I want him to hold me, but I’m afraid to ask: the objective correlative and the souvenir as representational narrative devices of queer male intimacy
- Authors: Ferreira, Evaan Jason
- Date: 2022-04
- Subjects: Sexual minorities in art , Sexual minority culture , Intimacy (Psychology) , Sexual minorities in motion pictures , Intimacy (Psychology) in motion pictures , Homosexuality and motion pictures , Motion pictures Study and teaching , New media art , Nostalgia , Souvenirs (Keepsakes) , Gay men , Queer male intimacy , Objective correlative
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232556 , vital:50002
- Description: This thesis centres itself around an investigation into the representations of the relationship between intimacies and ideas of romance, love, desire, and vulnerability in male relationships. The premise for this body of work was sparked by my own observations on the conflation of sex and intimacy in representations of queer male love—particularly (but not exclusively) in mainstream film and media. Whilst intimacy and sex are not unrelated, the over-emphasis on the physical when trying to represent the connection between two men led me to consider other ways in which a relationship or special connection could be gestured towards — through other kinds of signifiers that last longer than physical contact and point to the importance of a particular connection. In the introduction, I consider my own experiences as a closeted queer teen when contemplating representations of queer relationships in mainstream media. I explore several studies by gender and film theorists who consider reasons and modes in which the representations of queer intimacies on-screen are distorted to favour a presumed heterosexual audience. In the first chapter, I discuss two potential means by which to relay a more complex emotional state via the use of narrative signifiers. I examine T.S. Eliot's (1919) theory on the objective correlative in narratives as a means to explore the emotional state of a character through metaphors which open up the reading rather than illustrating it through dialogue or direct speech. I then explore Susan Stewart's (1992) ideas on souvenirs of personal experience. In Chapter Two, I conduct a close reading of three mainstream films, which employ such signifiers in the attempt to share more complex representations of queer male intimacies through well-developed storylines and characters. The films Brokeback Mountain (2006), Moonlight (2016), and Call Me by Your Name (2017) have been selected based on their use of the objective correlative and souvenirs as plot devices (rather than exclusively physical intimacy) to demonstrate the emotional resonance between characters. The third and final chapter explores my own use of objective correlatives and souvenirs as symbolic, narrative devices in my practical body of work: an online garden of remembrance. My practical work focuses largely on the process of creation of these intimacy objects (the objective correlative or the souvenir) through an investigation into my own poetry, which details my experiences of intimacies with other men, specifically where vulnerability and secrecy played a large role. , Thesis (MFA) -- Faculty of Humanities, Fine Arts, 2022
- Full Text:
- Date Issued: 2022-04
- Authors: Ferreira, Evaan Jason
- Date: 2022-04
- Subjects: Sexual minorities in art , Sexual minority culture , Intimacy (Psychology) , Sexual minorities in motion pictures , Intimacy (Psychology) in motion pictures , Homosexuality and motion pictures , Motion pictures Study and teaching , New media art , Nostalgia , Souvenirs (Keepsakes) , Gay men , Queer male intimacy , Objective correlative
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232556 , vital:50002
- Description: This thesis centres itself around an investigation into the representations of the relationship between intimacies and ideas of romance, love, desire, and vulnerability in male relationships. The premise for this body of work was sparked by my own observations on the conflation of sex and intimacy in representations of queer male love—particularly (but not exclusively) in mainstream film and media. Whilst intimacy and sex are not unrelated, the over-emphasis on the physical when trying to represent the connection between two men led me to consider other ways in which a relationship or special connection could be gestured towards — through other kinds of signifiers that last longer than physical contact and point to the importance of a particular connection. In the introduction, I consider my own experiences as a closeted queer teen when contemplating representations of queer relationships in mainstream media. I explore several studies by gender and film theorists who consider reasons and modes in which the representations of queer intimacies on-screen are distorted to favour a presumed heterosexual audience. In the first chapter, I discuss two potential means by which to relay a more complex emotional state via the use of narrative signifiers. I examine T.S. Eliot's (1919) theory on the objective correlative in narratives as a means to explore the emotional state of a character through metaphors which open up the reading rather