Shakespeare's Victorian Stage: performing history in the theatre of Charles Kean, Richard W. Schoch: book review
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7050 , http://hdl.handle.net/10962/d1007393 , http://hdl.handle.net/10520/EJC48030
- Description: preprint , This book is a primarily a study of Charles Kean’s productions of Shakespeare’s English chronicle plays at the Princess’s Theatre between 1852 and 1859, a period crucial to the development of ideas of English nationalism. Schoch focuses on these particular stagings as more than drama; as performances of nineteenth century theories of history and historical representation. His project operates under the aegis of the so-called ‘linguistic turn’ in cultural theory, and is suspicious of neo-marxian fundamentalism.
- Full Text:
- Date Issued: 2004
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7050 , http://hdl.handle.net/10962/d1007393 , http://hdl.handle.net/10520/EJC48030
- Description: preprint , This book is a primarily a study of Charles Kean’s productions of Shakespeare’s English chronicle plays at the Princess’s Theatre between 1852 and 1859, a period crucial to the development of ideas of English nationalism. Schoch focuses on these particular stagings as more than drama; as performances of nineteenth century theories of history and historical representation. His project operates under the aegis of the so-called ‘linguistic turn’ in cultural theory, and is suspicious of neo-marxian fundamentalism.
- Full Text:
- Date Issued: 2004
As You Like It: directed by Helen Flax. Mannville, Port Elizabeth. 2007: theatre review
- Authors: Wright, Laurence
- Date: 2007
- Language: English
- Type: text , review
- Identifier: vital:7051 , http://hdl.handle.net/10962/d1007410 , https://journals.co.za/content/iseasosa/19/1/EJC48089
- Description: preprint , This was a stylish, well-conceived production, which made sense and meaning from what is probably Shakespeare’s most delicate, and ‘English’, of comedies. The piece calls for strong ensemble playing, a full stage of equals rather than a few strong parts dominating the story. The Port Elizabeth Shakespearean Festival pulled it off marvelously.
- Full Text:
- Date Issued: 2007
- Authors: Wright, Laurence
- Date: 2007
- Language: English
- Type: text , review
- Identifier: vital:7051 , http://hdl.handle.net/10962/d1007410 , https://journals.co.za/content/iseasosa/19/1/EJC48089
- Description: preprint , This was a stylish, well-conceived production, which made sense and meaning from what is probably Shakespeare’s most delicate, and ‘English’, of comedies. The piece calls for strong ensemble playing, a full stage of equals rather than a few strong parts dominating the story. The Port Elizabeth Shakespearean Festival pulled it off marvelously.
- Full Text:
- Date Issued: 2007
Irony and transcendence on the Renaissance stage
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7067 , http://hdl.handle.net/10962/d1007455 , https://doi.org/10.1484/M.CURSOR-EB.3.4728
- Description: preprint , This is the concluding essay in a collection entitled 'This Earthly Stage'. The chapter argues that the peculiar task of the stage metaphor - the notion of the theatre as a metaphor for life,which involves complex interactions between rarefied intellectual constructions of life and mundane reality - is to interrogate the tension between an inscrutable cosmic order and the limited viewpoints of ordinary humanity.The piece moves from general considerations of irony and dramatic irony, via an analysis of Kyd's The Spanish Tragedy, to comments on Petrarch, Pico and Vives, culminating in a consideration of irony and transcendence in Shakespeare's last plays.
- Full Text:
- Date Issued: 2004
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7067 , http://hdl.handle.net/10962/d1007455 , https://doi.org/10.1484/M.CURSOR-EB.3.4728
- Description: preprint , This is the concluding essay in a collection entitled 'This Earthly Stage'. The chapter argues that the peculiar task of the stage metaphor - the notion of the theatre as a metaphor for life,which involves complex interactions between rarefied intellectual constructions of life and mundane reality - is to interrogate the tension between an inscrutable cosmic order and the limited viewpoints of ordinary humanity.The piece moves from general considerations of irony and dramatic irony, via an analysis of Kyd's The Spanish Tragedy, to comments on Petrarch, Pico and Vives, culminating in a consideration of irony and transcendence in Shakespeare's last plays.
- Full Text:
- Date Issued: 2004
Nathaniel Merriman's lecture: "On the study of Shakspeare".
