date: 1989
  • Subjects: Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism , Christian poetry, Afrikaans , Calvinism in literature , Blum, Peter, 1925-1990 , Rousseau, Ina , Cussons, Sheila , De Villiers, I. L., 1936-2009 , Cloete, T. T. (Theunis Theodorus), 1924-2015 , Spies, Lina , Müller, Petra, 1935-
  • Language: Afrikaans
  • Type: Thesis , Doctoral , PhD
  • Identifier: vital:3566 , http://hdl.handle.net/10962/d1002089 , Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism
  • Description: This study is concerned with modern Christian poetry in Afrikaans. Afrikaans poetry, which initially carried the clear stamp of the Afrikaner's Calvinistic view of life, gradually assumed a new image to the extent that it could no longer be recognised as religious and specifically Calvinistic poetry. To the contrary, modern Afrikaans Christian poetry is the expression of a contemporary conceptualisation of the very same gospel. The occasional violent reaction especially of conservative institutions to so called "unchristian" modern poetry in Afrikaans during the past three decades, has prompted this study which attempts to illustrate that modern Afrikaans poetry still exhibits a strong Christian element. The essential qualities of contemporary Christian poetry in Afrikaans are illustrated in the discussion of the works of particular leading Afrikaans poets. Chapter 3 attempts to indicate a transitional stage between traditional and modern Christian poetry by means of an overview of the latest tendencies and approaches, with brief references to the recent poetry of the Louws, the poetry of Peter Blum as the initial exponent of the poetry of the Sixties, and the poetry of Ina Rousseau. The work of Sheila Cussons, eminent Roman Catholic (and thus also Christian) poet who is probably the most impressive contemporary exponent of metaphysical/mystic poetry in Afrikaans, is discussed in chapter 4. Chapter 5 illustrates the traditional Calvinistic Christian point of view and Christian experience as represented in the poetry of I.L. de Villiers. The poetification of the ministry adds new dimension to religions poetry in Afrikaans. Chapter 6 constitutes a discussion of the works of T.T . Cloete, the most significant contemporary Reformed poet in Afrikaans indicating the extent to which the many related facets embodied in his poetry consistently reflect a Christian attitude and are unified in and encompassed by the principle of Soli Deo Gloria. Chapter 7, by way of conclusion, reviews the religious poetry of Lina Spies and Petra Müller who write accessible popular poetry, nevertheless exploring interesting references. In conjunction with the poetry of Ina Rosseau, this poetry represents a contribution to modern Afrikaans religious poetry from a feminine point of view
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  • Date Issued: 1989

Eksperiment en intertekstualiteit: 'n studie van Ingrid Winterbach se Niggie (2002) en die oorlogsdagboek van Jan F.E. Celliers 1899-1902 (1978), asook ander Anglo-Boereoorlog tekste

