The first world’s third world expert: self-exoticization in Khaled Hosseini's The Kite Runner
- Authors: Naidu, Samantha
- Date: 2015
- Language: English
- Type: Article
- Identifier: vital:26358 , http://hdl.handle.net/10962/53922 , http://jcpcsonline.com/contents/ns-v03n1.html , https://orcid.org/0000-0001-9456-8657
- Description: A literary criticism of the book "The Kite Runner" by Khaled Hosseini is presented. It outlines the characters and explores the symbolic significance of these characters. It explores the aspects of contemporary literature among neo-Orientalist representations of the Middle East and the Muslim world. It notes on the contribution of the Euro-American intervention in military and cultural identities of Middle East Orientalists. An overview of the story is also given.
- Full Text: false
- Date Issued: 2015
- Authors: Naidu, Samantha
- Date: 2015
- Language: English
- Type: Article
- Identifier: vital:26358 , http://hdl.handle.net/10962/53922 , http://jcpcsonline.com/contents/ns-v03n1.html , https://orcid.org/0000-0001-9456-8657
- Description: A literary criticism of the book "The Kite Runner" by Khaled Hosseini is presented. It outlines the characters and explores the symbolic significance of these characters. It explores the aspects of contemporary literature among neo-Orientalist representations of the Middle East and the Muslim world. It notes on the contribution of the Euro-American intervention in military and cultural identities of Middle East Orientalists. An overview of the story is also given.
- Full Text: false
- Date Issued: 2015
South African crime fiction: sleuthing the State post-1994, African Identities
- Authors: Naidu, Samantha
- Date: 2015
- Language: English
- Type: Article
- Identifier: http://hdl.handle.net/10962/53912 , vital:26357 , http://dx.doi.org/10.1080/14725843.2015.1009621 , https://orcid.org/0000-0001-9456-8657
- Description: In this essay we demonstrate how the burgeoning field of South African crime fiction has responded to the birth and development of a democratic, post-apartheid South African state. First, an overview of South African crime fiction in the last 20 years is presented. Then the essay presents an argument for South African crime fiction to be regarded as the ‘new political novel’, based on its capacity for socio-political analysis. We use Deon Meyer, arguably South Africa’s most popular and successful crime fiction author, as an exemplar for our argument. In the following section, the genresnob debate and the resurgence of such terms as ‘lowbrow’ and ‘highbrow’ are considered in relation to crime fiction and the role it plays in the socio-cultural arena of post-apartheid South Africa. We conclude with a comment on the significance of popular literary genres for democracy and critical discourses which underpin that democracy. The essay shows that crime fiction is a strong tool for socio-political analysis in a democratic South Africa, because it promotes critical discourse in society, despite being deemed lowbrow or ideologically ambiguous.
- Full Text: false
- Date Issued: 2015
- Authors: Naidu, Samantha
- Date: 2015
- Language: English
- Type: Article
- Identifier: http://hdl.handle.net/10962/53912 , vital:26357 , http://dx.doi.org/10.1080/14725843.2015.1009621 , https://orcid.org/0000-0001-9456-8657
- Description: In this essay we demonstrate how the burgeoning field of South African crime fiction has responded to the birth and development of a democratic, post-apartheid South African state. First, an overview of South African crime fiction in the last 20 years is presented. Then the essay presents an argument for South African crime fiction to be regarded as the ‘new political novel’, based on its capacity for socio-political analysis. We use Deon Meyer, arguably South Africa’s most popular and successful crime fiction author, as an exemplar for our argument. In the following section, the genresnob debate and the resurgence of such terms as ‘lowbrow’ and ‘highbrow’ are considered in relation to crime fiction and the role it plays in the socio-cultural arena of post-apartheid South Africa. We conclude with a comment on the significance of popular literary genres for democracy and critical discourses which underpin that democracy. The essay shows that crime fiction is a strong tool for socio-political analysis in a democratic South Africa, because it promotes critical discourse in society, despite being deemed lowbrow or ideologically ambiguous.
- Full Text: false
- Date Issued: 2015
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