- Authors: Wright, Laurence
- Date: 2008-09-23
- Language: English
- Type: Article
- Identifier: vital:7034 , http://hdl.handle.net/10962/d1007368
- Description: Nathaniel Merriman’s lectures on Shakespeare were published in 1857 and 1858. The first, “On the Study of Shakspeare,” was delivered in the Court House, Grahamstown on the 2nd September 1857 to an audience of more than four hundred and fifty people. The second, “Shakspeare, as Bearing on English History,” was given in the same venue two months later, on Friday, 6 November 1857, and was also well attended. The lectures were published under the auspices of the Committee of “The General Institute,” which sponsored the lectures, and printed at the Anglo-African Office in the High Street. The two lectures and their context are little known in Shakespeare studies because the original pamphlets are rare. The first lecture appears in Mendelssohn’s South African Bibliography (1910), while the second is picked up only in the 1979 revision of that work. Copies of “On the Study of Shakspeare” are held by the Mendelssohn Library in the Library of Parliament, Cape Town; by The South African Library, Cape Town; and in the Oppenheimer Collection, Johannesburg. Copies of “Shakspeare, as Bearing on English History” are held by the Mendelssohn Library; by the University of the Witwatersrand Library, Johannesburg; and by the Kimberley Public Library. The purpose of preparing annotated editions of these lectures is to make them more accessible to scholars and draw them further into the mainstream of international discussion on colonial Shakespeare.
- Full Text:
- Authors: Wright, Laurence
- Date: 2008-09-23
- Language: English
- Type: Article
- Identifier: vital:7034 , http://hdl.handle.net/10962/d1007368
- Description: Nathaniel Merriman’s lectures on Shakespeare were published in 1857 and 1858. The first, “On the Study of Shakspeare,” was delivered in the Court House, Grahamstown on the 2nd September 1857 to an audience of more than four hundred and fifty people. The second, “Shakspeare, as Bearing on English History,” was given in the same venue two months later, on Friday, 6 November 1857, and was also well attended. The lectures were published under the auspices of the Committee of “The General Institute,” which sponsored the lectures, and printed at the Anglo-African Office in the High Street. The two lectures and their context are little known in Shakespeare studies because the original pamphlets are rare. The first lecture appears in Mendelssohn’s South African Bibliography (1910), while the second is picked up only in the 1979 revision of that work. Copies of “On the Study of Shakspeare” are held by the Mendelssohn Library in the Library of Parliament, Cape Town; by The South African Library, Cape Town; and in the Oppenheimer Collection, Johannesburg. Copies of “Shakspeare, as Bearing on English History” are held by the Mendelssohn Library; by the University of the Witwatersrand Library, Johannesburg; and by the Kimberley Public Library. The purpose of preparing annotated editions of these lectures is to make them more accessible to scholars and draw them further into the mainstream of international discussion on colonial Shakespeare.
- Full Text:
Guy Butler: 21 January 1918 - 26 April 2001
- Authors: Wright, Laurence
- Date: 2001
- Language: English
- Type: Article
- Identifier: vital:7053 , http://hdl.handle.net/10962/d1007413
- Description: [From Introduction]: For much of the last twenty-five years of his life, Butler’s thought and work were not perceived to be ‘current’ at all. His poetry was hardly read (what’s new there? – neither is anyone else’s); some of it lay in manuscript or obscure little publications until the Collected Poems appeared in 1999. The autobiographies attracted a loyal following amongst a small, educated reading public. His early dramas, though they met with initial success, were stifled by the poetic idiom to which they aspired, and by the racial claustrophobia against which they fought. (Demea, Butler’s South African reworking of the Medea, made it to the boards only in 1990 – the multi-racial cast, let alone the themes, kept it in hibernation until then.) The deluge of journalism and polemic suffered the usual fate of ephemera. Until resurrected by Stephen Watson in 1990, the essays and lectures remained buried in periodicals where they could not be assessed as a totality. His inspiring teaching was a gift to his students, hardly accessible to the wider society; and above all, much of his time was spent as homo commiticus, serving on the boards and sub-committees of numerous university institutions and other organizations, some of which he founded. In his autobiography, he observed wryly of his changed status following accession to the Chair of English at Rhodes in 1951: ‘Professors are not entirely themselves. Their interest as persons decreases because they are now public personages. Much of their time is spent on committees whose function is to pick the brains of individuals without giving them credit.’ Guy Butler gave generously of his brains in such circumstances.
- Full Text:
- Date Issued: 2001
- Authors: Wright, Laurence
- Date: 2001
- Language: English
- Type: Article
- Identifier: vital:7053 , http://hdl.handle.net/10962/d1007413
- Description: [From Introduction]: For much of the last twenty-five years of his life, Butler’s thought and work were not perceived to be ‘current’ at all. His poetry was hardly read (what’s new there? – neither is anyone else’s); some of it lay in manuscript or obscure little publications until the Collected Poems appeared in 1999. The autobiographies attracted a loyal following amongst a small, educated reading public. His early dramas, though they met with initial success, were stifled by the poetic idiom to which they aspired, and by the racial claustrophobia against which they fought. (Demea, Butler’s South African reworking of the Medea, made it to the boards only in 1990 – the multi-racial cast, let alone the themes, kept it in hibernation until then.) The deluge of journalism and polemic suffered the usual fate of ephemera. Until resurrected by Stephen Watson in 1990, the essays and lectures remained buried in periodicals where they could not be assessed as a totality. His inspiring teaching was a gift to his students, hardly accessible to the wider society; and above all, much of his time was spent as homo commiticus, serving on the boards and sub-committees of numerous university institutions and other organizations, some of which he founded. In his autobiography, he observed wryly of his changed status following accession to the Chair of English at Rhodes in 1951: ‘Professors are not entirely themselves. Their interest as persons decreases because they are now public personages. Much of their time is spent on committees whose function is to pick the brains of individuals without giving them credit.’ Guy Butler gave generously of his brains in such circumstances.