than illustrating it through dialogue or direct speech. I then explore Susan Stewart's (1992) ideas on souvenirs of personal experience. In Chapter Two, I conduct a close reading of three mainstream films, which employ such signifiers in the attempt to share more complex representations of queer male intimacies through well-developed storylines and characters. The films Brokeback Mountain (2006), Moonlight (2016), and Call Me by Your Name (2017) have been selected based on their use of the objective correlative and souvenirs as plot devices (rather than exclusively physical intimacy) to demonstrate the emotional resonance between characters. The third and final chapter explores my own use of objective correlatives and souvenirs as symbolic, narrative devices in my practical body of work: an online garden of remembrance. My practical work focuses largely on the process of creation of these intimacy objects (the objective correlative or the souvenir) through an investigation into my own poetry, which details my experiences of intimacies with other men, specifically where vulnerability and secrecy played a large role. , Thesis (MFA) -- Faculty of Humanities, Fine Arts, 2022
- Full Text:
- Date Issued: 2022-04
Composition portfolio
- Authors: Lemmer, Elizabeth Kate
- Date: 2022-04
- Subjects: Composition (Music) , Music South Africa , COVID-19 (Disease) and the arts , Emotions in music , Violin music Scores , String quartets Scores , Chamber music Scores
- Language: English
- Type: Master's thesis , text , sheet music
- Identifier: http://hdl.handle.net/10962/232624 , vital:50008
- Description: In this portfolio I reflect on issues Covid-19 has brought to our communities and the possibilities of creating a brighter future. My music reflects the struggle that most people have faced in the last two years, the emotions and the conspiracies surrounding the experience, and the effect of solitude. In a time such as this it is almost inevitable that the music being composed is connected to the struggle in society at large. For ma composition is a journal of the heart. The pandemic has created a situation where most are out of touch with each other, have lost all previous routine and structure, where relationships are broken due to lack of personal contact, and almost everyone has unwillingly (or unwittingly) been thrust into self-reflection. Every day sees a new struggle to squeeze in all those pre-pandemic ideals so that some normalcy can be obtained, but this is not a time to be looking back. It’s a time to understand what we are going through, build new joy and excitement for this different life and learn to live the best we can with the opportunities we are given. There has not been a more important time to foster some form of connection with friends and family, and to be as strong and supportive as possible. The portfolio begins with a solo violin piece, Unwelcome Solitude, which exemplifies the loneliness and sadness during the various lockdowns over the last two years, with hints of the past and the difficulties in trying to resurrect pre-Covid-19 times. There are some unusual expressive markings to add to the descriptive effect within the piece. This is followed by The Pandemic, two serialism works: Panic and Pain scored for a string quartet. Both of these pieces apply a flexible use of serialism to emphasize out the emotional aspects of the music, and quite simply; the panic and the pain caused by Covid-19 and the country’s response to the pandemic as a whole. Finally there is a three movement chamber piece titled A Storm Series which quite literally represents the series of events that occur from the upcoming to the closure of a typical Highveld storm. Further than this, these pieces represent the series of events that occurred in South Africa from the first rumour of the Covid-19 virus starting to circle around the world, through the various lockdowns and progression of events in our country and abroad. The final movement of this series, Re-awakening, ends on a positive note representing the rainbow at the end of the storm, and the positive outlook for South Africa to keep persevering through the pandemic. , Thesis (MMus) -- Faculty of Humanities, Music and Musicology, 2022
- Full Text:
- Date Issued: 2022-04
- Authors: Lemmer, Elizabeth Kate
- Date: 2022-04
- Subjects: Composition (Music) , Music South Africa , COVID-19 (Disease) and the arts , Emotions in music , Violin music Scores , String quartets Scores , Chamber music Scores
- Language: English
- Type: Master's thesis , text , sheet music
- Identifier: http://hdl.handle.net/10962/232624 , vital:50008
