[A] girl from the village: totally unspoilt
- Authors: Naidu, Samantha
- Date: 2020
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/158057 , vital:40144 , ISBN 9781498591775
- Description: The South Asian women’s diaspora engages in spatio-temporal interactions and power differentials in a variety of narratives, articulating agency, multiplicities of belonging and culturally integrative practices, highlighting homing paradigms. The sense of alienness in a new homeland, rather in worldwide home places, triggers rethinking of diasporic conceptions and epistemes of individual and group histories, personal and collective experiences. Some of the questions that this anthology seeks to consider are: How do women from the South Asian diaspora represent cultural negotiations and alienness of the adopted homeland in various narratives? What are the themes/issues they select to portray their perceptions of foreignness? How do culture, history and politics intervene in their portrayal of lived experiences? How do they locate themselves in the matrix of foreignness and diaspora? The contributors to this anthology examine narratives depicting South Asian women, their complexly positioned voices, gesturing at the proliferating challenges and reflecting the grim realities of a globalized world.
- Full Text:
- Date Issued: 2020
- Authors: Naidu, Samantha
- Date: 2020
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/158057 , vital:40144 , ISBN 9781498591775
- Description: The South Asian women’s diaspora engages in spatio-temporal interactions and power differentials in a variety of narratives, articulating agency, multiplicities of belonging and culturally integrative practices, highlighting homing paradigms. The sense of alienness in a new homeland, rather in worldwide home places, triggers rethinking of diasporic conceptions and epistemes of individual and group histories, personal and collective experiences. Some of the questions that this anthology seeks to consider are: How do women from the South Asian diaspora represent cultural negotiations and alienness of the adopted homeland in various narratives? What are the themes/issues they select to portray their perceptions of foreignness? How do culture, history and politics intervene in their portrayal of lived experiences? How do they locate themselves in the matrix of foreignness and diaspora? The contributors to this anthology examine narratives depicting South Asian women, their complexly positioned voices, gesturing at the proliferating challenges and reflecting the grim realities of a globalized world.
- Full Text:
- Date Issued: 2020
A survey of South African crime fiction : critical analysis and publishing history
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: Book , text
- Identifier: vital:26344 , http://hdl.handle.net/10962/53878 , https://www.isbs.com/products/9781869143558 , https://orcid.org/0000-0001-9456-8657
- Description: Is crime fiction the new 'political novel' in South Africa? Why did the apartheid censors disapprove of crime fiction more than any other genre? Crime fiction continues to be a burgeoning literary category in post-apartheid South Africa, with more new authors, titles and themes emerging every year. This book is the first comprehensive survey of South African crime fiction. It provides an overview of this phenomenally successful literary category, and places it within its wider social and historical context. The authors specialise in both literary studies and print culture, and this combination informs a critical analysis and publishing history of South African crime fiction from the nineteenth century to the present day. The book provides a literary lineage while considering different genres and sub-genres, as well as specific themes such as gender and eco-criticism. The inclusion of a detailed bibliography of crime fiction since the 1890s makes A Survey of South African Crime Fiction an indispensable teaching and study aid
- Full Text: false
- Date Issued: 2017
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: Book , text
- Identifier: vital:26344 , http://hdl.handle.net/10962/53878 , https://www.isbs.com/products/9781869143558 , https://orcid.org/0000-0001-9456-8657
- Description: Is crime fiction the new 'political novel' in South Africa? Why did the apartheid censors disapprove of crime fiction more than any other genre? Crime fiction continues to be a burgeoning literary category in post-apartheid South Africa, with more new authors, titles and themes emerging every year. This book is the first comprehensive survey of South African crime fiction. It provides an overview of this phenomenally successful literary category, and places it within its wider social and historical context. The authors specialise in both literary studies and print culture, and this combination informs a critical analysis and publishing history of South African crime fiction from the nineteenth century to the present day. The book provides a literary lineage while considering different genres and sub-genres, as well as specific themes such as gender and eco-criticism. The inclusion of a detailed bibliography of crime fiction since the 1890s makes A Survey of South African Crime Fiction an indispensable teaching and study aid
- Full Text: false
- Date Issued: 2017
A “Horrific Breakdown of Reason": Holmes and the Postcolonial Anti-Detective Novel, Lost Ground
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/157980 , vital:40136 , ISBN 978-1-137-55595-3
- Description: Using the notion of “negative hermeneutics,” this chapter examines how Michiel Heyns’s novel Lost Ground draws on the heritage of the Sherlock Holmes stories. It argues that Heyns’s representation of contemporary South Africa necessitates a shift from the emphasis on the epistemological quests of nineteenth-century detective fiction to the “negative hermeneutics” and ontological concerns of postcolonial anti-detective fiction. An analysis of Lost Ground reveals direct intertextual and metatextual references to “The Silver Blaze,” yet the novel subversively presents a detective figure that is the antithesis of Holmes. Thus the chapter demonstrates how in postcolonial social and cultural contexts the ratiocinative process is hermeneutically inadequate and socio-political analysis comes to replace, or combine with, the feats of reason epitomized by Holmes.