- Full Text:
- Date Issued: 2001
Language and value: towards accepting a richer linguistic ecology for South Africa
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7042 , http://hdl.handle.net/10962/d1007383 , https://doi.org/10.1075/lplp.28.2.05wri
- Description: preprint , Language policy debate is often obscured by two factors: failure to acknowledge different time-frames attending contrasting positions, and failure to recognise that ordinary people are motivated by their perceived best interests in the present. This article argues that the key to more general public acceptance of linguistic ecological diversity in South Africa is to shift the emphasis from policy development to practical language cultivation issues. Provide the requisite cultivation support, and acceptance of a revitalised future for African languages becomes more assured. It should also be understood that the modernisation of African languages in South Africa has a political dimension concerning which South African language commentators are strangely silent. This political thrust may not be entirely congruent with the concerns of those whose brief for African languages is primarily cultural or ecological – if, indeed, they are even aware of it. Finally, it needs to be recognised that language development under conditions of controlled influence, as in the civil service or schooling, is potentially achievable (with whatever difficulty), but that this must be complemented by authentic contemporary intellectual work published in African languages if the linguistic dimension of the African Renaissance is to take off.
- Full Text:
- Date Issued: 2004
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7042 , http://hdl.handle.net/10962/d1007383 , https://doi.org/10.1075/lplp.28.2.05wri
- Description: preprint , Language policy debate is often obscured by two factors: failure to acknowledge different time-frames attending contrasting positions, and failure to recognise that ordinary people are motivated by their perceived best interests in the present. This article argues that the key to more general public acceptance of linguistic ecological diversity in South Africa is to shift the emphasis from policy development to practical language cultivation issues. Provide the requisite cultivation support, and acceptance of a revitalised future for African languages becomes more assured. It should also be understood that the modernisation of African languages in South Africa has a political dimension concerning which South African language commentators are strangely silent. This political thrust may not be entirely congruent with the concerns of those whose brief for African languages is primarily cultural or ecological – if, indeed, they are even aware of it. Finally, it needs to be recognised that language development under conditions of controlled influence, as in the civil service or schooling, is potentially achievable (with whatever difficulty), but that this must be complemented by authentic contemporary intellectual work published in African languages if the linguistic dimension of the African Renaissance is to take off.
- Full Text:
- Date Issued: 2004
Language policy and planning: general constraints and pressures
- Authors: Wright, Laurence
- Date: 2007
- Language: English
- Type: text , article
- Identifier: vital:7043 , http://hdl.handle.net/10962/d1007385
- Description: preprint , The general idea of language policy and planning is easily expressed. Christopher Brumfit, for one, defines language planning as “The attempt to control the use, status, and structure of a language through a language policy developed by a government or other authority” (see the Oxford Companion to the English Language). The Random House Dictionary of the English Language concurs, but adds some detail: language planning is “the development of policies or programmes designed to direct or change language use, as through the establishment of an official language, the standardization or modernization of a language, or the development or alteration of a writing system”. Such definitions could easily be multiplied, and they differ only slightly in nuance and depth.Language Policy is the formal, often legally entrenched, expression of language planning.
- Full Text:
- Date Issued: 2007
- Authors: Wright, Laurence
- Date: 2007
- Language: English
- Type: text , article
- Identifier: vital:7043 , http://hdl.handle.net/10962/d1007385
- Description: preprint , The general idea of language policy and planning is easily expressed. Christopher Brumfit, for one, defines language planning as “The attempt to control the use, status, and structure of a language through a language policy developed by a government or other authority” (see the Oxford Companion to the English Language). The Random House Dictionary of the English Language concurs, but adds some detail: language planning is “the development of policies or programmes designed to direct or change language use, as through the establishment of an official language, the standardization or modernization of a language, or the development or alteration of a writing system”. Such definitions could easily be multiplied, and they differ only slightly in nuance and depth.Language Policy is the formal, often legally entrenched, expression of language planning.
