A baseline study of youth identity, the media and the public sphere in South Africa:
- Malila, Vanessa, Duncan, Jane, Costera Meijer, Irene, Drok, Nico, Garman, Anthea, Strelitz, Larry, Steenveld, Lynette, Bosch, Tanja, Ndlovu, Musa
- Authors: Malila, Vanessa , Duncan, Jane , Costera Meijer, Irene , Drok, Nico , Garman, Anthea , Strelitz, Larry , Steenveld, Lynette , Bosch, Tanja , Ndlovu, Musa
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159780 , vital:40343 , https://research.vu.nl/ws/portalfiles/portal/3635364/Baseline+study+single+column+%281%29.pdf
- Description: The project on youth identity, the media and the public sphere in South Africa was led by Prof Jane Duncan, Highway Africa Chair of Media and Information Society, at Rhodes University in South Africa. The research project was funded by the South Africa Netherlands Research Programme on Alternatives in Development (SANPAD), and partnered in the Netherlands with Prof Irene Costera Meijer (of VU University of Amsterdam) and Prof Nico Drok (of Windesheim University).
- Full Text:
- Date Issued: 2013
- Authors: Malila, Vanessa , Duncan, Jane , Costera Meijer, Irene , Drok, Nico , Garman, Anthea , Strelitz, Larry , Steenveld, Lynette , Bosch, Tanja , Ndlovu, Musa
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159780 , vital:40343 , https://research.vu.nl/ws/portalfiles/portal/3635364/Baseline+study+single+column+%281%29.pdf
- Description: The project on youth identity, the media and the public sphere in South Africa was led by Prof Jane Duncan, Highway Africa Chair of Media and Information Society, at Rhodes University in South Africa. The research project was funded by the South Africa Netherlands Research Programme on Alternatives in Development (SANPAD), and partnered in the Netherlands with Prof Irene Costera Meijer (of VU University of Amsterdam) and Prof Nico Drok (of Windesheim University).
- Full Text:
- Date Issued: 2013
In search of the Holy Grail: youth media consumption and the construction of citizenship
- Authors: Steenveld, Lynette
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158597 , vital:40210 , https://hdl.handle.net/10520/EJC141601
- Description: Rather than support the democratic process, as in the ideal scheme of things it should be doing, journalism has become an alienating, cynicism-inducing, narcoticising force in our political culture, turning people off citizenship rather than equipping them to fulfil their democratic potential.
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- Date Issued: 2013
- Authors: Steenveld, Lynette
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158597 , vital:40210 , https://hdl.handle.net/10520/EJC141601
- Description: Rather than support the democratic process, as in the ideal scheme of things it should be doing, journalism has become an alienating, cynicism-inducing, narcoticising force in our political culture, turning people off citizenship rather than equipping them to fulfil their democratic potential.
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- Date Issued: 2013
Submission to Press Freedom Commission (PFC) on Media Self-regulation, Co-regulation or Statutory regulation in South Africa:
- Wasserman, Herman, Steenveld, Lynette, Strelitz, Larry, Amner, Roderick J, Boshoff, Priscilla A, Mathurine, Jude, Garman, Anthea
- Authors: Wasserman, Herman , Steenveld, Lynette , Strelitz, Larry , Amner, Roderick J , Boshoff, Priscilla A , Mathurine, Jude , Garman, Anthea
- Date: 2012
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/143571 , vital:38263 , ISBN , https://www.ru.ac.za/media/rhodesuniversity/content/ruhome/documents/JMS Submission to Press Freedom Commission.pdf
- Description: Prof Duncan has outlined the relative merits and demerits of self-regulation, co-regulation and deregulation, with which we are in broad agreement. She has also ably dealt with the three functions of regulatory bodies, namely the setting of ground rules for the industry to ensure best practice; enforcement of these; and adjudication of claims and counter claims re journalistic practice (Duncan 2012, p17). Finally, she has also taken up the issue of the necessity of accepting Third Party Complaints as one of the fundamental mechanisms by which citizens can make complaints on the basis of principle, rather than being personally aggrieved. While we are in broad agreement with her on these issues, we would like to highlight some further points for consideration.