- Full Text:
- Date Issued: 2017
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/157980 , vital:40136 , ISBN 978-1-137-55595-3
- Description: Using the notion of “negative hermeneutics,” this chapter examines how Michiel Heyns’s novel Lost Ground draws on the heritage of the Sherlock Holmes stories. It argues that Heyns’s representation of contemporary South Africa necessitates a shift from the emphasis on the epistemological quests of nineteenth-century detective fiction to the “negative hermeneutics” and ontological concerns of postcolonial anti-detective fiction. An analysis of Lost Ground reveals direct intertextual and metatextual references to “The Silver Blaze,” yet the novel subversively presents a detective figure that is the antithesis of Holmes. Thus the chapter demonstrates how in postcolonial social and cultural contexts the ratiocinative process is hermeneutically inadequate and socio-political analysis comes to replace, or combine with, the feats of reason epitomized by Holmes.
- Full Text:
- Date Issued: 2017
Book Review: Losing the Plot. Crime, reality and fiction in postapartheid writing
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/124942 , vital:35712 , https://dx.doi.org/10.17159/tvl.v.54i2.2980
- Description: In this wide-ranging and impressive ac¬count of postapartheid writing, De Kock describes the “dizzingly heterogeneous corpus” (1) of South African literature after apartheid with the aim of describing its distinctive features and complexity. The methodology is straightforward. De Kock has chosen to read particular liter¬ary works in order to identify broader ideas and trends. To contextualise the study, De Kock deploys the key, perva¬sive notion of “transition”. The notion is variously defined as a “transformative shift from one ‘state’ to another” (2), a “popular mythology” in the “collective consciousness” (3), and as containing a counter-discourse of disillusionment or disorientation, which De Kock refers to as “‘plot loss’” (3). This “plot loss” becomes a central trope in the book to express the social and political chaos of the country, evident in various criminal manifestations of neo-colonialism such as neo-liberal economic policies, new forms of racism, and corruption.
- Full Text:
- Date Issued: 2017
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/124942 , vital:35712 , https://dx.doi.org/10.17159/tvl.v.54i2.2980
- Description: In this wide-ranging and impressive ac¬count of postapartheid writing, De Kock describes the “dizzingly heterogeneous corpus” (1) of South African literature after apartheid with the aim of describing its distinctive features and complexity. The methodology is straightforward. De Kock has chosen to read particular liter¬ary works in order to identify broader ideas and trends. To contextualise the study, De Kock deploys the key, perva¬sive notion of “transition”. The notion is variously defined as a “transformative shift from one ‘state’ to another” (2), a “popular mythology” in the “collective consciousness” (3), and as containing a counter-discourse of disillusionment or disorientation, which De Kock refers to as “‘plot loss’” (3). This “plot loss” becomes a central trope in the book to express the social and political chaos of the country, evident in various criminal manifestations of neo-colonialism such as neo-liberal economic policies, new forms of racism, and corruption.
- Full Text:
- Date Issued: 2017
Crime fiction, South Africa : a critical introduction
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article
- Identifier: vital:26315 , http://hdl.handle.net/10962/53743 , http://0-dx.doi.org.wam.seals.ac.za/10.1080/1013929X.2013.833416 , https://orcid.org/0000-0001-9456-8657
- Description: Crime fiction is an emergent category in South African literary studies. This introduction positions South African crime fiction and its scholarship in a global lineage of crime and detective fiction. The survey addresses the question of its literary status as ‘highbrow’ or ‘lowbrow’. It also identifies and describes two distinct sub-genres of South African crime fiction: the crime thriller novel; and the literary detective novel. The argument is that South African crime fiction exhibits a unique capacity for social analysis: a capacity which is being optimised by authors and interrogated by scholars
- Full Text:
- Date Issued: 2013
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article
- Identifier: vital:26315 , http://hdl.handle.net/10962/53743 , http://0-dx.doi.org.wam.seals.ac.za/10.1080/1013929X.2013.833416 , https://orcid.org/0000-0001-9456-8657
- Description: Crime fiction is an emergent category in South African literary studies. This introduction positions South African crime fiction and its scholarship in a global lineage of crime and detective fiction. The survey addresses the question of its literary status as ‘highbrow’ or ‘lowbrow’. It also identifies and describes two distinct sub-genres of South African crime fiction: the crime thriller novel; and the literary detective novel. The argument is that South African crime fiction exhibits a unique capacity for social analysis: a capacity which is being optimised by authors and interrogated by scholars
- Full Text:
- Date Issued: 2013
Crime travel: a survey of representations of transnational crime in South African crime fiction
- Authors: Naidu, Samantha
- Date: 2016
- Language: English
- Type: Article
- Identifier: vital:26347 , http://hdl.handle.net/10962/53900 , http://jcpcsonline.com/ , https://orcid.org/0000-0001-9456-8657
- Description: The literatures, the histories, the politics, and the arts whose focus, locales, or subjects involve Britain and other European countries and their former colonies, the now decolonized, independent nations in the Americas, Africa, Asia, and the Caribbean, and also Australia, Canada, Ireland, and New Zealand.
