Sketch shewing the sites and relative positions of Ordinance and other Government works constructed in British Kaffraria (incl. notes on the construction of new posts and and distribution of troops at the posts) ; taken from a survey by Capt. Tylden by Chas J. Fawler, R.W., LieutRoyal Engineers, 26th Sept. 1853.
- Tylden, Richard, 1819-1855, Fawler, Charles J
- Authors: Tylden, Richard, 1819-1855 , Fawler, Charles J
- Date: 1853
- Subjects: Cape of Good Hope (South Africa)-- History, 1795-1872 Maps , Kaffraria -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/55256 , vital:26681 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP317 , MP317
- Full Text: false
- Date Issued: 1853
- Authors: Tylden, Richard, 1819-1855 , Fawler, Charles J
- Date: 1853
- Subjects: Cape of Good Hope (South Africa)-- History, 1795-1872 Maps , Kaffraria -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/55256 , vital:26681 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP317 , MP317
- Full Text: false
- Date Issued: 1853
Eastern Frontier Dist. plan of W.D. property at Windvogelberg
- Great Britain. War Office, Jones, Walter P
- Authors: Great Britain. War Office , Jones, Walter P
- Date: 1873
- Subjects: Cape of Good Hope (South Africa) -- Maps Maps , South Africa -- History -- Frontier Wars, 1811-1878 -- Maps Maps , Military maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/57214 , vital:26857 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP278 , MP278
- Description: Copied by Walter P. Jones, 19th August 1873. War Department number on map WD. V.
- Full Text: false
- Date Issued: 1873
- Authors: Great Britain. War Office , Jones, Walter P
- Date: 1873
- Subjects: Cape of Good Hope (South Africa) -- Maps Maps , South Africa -- History -- Frontier Wars, 1811-1878 -- Maps Maps , Military maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/57214 , vital:26857 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP278 , MP278
- Description: Copied by Walter P. Jones, 19th August 1873. War Department number on map WD. V.
- Full Text: false
- Date Issued: 1873
Plan of the Baptist section of the old cemetery with some names and plot numbers
- Date: 19uu
- Subjects: Cemeteries -- South Africa -- Grahamstown -- Maps Maps , Baptist Church (Grahamstown, South Africa) Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/57497 , vital:26956 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP1461 , MP1461
- Full Text: false
- Date Issued: 19uu
- Date: 19uu
- Subjects: Cemeteries -- South Africa -- Grahamstown -- Maps Maps , Baptist Church (Grahamstown, South Africa) Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/57497 , vital:26956 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP1461 , MP1461
- Full Text: false
- Date Issued: 19uu
Tshila tshi mphwa Maride
- Kruger, Jaco (Recorded by), Ramabanda, Lukas (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Ramabanda, Lukas (Performer) , Composer unknown
- Subjects: Tshivhilwi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Children's song , Bow , Tshizambi , Mbila , Solo
- Type: Music , Sound
- Identifier: vital:15946 , JKC09a-07 , http://hdl.handle.net/10962/d1009135 , Tape number: JKC09 , Original tape number: 9 , Track number: 07
- Description: Traditional Venda children's song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 108
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Ramabanda, Lukas (Performer) , Composer unknown
- Subjects: Tshivhilwi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Children's song , Bow , Tshizambi , Mbila , Solo
- Type: Music , Sound
- Identifier: vital:15946 , JKC09a-07 , http://hdl.handle.net/10962/d1009135 , Tape number: JKC09 , Original tape number: 9 , Track number: 07
- Description: Traditional Venda children's song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 108
- Full Text: false
Tsoha Jona
- Botha, Karika (Recorded by), Sesotho children (Performer), Composer not specified
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer not specified
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Religious music , Church hymn , Clapping , Choral
- Type: Music , Sound
- Identifier: vital:15993 , JKC17b-01 , http://hdl.handle.net/10962/d1009182 , Tape number: JKC17 , Original tape number: 17 , Track number: 01
- Description: English translation of title: 'Wake up Jonah' , Sesotho church hymn sung by children with clapping accompaniment , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
- Authors: Botha, Karika (Recorded by) , Sesotho children (Performer) , Composer not specified
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Religious music , Church hymn , Clapping , Choral
- Type: Music , Sound
- Identifier: vital:15993 , JKC17b-01 , http://hdl.handle.net/10962/d1009182 , Tape number: JKC17 , Original tape number: 17 , Track number: 01
- Description: English translation of title: 'Wake up Jonah' , Sesotho church hymn sung by children with clapping accompaniment , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
Ijo ke bo mang bale
- Botha, Karika (Recorded by), Sesotho boys and girls (Performer), Composer not specified
- Authors: Botha, Karika (Recorded by) , Sesotho boys and girls (Performer) , Composer not specified
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Topical song , Clapping
- Type: Music , Sound
- Identifier: vital:16056 , JKC17b-33 , http://hdl.handle.net/10962/d1009245 , Tape number: JKC17 , Original tape number: 17 , Track number: 33
- Description: English translation of title: 'Who are those' , Topical song with clapping accompaniment , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
- Authors: Botha, Karika (Recorded by) , Sesotho boys and girls (Performer) , Composer not specified
- Subjects: Shongoane village , Lephalale , Transvaal (Limpopo) , South Africa , Indigenous music , Topical song , Clapping
- Type: Music , Sound