- Full Text:
- Date Issued: 2007
The relevance of (South African) Renaissance studies
- Authors: Wright, Laurence
- Date: 2005
- Language: English
- Type: text , article
- Identifier: vital:7055 , http://hdl.handle.net/10962/d1007416 , https://www.ajol.info/index.php/sisa/article/view/40550
- Description: preprint , This paper is part of a longer piece devoted to the elucidation of two related propositions. The first is that in South Africa the humanities in general, and Renaissance Studies in particular, are stymied by a lack of strategic thinking from those in the academy. The second is that the humanities, and Renaissance Studies, and Shakespeare, are valid and needed in this country, possibly as never before. This paper tackles the latter question, the challenge of intrinsic relevance. What possible bearing have art and literature, politics and religion, customs and technologies developed 10,000 kilometres away and nearly half a millennium ago to do with South Africa in the 21st century? I steal up on the main issue by outlining an abbreviated rhetoric of relevance, establishing a framework within which intrinsic relevance can be conceptualised for Renaissance Studies today.
- Full Text:
- Date Issued: 2005
- Authors: Wright, Laurence
- Date: 2005
- Language: English
- Type: text , article
- Identifier: vital:7055 , http://hdl.handle.net/10962/d1007416 , https://www.ajol.info/index.php/sisa/article/view/40550
- Description: preprint , This paper is part of a longer piece devoted to the elucidation of two related propositions. The first is that in South Africa the humanities in general, and Renaissance Studies in particular, are stymied by a lack of strategic thinking from those in the academy. The second is that the humanities, and Renaissance Studies, and Shakespeare, are valid and needed in this country, possibly as never before. This paper tackles the latter question, the challenge of intrinsic relevance. What possible bearing have art and literature, politics and religion, customs and technologies developed 10,000 kilometres away and nearly half a millennium ago to do with South Africa in the 21st century? I steal up on the main issue by outlining an abbreviated rhetoric of relevance, establishing a framework within which intrinsic relevance can be conceptualised for Renaissance Studies today.
- Full Text:
- Date Issued: 2005
David Lurie's learning and the meaning of J.M. Coetzee's Disgrace
- Authors: Wright, Laurence
- Date: 2010
- Language: English
- Type: text , article
- Identifier: vital:7063 , http://hdl.handle.net/10962/d1007428 , http://hdl.handle.net/10520/EJC47864
- Description: preprint , One of the teasing characteristics of novels soused in literariness, like J.M. Coetzee’s, is their tendency to leak, to bleed, into vast inchoate terrains of intertextuality.The reader is constantly challenged to measure and assess their implications within or against the frail containing form of the story, much as Russian formalism taught us to keep sujet and fable in perpetual dialogue. However, it has become apparent that in the dense thickets of commentary occasioned by Coetzee’s most controversial novel, Disgrace (1999), insufficient attention has been paid to the intertextual implications of David Lurie’s learning, his scholarly preoccupations. Unless the reader attempts this kind of exploration, two of the most vexed issues freighting the novel’s central fabulation: Lucy’s curiously stoical, impassive response to her rape, together with her decision to stay on in South Africa; and David Lurie’s sudden, seemingly inexplicable care for the doomed dogs, from their last moments at the animal shelter until he lovingly consigns their corpses to the incinerator, must remain opaque. In particular, the final words of the novel, “Yes, I am giving him up” (220), uttered in relation to the immanent “Lösung” of the little dog Bev Shaw calls Driepoot, will tend to taunt the reader, rather than illuminate.
- Full Text:
- Date Issued: 2010
- Authors: Wright, Laurence
- Date: 2010
- Language: English
- Type: text , article
- Identifier: vital:7063 , http://hdl.handle.net/10962/d1007428 , http://hdl.handle.net/10520/EJC47864
- Description: preprint , One of the teasing characteristics of novels soused in literariness, like J.M. Coetzee’s, is their tendency to leak, to bleed, into vast inchoate terrains of intertextuality.The reader is constantly challenged to measure and assess their implications within or against the frail containing form of the story, much as Russian formalism taught us to keep sujet and fable in perpetual dialogue. However, it has become apparent that in the dense thickets of commentary occasioned by Coetzee’s most controversial novel, Disgrace (1999), insufficient attention has been paid to the intertextual implications of David Lurie’s learning, his scholarly preoccupations. Unless the reader attempts this kind of exploration, two of the most vexed issues freighting the novel’s central fabulation: Lucy’s curiously stoical, impassive response to her rape, together with her decision to stay on in South Africa; and David Lurie’s sudden, seemingly inexplicable care for the doomed dogs, from their last moments at the animal shelter until he lovingly consigns their corpses to the incinerator, must remain opaque. In particular, the final words of the novel, “Yes, I am giving him up” (220), uttered in relation to the immanent “Lösung” of the little dog Bev Shaw calls Driepoot, will tend to taunt the reader, rather than illuminate.