- Full Text: false
- Date Issued: 2016
- Authors: Naidu, Samantha
- Date: 2016
- Language: English
- Type: Article
- Identifier: vital:26347 , http://hdl.handle.net/10962/53900 , http://jcpcsonline.com/ , https://orcid.org/0000-0001-9456-8657
- Description: The literatures, the histories, the politics, and the arts whose focus, locales, or subjects involve Britain and other European countries and their former colonies, the now decolonized, independent nations in the Americas, Africa, Asia, and the Caribbean, and also Australia, Canada, Ireland, and New Zealand.
- Full Text: false
- Date Issued: 2016
Crimes against nature : ecocritical discourse in South African crime fiction
- Authors: Naidu, Samantha
- Date: 2014
- Language: English
- Type: Article
- Identifier: vital:26322 , http://hdl.handle.net/10962/53754 , http://dx.doi.org/10.1080/18125441.2014.950599 , https://orcid.org/0000-0001-9456-8657
- Description: Heeding Patrick Murphy's call to critics, in his book, Ecocritical explorations in literary and cultural studies: fences, boundaries and field, to study “nature-oriented mystery novels … in order to understand the degree to which environmental consciousness and nature awareness has permeated popular and commercial fiction” (2009: 143), this article examines how highly successful author, Deon Meyer, has employed crime fiction to popularize ecological issues and debates in South Africa. In this article, Meyer's first “nature-oriented” novel, the crime thriller, Blood safari (2009), is analysed. The main question asked is whether South African crime fiction deploys ecocritical discourse for mercenary reasons or whether its engagement with environmental issues constitutes a bona fide sub-category of ecocritical literature. The same rationale – understanding how “environmental consciousness and nature awareness” manifest in one of the most popular and commercially viable genres of fiction in South Africa today – informs the broader study from which this article is drawn. Some of the findings of this study, which includes a reading of Meyer's second “nature-oriented” novel, Trackers (2011), Jane Taylor's Of wild dogs, Margaret von Klemperer's Just a dead man, and Ingrid Winterbach's literary detective novel, The book of happenstance, are referred to briefly. To conclude, the contribution of “nature-oriented” crime fiction to a “localised ecocriticism” is assessed
- Full Text:
- Date Issued: 2014
- Authors: Naidu, Samantha
- Date: 2014
- Language: English
- Type: Article
- Identifier: vital:26322 , http://hdl.handle.net/10962/53754 , http://dx.doi.org/10.1080/18125441.2014.950599 , https://orcid.org/0000-0001-9456-8657
- Description: Heeding Patrick Murphy's call to critics, in his book, Ecocritical explorations in literary and cultural studies: fences, boundaries and field, to study “nature-oriented mystery novels … in order to understand the degree to which environmental consciousness and nature awareness has permeated popular and commercial fiction” (2009: 143), this article examines how highly successful author, Deon Meyer, has employed crime fiction to popularize ecological issues and debates in South Africa. In this article, Meyer's first “nature-oriented” novel, the crime thriller, Blood safari (2009), is analysed. The main question asked is whether South African crime fiction deploys ecocritical discourse for mercenary reasons or whether its engagement with environmental issues constitutes a bona fide sub-category of ecocritical literature. The same rationale – understanding how “environmental consciousness and nature awareness” manifest in one of the most popular and commercially viable genres of fiction in South Africa today – informs the broader study from which this article is drawn. Some of the findings of this study, which includes a reading of Meyer's second “nature-oriented” novel, Trackers (2011), Jane Taylor's Of wild dogs, Margaret von Klemperer's Just a dead man, and Ingrid Winterbach's literary detective novel, The book of happenstance, are referred to briefly. To conclude, the contribution of “nature-oriented” crime fiction to a “localised ecocriticism” is assessed
- Full Text:
- Date Issued: 2014
Evil and the Hero-Villain Binary in Deon Meyer’s Post-Apartheid Crime Thriller, Devil’s Peak:
- Naidu, Samantha, van der Wielen, Karlien
- Authors: Naidu, Samantha , van der Wielen, Karlien
- Date: 2017
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/157991 , vital:40137 , ISBN 9781498533423
- Description: The Functions of Evil Across Disciplinary Contexts explores answers to two important questions about the age-old theme of evil: is there any use in using the concept of evil in cultural, psychological, or other secular evaluations of the world and its productions? Most importantly, if there is, what might these functions be? By looking across several disciplines and analyzing evil as it is referenced across a broad spectrum of phenomena, this work demonstrates the varying ways that we interact with the ethical dilemma as academics, as citizens, and as people. The work draws from authors in different fields—including history, literary and film studies, philosophy, and psychology—and from around the world to provide an analysis of evil in such topics as deeply canonical as Beowulf and Shakespeare to subjects as culturally resonant as Stephen King, Captain America, or the War on Terror. By bringing together this otherwise disparate collection of scholarship, this collection reveals that discussions of evil across disciplines have always been questions of how cultures represent that which they find socially abhorrent. This work thus opens the conversation about evil outside of field-specific limitations, simultaneously demonstrating the assumptions that undergird the manner by which such a conversation proceeds.