- Description: In this portfolio I reflect on issues Covid-19 has brought to our communities and the possibilities of creating a brighter future. My music reflects the struggle that most people have faced in the last two years, the emotions and the conspiracies surrounding the experience, and the effect of solitude. In a time such as this it is almost inevitable that the music being composed is connected to the struggle in society at large. For ma composition is a journal of the heart. The pandemic has created a situation where most are out of touch with each other, have lost all previous routine and structure, where relationships are broken due to lack of personal contact, and almost everyone has unwillingly (or unwittingly) been thrust into self-reflection. Every day sees a new struggle to squeeze in all those pre-pandemic ideals so that some normalcy can be obtained, but this is not a time to be looking back. It’s a time to understand what we are going through, build new joy and excitement for this different life and learn to live the best we can with the opportunities we are given. There has not been a more important time to foster some form of connection with friends and family, and to be as strong and supportive as possible. The portfolio begins with a solo violin piece, Unwelcome Solitude, which exemplifies the loneliness and sadness during the various lockdowns over the last two years, with hints of the past and the difficulties in trying to resurrect pre-Covid-19 times. There are some unusual expressive markings to add to the descriptive effect within the piece. This is followed by The Pandemic, two serialism works: Panic and Pain scored for a string quartet. Both of these pieces apply a flexible use of serialism to emphasize out the emotional aspects of the music, and quite simply; the panic and the pain caused by Covid-19 and the country’s response to the pandemic as a whole. Finally there is a three movement chamber piece titled A Storm Series which quite literally represents the series of events that occur from the upcoming to the closure of a typical Highveld storm. Further than this, these pieces represent the series of events that occurred in South Africa from the first rumour of the Covid-19 virus starting to circle around the world, through the various lockdowns and progression of events in our country and abroad. The final movement of this series, Re-awakening, ends on a positive note representing the rainbow at the end of the storm, and the positive outlook for South Africa to keep persevering through the pandemic. , Thesis (MMus) -- Faculty of Humanities, Music and Musicology, 2022
- Full Text:
- Date Issued: 2022-04
The application of a simple decision support system to address water quality contestations in the Vaal Barrage catchment, South Africa
- Authors: Chili, Asanda Sandra
- Date: 2022-04
- Subjects: Vaal Barrage (South Africa : Reservoir) , Decision support systems South Africa Vaal Barrage (Reservoir) , Water Pollution Law and legislation South Africa , Water quality South Africa Vaal Barrage (Reservoir) , Water use Law and legislation South Africa Vaal Barrage (Reservoir) , Urban watersheds South Africa Vaal Barrage (Reservoir) , Watershed management South Africa Vaal Barrage (Reservoir) , Water use licences (WUL)
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232204 , vital:49971
- Description: Deteriorating environmental water quality is one of the complex challenges in South Africa that threaten freshwater ecosystem health and functionality. An emerging concern is the contestation of water quality regulatory instruments such as standards in water use licences (WUL), and the resource quality objectives. In the Vaal Barrage catchment where this study was undertaken these contestations were evident, suggesting the need for both technical and social solutions to water quality changes in socio-ecological systems. The Vaal Barrage catchment within the lower section of the Upper Vaal is a highly developed, urbanised, and complex catchment supporting and contributing to the social-economic development of Gauteng Province and the entire country, as the Upper Vaal contribute 20% to the Gross Domestic Product of South Africa. This study explores the motivations for stakeholders’ contestations of water quality regulatory instruments in order to contribute to ways in which water resource users and regulators can collaboratively address water quality challenges in the Vaal Barrage catchment. The study also explores water quality scenarios and their ecological and management implications. Document analysis, participant observations and a semi-structured questionnaire were deployed to explore stakeholders’ motivations, values, and perceptions of the water quality regulatory instruments. The results were triangulated to gain better insights into research participants responses. To explore water quality management scenarios, the study applied a water quality systems assessment model Decision Support System (DSS). The DSS was recently developed as part of a bigger project within the Vaal Barrage catchment. Regarding stakeholders’ motivation for contesting water quality regulatory instruments in the catchment, the results revealed a perceived lack of scientific credibility and defensibility in the processes used for deriving standards in WUL, a lack of transparent linkage between the WUL and resource quality objectives, and the increased need for stakeholder engagement in the resource quality objective formulation process. Furthermore, the study revealed punitive measures, education and awareness, self-regulation as mechanisms to encourage compliance. The applied DSS results showed that high nutrient loads, sulphate and total dissolved solids sourced from upstream catchments contribute to water quality deterioration in the Vaal Barrage