- Full Text:
- Date Issued: 2010
The humanities, vocationalism and the public good: exploring 'the Hamlet factor'
- Authors: Wright, Laurence
- Date: 2007
- Language: English
- Type: text , article
- Identifier: vital:7028 , http://hdl.handle.net/10962/d1007214 , https://doi.org/10.1080/17535360712331393503
- Description: preprint , This paper argues that the social mission of the humanities is no longer well understood by the public, sometimes not even by the very institutions seeking to attract students to these disciplines, the universities. It becomes difficult to argue for the cogency of research in the humanities, let alone for a specific national research agenda, when the general relation between the humanities and society is widely mistaken. To address such misapprehensions, the discussion outlines as clearly as possible the characteristic procedures of the humanities, the manner in which they inform individual and social transformation, and the contemporary predicament which makes them more rather than less needed in society’s repertoire of educational resources. With this understanding in place, the paper then puts forward suggestions for strengthening research in the humanities as part of a broader programme to renovate the humanities in the South African education system.
- Full Text:
- Date Issued: 2007
- Authors: Wright, Laurence
- Date: 2007
- Language: English
- Type: text , article
- Identifier: vital:7028 , http://hdl.handle.net/10962/d1007214 , https://doi.org/10.1080/17535360712331393503
- Description: preprint , This paper argues that the social mission of the humanities is no longer well understood by the public, sometimes not even by the very institutions seeking to attract students to these disciplines, the universities. It becomes difficult to argue for the cogency of research in the humanities, let alone for a specific national research agenda, when the general relation between the humanities and society is widely mistaken. To address such misapprehensions, the discussion outlines as clearly as possible the characteristic procedures of the humanities, the manner in which they inform individual and social transformation, and the contemporary predicament which makes them more rather than less needed in society’s repertoire of educational resources. With this understanding in place, the paper then puts forward suggestions for strengthening research in the humanities as part of a broader programme to renovate the humanities in the South African education system.
- Full Text:
- Date Issued: 2007
Nathaniel Merriman’s lecture: “Shakspeare, as Bearing on English History”
- Authors: Wright, Laurence
- Date: 2009
- Language: English
- Type: text , article
- Identifier: vital:7060 , http://hdl.handle.net/10962/d1007424 , http://hdl.handle.net/10520/EJC48132
- Description: preprint , “Shakspeare, as Bearing on English History” is the second of two lectures on Shakespeare given by Archdeacon Nathaniel Merriman in Grahamstown in 1857. The first was delivered in the Court House on the 2nd September 1857, and the second two months later, on Friday 6th November that same year, again in the Court House. The lecture was published in 1858. An article placing the lectures in their local context appeared in Shakespeare in Southern Africa 20 (2008): 25-37, accompanying an annotated edition of the first lecture, “On the Study of Shakspeare”. Readers desiring details of the editorial principles adopted in producing annotated editions of the two lectures are referred to the introductory material prefacing the first lecture.
- Full Text:
- Date Issued: 2009
- Authors: Wright, Laurence
- Date: 2009
- Language: English
- Type: text , article
- Identifier: vital:7060 , http://hdl.handle.net/10962/d1007424 , http://hdl.handle.net/10520/EJC48132
- Description: preprint , “Shakspeare, as Bearing on English History” is the second of two lectures on Shakespeare given by Archdeacon Nathaniel Merriman in Grahamstown in 1857. The first was delivered in the Court House on the 2nd September 1857, and the second two months later, on Friday 6th November that same year, again in the Court House. The lecture was published in 1858. An article placing the lectures in their local context appeared in Shakespeare in Southern Africa 20 (2008): 25-37, accompanying an annotated edition of the first lecture, “On the Study of Shakspeare”. Readers desiring details of the editorial principles adopted in producing annotated editions of the two lectures are referred to the introductory material prefacing the first lecture.
- Full Text:
- Date Issued: 2009
'Iron on iron': modernism engaging apartheid in some South African railway poems
- Authors: Wright, Laurence
- Date: 2011
- Language: English
- Type: text , article
- Identifier: vital:7068 , http://hdl.handle.net/10962/d1007459 , https://doi.org/10.1080/00138398.2011.626177
- Description: preprint , Modernism tends to be criticised, internationally, as politically conservative. The objection is often valid, although the charge says little about the quality of artistic achievement involved. This article argues that the alliance between Modernism and political conservatism is by no means a necessary one, and that there are instances where modernist vision has been used to convey substantive political insight, effective social critique and solid resistance. To illustrate the contrast,the article juxtaposes the abstract Modernism associated with Ben Nicholson and World War 2, with a neglected strain of South African railway poetry which uses modernist techniques to effect a powerful critique of South Africa’s apartheid dispensation. The article sustains a distinction between universalising modernist art that requires ethical work from its audiences to achieve artistic completion, and art in which modernist vision performs the requisite ethical work within its own formal constraints. Four very different South African railway poems, by Dennis Brutus, John Hendrickse, Alan Paton, and Leonard Koza, are examined and contextualised to demonstrate ways in which a modernist vision has been used to portray the social disruptions caused by apartheid. Modernist techniques are used to turn railway experience into a metonym for massive social disruption,without betraying the social reality of the transport technology involved.