  • Authors: Botha, Maria Elizabeth
  • Date: 2006
  • Subjects: Afrikaans fiction -- History and criticism , Winterbach, Ingrid. Niggie , Intertextuality , South African War, 1899-1902 Fiction
  • Language: Afrikaans
  • Type: Thesis , Masters , MA
  • Identifier: vital:8442 , http://hdl.handle.net/10948/436 , Afrikaans fiction -- History and criticism , Winterbach, Ingrid. Niggie , Intertextuality , South African War, 1899-1902 Fiction
  • Description: This study focuses on the creative adaptation of Anglo-Boer War material in Ingrid Winterbach’s (Lettie Viljoen) Niggie [Cousin] (2002) with specific reference to the Oorlogsdagboek van Jan F.E. Celliers, 1899-1902 [War Diary of Jan F.E. Celliers, 1899-1902] (1978) and other texts written during or shortly after the Anglo Boer War in Dutch, such as Totius’ Vier-en-sestig dae te velde: ‘n Oorlogsdagboek [Sixty Four Days Afield: A War Diary] (1977) and in English, Woman’s Endurance (1904) by A.D.L. and Deneys Reitz’s Commando. A Boer Journal of the Boer War (1929). More recent Afrikaans novels dealing with the same war are also analysed, such as Ons oorlog [Our War] (2000) by Klaas Steytler, Op soek na Generaal Mannetjies Mentz [In Search of General Mannetjies Mentz] (1998) by Christoffel Coetzee and Etienne Leroux’s Magersfontein O! Magersfontein (1976). A literary analysis is done of the novel Niggie, with specific focus on the nature and function of Anglo-Boer War material in Winterbach’s text. The question is posed why there is such a sustained focus and creative adaptation of Anglo-Boer War texts in Winterbach’s oeuvre (especially in Belemmering [Impediment], 1990, Karolina Ferreira, 1993, Buller se plan [Buller’s Plan], 1999, and Niggie [Cousin], 2002)? This novel has a profound effect on the reader a century after the war, because it addresses postcolonial issues and predicaments such as a defragmenting identity, as well as the possible demise of the Afrikaans language and culture, faced by the descendants of those involved in the war a century ago. In her reworking of the past to come to grips with the present, Winterbach confronts difficult South African topics, such as interracial relationships, racism, the relationship with the land, possible language death, gender relationships, the role of the supernatural and the unconscious in everyday life (in the form of dreams and trickster figures), amongst many others. The dissertation offers an intertextual study as well as a literary analyses of the literary techniques used, and the characteristics of this magisterial novel, which deservedly won the Hertzog prize in 2004, the highest accolade possible for an Afrikaans novel. The anomaly of such a novel in 2002 seemingly dwelling on the past, is shown up for what it is: a metaphor for the present and its dilemmas, reflecting the social conflicts existing at present in the crumbling Afrikaans community.
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  • Date Issued: 2006

Die outobiografiese kode in Antjie Krog se poëtiese oeuvre

  • Authors: Botha, Maria Elizabeth
  • Date: 2011
  • Subjects: Krog, Antjie -- Criticism and interpretation , Autobiography -- History and criticism , Afrikaans poetry -- 20th century -- History and criticism
  • Language: Afrikaans
  • Type: Thesis , Doctoral , DLitt
  • Identifier: vital:8444 , http://hdl.handle.net/10948/1534 , Krog, Antjie -- Criticism and interpretation , Autobiography -- History and criticism , Afrikaans poetry -- 20th century -- History and criticism
  • Description: This study primarily investigates the autobiographical code in Antjie Krog's poetical oeuvre, spanning from 1970 to the present. Krog's poetry collections may be read as offering life writing through poetry, while the prose works mostly present the reader with a mixture of autobiographical fact plus creative reworkings of fact and fiction. Even though her 10 volumes of poetry follow her biological development from young girl to grandmother, uncertainty still exists about about where truth ends and fiction begins in this poet and autobiographer's interwoven tapestry of multiple and varied perspectives. Furthermore, autobiographical (as utilised and adapted in Krog's oeuvre, in combination with the conventioans from other genres), offers a variety of creatively innovative, experimental strategies and possibilities exploited adroitly by Krog. Reading her poetry with the focus on autobiographical markers leads to another, mostly untapped, dimension of interpretation. This literary approach is in stark contrast to the approach prescibed by N.P. van Wyk Louw in "Die 'mens' agter die boek" ["The 'Person' behind the Book] (1956), in which he states clearly that a text should be interpreted as not "about the human behind the text". To a large extent Krog as poet is inviting the reader to consciously break the taboo that Louw placed on the reader intent on "searching the actual person behind the text". My hypothesis is that in Krog's poetry there is a distinct interrelationship between the perceptions, experiences and sensual impressions of the lyrical "I" in the poems and that of the authobiographical "I" writing. It would be irresponsible to declare the poet and the speaker as one and the same, but in instances where the poet purposefully integrates autobiographical elements into her poems, she is implicitly requesting the reader to interpret her work in this way. This fictive and implicit request is referred to by Philippe Lejeune as the autobiographical poet. Krog's poetry can be divided into four categories: "direct autobiographical", "indirect autobiographical", "universal" and "general" poems. The first category involves criteria that are linked to the poet, such as the use of the names, initials and dates. Indirect autobiographical poems can be read against the background of knowledge (previously published information) about the poet. Poetry with no apparent autobiographical element, but with universal themes such as love, loss and transience, fall into the third category of "universal" poetry. If poems do not fit into the mentioned categories, they are deemed "general".
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  • Date Issued: 2011

