Mvana kaThixo
- Music Workshop Participants, Composer Not Specified, Dargie, Dave
- Authors: Music Workshop Participants , Composer Not Specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/324817 , vital:60825 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD169-08
- Description: Unaccompanied Church Music Workshop Performance
- Full Text: false
- Date Issued: 1979
- Authors: Music Workshop Participants , Composer Not Specified , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/324817 , vital:60825 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD169-08
- Description: Unaccompanied Church Music Workshop Performance
- Full Text: false
- Date Issued: 1979
Ngoneni ngoneni bakithi (What have I done in Mataffin?)
- Roselina Ndohle and Juana Nkosi, Hugh Tracey
- Authors: Roselina Ndohle and Juana Nkosi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa South Africa Mataffin, Nelspruit, Transvaal f-sa
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152872 , vital:39351 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-14
- Description: This attractive and delightfull little melody may well form the motif of some future Swazi composition of much larger proportion. The two elderly Swati women who san it were friends and little knew how excellent was their rustic melody. Self delectative song with Makweyana bow.
- Full Text: false
- Date Issued: 1958
- Authors: Roselina Ndohle and Juana Nkosi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa South Africa Mataffin, Nelspruit, Transvaal f-sa
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152872 , vital:39351 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-14
- Description: This attractive and delightfull little melody may well form the motif of some future Swazi composition of much larger proportion. The two elderly Swati women who san it were friends and little knew how excellent was their rustic melody. Self delectative song with Makweyana bow.
- Full Text: false
- Date Issued: 1958
Title Not Specified
- Choir from St Mary's and St Raphaels', Composer Not Specified, Matsepu, Daniel, Dargie, Dave
- Authors: Choir from St Mary's and St Raphaels' , Composer Not Specified , Matsepu, Daniel , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town f-sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/303260 , vital:58314 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD107-25
- Description: Unaccompanied Church hymn.
- Full Text: false
- Date Issued: 1988
- Authors: Choir from St Mary's and St Raphaels' , Composer Not Specified , Matsepu, Daniel , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town f-sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/303260 , vital:58314 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD107-25
- Description: Unaccompanied Church hymn.
- Full Text: false
- Date Issued: 1988
A-a-ye nanga omwale (Aaye! what about Omwale)
- Women, Hugh Tracey
- Authors: Women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158936 , vital:40242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-12
- Description: Dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. The song consists mostly of references to the names of local persons. Such as OMwale, Ojere, OPhiri etc., each with the tonorific prefix 'O'. The equivalent of the English "Mister". Dance tune with bass drum.
- Full Text: false
- Date Issued: 1958
- Authors: Women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158936 , vital:40242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-12
- Description: Dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. The song consists mostly of references to the names of local persons. Such as OMwale, Ojere, OPhiri etc., each with the tonorific prefix 'O'. The equivalent of the English "Mister". Dance tune with bass drum.
- Full Text: false
- Date Issued: 1958
Ndinga Ngonyoko (I am old as your mother and I know everything)
- Young Gcaleka men and girls, Hugh Tracey
- Authors: Young Gcaleka men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151085 , vital:39028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-03
- Description: Three young Amakwenkwe boys in most handsomely decorated and beaded clothes wound around them from the waist down-beads in profusion over the head, neck and shoulders, danced sedately around as the girls sang behind them. Mtshotsho song, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka men and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151085 , vital:39028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-03
- Description: Three young Amakwenkwe boys in most handsomely decorated and beaded clothes wound around them from the waist down-beads in profusion over the head, neck and shoulders, danced sedately around as the girls sang behind them. Mtshotsho song, with clapping.
- Full Text: false
- Date Issued: 1957
Indlaliso (Games)
- Swazi men of the "Lindimbi" age group., Hugh Tracey
- Authors: Swazi men of the "Lindimbi" age group. , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152509 , vital:39303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-01
- Description: The singers belonged to the Lindimbi group or regiment. The chant is one of these performed in their barracks when dancing is over. It seems each regiment has many such chants. They accompany the military exercises or drill by which the young men used to keep themselves in fighting trim. The chant with its frequent changes of rhythms which mark the change to a different movement. This performance was very well done. The men were all between the ages of 18 and 30, and belonged to the age group Lindimbi. They perform a number of movements, leaping forward and backward, tuning into file, marching around in a circle and many other actions. It is a most attractive dance drill. ENTONJENI is the old royal kraal. The hill nearby is still used as a burial ground for some members of the royal lineage. Tiga chant to accompany military games or drill.