- Full Text:
- Date Issued: 2011
- Authors: Wright, Laurence
- Date: 2011
- Language: English
- Type: text , article
- Identifier: vital:7068 , http://hdl.handle.net/10962/d1007459 , https://doi.org/10.1080/00138398.2011.626177
- Description: preprint , Modernism tends to be criticised, internationally, as politically conservative. The objection is often valid, although the charge says little about the quality of artistic achievement involved. This article argues that the alliance between Modernism and political conservatism is by no means a necessary one, and that there are instances where modernist vision has been used to convey substantive political insight, effective social critique and solid resistance. To illustrate the contrast,the article juxtaposes the abstract Modernism associated with Ben Nicholson and World War 2, with a neglected strain of South African railway poetry which uses modernist techniques to effect a powerful critique of South Africa’s apartheid dispensation. The article sustains a distinction between universalising modernist art that requires ethical work from its audiences to achieve artistic completion, and art in which modernist vision performs the requisite ethical work within its own formal constraints. Four very different South African railway poems, by Dennis Brutus, John Hendrickse, Alan Paton, and Leonard Koza, are examined and contextualised to demonstrate ways in which a modernist vision has been used to portray the social disruptions caused by apartheid. Modernist techniques are used to turn railway experience into a metonym for massive social disruption,without betraying the social reality of the transport technology involved.
- Full Text:
- Date Issued: 2011
Shakespeare in South Africa: Alpha and ‘Omega’
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7029 , http://hdl.handle.net/10962/d1007216 , https://doi.org/10.1080/1368879042000210595
- Description: preprint , [Author's note]: This piece offers a discursive foray into some leading features of South African Shakespeare, framed between two symbolic ‘book-ends’: the first authenticated Shakespearean production which took place in Cape Town in 1801 (‘Alpha’), and a recent groundbreaking, multilingual version of Julius Caesar which premiered in 2001(“‘Omega’”). Focusing mainly on acts of translation, literal and cultural, the article follows a trajectory from colonial origins to explore some of the adaptive travail experienced by the Shakespeare text as it infiltrates, contests, melds into and sometimes illuminates a South African culture both potentially (and actually) very different from the colonial culture of, say, Australia or New Zealand. The article includes a brief prospectus for the future.
- Full Text:
- Date Issued: 2004
- Authors: Wright, Laurence
- Date: 2004
- Language: English
- Type: text , article
- Identifier: vital:7029 , http://hdl.handle.net/10962/d1007216 , https://doi.org/10.1080/1368879042000210595
- Description: preprint , [Author's note]: This piece offers a discursive foray into some leading features of South African Shakespeare, framed between two symbolic ‘book-ends’: the first authenticated Shakespearean production which took place in Cape Town in 1801 (‘Alpha’), and a recent groundbreaking, multilingual version of Julius Caesar which premiered in 2001(“‘Omega’”). Focusing mainly on acts of translation, literal and cultural, the article follows a trajectory from colonial origins to explore some of the adaptive travail experienced by the Shakespeare text as it infiltrates, contests, melds into and sometimes illuminates a South African culture both potentially (and actually) very different from the colonial culture of, say, Australia or New Zealand. The article includes a brief prospectus for the future.
- Full Text:
- Date Issued: 2004
Guy Butler (obituary)
- Authors: Wright, Laurence
- Date: 1999
- Language: English
- Type: Article
- Identifier: vital:7052 , http://hdl.handle.net/10962/d1007411
- Description: An obituary focusing on Guy Butler's Shakespearean preoccupations. The 1999/2000 volume of Shakespeare in Southern Africa only appeared in 2001. The Butler obituary was included as a 'stop-press' item as the volume went to print, which accounts for the apparent anomaly between the date of publication and the date of Guy Butler's death.
- Full Text:
- Date Issued: 1999
- Authors: Wright, Laurence
- Date: 1999
- Language: English
- Type: Article
- Identifier: vital:7052 , http://hdl.handle.net/10962/d1007411
- Description: An obituary focusing on Guy Butler's Shakespearean preoccupations. The 1999/2000 volume of Shakespeare in Southern Africa only appeared in 2001. The Butler obituary was included as a 'stop-press' item as the volume went to print, which accounts for the apparent anomaly between the date of publication and the date of Guy Butler's death.
- Full Text:
- Date Issued: 1999
Can formal language planning link to grassroots cultural initiatives?: an informal investigation
- Authors: Wright, Laurence
- Date: 2002
- Language: English
- Type: Article
- Identifier: vital:7041 , http://hdl.handle.net/10962/d1007381
- Description: Formal language planning is inevitably a top-down, highly technical process. Success for such planning would seem to depend on engaging productively with existing or readily developed social motivation within the society. This article reports on an informal investigation into how ordinary language practitioners and cultural workers in South Africa view the possibilities of contributing to the country’s emerging language dispensation, what they regard as their most useful possible contributions, and what they expect from the language planners and ‘government’ in support of South Africa’s Language Policy and Plan.