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- Date Issued: 2012
- Authors: Wasserman, Herman , Steenveld, Lynette , Strelitz, Larry , Amner, Roderick J , Boshoff, Priscilla A , Mathurine, Jude , Garman, Anthea
- Date: 2012
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/143571 , vital:38263 , ISBN , https://www.ru.ac.za/media/rhodesuniversity/content/ruhome/documents/JMS Submission to Press Freedom Commission.pdf
- Description: Prof Duncan has outlined the relative merits and demerits of self-regulation, co-regulation and deregulation, with which we are in broad agreement. She has also ably dealt with the three functions of regulatory bodies, namely the setting of ground rules for the industry to ensure best practice; enforcement of these; and adjudication of claims and counter claims re journalistic practice (Duncan 2012, p17). Finally, she has also taken up the issue of the necessity of accepting Third Party Complaints as one of the fundamental mechanisms by which citizens can make complaints on the basis of principle, rather than being personally aggrieved. While we are in broad agreement with her on these issues, we would like to highlight some further points for consideration.
- Full Text:
- Date Issued: 2012
Thinking about South African tabloid newspapers:
- Strelitz, Larry, Steenveld, Lynette
- Authors: Strelitz, Larry , Steenveld, Lynette
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159825 , vital:40347 , DOI: 10.1080/02560054.2005.9653337
- Description: A popular view of tabloids is that they pander to the lowest common denominator of public taste, they simplify complex issues, and they generally fail to provide information that citizens need in order to make informed political judgments - the latter being the raison d’etre of serious newspapers. In summary, tabloids “lower the standards of public discourse” (Ornerbring and Jonson, 2004:283).
- Full Text:
- Date Issued: 2010
- Authors: Strelitz, Larry , Steenveld, Lynette
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159825 , vital:40347 , DOI: 10.1080/02560054.2005.9653337
- Description: A popular view of tabloids is that they pander to the lowest common denominator of public taste, they simplify complex issues, and they generally fail to provide information that citizens need in order to make informed political judgments - the latter being the raison d’etre of serious newspapers. In summary, tabloids “lower the standards of public discourse” (Ornerbring and Jonson, 2004:283).
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- Date Issued: 2010
Transforming the media: a cultural approach
- Authors: Steenveld, Lynette
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147891 , vital:38682 , DOI: 10.1080/02560240485310061
- Description: The change from an Apartheid state to a liberal democratic one has wrought many changes at all levels of South African society: the economic, social, political, cultural. This paper explores the impacts of these changes on the South African print media industry, with a view to assessing their contribution to the development of a democratic citizenship. While acknowledging the constraining effects of economic structures of ownership, the paper locates these within the broader social and political context of post-apartheid South Africa. It thus attempts to synthesise elements of both a political economy and cultural approach to the analysis of cultural production.
- Full Text:
- Date Issued: 2007
- Authors: Steenveld, Lynette
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147891 , vital:38682 , DOI: 10.1080/02560240485310061
- Description: The change from an Apartheid state to a liberal democratic one has wrought many changes at all levels of South African society: the economic, social, political, cultural. This paper explores the impacts of these changes on the South African print media industry, with a view to assessing their contribution to the development of a democratic citizenship. While acknowledging the constraining effects of economic structures of ownership, the paper locates these within the broader social and political context of post-apartheid South Africa. It thus attempts to synthesise elements of both a political economy and cultural approach to the analysis of cultural production.
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- Date Issued: 2007
You can’t be serious:
- Strelitz, Larry, Steenveld, Lynette
- Authors: Strelitz, Larry , Steenveld, Lynette
- Date: 2005
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159215 , vital:40278 , https://hdl.handle.net/10520/EJC146377
- Description: As well as pandering to the lowest common denominator and simplifying complex issues, tabloids are also condemned for generally failing to provide information that citizens need in order to make informed political judgements - the latter being the raison d'etre of serious newspapers. In summary, tabloids "lower the standards of public discourse" (Ornerbring and Jonson, 2004: 283).
- Full Text:
- Date Issued: 2005
- Authors: Strelitz, Larry , Steenveld, Lynette
- Date: 2005
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/159215 , vital:40278 , https://hdl.handle.net/10520/EJC146377
- Description: As well as pandering to the lowest common denominator and simplifying complex issues, tabloids are also condemned for generally failing to provide information that citizens need in order to make informed political judgements - the latter being the raison d'etre of serious newspapers. In summary, tabloids "lower the standards of public discourse" (Ornerbring and Jonson, 2004: 283).