- Full Text: false
- Date Issued: 1958
- Authors: Swazi men of the "Lindimbi" age group. , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152509 , vital:39303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-01
- Description: The singers belonged to the Lindimbi group or regiment. The chant is one of these performed in their barracks when dancing is over. It seems each regiment has many such chants. They accompany the military exercises or drill by which the young men used to keep themselves in fighting trim. The chant with its frequent changes of rhythms which mark the change to a different movement. This performance was very well done. The men were all between the ages of 18 and 30, and belonged to the age group Lindimbi. They perform a number of movements, leaping forward and backward, tuning into file, marching around in a circle and many other actions. It is a most attractive dance drill. ENTONJENI is the old royal kraal. The hill nearby is still used as a burial ground for some members of the royal lineage. Tiga chant to accompany military games or drill.
- Full Text: false
- Date Issued: 1958
Adama
- Kenza Batoma Diallo (author, composer, lead singer), Aliou Traore (violin), Benogo Diakite (ngoni, kangnan), Kabin Kaba Diakite (guitar, bass, yabara), Halima Sangare (chorus), Souleymane Dembele (balafon), Kalibou Diarra (djembe), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Kenza Batoma Diallo (author, composer, lead singer) , Aliou Traore (violin) , Benogo Diakite (ngoni, kangnan) , Kabin Kaba Diakite (guitar, bass, yabara) , Halima Sangare (chorus) , Souleymane Dembele (balafon) , Kalibou Diarra (djembe) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1998
- Subjects: Popular music , Folk music , Africa Mali Bamako f-ml
- Language: Fulani
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129758 , vital:36328 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC32-07
- Description: Traditional Malian music from the south, performed on traditional instruments, ngoni, kangnan, yabara, balafon, djembe and a violin
- Full Text: false
- Date Issued: 1998
- Authors: Kenza Batoma Diallo (author, composer, lead singer) , Aliou Traore (violin) , Benogo Diakite (ngoni, kangnan) , Kabin Kaba Diakite (guitar, bass, yabara) , Halima Sangare (chorus) , Souleymane Dembele (balafon) , Kalibou Diarra (djembe) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1998
- Subjects: Popular music , Folk music , Africa Mali Bamako f-ml
- Language: Fulani
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129758 , vital:36328 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC32-07
- Description: Traditional Malian music from the south, performed on traditional instruments, ngoni, kangnan, yabara, balafon, djembe and a violin
- Full Text: false
- Date Issued: 1998
Kamenemene kanokimilembe
- Mwikuru Kija with Sukuma men, Hugh Tracey
- Authors: Mwikuru Kija with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Maswa f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173791 , vital:42411 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-12
- Description: 'A faithless husband is known by the way he neglects his house, drinks carelessly and talks to anyone." The picture of a disolute man. The Wigasha dance is done sitting, the feet and arms only being used to make gestures in unision. Wigasha dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Mwikuru Kija with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Maswa f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173791 , vital:42411 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-12
- Description: 'A faithless husband is known by the way he neglects his house, drinks carelessly and talks to anyone." The picture of a disolute man. The Wigasha dance is done sitting, the feet and arms only being used to make gestures in unision. Wigasha dance song for men and women.
- Full Text: false
- Date Issued: 1950
Hayitsho Nongongobala
- Young Gcaleka boys and girls, Hugh Tracey
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151264 , vital:39045 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-14
- Description: The words of the dance are apparently meanigless except for the title. When the young herd boys returned with their cattle, sheep and goats to the village they joined in the party and sang these two songs which are typical of the present day type of dance songs used in the district. Young people's dance song and Umtshongolo dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151264 , vital:39045 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-14
- Description: The words of the dance are apparently meanigless except for the title. When the young herd boys returned with their cattle, sheep and goats to the village they joined in the party and sang these two songs which are typical of the present day type of dance songs used in the district. Young people's dance song and Umtshongolo dance with clapping.