- Full Text:
- Date Issued: 2017
- Authors: Naidu, Samantha , van der Wielen, Karlien
- Date: 2017
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/157991 , vital:40137 , ISBN 9781498533423
- Description: The Functions of Evil Across Disciplinary Contexts explores answers to two important questions about the age-old theme of evil: is there any use in using the concept of evil in cultural, psychological, or other secular evaluations of the world and its productions? Most importantly, if there is, what might these functions be? By looking across several disciplines and analyzing evil as it is referenced across a broad spectrum of phenomena, this work demonstrates the varying ways that we interact with the ethical dilemma as academics, as citizens, and as people. The work draws from authors in different fields—including history, literary and film studies, philosophy, and psychology—and from around the world to provide an analysis of evil in such topics as deeply canonical as Beowulf and Shakespeare to subjects as culturally resonant as Stephen King, Captain America, or the War on Terror. By bringing together this otherwise disparate collection of scholarship, this collection reveals that discussions of evil across disciplines have always been questions of how cultures represent that which they find socially abhorrent. This work thus opens the conversation about evil outside of field-specific limitations, simultaneously demonstrating the assumptions that undergird the manner by which such a conversation proceeds.
- Full Text:
- Date Issued: 2017
Fears and desires in South African crime fiction
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article
- Identifier: vital:26323 , http://hdl.handle.net/10962/53765 , http://www.tandfonline.com/doi/abs/10.1080/03057070.2013.826070 , https://orcid.org/0000-0001-9456-8657
- Description: This article is a review of a burgeoning literary genre, South African crime fiction, as much as it is a review of specific texts. First, for the purposes of contextualisation and historicisation, an overview of the primary literature is provided. Then criticism and theories of extant crime fiction in mainly the UK and USA, of which South African crime fiction is a descendent, are outlined. This outline is followed by descriptions of two sub-genres (the crime thriller novel and the literary detective novel). Two exemplar texts, Devil’s Peak (2007) and Lost Ground (2011) are then reviewed. The artistic merit of the respective sub-genres and their capacity for social analysis is also considered. The article ends with some brief inferences and the claim that the credibility and heft of this popular literary genre have been established
- Full Text:
- Date Issued: 2013
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: Article
- Identifier: vital:26323 , http://hdl.handle.net/10962/53765 , http://www.tandfonline.com/doi/abs/10.1080/03057070.2013.826070 , https://orcid.org/0000-0001-9456-8657
- Description: This article is a review of a burgeoning literary genre, South African crime fiction, as much as it is a review of specific texts. First, for the purposes of contextualisation and historicisation, an overview of the primary literature is provided. Then criticism and theories of extant crime fiction in mainly the UK and USA, of which South African crime fiction is a descendent, are outlined. This outline is followed by descriptions of two sub-genres (the crime thriller novel and the literary detective novel). Two exemplar texts, Devil’s Peak (2007) and Lost Ground (2011) are then reviewed. The artistic merit of the respective sub-genres and their capacity for social analysis is also considered. The article ends with some brief inferences and the claim that the credibility and heft of this popular literary genre have been established
- Full Text:
- Date Issued: 2013
In Search of the “Goodlife": Border Crossing and Agency in Luis Alberto Urrea's Into the Beautiful North and Graciela Limón's The River Flows North
- Authors: Naidu, Samantha
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158046 , vital:40142 , https://doi.org/10.1080/18125441.2019.16474490
- Description: This article explores representations of complex diasporic subjectivities that resist, or attempt to resist, obsolete nationalist notions of citizenship and identity by crossing the US– Mexico border (and, in so doing, crossing other intangible borders) in search of a better life. Two examples of border literature, Luis Alberto Urrea's Into the Beautiful North (2009) and Graciela Limón's The River Flows North (2009), have been selected for analysis. These texts, in describing various diaspora spaces—to enlist Avtar Brah's term (Cartographies of Diaspora. London: Routledge, 1996)—also examine how those who do not migrate are affected by migration. In Writing the Goodlife: Mexican American Literature and the Environment (Tucson: University of Arizona Press, 2016), Priscilla Solis Ybarra reveals how the past century and a half's Mexican-American literature contains valuable new approaches to creating and sustaining new forms of transnational relations between humans, and ecologically sound relationships between humans and nature.