'n Studie van die houding en gesindheid teenoor spesiale onderwys soos geopenbaar deur 'n groep ouers van spesiale klas-leerlinge in Oos-Kaapland

  • Authors: Bouwer, Jeremia Cornelius Esias
  • Date: 1979
  • Subjects: Special education -- South Africa -- Eastern Cape
  • Language: Afrikaans
  • Type: Thesis , Doctoral , PhD
  • Identifier: vital:1361 , http://hdl.handle.net/10962/d1001427
  • Description: Die weerstand wat ouers soms teen Spesiale Onderwys bied, kan stremmend inwerk op leerlinge. Om insig in die gesindheid van ouers van Spesiale Klas-Ieerlinge te verkry, is 'n gewysigde vorm van die Thurston Sentence Completion Form gebruik. Die vorms is deur ouers van leerlinge in 'n aantal Spesiale Klasse in Oos-Kaapland voltooi en die response is in positiewe en negatiewe reaksies ingedeel. Ook is elke item ontleed. Daar is tot die gevolgtrekking gekom dat die meeste ouers tog weI positief ingesteld is teenoor Spesiale Onderwys en inderdaad erkenning verleen aan die werk wat in die klasse gedoen word. Die behoefte aan 'n nouer skakeling tussen die betrokke ouers en die skole het duidelik na vore gekom
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  • Date Issued: 1979

Why literature? : inaugural lecture delivered at Rhodes University

  • Authors: Brink, Andre P
  • Date: 1980-07-23
  • Subjects: Literature
  • Language: English , Afrikaans
  • Type: Text
  • Identifier: vital:606 , http://hdl.handle.net/10962/d1020675 , ISBN 0868100366
  • Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
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  • Date Issued: 1980-07-23

Identity and difference: a postcolonial analysis of Cape Malay as depicted in the literary texts from selected South African writers

  • Authors: Chaudhari, Shamiega
  • Date: 2009-11
  • Subjects: Postcolonialism , Orientalism
  • Language: Afrikaans
  • Type: text
  • Identifier: http://hdl.handle.net/${Handle} , vital:64143
  • Description: The identity of the Cape Malay is usually reduced to the submissive, the comic and the exotic dishes such as bobotie, curry and samosas. Terms like "slams","slaamaaier" and "halfnaatjie" (Roos 2003:3) were just a few of the derogatory names that was awarded to the Cape Malay. Many of these terms and identity constructions are in the South African literature immortalized. The true history, the struggle, tears and sacrifices of this community slipped by unnoticed and in silence. And today, after all this suffering, they become identity is called into question and this identity is referred to as a controversial identity. In the Western Cape this identity mainly centered around being Malay, being Coloured, Being Cape Muslim or Black Muslim. It seems as if the Cape Malay is in an intermediate identity (defined in English as "inbetweenness") are trapped, defined by their "Muslimness","Cape-ness", "Malay-ness" and "Coloured-ness". This dissertation examines the controversy of the Cape Malay identity and focus specifically on identity construction and Otherness. It emphasizes certain characteristics that people divided due to certain character traits that are different from the norm and therefore cause that they are considered the Other. The study is undertaken with the aim of establishing the authenticity of the Cape Malay identity state and how it is depicted in the works of selected South African writers. It intends to look specifically at the construction of identity through Otherness during the colonial period in Southern Africa as well as how these identities were implemented, rejected or accepted is. , Thesis (MA) -- Faculty of Social Sciences and Humanities, 2009
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  • Date Issued: 2009-11

Loof die Here

Ons moet die here dien

Ons moet die here dien

Hosannah

Hosannah

Ons sal hom sien

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