Showing items 1 - 20 of 9789

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Timba (Timba, the Wren)

- 'Limited' Mfundo Phiri, Hugh Tracey

Tabiya (A woman's name)

- 'Limited' Mfundo Phiri, Hugh Tracey

  • Authors: 'Limited' Mfundo Phiri , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Namira, Chikwawa f-rh
  • Language: Nyanja/Mang'anja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/155939 , vital:39933 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-14
  • Description: "Tibiya wanted to give me syphilis. Moses, you, I am sure a swallow has passed by." The singer blames the woman Tabiya for his misfortune and warns his friend Moses of following his example. "A bird has passed this way" being a euphemism clearly understood by the men of the district. Self delectative song with board zither.
  • Full Text: false
  • Date Issued: 1958

Farewell Song

- 2 Men and 3 Ladies, Ovambo Folk, Group Composition, Dargie, Dave

Ngwasi (Fish eagle)

- 3 Yao women, Hugh Tracey

Acikanja (A name)

- 3 Yao women, Hugh Tracey

Title Not Specified

- 4 Ladies, Damara Folk, Composer Not Specified, Dargie, Dave

A sante mwe

- 4 Tumbuka boys, Hugh Tracey

Igada (A clod of earth)

- 5 young Xhosa men and women, Hugh Tracey

  • Authors: 5 young Xhosa men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150761 , vital:39003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-03
  • Description: This was sung by the same group of young Xhosa men and women as the first 2 songs. The dancing was static, done by the mwn only, who used a single stamping step, but very stlised elegant gestures of arms and hands. They were holding decorated sticks. One man held up the two end corners of his blanket-skirt. His forearms were solidly encased in brass wire bracelets from wrist to elbow. Intlombe dances for young people with clapping.
  • Full Text: false
  • Date Issued: 1957

Huwa lero (Huwa-today)

- 7 small boys, Hugh Tracey

  • Authors: 7 small boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Dedza, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153551 , vital:39477 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-03
  • Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "Huwa, somebody's child is your child, so do not be jealous of him." Herd boy song.
  • Full Text: false
  • Date Issued: 1958

Angelo

- 7 small boys, Hugh Tracey

  • Authors: 7 small boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Dedza, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153560 , vital:39478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-04
  • Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "Oh, Angelo, just smell he relish!" (A vivid picture of small boys with mouths watering). Herd boy song. The setting of this song is familiar to most African villages. Small boys are herding their goats, whistling and calling to them while they sing
  • Full Text: false
  • Date Issued: 1958

Kamukando (The small spear)

- 8 Tumbuka boys, Hugh Tracey

Para vilipo (If there is anything left)

- 8 Tumbuka boys, Hugh Tracey

Wondoloza Bantu = We safeguard the Chief

- 80-90 Swazi men, Composer not specified, Dargie, Dave

Coka Coka (Go away, go away)

- 9 small girls, Hugh Tracey

  • Authors: 9 small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153491 , vital:39458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-20
  • Description: The 9 small girls put their 5 mortars in one row and with osne exception two girls pounded in each mortar. "Go away, go away. I don't go! Why shoild I leave this place? An orpahn child is difficult to nurse. Where shall I, an orphan, go? No. no. no, I am sorry for you." The difficulty of bringing up an orphan child is often referred to in African songs. Pounding song with pestle and mortar.
  • Full Text: false
  • Date Issued: 1958

Ke ne ke le meiti (I was a maid)

- A small group of Sotho women, Hugh Tracey

  • Authors: A small group of Sotho women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tebang f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162242 , vital:40824 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-08
  • Description: This song is sung the right before the girls leave the village for their initiation school. "I was a maid to many Europeans. Long ago when I was a girl I tended calves. I had to pay for water, and pay to sleep as well." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Leboko II

- a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa, Hugh Tracey

  • Authors: a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Dinokana f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165832 , vital:41286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-07
  • Description: At the time of recording this village was much divided on account of the political questions of the continuity of the Chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another Chief was acting in his place. The speaker, who composed and read the praises of his elder brother, the present acting Chief, had been a teacher in their village for 38 years. Moiloa II was the original Chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded hs grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-Chief of the Moiloa Reserve, is still alive. Praise songs for a) Chief Moiloa II, b) Chief Ikalafeng, c) Chief Pogiso II, d) Chief Diutloiling wa Sebogodi. e) Chief Michael Bagatsu Moiloa.
  • Full Text: false
  • Date Issued: 1959

Leboko I

- a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa, Hugh Tracey

  • Authors: a, b and c. Labims Keebine. d and e. Joseph Modisi Moiloa , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Dinokana f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165823 , vital:41285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-06
  • Description: At the time of recording this village was much divided on account of the political questions of the continuity of the Chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another Chief was acting in his place. The speaker, who composed and read the praises of his elder brother, the present acting Chief, had been a teacher in their village for 38 years. Moiloa II was the original Chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded hs grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-Chief of the Moiloa Reserve, is still alive. Praise songs for a) Chief Moiloa II, b) Chief Ikalafeng, c) Chief Pogiso II, d) Chief Diutloiling wa Sebogodi. e) Chief Michael Bagatsu Moiloa.
  • Full Text: false
  • Date Issued: 1959

Ndaramba miranda kumudzi kwangu (I will have more trouble in my home)

- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey

Ndasaya may angu (I have lost my mother)

- A. A. C. Lubino and 2 Nyungwe women, Hugh Tracey

Aliyeli nitauzeni (Aliyeli - greet me!)

- A. Nyambizi and Henga women, Hugh Tracey

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