- Full Text:
- Date Issued: 2019
- Authors: Naidu, Samantha
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158046 , vital:40142 , https://doi.org/10.1080/18125441.2019.16474490
- Description: This article explores representations of complex diasporic subjectivities that resist, or attempt to resist, obsolete nationalist notions of citizenship and identity by crossing the US– Mexico border (and, in so doing, crossing other intangible borders) in search of a better life. Two examples of border literature, Luis Alberto Urrea's Into the Beautiful North (2009) and Graciela Limón's The River Flows North (2009), have been selected for analysis. These texts, in describing various diaspora spaces—to enlist Avtar Brah's term (Cartographies of Diaspora. London: Routledge, 1996)—also examine how those who do not migrate are affected by migration. In Writing the Goodlife: Mexican American Literature and the Environment (Tucson: University of Arizona Press, 2016), Priscilla Solis Ybarra reveals how the past century and a half's Mexican-American literature contains valuable new approaches to creating and sustaining new forms of transnational relations between humans, and ecologically sound relationships between humans and nature.
- Full Text:
- Date Issued: 2019
Intersecting Diasporas:
- Authors: Naidu, Samantha
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158034 , vital:40141 , DOI: 10.1080/18125441.2019.1661597
- Description: With increased mobility enabled by evolving technology, the world experiences higher rates of migration and globalisation than ever before. This phenomenon has led, in recent years, to a high volume of literature about migration and diaspora, i.e. literature which deals with the general theme of transnationalism. The term transnational, in its simplest guise, refers to the relations between citizens of different nation states and the networks which link them. It also refers to the complex subjectivity of those who migrate. Scholars emphasise that transnationalism, because of heterogeneity and diversity, gives rise to a site for dynamic social and cultural change. At the same time, continuity is a necessary feature of this site. The co-existence of change and continuity (a focused process of adaptation and assimilation which simultaneously considers the role of memory, the past, and ties to homeland) then is also a defining element of transnationalism.
- Full Text:
- Date Issued: 2019
- Authors: Naidu, Samantha
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158034 , vital:40141 , DOI: 10.1080/18125441.2019.1661597
- Description: With increased mobility enabled by evolving technology, the world experiences higher rates of migration and globalisation than ever before. This phenomenon has led, in recent years, to a high volume of literature about migration and diaspora, i.e. literature which deals with the general theme of transnationalism. The term transnational, in its simplest guise, refers to the relations between citizens of different nation states and the networks which link them. It also refers to the complex subjectivity of those who migrate. Scholars emphasise that transnationalism, because of heterogeneity and diversity, gives rise to a site for dynamic social and cultural change. At the same time, continuity is a necessary feature of this site. The co-existence of change and continuity (a focused process of adaptation and assimilation which simultaneously considers the role of memory, the past, and ties to homeland) then is also a defining element of transnationalism.
- Full Text:
- Date Issued: 2019
Navi Pillay: Realising Human Rights for All
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/157960 , vital:40134 , ISBN 978-1906413453
- Description: Navi Pillay has become one of the world's leading advocates in the field of human rights. This new biography tells the story of her humble beginnings in an Indian family in apartheid South Africa, her struggle to gain an education, and her eventual success by becoming the first black woman in the nation to set up a law practice. She defended many anti-apartheid activists and fought for the rights of the mostly political prisoners of Robben Island. In 1995 Nelson Mandela nominated Pillay as the first black female judge on South Africa's Supreme Court. This is the story of how she overcame enormous obstacles to achieve her dream of human rights.