- Full Text:
- Date Issued: 2005
South African anti-apartheid documentaries 1977-1987: some theoretical excursions
- Authors: Steenveld, Lynette
- Date: 1991
- Subjects: Documentary films -- South Africa -- History and criticism , Apartheid -- South Africa , Anti-apartheid movements -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3484 , http://hdl.handle.net/10962/d1002939 , Documentary films -- South Africa -- History and criticism , Apartheid -- South Africa , Anti-apartheid movements -- South Africa
- Description: This study examines anti-apartheid documentary production in South Africa between 1977 and 1987. These documentaries were produced by a variety of producers in order to record aspects of South Africa's contemporary social history, and as a means of contributing - in some way - to changing the conditions described. While the 'content' of the documentaries is historical and social, and their intention political, this study is aimed at elucidating how a documentary, as a representational system, produces meaning. The study is therefore located within the discourse of film studies. My study is based on the theory that a documentary is the embodiment of several relationships: the relationship between social reality and documentary producers; the social relationships engaged in, in the production of the text; the relationship between the text and its audience 1, and the relationship between the audience and its social context. This informs my methodological approach in which analysis appropriate to each area of study is used. Using secondary sources obtained through standard library research, I pursue social and historical analysis of the 1970s and 1980s in order to contextualise both the producers of the documentaries, and their audience. The social relations of production of a text are examined using material gathered through extensive interviews with the producers and published secondary material. How this impinges on the documentary is ascertained through detailed textual analysis of 30 documentaries. For analytical clarity each chapter focuses on a specific aspect of documentary - although I do show how the various relationships impinge on each other. This research finds that the documentaries faithfully reflect the anti-apartheid ideology dominant in the extra-parliamentary opposition in the period under discussion - to the extent that all forms of consciousness are framed by this discourse. An examination of the textual strategies used shows that they are bound by the conventions of broadcast television. They therefore construct a spectator-text relationship which is not consistent with the political concern that democratic relationships be established as the basis of a post-apartheid society. In other words, there is an inconsistency between the ideology espoused, and the way in which film- and videomakers, in their specialised field of production, practise their politics. This can be attributed to the over-riding political intention of the documentarists 'to record' what is happening, and to establish a popular archive which can be used by extra-parliamentary opposition groups in their struggle against apartheid.
- Full Text:
- Date Issued: 1991
- Authors: Steenveld, Lynette
- Date: 1991
- Subjects: Documentary films -- South Africa -- History and criticism , Apartheid -- South Africa , Anti-apartheid movements -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3484 , http://hdl.handle.net/10962/d1002939 , Documentary films -- South Africa -- History and criticism , Apartheid -- South Africa , Anti-apartheid movements -- South Africa
- Description: This study examines anti-apartheid documentary production in South Africa between 1977 and 1987. These documentaries were produced by a variety of producers in order to record aspects of South Africa's contemporary social history, and as a means of contributing - in some way - to changing the conditions described. While the 'content' of the documentaries is historical and social, and their intention political, this study is aimed at elucidating how a documentary, as a representational system, produces meaning. The study is therefore located within the discourse of film studies. My study is based on the theory that a documentary is the embodiment of several relationships: the relationship between social reality and documentary producers; the social relationships engaged in, in the production of the text; the relationship between the text and its audience 1, and the relationship between the audience and its social context. This informs my methodological approach in which analysis appropriate to each area of study is used. Using secondary sources obtained through standard library research, I pursue social and historical analysis of the 1970s and 1980s in order to contextualise both the producers of the documentaries, and their audience. The social relations of production of a text are examined using material gathered through extensive interviews with the producers and published secondary material. How this impinges on the documentary is ascertained through detailed textual analysis of 30 documentaries. For analytical clarity each chapter focuses on a specific aspect of documentary - although I do show how the various relationships impinge on each other. This research finds that the documentaries faithfully reflect the anti-apartheid ideology dominant in the extra-parliamentary opposition in the period under discussion - to the extent that all forms of consciousness are framed by this discourse. An examination of the textual strategies used shows that they are bound by the conventions of broadcast television. They therefore construct a spectator-text relationship which is not consistent with the political concern that democratic relationships be established as the basis of a post-apartheid society. In other words, there is an inconsistency between the ideology espoused, and the way in which film- and videomakers, in their specialised field of production, practise their politics. This can be attributed to the over-riding political intention of the documentarists 'to record' what is happening, and to establish a popular archive which can be used by extra-parliamentary opposition groups in their struggle against apartheid.
- Full Text:
- Date Issued: 1991
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