An investigation into the mediation of the representation of gender roles in God of women : a critical discourse analysis of pedagogic practices in selected Namibian schools
- Nghikefelwa, Josephine Mwasheka
- Authors: Nghikefelwa, Josephine Mwasheka
- Date: 2021
- Subjects: Nyati, Sifiso. God of women , Stereotypes (Social psychology) in literature , Women in literature , English literature -- Study and teaching (Secondary) -- Namibia , Women's rights in literature , Women's rights -- Study and teaching (Secondary)
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/172389 , vital:42195 , 10.21504/10962/172389
- Description: This is a qualitative study designed to investigate the role of pedagogical practices in the mediation of stereotypical gender representations in the drama God of Women by Sifiso Nyathi (1998). This drama is one of the literature setworks for Grade 9 English Second Language learners in Namibian Secondary schools. Fairclough’s (2012) Critical Discourse Analysis was used as a research design, as well as the conceptual and analytical framework. The analysis of this drama by teachers during the teaching and learning process, pedagogic practices they employ, learners’ engagement in classroom activities, and the nature of comments that teachers write on students’ assignment, based on God of Women, formed part of the unit of analysis. The study explored teachers’ pedagogical practices during English Literature teaching to gain insight into whether and how teachers shape learners’ engagement with literature to promote critical thinking. Focus on the mediation process (‘teacher talks around the text’) concerned a close analysis of teachers’ engagement with the text during lessons. Semi-structured interviews, classroom observation and documentary evidence were used to generate data. The research site and study participants were purposively sampled.
- Full Text:
- Date Issued: 2021
- Authors: Nghikefelwa, Josephine Mwasheka
- Date: 2021
- Subjects: Nyati, Sifiso. God of women , Stereotypes (Social psychology) in literature , Women in literature , English literature -- Study and teaching (Secondary) -- Namibia , Women's rights in literature , Women's rights -- Study and teaching (Secondary)
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/172389 , vital:42195 , 10.21504/10962/172389
- Description: This is a qualitative study designed to investigate the role of pedagogical practices in the mediation of stereotypical gender representations in the drama God of Women by Sifiso Nyathi (1998). This drama is one of the literature setworks for Grade 9 English Second Language learners in Namibian Secondary schools. Fairclough’s (2012) Critical Discourse Analysis was used as a research design, as well as the conceptual and analytical framework. The analysis of this drama by teachers during the teaching and learning process, pedagogic practices they employ, learners’ engagement in classroom activities, and the nature of comments that teachers write on students’ assignment, based on God of Women, formed part of the unit of analysis. The study explored teachers’ pedagogical practices during English Literature teaching to gain insight into whether and how teachers shape learners’ engagement with literature to promote critical thinking. Focus on the mediation process (‘teacher talks around the text’) concerned a close analysis of teachers’ engagement with the text during lessons. Semi-structured interviews, classroom observation and documentary evidence were used to generate data. The research site and study participants were purposively sampled.
- Full Text:
- Date Issued: 2021
The changing image of women in Francis Imbuga's Oeuvre
- Oketch, Selline Atieno, West, Mary Eileen
- Authors: Oketch, Selline Atieno , West, Mary Eileen
- Date: 2014
- Subjects: Women in literature , Feminist criticism -- Kenya
- Language: English
- Type: Thesis , Doctoral , DLitt
- Identifier: http://hdl.handle.net/10948/2949 , vital:20373
- Description: The aim of this study was to examine the changing image of women in the oeuvre of Francis Imbuga. Focusing on seven stage plays and two novels published between 1976 and 2011, the study examines the depiction of female characters within the social, cultural and political contexts of post-independence African societies. The depiction of female characters in literature has attracted the attention of numerous scholars globally, particularly with regards to negative female stereotypes in male authored works. This study explores Imbuga’s attitude towards female stereotypes and gender inequalities in literary texts. Using an eclectic framework that includes feminist criticism, feminist stylistics, gender theory and the formal strategies of literature, the study examined gender relations in these texts through the analysis of language and discourse of characters. Further, the study uses the interpretive methods of textual analysis to categorize these works into three phases based on their portrayal of female characters. This method reveals a systematic transformation in the characterization of women from disadvantaged positions in the patriarchal society to more prominent positions in the contemporary society. The study demonstrates that Imbuga makes a positive response to feminism and devices a unique perspective on feminism that celebrates both the domestic and public roles of female characters. In this sense, the female characters contribute to the moral content and aesthetic values of Imbuga’s works. The study concludes that Imbuga views the transformation of female characters in literary texts as part of the broader social change that is desirable in the society. Ultimately, this vision involves shifting focus from the preoccupation with gender inequalities to concern for the welfare and dignity of the human person. Based on the conclusions, recommendations for further study include investigation into the educative and social role of the performing arts as a means of raising consciousness on issues such as HIV/Aids, use of indigenous knowledge in solving contemporary issues, incorporation of African morality and traditions in contemporary literature and a comparative study of Imbuga’s feministic vision with that of other writers.