- Full Text:
- Date Issued: 2013
- Authors: Naidu, Samantha
- Date: 2013
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/157960 , vital:40134 , ISBN 978-1906413453
- Description: Navi Pillay has become one of the world's leading advocates in the field of human rights. This new biography tells the story of her humble beginnings in an Indian family in apartheid South Africa, her struggle to gain an education, and her eventual success by becoming the first black woman in the nation to set up a law practice. She defended many anti-apartheid activists and fought for the rights of the mostly political prisoners of Robben Island. In 1995 Nelson Mandela nominated Pillay as the first black female judge on South Africa's Supreme Court. This is the story of how she overcame enormous obstacles to achieve her dream of human rights.
- Full Text:
- Date Issued: 2013
On becoming an African-Asian English academic at Rhodes University
- Authors: Naidu, Samantha
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:21926 , http://hdl.handle.net/10962/14392 , https://0-www.jstor.org.wam.seals.ac.za/stable/24487641
- Description: preprint , I arrived at Rhodes University English Department with not much more than a passion for literature. During the last fourteen years I have been able to observe the discipline in operation. My perspective has broadened and deepened, taking in the trajectory from Stanley Kidd and the colonial Cambridge practices, and from what might be termed the 'humanist enterprise of English studies', 1 to the white liberalism of Guy Butler in the middle of the twentieth century, then to the present post-apartheid era of humanities cutbacks and increasing commodification of knowledge.
- Full Text:
- Date Issued: 2004
- Authors: Naidu, Samantha
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:21926 , http://hdl.handle.net/10962/14392 , https://0-www.jstor.org.wam.seals.ac.za/stable/24487641
- Description: preprint , I arrived at Rhodes University English Department with not much more than a passion for literature. During the last fourteen years I have been able to observe the discipline in operation. My perspective has broadened and deepened, taking in the trajectory from Stanley Kidd and the colonial Cambridge practices, and from what might be termed the 'humanist enterprise of English studies', 1 to the white liberalism of Guy Butler in the middle of the twentieth century, then to the present post-apartheid era of humanities cutbacks and increasing commodification of knowledge.
- Full Text:
- Date Issued: 2004
Reviews: Unsettling Questions: Palestine, Israel, the Holy Land and Zion
- Stähler, A, Vice, S, Brauner, D, Bassi, S, Naidu, Samantha, King, B, O'Neal, G S, Aldama, F L, Gibbs, J, Rotstein, J R U, Calderaro, M A
- Authors: Stähler, A , Vice, S , Brauner, D , Bassi, S , Naidu, Samantha , King, B , O'Neal, G S , Aldama, F L , Gibbs, J , Rotstein, J R U , Calderaro, M A
- Date: 2009
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/157948 , vital:40133 , https://doi.org/10.1080/02690050802589479
- Description: Reviews: Unsettling Questions: Palestine, Israel, the Holy Land and Zion
- Full Text:
- Date Issued: 2009
- Authors: Stähler, A , Vice, S , Brauner, D , Bassi, S , Naidu, Samantha , King, B , O'Neal, G S , Aldama, F L , Gibbs, J , Rotstein, J R U , Calderaro, M A
- Date: 2009
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/157948 , vital:40133 , https://doi.org/10.1080/02690050802589479
- Description: Reviews: Unsettling Questions: Palestine, Israel, the Holy Land and Zion
- Full Text:
- Date Issued: 2009
Shalom India housing society by Esther David
- Authors: Naidu, Samantha
- Date: 2009
- Language: English
- Type: Book review
- Identifier: vital:26373 , http://hdl.handle.net/10962/54007 , http://www.wasafiri.org/product/wasafiri-issue-57/ , https://orcid.org/0000-0001-9456-8657
- Description: Book review. Shalom India housing society by Esther David.
- Full Text: false
- Date Issued: 2009
- Authors: Naidu, Samantha
- Date: 2009
- Language: English
- Type: Book review
- Identifier: vital:26373 , http://hdl.handle.net/10962/54007 , http://www.wasafiri.org/product/wasafiri-issue-57/ , https://orcid.org/0000-0001-9456-8657
- Description: Book review. Shalom India housing society by Esther David.
