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- Authors: Mahe, Xolani
- Date: 2022-10-14
- Subjects: Creative writing (Higher education) South Africa , Diaries -- Authorship , Books Reviews , South African fiction (English) 21st century , Short stories, South African (English) 21st century
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/406276 , vital:70254
- Description: My thesis comprises interlinked short stories, verfabula, sketches, fragments, flash fiction, folktales, anecdotes, and the epistolary form. I write in English tinged with IsiXhosa. In terms of specific influences, the collection is strongly influenced by the experimental writing of Kathy Acker and Samuel Delany notably the uncompromising ways in which they contort formal grammar and sexuality, the defamiliarizing function of the phantasmagoria in the films of Alejandro Jodorowsky and David Lynch, the techniques of the picturesque as used by Amos Tutuola, and, importantly, narration in the present tense as deployed in Dambudzo Marechera’s House of Hunger which results in negation and subversion of the narrative depiction of the past, the present, and the future. On the stylistic level, I am strongly influenced by the haunting surrealism of Sony Labou Tansi, the eccentric meditations of Julio Cortázar, and the iconoclastic rants of Lesego Rampolokeng. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2022
- Full Text:
- Date Issued: 2022-10-14
- Authors: Mahe, Xolani
- Date: 2022-10-14
- Subjects: Creative writing (Higher education) South Africa , Diaries -- Authorship , Books Reviews , South African fiction (English) 21st century , Short stories, South African (English) 21st century
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/406276 , vital:70254
- Description: My thesis comprises interlinked short stories, verfabula, sketches, fragments, flash fiction, folktales, anecdotes, and the epistolary form. I write in English tinged with IsiXhosa. In terms of specific influences, the collection is strongly influenced by the experimental writing of Kathy Acker and Samuel Delany notably the uncompromising ways in which they contort formal grammar and sexuality, the defamiliarizing function of the phantasmagoria in the films of Alejandro Jodorowsky and David Lynch, the techniques of the picturesque as used by Amos Tutuola, and, importantly, narration in the present tense as deployed in Dambudzo Marechera’s House of Hunger which results in negation and subversion of the narrative depiction of the past, the present, and the future. On the stylistic level, I am strongly influenced by the haunting surrealism of Sony Labou Tansi, the eccentric meditations of Julio Cortázar, and the iconoclastic rants of Lesego Rampolokeng. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2022
- Full Text:
- Date Issued: 2022-10-14
Jungle Drive and Other Stories
- Authors: Koenig, Nathalie
- Date: 2021-10-29
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , South African poetry (English) 21st century , Short stories, South African (English) 21st century
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/192225 , vital:45207
- Description: My thesis comprises prose in a variety of forms with porous borders, including the short story, flash fiction and prose poetry. I am attracted to a processual approach to writing as I like the potential for experimentation with spontaneity and textual improvisation within and across forms that this allows. I am influenced by Joanna Ruocco’s novellas, The Mothering Coven and Dan, whose worlds are built with generously scattered references, interesting words and strange features, delivered in a dead-pan tone that joyfully scrambles my logic. At the same time, I am inspired by the precision and beauty of Tina May Hall’s prose, and how she plays in the space between the natural and magical worlds. In addition, I draw on the musicality and rhythm of Noy Holland and JA Tyler’s prose, adding a corporeal layer to the words, sounds and movement of the text. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-10-29
- Authors: Koenig, Nathalie
- Date: 2021-10-29
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , South African poetry (English) 21st century , Short stories, South African (English) 21st century
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/192225 , vital:45207
- Description: My thesis comprises prose in a variety of forms with porous borders, including the short story, flash fiction and prose poetry. I am attracted to a processual approach to writing as I like the potential for experimentation with spontaneity and textual improvisation within and across forms that this allows. I am influenced by Joanna Ruocco’s novellas, The Mothering Coven and Dan, whose worlds are built with generously scattered references, interesting words and strange features, delivered in a dead-pan tone that joyfully scrambles my logic. At the same time, I am inspired by the precision and beauty of Tina May Hall’s prose, and how she plays in the space between the natural and magical worlds. In addition, I draw on the musicality and rhythm of Noy Holland and JA Tyler’s prose, adding a corporeal layer to the words, sounds and movement of the text. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-10-29
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