- Full Text:
- Date Issued: 2014
- Authors: Oketch, Selline Atieno , West, Mary Eileen
- Date: 2014
- Subjects: Women in literature , Feminist criticism -- Kenya
- Language: English
- Type: Thesis , Doctoral , DLitt
- Identifier: http://hdl.handle.net/10948/2949 , vital:20373
- Description: The aim of this study was to examine the changing image of women in the oeuvre of Francis Imbuga. Focusing on seven stage plays and two novels published between 1976 and 2011, the study examines the depiction of female characters within the social, cultural and political contexts of post-independence African societies. The depiction of female characters in literature has attracted the attention of numerous scholars globally, particularly with regards to negative female stereotypes in male authored works. This study explores Imbuga’s attitude towards female stereotypes and gender inequalities in literary texts. Using an eclectic framework that includes feminist criticism, feminist stylistics, gender theory and the formal strategies of literature, the study examined gender relations in these texts through the analysis of language and discourse of characters. Further, the study uses the interpretive methods of textual analysis to categorize these works into three phases based on their portrayal of female characters. This method reveals a systematic transformation in the characterization of women from disadvantaged positions in the patriarchal society to more prominent positions in the contemporary society. The study demonstrates that Imbuga makes a positive response to feminism and devices a unique perspective on feminism that celebrates both the domestic and public roles of female characters. In this sense, the female characters contribute to the moral content and aesthetic values of Imbuga’s works. The study concludes that Imbuga views the transformation of female characters in literary texts as part of the broader social change that is desirable in the society. Ultimately, this vision involves shifting focus from the preoccupation with gender inequalities to concern for the welfare and dignity of the human person. Based on the conclusions, recommendations for further study include investigation into the educative and social role of the performing arts as a means of raising consciousness on issues such as HIV/Aids, use of indigenous knowledge in solving contemporary issues, incorporation of African morality and traditions in contemporary literature and a comparative study of Imbuga’s feministic vision with that of other writers.
- Full Text:
- Date Issued: 2014
The depiction of female characters by male writers in selected isiXhosa drama works
- Authors: Peter, Zola Welcome
- Date: 2010
- Subjects: Xhosa drama -- 20th century -- History and criticism , Women in literature , Feminism and literature , Xhosa drama -- Male authors , Gender identity in literature
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: vital:8446 , http://hdl.handle.net/10948/1482 , Xhosa drama -- 20th century -- History and criticism , Women in literature , Feminism and literature , Xhosa drama -- Male authors , Gender identity in literature
- Description: This research expresses female character portrayal in various drama works written by males. Chapter one is a general introduction that gives the key to this study, the motivation that leads to the selection of this topic; a literary review on the portrayal of female characters in literary works written by males; the scope of study, the basic composition of the ensuing chapters and the definitions of terms that are of paramount importance for this research. Various literary theories are used in Chapter two for the analysis of the research texts. These literary theories include womanism, gender and feminism which expose the social effects caused by the negative perception of females in social life and the negative portrayal of female characters in male dramatic writings. Other literary theories include onomastics as a literary theory, which exposes the relationship between the name giver of a person and the power the name gives to its bearer, as well as psychoanalysis as a theory which proved to be unavoidable, since this study analyses the personal behaviour of the individual characters within their literary environment. Chapter three depicts the general victimization of female characters in male drama works and exposes the various effects of the attitudes of male writers towards female characters in terms of gender role. Chapter four shows a general stereotypical portrayal of female characters in male written drama texts. This chapter shows the impact of stereotyping on female characters from drama works that puts them in a vulnerable position, showing that it is risky to become a victim of ill-treatment in their communities and the literary world. Chapter five deals with the psychological literary review of female characters, showing them as being suicidal and murderers who easily take their own lives and those of other people. Chapter six is a general conclusion of the works which includes observer remarks from other literary researchers of the literature.
- Full Text:
- Date Issued: 2010
- Authors: Peter, Zola Welcome
- Date: 2010
- Subjects: Xhosa drama -- 20th century -- History and criticism , Women in literature , Feminism and literature , Xhosa drama -- Male authors , Gender identity in literature
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: vital:8446 , http://hdl.handle.net/10948/1482 , Xhosa drama -- 20th century -- History and criticism , Women in literature , Feminism and literature , Xhosa drama -- Male authors , Gender identity in literature
- Description: This research expresses female character portrayal in various drama works written by males. Chapter one is a general introduction that gives the key to this study, the motivation that leads to the selection of this topic; a literary review on the portrayal of female characters in literary works written by males; the scope of study, the basic composition of the ensuing chapters and the definitions of terms that are of paramount importance for this research. Various literary theories are used in Chapter two for the analysis of the research texts. These literary theories include womanism, gender and feminism which expose the social effects caused by the negative perception of females in social life and the negative portrayal of female characters in male dramatic writings. Other literary theories include onomastics as a literary theory, which exposes the relationship between the name giver of a person and the power the name gives to its bearer, as well as psychoanalysis as a theory which proved to be unavoidable, since this study analyses the personal behaviour of the individual characters within their literary environment. Chapter three depicts the general victimization of female characters in male drama works and exposes the various effects of the attitudes of male writers towards female characters in terms of gender role. Chapter four shows a general stereotypical portrayal of female characters in male written drama texts. This chapter shows the impact of stereotyping on female characters from drama works that puts them in a vulnerable position, showing that it is risky to become a victim of ill-treatment in their communities and the literary world. Chapter five deals with the psychological literary review of female characters, showing them as being suicidal and murderers who easily take their own lives and those of other people. Chapter six is a general conclusion of the works which includes observer remarks from other literary researchers of the literature.
- Full Text:
- Date Issued: 2010
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