- Full Text: false
- Date Issued: 2009
Sherlock Holmes in context
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: Book
- Identifier: vital:26345 , http://hdl.handle.net/10962/53888 , http://www.palgrave.com/us/book/9781137555946 , https://orcid.org/0000-0001-9456-8657
- Description: This book of interdisciplinary essays serves to situate the original Sherlock Holmes, and his various adaptations, in a contemporary cultural context. This collection is prompted by three main and related questions: firstly, why is Sherlock Holmes such an enduring and ubiquitous cultural icon; secondly, why is it that Sherlock Holmes, nearly 130 years after his birth, is enjoying such a spectacular renaissance; and, thirdly, what sort of communities, imagined or otherwise, have arisen around this figure since the most recent resurrections of Sherlock Holmes by popular media? Covering various media and genres (TV, film, literature, theatre) and scholarly approaches, this comprehensive collection offers cogent answers to these questions
- Full Text: false
- Date Issued: 2017
- Authors: Naidu, Samantha
- Date: 2017
- Language: English
- Type: Book
- Identifier: vital:26345 , http://hdl.handle.net/10962/53888 , http://www.palgrave.com/us/book/9781137555946 , https://orcid.org/0000-0001-9456-8657
- Description: This book of interdisciplinary essays serves to situate the original Sherlock Holmes, and his various adaptations, in a contemporary cultural context. This collection is prompted by three main and related questions: firstly, why is Sherlock Holmes such an enduring and ubiquitous cultural icon; secondly, why is it that Sherlock Holmes, nearly 130 years after his birth, is enjoying such a spectacular renaissance; and, thirdly, what sort of communities, imagined or otherwise, have arisen around this figure since the most recent resurrections of Sherlock Holmes by popular media? Covering various media and genres (TV, film, literature, theatre) and scholarly approaches, this comprehensive collection offers cogent answers to these questions
- Full Text: false
- Date Issued: 2017
South African crime fiction: sleuthing the State post-1994, African Identities
- Authors: Naidu, Samantha
- Date: 2015
- Language: English
- Type: Article
- Identifier: http://hdl.handle.net/10962/53912 , vital:26357 , http://dx.doi.org/10.1080/14725843.2015.1009621 , https://orcid.org/0000-0001-9456-8657
- Description: In this essay we demonstrate how the burgeoning field of South African crime fiction has responded to the birth and development of a democratic, post-apartheid South African state. First, an overview of South African crime fiction in the last 20 years is presented. Then the essay presents an argument for South African crime fiction to be regarded as the ‘new political novel’, based on its capacity for socio-political analysis. We use Deon Meyer, arguably South Africa’s most popular and successful crime fiction author, as an exemplar for our argument. In the following section, the genresnob debate and the resurgence of such terms as ‘lowbrow’ and ‘highbrow’ are considered in relation to crime fiction and the role it plays in the socio-cultural arena of post-apartheid South Africa. We conclude with a comment on the significance of popular literary genres for democracy and critical discourses which underpin that democracy. The essay shows that crime fiction is a strong tool for socio-political analysis in a democratic South Africa, because it promotes critical discourse in society, despite being deemed lowbrow or ideologically ambiguous.
- Full Text: false
- Date Issued: 2015
- Authors: Naidu, Samantha
- Date: 2015
- Language: English
- Type: Article
- Identifier: http://hdl.handle.net/10962/53912 , vital:26357 , http://dx.doi.org/10.1080/14725843.2015.1009621 , https://orcid.org/0000-0001-9456-8657
- Description: In this essay we demonstrate how the burgeoning field of South African crime fiction has responded to the birth and development of a democratic, post-apartheid South African state. First, an overview of South African crime fiction in the last 20 years is presented. Then the essay presents an argument for South African crime fiction to be regarded as the ‘new political novel’, based on its capacity for socio-political analysis. We use Deon Meyer, arguably South Africa’s most popular and successful crime fiction author, as an exemplar for our argument. In the following section, the genresnob debate and the resurgence of such terms as ‘lowbrow’ and ‘highbrow’ are considered in relation to crime fiction and the role it plays in the socio-cultural arena of post-apartheid South Africa. We conclude with a comment on the significance of popular literary genres for democracy and critical discourses which underpin that democracy. The essay shows that crime fiction is a strong tool for socio-political analysis in a democratic South Africa, because it promotes critical discourse in society, despite being deemed lowbrow or ideologically ambiguous.