catchment. The results also showed that the Vaal Barrage catchment could not host additional licence emitters because of TDS, phosphate and nitrate levels, which pose a serious risk to the ecology of the Vaal Barrage catchment, indicating that system had exceeded its assimilative capacity for critical water quality variables. Lastly, the results evidenced the need for collaborative action by the waste emitters within the Vaal Barrage catchment, particularly collaboration between upstream and downstream waste emitters. The study has far-reaching implications for water quality management in South Africa. These include i) the need for transparent and open processes and methods for deriving standards in water use licence, ii) the need for a water quality DSS that recognises catchment hydrological complexity in deriving standards in WUL, and for linking WUL and Resource Quality Objectives (RQOs), iii) collaboration between resources users, and between the resources users and the regulators to bring pollution to acceptable levels and iv) both social and technical solutions are necessary for managing water quality challenge, particularly in a highly developed catchment such as the Vaal Barrage system. , Thesis (MSc) -- Faculty of Science, Institute for Water Research, 2022
- Full Text:
- Date Issued: 2022-04
- Authors: Chili, Asanda Sandra
- Date: 2022-04
- Subjects: Vaal Barrage (South Africa : Reservoir) , Decision support systems South Africa Vaal Barrage (Reservoir) , Water Pollution Law and legislation South Africa , Water quality South Africa Vaal Barrage (Reservoir) , Water use Law and legislation South Africa Vaal Barrage (Reservoir) , Urban watersheds South Africa Vaal Barrage (Reservoir) , Watershed management South Africa Vaal Barrage (Reservoir) , Water use licences (WUL)
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232204 , vital:49971
- Description: Deteriorating environmental water quality is one of the complex challenges in South Africa that threaten freshwater ecosystem health and functionality. An emerging concern is the contestation of water quality regulatory instruments such as standards in water use licences (WUL), and the resource quality objectives. In the Vaal Barrage catchment where this study was undertaken these contestations were evident, suggesting the need for both technical and social solutions to water quality changes in socio-ecological systems. The Vaal Barrage catchment within the lower section of the Upper Vaal is a highly developed, urbanised, and complex catchment supporting and contributing to the social-economic development of Gauteng Province and the entire country, as the Upper Vaal contribute 20% to the Gross Domestic Product of South Africa. This study explores the motivations for stakeholders’ contestations of water quality regulatory instruments in order to contribute to ways in which water resource users and regulators can collaboratively address water quality challenges in the Vaal Barrage catchment. The study also explores water quality scenarios and their ecological and management implications. Document analysis, participant observations and a semi-structured questionnaire were deployed to explore stakeholders’ motivations, values, and perceptions of the water quality regulatory instruments. The results were triangulated to gain better insights into research participants responses. To explore water quality management scenarios, the study applied a water quality systems assessment model Decision Support System (DSS). The DSS was recently developed as part of a bigger project within the Vaal Barrage catchment. Regarding stakeholders’ motivation for contesting water quality regulatory instruments in the catchment, the results revealed a perceived lack of scientific credibility and defensibility in the processes used for deriving standards in WUL, a lack of transparent linkage between the WUL and resource quality objectives, and the increased need for stakeholder engagement in the resource quality objective formulation process. Furthermore, the study revealed punitive measures, education and awareness, self-regulation as mechanisms to encourage compliance. The applied DSS results showed that high nutrient loads, sulphate and total dissolved solids sourced from upstream catchments contribute to water quality deterioration in the Vaal Barrage catchment. The results also showed that the Vaal Barrage catchment could not host additional licence emitters because of TDS, phosphate and nitrate levels, which pose a serious risk to the ecology of the Vaal Barrage catchment, indicating that system had exceeded its assimilative capacity for critical water quality variables. Lastly, the results evidenced the need for collaborative action by the waste emitters within the Vaal Barrage catchment, particularly collaboration between upstream and downstream waste emitters. The study has far-reaching implications for water quality management in South Africa. These include i) the need for transparent and open processes and methods for deriving standards in water use licence, ii) the need for a water quality DSS that recognises catchment hydrological complexity in deriving standards in WUL, and for linking WUL and Resource Quality Objectives (RQOs), iii) collaboration between resources users, and between the resources users and the regulators to bring pollution to acceptable levels and iv) both social and technical solutions are necessary for managing water quality challenge, particularly in a highly developed catchment such as the Vaal Barrage system. , Thesis (MSc) -- Faculty of Science, Institute for Water Research, 2022