- Full Text: false
- Date Issued: 1957
Khutse komxa sida
- Performer not specified, Group Composition, Dargie, Dave
- Authors: Performer not specified , Group Composition , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Nambia Gobabis sx
- Language: Rukwángali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/327787 , vital:61155 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC301a-04
- Description: Music Workshop
- Full Text: false
- Date Issued: 1981
- Authors: Performer not specified , Group Composition , Dargie, Dave
- Date: 1981
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Nambia Gobabis sx
- Language: Rukwángali
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/327787 , vital:61155 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC301a-04
- Description: Music Workshop
- Full Text: false
- Date Issued: 1981
Mampho thiba lisabole (Mampho, ward off the spears)
- Mosinoa Peter, with group of 14 dancers and large group of singers, Hugh Tracey
- Authors: Mosinoa Peter, with group of 14 dancers and large group of singers , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162470 , vital:40935 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-11
- Description: "Ward off the spear thruts, Tsoana, stop him, let him remain to help you hoe. Mannini is a flying machine, she flies to Maseru. Listen to the women at Likhoele ululating. Siloe, the pointed mountain. The Mokhothu girls are cruel. I am going to look at the map at Matsieng. People at Maseru wear blankets of the same colour." Men's dance with stamping of feet and hissing.
- Full Text: false
- Date Issued: 1959
- Authors: Mosinoa Peter, with group of 14 dancers and large group of singers , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162470 , vital:40935 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-11
- Description: "Ward off the spear thruts, Tsoana, stop him, let him remain to help you hoe. Mannini is a flying machine, she flies to Maseru. Listen to the women at Likhoele ululating. Siloe, the pointed mountain. The Mokhothu girls are cruel. I am going to look at the map at Matsieng. People at Maseru wear blankets of the same colour." Men's dance with stamping of feet and hissing.
- Full Text: false
- Date Issued: 1959
Mdano 1986
- Venancio Mbande and his Timbila orchestra, Tracey, Andrew T N
- Authors: Venancio Mbande and his Timbila orchestra , Tracey, Andrew T N
- Date: 1986
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/97924 , vital:31511 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC060b-01
- Description: Traditional dance song played by Venancio Mbande with Timbila xylophone accompaniment
- Full Text: false
- Date Issued: 1986
- Authors: Venancio Mbande and his Timbila orchestra , Tracey, Andrew T N
- Date: 1986
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/97924 , vital:31511 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC060b-01
- Description: Traditional dance song played by Venancio Mbande with Timbila xylophone accompaniment
- Full Text: false
- Date Issued: 1986
Our Father
- Church Choir, Composer not specified, Kasata, Michael, Dargie, Dave
- Authors: Church Choir , Composer not specified , Kasata, Michael , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309364 , vital:59030 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-82
- Description: Catholic choirs performing composition.
- Full Text: false
- Date Issued: 1988
- Authors: Church Choir , Composer not specified , Kasata, Michael , Dargie, Dave
- Date: 1988
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa Namibia Gobabis f-sx
- Language: English
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/309364 , vital:59030 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD117-82
- Description: Catholic choirs performing composition.
- Full Text: false
- Date Issued: 1988
Mtsitso 3
- Authors: Shalati , Tracey, Andrew T N
- Date: 1985
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/97268 , vital:31420 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC052b-07
- Description: Shalati's solo timbila xylophone music
- Full Text: false
- Date Issued: 1985
- Authors: Shalati , Tracey, Andrew T N
- Date: 1985
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/97268 , vital:31420 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC052b-07
- Description: Shalati's solo timbila xylophone music
- Full Text: false
- Date Issued: 1985
Nkosi siphe impilo enhle
- Siswati church music workshop participants, Baladesi, Jemma, CPS, Dargie, Dave
- Authors: Siswati church music workshop participants , Baladesi, Jemma, CPS , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Eswatini Manzini sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404301 , vital:70052 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC101-06
- Description: Siswati church music workshop performance, accompanied by the drum and rattle.
- Full Text: false
- Date Issued: 1980
- Authors: Siswati church music workshop participants , Baladesi, Jemma, CPS , Dargie, Dave
- Date: 1980
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa Eswatini Manzini sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404301 , vital:70052 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC101-06
- Description: Siswati church music workshop performance, accompanied by the drum and rattle.
- Full Text: false
- Date Issued: 1980
Halalela
- Lumko music workshop participants, Dlamini, Anna, Dargie, Dave
- Authors: Lumko music workshop participants , Dlamini, Anna , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/391644 , vital:68672 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC092a-15
- Description: Sotho church choral hymn with humming and clapping, and accompanied by drumming and rattles.