- Full Text:
- Date Issued: 2002
- Authors: Wright, Laurence
- Date: 2002
- Language: English
- Type: Article
- Identifier: vital:7041 , http://hdl.handle.net/10962/d1007381
- Description: Formal language planning is inevitably a top-down, highly technical process. Success for such planning would seem to depend on engaging productively with existing or readily developed social motivation within the society. This article reports on an informal investigation into how ordinary language practitioners and cultural workers in South Africa view the possibilities of contributing to the country’s emerging language dispensation, what they regard as their most useful possible contributions, and what they expect from the language planners and ‘government’ in support of South Africa’s Language Policy and Plan.
- Full Text:
- Date Issued: 2002
Guy Butler’s South Africanism: ‘Being present where you are’
- Authors: Wright, Laurence
- Date: 2012
- Language: English
- Type: text , article
- Identifier: vital:7069 , http://hdl.handle.net/10962/d1007460 , https://doi.org/10.1080/10131752.2012.730182
- Description: preprint , A peer-reviewed lecture delivered at Rhodes University on the occasion of the presentation to Professor Wright of the English Academy's Gold Medal, 16 November 2011. Guy Butler (1918-2001) has been gone some ten years. This lecture sets out to illuminate the thinking behind his important role in South Africa's national life. The institutions he created continue to make vital cultural contributions in South Africa's efforts to make sense of its own complex historical make-up, working towards a happier, richer, and more equal future. However, despite what he achieved, there is little surety that today the rationale informing his massive effort to foster processes of artistic and cultural endeavour has been appreciated or accurately understood.
- Full Text:
- Date Issued: 2012
- Authors: Wright, Laurence
- Date: 2012
- Language: English
- Type: text , article
- Identifier: vital:7069 , http://hdl.handle.net/10962/d1007460 , https://doi.org/10.1080/10131752.2012.730182
- Description: preprint , A peer-reviewed lecture delivered at Rhodes University on the occasion of the presentation to Professor Wright of the English Academy's Gold Medal, 16 November 2011. Guy Butler (1918-2001) has been gone some ten years. This lecture sets out to illuminate the thinking behind his important role in South Africa's national life. The institutions he created continue to make vital cultural contributions in South Africa's efforts to make sense of its own complex historical make-up, working towards a happier, richer, and more equal future. However, despite what he achieved, there is little surety that today the rationale informing his massive effort to foster processes of artistic and cultural endeavour has been appreciated or accurately understood.
- Full Text:
- Date Issued: 2012
Book review: Derek Barker: English Academic Literary Discourse in South Africa 1958-2004: A Review of 11 Academic Journals
- Authors: Wright, Laurence
- Date: 2006
- Language: English
- Type: Article
- Identifier: vital:7044 , http://hdl.handle.net/10962/d1007386
- Description: Barker’s book concerns the evolution and publishing trajectories of South African journals devoted to English literary studies between the years 1958 (when the first such journal, English Studies in Africa, came into being) and 2004, the end-date of the survey. In other words, his work coincides with the period in South African history when apartheid’s protagonists were pushing for total political and social ascendancy through to the nation’s emergence into the arena of democratic possibility.
- Full Text:
- Date Issued: 2006
- Authors: Wright, Laurence
- Date: 2006
- Language: English
- Type: Article
- Identifier: vital:7044 , http://hdl.handle.net/10962/d1007386
- Description: Barker’s book concerns the evolution and publishing trajectories of South African journals devoted to English literary studies between the years 1958 (when the first such journal, English Studies in Africa, came into being) and 2004, the end-date of the survey. In other words, his work coincides with the period in South African history when apartheid’s protagonists were pushing for total political and social ascendancy through to the nation’s emergence into the arena of democratic possibility.