- Full Text:
- Date Issued: 2022-04
A Smaller Circle
- Authors: Bhikha, Nasira
- Date: 2022-04
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Short stories, South African (English) 21st century , Diaries -- Authorship , Autobiography , Short stories, English History and criticism , American fiction History and criticism , Mexican fiction History and criticism
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232427 , vital:49991
- Description: My thesis is a collection of prose forms weaving my identity as a South African woman of colour, my observations of life through personal, cultural and sociological lenses, where traditions are constantly challenged and evolving. The collection focuses on the untold and unresolved, using fiction as a tool of pushback and psychological reflection. I am motivated by writers who use what I would term reflective expressionism to evoke empathy by tapping into innate, universal emotions. In particular Tiff Holland’s vivid telling of family in the novella Betty Superman where she navigates complex relationships, and bell hooks’ memoirs Bone Black: Memories of Girlhood written as poetic vignettes in fluctuating points of view to draw attention to the intricacies of social structures. Joanna Walsh’s Vertigo has strongly influenced my approach to writing through her compelling imagery and use of motif in fragmented prose that delves into the psyche of her characters. I am also inspired by Lidia Yuknavitch’s visceral use of language, identifying with her invitation: “You deserve to sit at the table. The radiance falls on all of us.” , Thesis (MACW) -- Faculty of Humanities, School of Languages, 2022
- Full Text:
- Date Issued: 2022-04
- Authors: Bhikha, Nasira
- Date: 2022-04
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Short stories, South African (English) 21st century , Diaries -- Authorship , Autobiography , Short stories, English History and criticism , American fiction History and criticism , Mexican fiction History and criticism
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232427 , vital:49991
- Description: My thesis is a collection of prose forms weaving my identity as a South African woman of colour, my observations of life through personal, cultural and sociological lenses, where traditions are constantly challenged and evolving. The collection focuses on the untold and unresolved, using fiction as a tool of pushback and psychological reflection. I am motivated by writers who use what I would term reflective expressionism to evoke empathy by tapping into innate, universal emotions. In particular Tiff Holland’s vivid telling of family in the novella Betty Superman where she navigates complex relationships, and bell hooks’ memoirs Bone Black: Memories of Girlhood written as poetic vignettes in fluctuating points of view to draw attention to the intricacies of social structures. Joanna Walsh’s Vertigo has strongly influenced my approach to writing through her compelling imagery and use of motif in fragmented prose that delves into the psyche of her characters. I am also inspired by Lidia Yuknavitch’s visceral use of language, identifying with her invitation: “You deserve to sit at the table. The radiance falls on all of us.” , Thesis (MACW) -- Faculty of Humanities, School of Languages, 2022
- Full Text:
- Date Issued: 2022-04
Representations of adult women who have experienced 'absent' fathers: a thematic analysis of True Love magazine
- Authors: Moola, Lubayna Codelia
- Date: 2022-04
- Subjects: Absentee fathers South Africa , Fathers and daughters South Africa , Fathers and daughters in literature South Africa , Mass media and families South Africa , Mass media and women South Africa , Families Psychological aspects , Self-actualization (Psychology) in women South Africa , True Love magazine , Thematic analysis
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232568 , vital:50003
- Description: This study explored how adult women who have experienced father 'absence' are represented in True Love magazine, a popular South African women's magazine targeting black women readers. The study examined nineteen articles published between 2016 and 2021 in True Love, featuring black women’s stories and clinical psychologists, which mentioned ‘absent’ fathers. Through the lenses of psychoanalytic, traditional African cultural, and feminist theoretical frameworks and their key concepts, the articles were examined in relation to how the effects on the adult women of complicated relationships with their fathers while they were growing up, were represented. The selected articles were analysed using Braun and Clarke's reflexive thematic analysis, and representational themes were identified guided by theoretical frameworks and familiarity with the scholarly literature on father ‘absence’ in South Africa. A wide range of