Fears and desires in South African crime fiction
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article
- Identifier: vital:26323 , http://hdl.handle.net/10962/53765 , http://www.tandfonline.com/doi/abs/10.1080/03057070.2013.826070 , https://orcid.org/0000-0001-9456-8657
- Description: This article is a review of a burgeoning literary genre, South African crime fiction, as much as it is a review of specific texts. First, for the purposes of contextualisation and historicisation, an overview of the primary literature is provided. Then criticism and theories of extant crime fiction in mainly the UK and USA, of which South African crime fiction is a descendent, are outlined. This outline is followed by descriptions of two sub-genres (the crime thriller novel and the literary detective novel). Two exemplar texts, Devil’s Peak (2007) and Lost Ground (2011) are then reviewed. The artistic merit of the respective sub-genres and their capacity for social analysis is also considered. The article ends with some brief inferences and the claim that the credibility and heft of this popular literary genre have been established
- Full Text:
- Date Issued: 2013
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article
- Identifier: vital:26323 , http://hdl.handle.net/10962/53765 , http://www.tandfonline.com/doi/abs/10.1080/03057070.2013.826070 , https://orcid.org/0000-0001-9456-8657
- Description: This article is a review of a burgeoning literary genre, South African crime fiction, as much as it is a review of specific texts. First, for the purposes of contextualisation and historicisation, an overview of the primary literature is provided. Then criticism and theories of extant crime fiction in mainly the UK and USA, of which South African crime fiction is a descendent, are outlined. This outline is followed by descriptions of two sub-genres (the crime thriller novel and the literary detective novel). Two exemplar texts, Devil’s Peak (2007) and Lost Ground (2011) are then reviewed. The artistic merit of the respective sub-genres and their capacity for social analysis is also considered. The article ends with some brief inferences and the claim that the credibility and heft of this popular literary genre have been established
- Full Text:
- Date Issued: 2013
Crime fiction, South Africa : a critical introduction
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article
- Identifier: vital:26315 , http://hdl.handle.net/10962/53743 , http://0-dx.doi.org.wam.seals.ac.za/10.1080/1013929X.2013.833416 , https://orcid.org/0000-0001-9456-8657
- Description: Crime fiction is an emergent category in South African literary studies. This introduction positions South African crime fiction and its scholarship in a global lineage of crime and detective fiction. The survey addresses the question of its literary status as ‘highbrow’ or ‘lowbrow’. It also identifies and describes two distinct sub-genres of South African crime fiction: the crime thriller novel; and the literary detective novel. The argument is that South African crime fiction exhibits a unique capacity for social analysis: a capacity which is being optimised by authors and interrogated by scholars
- Full Text:
- Date Issued: 2013
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article
- Identifier: vital:26315 , http://hdl.handle.net/10962/53743 , http://0-dx.doi.org.wam.seals.ac.za/10.1080/1013929X.2013.833416 , https://orcid.org/0000-0001-9456-8657
- Description: Crime fiction is an emergent category in South African literary studies. This introduction positions South African crime fiction and its scholarship in a global lineage of crime and detective fiction. The survey addresses the question of its literary status as ‘highbrow’ or ‘lowbrow’. It also identifies and describes two distinct sub-genres of South African crime fiction: the crime thriller novel; and the literary detective novel. The argument is that South African crime fiction exhibits a unique capacity for social analysis: a capacity which is being optimised by authors and interrogated by scholars
- Full Text:
- Date Issued: 2013
Vrou is gif : the representation of violence against women in Margie Orford’s Clare Hart novels
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article , text
- Identifier: vital:26372 , http://hdl.handle.net/10962/53997 , https://www.ajol.info/index.php/asp/article/view/136092 , https://orcid.org/0000-0001-9456-8657
- Description: This article takes as its starting point that crime fiction is a public and political response to gender-based violence. Using the methods of both discourse analysis and literary analysis of the crime fiction genre, the novels of Margie Orford, internationally acclaimed crime author and patron of Rape Crisis, are examined for their representations of violence against women, and the role played by these representations in Orford’s overall feminist project in the Clare Hart series. The article also considers theories about gender-based violence which link male violence to a purported crisis in the established gender order of South Africa. An attempt is made to understand the relationship between fictionalised representations of violence and the ‘banality’ of real-life violence. Finally, Hart, Orford’s hard-boiled female detective figure, is assessed to determine whether this character constitutes a significant feminist achievement that contributes to discourses which counter gender-based violence
- Full Text: false
- Date Issued: 2013
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article , text
- Identifier: vital:26372 , http://hdl.handle.net/10962/53997 , https://www.ajol.info/index.php/asp/article/view/136092 , https://orcid.org/0000-0001-9456-8657
- Description: This article takes as its starting point that crime fiction is a public and political response to gender-based violence. Using the methods of both discourse analysis and literary analysis of the crime fiction genre, the novels of Margie Orford, internationally acclaimed crime author and patron of Rape Crisis, are examined for their representations of violence against women, and the role played by these representations in Orford’s overall feminist project in the Clare Hart series. The article also considers theories about gender-based violence which link male violence to a purported crisis in the established gender order of South Africa. An attempt is made to understand the relationship between fictionalised representations of violence and the ‘banality’ of real-life violence. Finally, Hart, Orford’s hard-boiled female detective figure, is assessed to determine whether this character constitutes a significant feminist achievement that contributes to discourses which counter gender-based violence
- Full Text: false
- Date Issued: 2013
Navi Pillay: Realising Human Rights for All
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/157960 , vital:40134 , ISBN 978-1906413453
- Description: Navi Pillay has become one of the world's leading advocates in the field of human rights. This new biography tells the story of her humble beginnings in an Indian family in apartheid South Africa, her struggle to gain an education, and her eventual success by becoming the first black woman in the nation to set up a law practice. She defended many anti-apartheid activists and fought for the rights of the mostly political prisoners of Robben Island. In 1995 Nelson Mandela nominated Pillay as the first black female judge on South Africa's Supreme Court. This is the story of how she overcame enormous obstacles to achieve her dream of human rights.
- Full Text:
- Date Issued: 2013
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/157960 , vital:40134 , ISBN 978-1906413453
- Description: Navi Pillay has become one of the world's leading advocates in the field of human rights. This new biography tells the story of her humble beginnings in an Indian family in apartheid South Africa, her struggle to gain an education, and her eventual success by becoming the first black woman in the nation to set up a law practice. She defended many anti-apartheid activists and fought for the rights of the mostly political prisoners of Robben Island. In 1995 Nelson Mandela nominated Pillay as the first black female judge on South Africa's Supreme Court. This is the story of how she overcame enormous obstacles to achieve her dream of human rights.
- Full Text:
- Date Issued: 2013
- «
- ‹
- 1
- ›
- »