- Full Text:
- Date Issued: 2006
Introduction [to the book "Scatter the Shrilling Bones" by Sithembele Isaac Xhegwana]
- Authors: Wright, Laurence
- Date: 2003
- Language: English
- Type: text , article
- Identifier: vital:7056 , http://hdl.handle.net/10962/d1007417
- Description: preprint , Scatter the Shrilling Bones by Sithembele Xhegwana comprises an ordered sequence of poems that conveys a journey both literal and spiritual. Revisitation is the organizing principle of the collection – the return to rural sources and origins by a consciousness estranged and illumined by modernity (cf. ‘The Return’). Underlying the collection is the theme of the night journey, whose archetype in western culture is Odysseus’ descent to the underworld – a pattern identified as such in the concluding essay ‘Starting from my Place: Notes on an Aesthetic’. The underworld here is literally the return to the home territory – a journey from Cape Town to the rural Eastern Cape – but also a revisiting of the mental world of traditional Africa: ‘Here at home, here all guilt begins’ (‘Homecoming’). The return journey is haunted by nightmare memories of mental illness, the schizophrenic episodes accompanying (or occasioned by?) the poet’s initial encounters with modernity. This illness is represented as both pathological and cultural – a price paid for challenging and rejecting the old certainties while grappling with new assumptions: “He undermines the ancestors, That’s why he suffers. Let him.” (‘To Himself’)
- Full Text:
- Date Issued: 2003
- Authors: Wright, Laurence
- Date: 2003
- Language: English
- Type: text , article
- Identifier: vital:7056 , http://hdl.handle.net/10962/d1007417
- Description: preprint , Scatter the Shrilling Bones by Sithembele Xhegwana comprises an ordered sequence of poems that conveys a journey both literal and spiritual. Revisitation is the organizing principle of the collection – the return to rural sources and origins by a consciousness estranged and illumined by modernity (cf. ‘The Return’). Underlying the collection is the theme of the night journey, whose archetype in western culture is Odysseus’ descent to the underworld – a pattern identified as such in the concluding essay ‘Starting from my Place: Notes on an Aesthetic’. The underworld here is literally the return to the home territory – a journey from Cape Town to the rural Eastern Cape – but also a revisiting of the mental world of traditional Africa: ‘Here at home, here all guilt begins’ (‘Homecoming’). The return journey is haunted by nightmare memories of mental illness, the schizophrenic episodes accompanying (or occasioned by?) the poet’s initial encounters with modernity. This illness is represented as both pathological and cultural – a price paid for challenging and rejecting the old certainties while grappling with new assumptions: “He undermines the ancestors, That’s why he suffers. Let him.” (‘To Himself’)
- Full Text:
- Date Issued: 2003
Learning to be original
- Authors: Wright, Laurence
- Date: 2010
- Language: English
- Type: text , article
- Identifier: vital:7065 , http://hdl.handle.net/10962/d1007431
- Description: preprint , My topic suggested itself in response to a point made at a seminar on University autonomy. Someone observed that many people, even shack dwellers, are interested in the cosmos and they always would be. The remark came in the course of a debate concerning the cost of the SKA project, the massively expensive square kilometer array telescope for which South Africa is bidding against Australia, viewed in relation to the country’s huge list of social backlogs: Big science versus food and decent housing; a false opposition, or a grim choice? You can imagine the debate. The nugget that stayed with me was the tangential comment that ordinary people are always interested in the cosmos. If so, is this true merely because human cultures traditionally incorporate such an interest, or because humans themselves actually need a relation to the cosmos? What might this need be?
- Full Text:
- Date Issued: 2010
- Authors: Wright, Laurence
- Date: 2010
- Language: English
- Type: text , article
- Identifier: vital:7065 , http://hdl.handle.net/10962/d1007431
- Description: preprint , My topic suggested itself in response to a point made at a seminar on University autonomy. Someone observed that many people, even shack dwellers, are interested in the cosmos and they always would be. The remark came in the course of a debate concerning the cost of the SKA project, the massively expensive square kilometer array telescope for which South Africa is bidding against Australia, viewed in relation to the country’s huge list of social backlogs: Big science versus food and decent housing; a false opposition, or a grim choice? You can imagine the debate. The nugget that stayed with me was the tangential comment that ordinary people are always interested in the cosmos. If so, is this true merely because human cultures traditionally incorporate such an interest, or because humans themselves actually need a relation to the cosmos? What might this need be?
- Full Text:
- Date Issued: 2010
Mussolini's moment: Roy Sargeant directs The Merchant of Venice at Maynardville, January, 2007
- Authors: Wright, Laurence
- Date: 2008
- Language: English
- Type: text , article
- Identifier: vital:7047 , http://hdl.handle.net/10962/d1007389 , http://hdl.handle.net/10520/EJC48107
- Description: preprint , What an inspired choice of play for this year’s Maynardville offering! With the national scene strewn with trials and rumours of trials, all of them vital to the quality of life citizens of this fair city beneath the beautiful mountain (‘Belmont’) may hope to enjoy in the future, Shakespeare’s cliff-hanger about the use and abuse of the law couldn’t be more apt.
- Full Text:
- Date Issued: 2008
- Authors: Wright, Laurence
- Date: 2008
- Language: English
- Type: text , article
- Identifier: vital:7047 , http://hdl.handle.net/10962/d1007389 , http://hdl.handle.net/10520/EJC48107
- Description: preprint , What an inspired choice of play for this year’s Maynardville offering! With the national scene strewn with trials and rumours of trials, all of them vital to the quality of life citizens of this fair city beneath the beautiful mountain (‘Belmont’) may hope to enjoy in the future, Shakespeare’s cliff-hanger about the use and abuse of the law couldn’t be more apt.
- Full Text:
- Date Issued: 2008