Lechwe Trust Collection:
- Authors: Simbao, Ruth K
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147547 , vital:38648 , https://doi.org/10.1162/afar.2005.38.3.78
- Description: The caustic humor of The Arts Delegate (2000), by the cartoonist popularly known in Zambia as" Yuss," captures a dynamic readily found in the Zambian art world.
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- Date Issued: 2013
Walking The Other Side: Doung Anwar Jahangeer
- Authors: Simbao, Ruth K
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147681 , vital:38660 , https://0-doi.org.wam.seals.ac.za/10.1080/09528822.2013.796204
- Description: While certain forms of mobility are romanticized in the privileged worlds of art and academia, the need to move is often triggered by vulnerability, and literal pathways on the ground reveal much about human engagement with place. This article considers the work of Mauritian-born architect/artist/performer Doung Anwar Jahangeer who is based in Durban, South Africa. Inspired by Michel de Certeau, Jahangeer argues that pathways reveal the characteristics of society and uses the act of walking to question the degree to which meaningful transformation has taken place in South Africa. His City Walk performances disclose to audiences how grounded ways of engaging with movement can challenge the metaphoric blindness that handicaps privileged movement. Focusing on his performances from the 2012 ‘Making Way’ exhibition the author interprets Jahangeer's work as challenging blind spots with regard to space, particularly partial spaces still marred by Apartheid. Through performative walking he encourages his audiences to read between the lines of road markings, cracks and signs, and to experience the power of corporeally engaging with the road by thoughtfully placing one foot in front of the other as a mode of seeing.
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- Date Issued: 2013
Between place and a raised foot: the pace, protest and sway of ambulatory art
- Authors: Simbao, Ruth K
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146468 , vital:38528 , https://www.ug.edu.gh/events/arts-council-african-studies-association-acasa-17th-triennial-symposium-august-8-â-13-2017
- Description: ACASA facilitates communication among scholars, teachers, students, artists, museum specialists, collectors, and all others interested in the arts of Africa and the African Diaspora. Its goals are to promote greater understanding of African material and expressive culture in all its forms, and to encourage contact and collaboration with African and Diaspora artists and scholars.
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- Date Issued: 2017
Walking into Africa in a Chinese way: Hua Jiming’s mindful entry as counterbalance
- Authors: Simbao, Ruth K
- Date: 2016
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146167 , vital:38501 , ISBN 9791024005799 , https://books.google.co.za/books?id=VGSwDwAAQBAJanddq=Afrique-Asie:+Arts,+espaces,+pratiquesandsource=gbs_navlinks_s
- Description: Book abstract. The links between Africa and Asia are at the very heart of globalization. Understanding its richness and complexity requires a study carried out from various points of view. Particular attention to culture is essential. Centered on the work of visual artists and performers, on town planning, literature and spirituality, the essays gathered here call on many disciplines: art history and history, anthropology, sociology, geography, architecture, comparative literature, visual and culture studies. They constitute a network of crossed views on a subject which no serious reflection on globalization can do today.
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- Date Issued: 2016
David Kolaone fought for the right to define himself and his art:
- Authors: Simbao, Ruth K
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146981 , vital:38582 , https://theconversation.com/david-koloane-fought-for-the-right-to-define-himself-and-his-art-120687
- Description: Dr David Nthubu Koloane, who was born in South Africa in 1938, was an extraordinary pioneer in the visual arts who fiercely defied any form of categorisation. As an artist, teacher, mentor, curator, arts administrator and author, he fought for the human right to define oneself and to determine one’s own future.
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- Date Issued: 2019
A Geopolitics of knowledge and the value of discomfort:
- Authors: Simbao, Ruth K
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146444 , vital:38526 , https://www.ru.ac.za/fineart/latestnews/alutacontinuadoingitfordaddytenyearson.html
- Description: In 2006, the short essay ‘Doing it for Daddy’ by visual artist Sharlene Khan caused controversy when it expressed the opinion that since 1994, ‘transformation’ in the visual arts field in South Africa seemed to have halted at the point of White women replacing White men in positions of power. It questioned this new position of dominance in institutions that remained colonially and racially untransformed. On the 16 and 17th of September 2016, the School of Fine Art at Rhodes University will host a one-day symposium ‘A luta Continua: Doing it for Daddy - Ten years on…’ which seeks to both commemorate that article and those who ‘speak up’, but also, fundamentally, to continue looking at the ways in which various social oppressions intersect in the fields of art history and visual arts in South Africa. Presenters include Khwezi Gule, Nontobeko Ntombela, Nomusa Makhubu, Same Mdluli, Fouad Asfour, Ruth Simbao, Sharlene Khan, students from Wits School of Arts and Rhodes Art History and Visual Culture, as well as a performance by visual artist Sikhumbuzo Makandula.
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- Date Issued: 2016
Blind spots: trickery and the'opaque stickiness' of seeing
- Authors: Simbao, Ruth K
- Date: 2015
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147303 , vital:38624 , https://0-hdl.handle.net.wam.seals.ac.za/10520/EJC176319
- Description: In a flash the spot will disappear, and in its place - and this is the interesting thing - there is nothing. According to experimental psychology, the eye does not fill in the blind spot, but tricks us into thinking that it has been filled. The blind spot is pure absence of vision, and cannot be experienced at all. The blind spot is an invisible absence : an absence whose invisibility is itself invisible (Elkins 1996 : 170).
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- Date Issued: 2015
What "global art" and current (re)turns fail to see: a modest counter-narrative of "not-another-biennial"
- Authors: Simbao, Ruth K
- Date: 2015
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147314 , vital:38625 , https://0-hdl.handle.net.wam.seals.ac.za/10520/EJC176315
- Description: What is the scope of "global art" and who drives its framing within the current climate of 'corporate globalization' (Demos 2009 : 7, emphasis in original)? In what ways do the recent global turn and curatorial turn underwrite meaningful global inclusivity and visibility, and to what degree does this globally shared art constitute mutuality? Does "global art", including the accompanying process of biennialisation, allow for local narratives in a way that seriously accounts for a geopolitical view of contemporary art in the twenty-first century? While the inclusion of "new art worlds" in what Belting, Buddensieg and Weibel (2013) term "global art" is framed as a democratisation of contemporary art and the demise of the western art canon, it is important to raise questions regarding the blind spots of this supposedly global, post-1989 expansion.
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- Date Issued: 2015
Capturing the Soweto Uprising: South Africa’s most iconic photograph lives on
- Authors: Simbao, Ruth K
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147036 , vital:38587 , https://theconversation.com/capturing-the-soweto-uprising-south-africas-most-iconic-photograph-lives-on-98318
- Description: Sam Nzima, the photographer who captured the iconic image of the 1976 Soweto Uprising passed awayon May 12, 2018. The photograph was one of six frames showing Mbuyisa Makhubu carrying 12-year-old Hector Pieterson who was shot by police, and Hector’s sister, Antionette Pieterson (now Sithole) running alongside.
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- Date Issued: 2018