childhood and young adult experiences of father-daughter relationships, and household circumstances, appeared alongside the strong maternal networks which supported these girls and women. Representations and themes of clinical psychologists involved Freudian psychoanalytic frameworks to describe the damaging psychological implications of ‘absent’ fathers, particularly affecting adult women’s capacities to form trusting intimate relationships with men. The adult women’s stories – largely successful businesswomen and/or celebrities in the arts, as represented by True Love feature writers and editors – presented themes of what the women had learnt from their mothers, and how they had overcome difficulties and obstacles. These themes included representations of resilience, and of being ‘survivors’, informed by empowerments from a feminist theoretical framework. These themes also represented the women as working psychotherapeutically to manage their past experiences and psychological distress, to transform their retriggering in adult heterosexual relationships, and to pursue healing and self-actualisation. These representations and themes are argued to have inspirational and motivating implications for girls and women in contemporary South Africa. They generate alternate stories about the longer-term effects and outcomes of father ‘absence’, rather than the prominent 'victim' stories in media and scholarly literature of young women doomed to suffer poor relationships and depression forever. , Thesis (MA) -- Faculty of Humanities, Psychology, 2022
- Full Text:
- Date Issued: 2022-04
- Authors: Moola, Lubayna Codelia
- Date: 2022-04
- Subjects: Absentee fathers South Africa , Fathers and daughters South Africa , Fathers and daughters in literature South Africa , Mass media and families South Africa , Mass media and women South Africa , Families Psychological aspects , Self-actualization (Psychology) in women South Africa , True Love magazine , Thematic analysis
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232568 , vital:50003
- Description: This study explored how adult women who have experienced father 'absence' are represented in True Love magazine, a popular South African women's magazine targeting black women readers. The study examined nineteen articles published between 2016 and 2021 in True Love, featuring black women’s stories and clinical psychologists, which mentioned ‘absent’ fathers. Through the lenses of psychoanalytic, traditional African cultural, and feminist theoretical frameworks and their key concepts, the articles were examined in relation to how the effects on the adult women of complicated relationships with their fathers while they were growing up, were represented. The selected articles were analysed using Braun and Clarke's reflexive thematic analysis, and representational themes were identified guided by theoretical frameworks and familiarity with the scholarly literature on father ‘absence’ in South Africa. A wide range of childhood and young adult experiences of father-daughter relationships, and household circumstances, appeared alongside the strong maternal networks which supported these girls and women. Representations and themes of clinical psychologists involved Freudian psychoanalytic frameworks to describe the damaging psychological implications of ‘absent’ fathers, particularly affecting adult women’s capacities to form trusting intimate relationships with men. The adult women’s stories – largely successful businesswomen and/or celebrities in the arts, as represented by True Love feature writers and editors – presented themes of what the women had learnt from their mothers, and how they had overcome difficulties and obstacles. These themes included representations of resilience, and of being ‘survivors’, informed by empowerments from a feminist theoretical framework. These themes also represented the women as working psychotherapeutically to manage their past experiences and psychological distress, to transform their retriggering in adult heterosexual relationships, and to pursue healing and self-actualisation. These representations and themes are argued to have inspirational and motivating implications for girls and women in contemporary South Africa. They generate alternate stories about the longer-term effects and outcomes of father ‘absence’, rather than the prominent 'victim' stories in media and scholarly literature of young women doomed to suffer poor relationships and depression forever. , Thesis (MA) -- Faculty of Humanities, Psychology, 2022
- Full Text:
- Date Issued: 2022-04
Be more than a bystander, break the silence on violence: a discursive analysis of student responses to anti-rape poster campaigns
- Authors: Skae, Shannon Lalla Rookh
- Date: 2022-04
- Subjects: Women Violence against South Africa , Women college students Violence against South Africa , Women college students Abuse of South Africa , College students Attitudes , Sex crimes Prevention , Anti-rape movement South Africa , Bystander effect South Africa , Rape culture South Africa
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232866 , vital:50033