- Full Text: false
- Date Issued: 2015
South Asian diasporic women's short fiction: the South African contribution
- Authors: Naidu, Samantha
- Date: 2007
- Language: English
- Type: Article , text
- Identifier: vital:26376 , http://hdl.handle.net/10962/54037 , https://orcid.org/0000-0001-9456-8657
- Description: Although Indian Women S Short Fiction Has Always Enjoyed Equal Importance And Popularity As Their Novels, Very Little Critical Attention Has Been Paid To It So Far. Indian Women S Short Fiction Seeks To Fulfil This Long Felt Need. It Puts Together Fifteen Perceptive And Analytical Articles By Scholars Across The World. The Articles, Which Are Focussed On Native Indian Writing As Well As Diasporic Short Fiction, Deal With Such Interesting Literary Issues As Construction Of Femininity, Disablement And Enablement, Bengali Heritage, Hybrid Identities, Nostalgia, Representation Of The Partition Violence, Tradition And Modernity, And Cultural Perspectivism.
- Full Text: false
- Date Issued: 2007
- Authors: Naidu, Samantha
- Date: 2007
- Language: English
- Type: Article , text
- Identifier: vital:26376 , http://hdl.handle.net/10962/54037 , https://orcid.org/0000-0001-9456-8657
- Description: Although Indian Women S Short Fiction Has Always Enjoyed Equal Importance And Popularity As Their Novels, Very Little Critical Attention Has Been Paid To It So Far. Indian Women S Short Fiction Seeks To Fulfil This Long Felt Need. It Puts Together Fifteen Perceptive And Analytical Articles By Scholars Across The World. The Articles, Which Are Focussed On Native Indian Writing As Well As Diasporic Short Fiction, Deal With Such Interesting Literary Issues As Construction Of Femininity, Disablement And Enablement, Bengali Heritage, Hybrid Identities, Nostalgia, Representation Of The Partition Violence, Tradition And Modernity, And Cultural Perspectivism.
- Full Text: false
- Date Issued: 2007
Teaching Postcolonial Crime Fiction:
- Authors: Naidu, Samantha
- Date: 2018
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/158013 , vital:40139 , ISBN 978-3-319-90608-9
- Description: This chapter is a survey of teaching crime fiction in postcolonial South Africa. After offering a definition and historicisation of postcolonial crime fiction in general, the survey focuses on my third-year undergraduate course, ‘Sleuthing the State: South African Crime and Detective Fiction’. The survey includes a description of the curriculum content, teaching methods, forms of assessment and student evaluation. The chapter also contains theoretical discussion about the practical and ethical implications of teaching crime fiction in a turbulent and transitional socio-political context. To end, the chapter comments on the high points of this teaching experience and on some of the challenges encountered.
- Full Text:
- Date Issued: 2018
- Authors: Naidu, Samantha
- Date: 2018
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/158013 , vital:40139 , ISBN 978-3-319-90608-9
- Description: This chapter is a survey of teaching crime fiction in postcolonial South Africa. After offering a definition and historicisation of postcolonial crime fiction in general, the survey focuses on my third-year undergraduate course, ‘Sleuthing the State: South African Crime and Detective Fiction’. The survey includes a description of the curriculum content, teaching methods, forms of assessment and student evaluation. The chapter also contains theoretical discussion about the practical and ethical implications of teaching crime fiction in a turbulent and transitional socio-political context. To end, the chapter comments on the high points of this teaching experience and on some of the challenges encountered.
- Full Text:
- Date Issued: 2018
Teaching Postcolonial Crime Fiction:
- Authors: Naidu, Samantha
- Date: 2018
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/158024 , vital:40140 , ISBN 978-3-319-90608-9
- Description: This chapter is a survey of teaching crime fiction in postcolonial South Africa. After offering a definition and historicisation of postcolonial crime fiction in general, the survey focuses on my third-year undergraduate course, ‘Sleuthing the State: South African Crime and Detective Fiction’. The survey includes a description of the curriculum content, teaching methods, forms of assessment and student evaluation. The chapter also contains theoretical discussion about the practical and ethical implications of teaching crime fiction in a turbulent and transitional socio-political context. To end, the chapter comments on the high points of this teaching experience and on some of the challenges encountered.
- Full Text:
- Date Issued: 2018
- Authors: Naidu, Samantha
- Date: 2018
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/158024 , vital:40140 , ISBN 978-3-319-90608-9
- Description: This chapter is a survey of teaching crime fiction in postcolonial South Africa. After offering a definition and historicisation of postcolonial crime fiction in general, the survey focuses on my third-year undergraduate course, ‘Sleuthing the State: South African Crime and Detective Fiction’. The survey includes a description of the curriculum content, teaching methods, forms of assessment and student evaluation. The chapter also contains theoretical discussion about the practical and ethical implications of teaching crime fiction in a turbulent and transitional socio-political context. To end, the chapter comments on the high points of this teaching experience and on some of the challenges encountered.
- Full Text:
- Date Issued: 2018