Showing items 1 - 20 of 146

Your selections:

"Lefatse le tletse meea e mebe." (Take this letter home.)

- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey

"Lefatse le tletse meea e mebe." (The country is full of evil spirits)

- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey

"Litsebe nka lengolo y ec hae." (Take this letter home)

- Group of Sotho men (Performers), Composer not specified, Hugh Tracey

A he luoe luoe he

- Sotho Folk, Composer Not Specified, Dargie, Dave

Ahe likalakati

- Group of Sotho women, Hugh Tracey

Ba mo loile

- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women, Hugh Tracey

  • Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161056 , vital:40586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-07
  • Description: Much of the divining ceremonial seems to follow the Xhosa pattern from which it appears to be borrowed. One girl beats a small frame drum made of metal. Some of the phrases used in the divining procedure are Xhosa such as "Siyavuma". "They have bewitched him. The child of the gods. Mahayane has been bewitched. Ntate Sekhobe has been bewitched. Ntate Ntsopa has been bewitched." This song was followed by a Lithoko in praise of the singer. After the Lithoko the same song was repeated, followed by another Lithoko in which further reference was made to the singer, who she was and how she had been cured by another Lethuela (diviner) when she was ill. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1959

Ba tsetse ka likepe

- Jane Mosese and large group of men, Hugh Tracey

Bonang hle mahlabane

- Sotho Folk, Composer Not Specified, Dargie, Dave

Bonang hle mahlabane

- Sotho Folk, Composer Not Specified, Dargie, Dave

De Aar (De Aar)

- Matumo Matsinyane, Hugh Tracey

Dikoko tsa lona li kae

- Sotho Folk, Composer Not Specified, Dargie, Dave

Ea ema nthodona matsetsela

- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey

  • Authors: Two diviners (Izangoma) and a group of pupils (Performers) , Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Sotho , Divination , Africa South Africa Matatiele f-za
  • Language: Southern Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134250 , vital:37107 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR018-11
  • Description: This Izangoma and his wife were both dressed in scarlet, with skirts lavishly sewn with beads and many bead and "lucky seed" necklaces and bangles and leggings. Bead bands and strands on the head. The learner-izangomaare distinguished by a string of white beads round their heads.The Izangoma were supposed to be finding and throwing a "spirit" out of someone who had ben bewitched. At the end of the recording, one member of the audience remarked:- "There is no tokolosh (imp) here." Much laughter. The words were partly in Zulu, although the performers were actually Sotho.
  • Full Text: false
  • Date Issued: 1957

Ea Tuka (It burns)

- Malefetsane Mosese and large group of men, Hugh Tracey

  • Authors: Malefetsane Mosese and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162139 , vital:40763 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-12
  • Description: "It is burning! An island is burning! Thaba Bosiu is burning! At the pass there are flames. Thaba Bosiu is burning. You will burn and burst into flames, you witches. You have left the son of God out on the veld. You will have to go back and fetch him. The island is burning!" The song refers to the wild storm which raged around the mountain Thaba Bosiu in 1957 which blew away the roof of a Church and did much damage to homes in the region. Although the song is an initiation song, it is couched in essentially Christian trems. Lengae men's initiation song.
  • Full Text: false
  • Date Issued: 1959

Ei, ei, ei, ngoana oa l-la (Ei, ei, ei, the child cries)

- Agnes Lekhoti and Nuku Lesoetsa, Hugh Tracey

Ena khotso (This peace)

- Mpara Masienyabe abd large group of men, Hugh Tracey

  • Authors: Mpara Masienyabe abd large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162322 , vital:40833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-15
  • Description: "The girl will marry into the Chief's family. This peace! The cows produce nice milk. We, friends of Lesenyebo's brother, Tau, we, of Phakoe's family, speak well. Mother witches, you will not allow us, your aprons (front covers). My child will soon marry into the Chief's family, my Moliehi! There is fighting where it is where there is no fighting. Even at Maseru there is fighting. Initiation song with hand clapping.
  • Full Text: false
  • Date Issued: 1959

Ha ke a ota kenamphane (I am so thin

- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey

Ha ke a ota kenamphane (I am so thin

- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey

Ha Molelle (At Molelle)

- Masipiriti Lekhopa and group of women, Hugh Tracey

Ha Molelle (Molelle's place)

- Malebaka Moroke, Hugh Tracey

  • Authors: Malebaka Moroke , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161792 , vital:40677 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-02
  • Description: "Far, far away, at Molelle's place. Where is the train going? He has been away at the mines too long now. I, poor child, always say that I have lost my relatives and have nobody to tell me what to tell me what to do. You, Nohela women, you do not give me sufficient support. I speak rudely in the presence of other people." Grinding song
  • Full Text: false
  • Date Issued: 1959

Ha setimela se tsamaea (While the train goes)

- Lesholu Molai, Hugh Tracey

  • Authors: Lesholu Molai , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
  • Language: Southern Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151601 , vital:39146 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-15
  • Description: The player said he had made his Sitolotolo only that day, so it had not had time to dry out and resonate the sound properly. Consequently the overtones resonated in the month were relatively weak. Self-delectative song with Sitolotolo mouth bow. (Tube with 2 end sections of bow-braced).
  • Full Text: false
  • Date Issued: 1957
  • Disclaimer
  • Privacy
  • Copyright
  • Contact