- Full Text: false
- Date Issued: 1979
- Authors: Lumko music workshop participants , Dlamini, Anna , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: Northern Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/391644 , vital:68672 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC092a-15
- Description: Sotho church choral hymn with humming and clapping, and accompanied by drumming and rattles.
- Full Text: false
- Date Issued: 1979
Interview
- Dyiwili, Nofinishi, Nqoko Ladies, Dargie, Dave, Composer Not Specified
- Authors: Dyiwili, Nofinishi , Nqoko Ladies , Dargie, Dave , Composer Not Specified
- Date: 1981
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/323540 , vital:60682 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD165B-18
- Description: Interview with performer
- Full Text: false
- Date Issued: 1981
- Authors: Dyiwili, Nofinishi , Nqoko Ladies , Dargie, Dave , Composer Not Specified
- Date: 1981
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko sa
- Language: isiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/323540 , vital:60682 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD165B-18
- Description: Interview with performer
- Full Text: false
- Date Issued: 1981
Manyanga drum rhythms I
- Husuni Isike, Salumu Athman, Ramadhani Khuluwa, Hugh Tracey
- Authors: Husuni Isike, Salumu Athman, Ramadhani Khuluwa , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172950 , vital:42299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-05
- Description: The laced conical drums provide the rhythmic bass, while the player of the goblet drum supplies the syncopation. The sharp sound is produced by stricking the membrane of the drum with loose fingers. The muted sound by closed fingers and the raised note by pressure from one elbow on the membrane. Three conical drums, one goblet drum (-14.51101-) and small bells (-12.55-).
- Full Text: false
- Date Issued: 1950
- Authors: Husuni Isike, Salumu Athman, Ramadhani Khuluwa , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172950 , vital:42299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-05
- Description: The laced conical drums provide the rhythmic bass, while the player of the goblet drum supplies the syncopation. The sharp sound is produced by stricking the membrane of the drum with loose fingers. The muted sound by closed fingers and the raised note by pressure from one elbow on the membrane. Three conical drums, one goblet drum (-14.51101-) and small bells (-12.55-).
- Full Text: false
- Date Issued: 1950
Mgeniso 1986
- Alberto Mange and Venancio Mbande's slow version for learning Timbila orchestra of Wildebeesfontein, Tracey, Andrew T N
- Authors: Alberto Mange and Venancio Mbande's slow version for learning Timbila orchestra of Wildebeesfontein , Tracey, Andrew T N
- Date: 1986
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/98078 , vital:31539 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC062b-02
- Description: Traditional dance song played by Venancio Mbande and group with Chopi Timbila xylophone and shaker accompaniment
- Full Text: false
- Date Issued: 1986
- Authors: Alberto Mange and Venancio Mbande's slow version for learning Timbila orchestra of Wildebeesfontein , Tracey, Andrew T N
- Date: 1986
- Subjects: Chopi (African people) -- South Africa , Folk music , Xylophone music , Africa South Africa Wildebeesfontein f-sa
- Language: Chopi
- Type: sound recordings , field recordings , Sound recording material
- Identifier: http://hdl.handle.net/10962/98078 , vital:31539 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC062b-02
- Description: Traditional dance song played by Venancio Mbande and group with Chopi Timbila xylophone and shaker accompaniment
- Full Text: false
- Date Issued: 1986
Ngamibonge Amakentani (Please praise the Kentani people)
- Thombi Fegetwai and Gcaleka boys and girls, Hugh Tracey
- Authors: Thombi Fegetwai and Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151126 , vital:39032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-06
- Description: The girl who leads this song is a born singer of Gcaleka type songs for her contemporaries. The people of Idutywa are, in fact, the Gcaleka tribe whose centre is in the Kentani District above 50 miles away. Mtsotsho dance, with clapping and roaring.
- Full Text: false
- Date Issued: 1957
- Authors: Thombi Fegetwai and Gcaleka boys and girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151126 , vital:39032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-06
- Description: The girl who leads this song is a born singer of Gcaleka type songs for her contemporaries. The people of Idutywa are, in fact, the Gcaleka tribe whose centre is in the Kentani District above 50 miles away. Mtsotsho dance, with clapping and roaring.
- Full Text: false
- Date Issued: 1957