- Description: University students are a population vulnerable to sex and gender-based violence (SGBV). The use of alcohol is prominent in university life and is argued to contribute significantly to SGBV in South Africa and worldwide. Interventions to reduce SGBV at South African universities are thus a relevant social concern. One increasingly popular approach to addressing SGBV on university campuses is the bystander intervention. The bystander intervention goes to the cause of SGBV by targeting peer acceptance as the primary foundation supporting rape; arguing that witnesses to SGBV can be empowered to interrupt potential SGBV situations. The aim of this thesis was to investigate student responses to anti-rape intervention campaigns of various kinds. Different theories were examined, and this research then proceeded from a social constructionist theoretical perspective, which was relevant as it is about what individuals say, the societies formed, the rules made, the language used to pass on knowledge and the interactions experienced with others and how they all form the reality people inhabit. The study focused on the individual constructions and talk about the posters and the discursive positions he or she took up in relation to them, which is what social constructionism is interested in, as it is concerned with the language and talk people use and how these are molded by society. Forty five student volunteer participants were shown two examples of anti-rape poster campaigns (one using the bystander approach and the other not), and were asked to respond to a structured open-ended questionnaire. Responses to the questionnaire were subjected to Foucauldian Discourse Analysis (FDA). The analysis revealed the ways in which the constructions of sexual violence, perpetrators and victims in the poster campaigns shaped and limited participant responses and talk about SGBV in different ways, according to which of the two posters were being responded to. Key findings of this study showed that the bystander intervention poster produced more positive change in response to dominant discursive constructions in relation to the SGBV poster than did the non-bystander intervention poster. This means the establishment of the potential for success of the bystander intervention in helping to prevent SGBV in a South African context. , Thesis (MA) -- Humanities, Psychology, 2022
- Full Text:
- Date Issued: 2022-04
- Authors: Skae, Shannon Lalla Rookh
- Date: 2022-04
- Subjects: Women Violence against South Africa , Women college students Violence against South Africa , Women college students Abuse of South Africa , College students Attitudes , Sex crimes Prevention , Anti-rape movement South Africa , Bystander effect South Africa , Rape culture South Africa
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232866 , vital:50033
- Description: University students are a population vulnerable to sex and gender-based violence (SGBV). The use of alcohol is prominent in university life and is argued to contribute significantly to SGBV in South Africa and worldwide. Interventions to reduce SGBV at South African universities are thus a relevant social concern. One increasingly popular approach to addressing SGBV on university campuses is the bystander intervention. The bystander intervention goes to the cause of SGBV by targeting peer acceptance as the primary foundation supporting rape; arguing that witnesses to SGBV can be empowered to interrupt potential SGBV situations. The aim of this thesis was to investigate student responses to anti-rape intervention campaigns of various kinds. Different theories were examined, and this research then proceeded from a social constructionist theoretical perspective, which was relevant as it is about what individuals say, the societies formed, the rules made, the language used to pass on knowledge and the interactions experienced with others and how they all form the reality people inhabit. The study focused on the individual constructions and talk about the posters and the discursive positions he or she took up in relation to them, which is what social constructionism is interested in, as it is concerned with the language and talk people use and how these are molded by society. Forty five student volunteer participants were shown two examples of anti-rape poster campaigns (one using the bystander approach and the other not), and were asked to respond to a structured open-ended questionnaire. Responses to the questionnaire were subjected to Foucauldian Discourse Analysis (FDA). The analysis revealed the ways in which the constructions of sexual violence, perpetrators and victims in the poster campaigns shaped and limited participant responses and talk about SGBV in different ways, according to which of the two posters were being responded to. Key findings of this study showed that the bystander intervention poster produced more positive change in response to dominant discursive constructions in relation to the SGBV poster than did the non-bystander intervention poster. This means the establishment of the potential for success of the bystander intervention in helping to prevent SGBV in a South African context. , Thesis (MA) -- Humanities, Psychology, 2022
- Full Text:
- Date Issued: 2022-04
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