- Identifier: vital:16056 , JKC17b-33 , http://hdl.handle.net/10962/d1009245 , Tape number: JKC17 , Original tape number: 17 , Track number: 33
- Description: English translation of title: 'Who are those' , Topical song with clapping accompaniment , Refer to last page of Jaco Kruger recording card book II
- Full Text: false
Tswotsi mathevhelekwane
- Kruger, Jaco (Recorded by), Nethononda, Joseph (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Nethononda, Joseph (Performer) , Composer unknown
- Subjects: Mangaya , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Deze Lamellophone , Mbira , Solo
- Type: Music , Sound
- Identifier: vital:15995 , JKC03a-01 , http://hdl.handle.net/10962/d1009184 , Tape number: JKC03 , Original tape number: 3 , Track number: 01
- Description: English translation of title: 'My instrument' , Traditional Venda song accompanied by a Deze Lamellophone , For further details refer to Jaco Kruger recording card: 46
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Nethononda, Joseph (Performer) , Composer unknown
- Subjects: Mangaya , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Deze Lamellophone , Mbira , Solo
- Type: Music , Sound
- Identifier: vital:15995 , JKC03a-01 , http://hdl.handle.net/10962/d1009184 , Tape number: JKC03 , Original tape number: 3 , Track number: 01
- Description: English translation of title: 'My instrument' , Traditional Venda song accompanied by a Deze Lamellophone , For further details refer to Jaco Kruger recording card: 46
- Full Text: false
The Sound of Africa: The Union and Basutoland
- Authors: Tracey, Hugh
- Subjects: Zulu herd boy‘s pipe , Ingekle , Gumboot dance , Township jive , Church of Shembe , Zulu Christian songs , Sotho church songs , Mbube , Zulu praise song , Prayer , Umakhweyana bow , Lesiba , Gora , Drums , Pennywhistle , Mission schools , Sotho country work song , Lalela Zulu , Nicetime , Seteng se liba , Midnight Party , Nicetime Baby , Wozani , Isithandwa sami , Kyrie eleison , Nong‘akobo , The Voice of the Lord , Wimoweh , South Africa , Basutoland , Lesotho , South African Broadcasting Corporation , The Lion , The Thorn in the Foot , Come Hither , Tsotsi patois , Dance Song Chief Ntshidi
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15057 , http://hdl.handle.net/10962/d1008485 , Reel numbers: BC001, BC002, BC003, BC004 , BC001
- Description: 2nd programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Zulu herd boy‘s pipe , Ingekle , Gumboot dance , Township jive , Church of Shembe , Zulu Christian songs , Sotho church songs , Mbube , Zulu praise song , Prayer , Umakhweyana bow , Lesiba , Gora , Drums , Pennywhistle , Mission schools , Sotho country work song , Lalela Zulu , Nicetime , Seteng se liba , Midnight Party , Nicetime Baby , Wozani , Isithandwa sami , Kyrie eleison , Nong‘akobo , The Voice of the Lord , Wimoweh , South Africa , Basutoland , Lesotho , South African Broadcasting Corporation , The Lion , The Thorn in the Foot , Come Hither , Tsotsi patois , Dance Song Chief Ntshidi
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15057 , http://hdl.handle.net/10962/d1008485 , Reel numbers: BC001, BC002, BC003, BC004 , BC001
- Description: 2nd programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
Ndo lombela
- Kruger, Jaco (Recorded by), Malaudzi, Vele (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Malaudzi, Vele (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:15669 , JKC07a-09 , http://hdl.handle.net/10962/d1008858 , Tape number: JKC07 , Original tape number: 7 , Track number: 09
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 92
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Malaudzi, Vele (Performer) , Composer unknown
- Subjects: Khubvi -- Thohoyandou -- Transvaal (Limpopo) -- South Africa , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:15669 , JKC07a-09 , http://hdl.handle.net/10962/d1008858 , Tape number: JKC07 , Original tape number: 7 , Track number: 09
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 92
- Full Text: false
Mutambanyetshe
- Kruger, Jaco (Recorded by), Phophi, George (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Phophi, George (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Mbila , Tshizambi , Bow , Solo
- Type: Music , Sound
- Identifier: vital:15636 , JKC09a-03 , http://hdl.handle.net/10962/d1008825 , Tape number: JKC09 , Original tape number: 9 , Track number: 03
- Description: Traditional Venda song accompanied by the tshizambi friction musical bow about witches , For further details refer to Jaco Kruger recording card: 107
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Phophi, George (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Mbila , Tshizambi , Bow , Solo
- Type: Music , Sound
- Identifier: vital:15636 , JKC09a-03 , http://hdl.handle.net/10962/d1008825 , Tape number: JKC09 , Original tape number: 9 , Track number: 03
- Description: Traditional Venda song accompanied by the tshizambi friction musical bow about witches , For further details refer to Jaco Kruger recording card: 107
- Full Text: false
Thi todi mufarakano
- Kruger, Jaco (Recorded by), Shonisani, Gundula and Mashandule (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Gundula and Mashandule (Performer) , Composer unknown
- Subjects: Kubvi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Lamellophone
- Type: Music , Sound
- Identifier: vital:15803 , JKC15a-24 , http://hdl.handle.net/10962/d1008992 , Tape number: JKC15 , Original tape number: 15 , Track number: 24
- Description: English translation of title: 'I do not want a concubine' , Traditional Venda tune accompanied by the lamellophone and the xylophone , For further details refer to Jaco Kruger recording card: 170
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Shonisani, Gundula and Mashandule (Performer) , Composer unknown
- Subjects: Kubvi , Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Xylophone , Instrumental , Lamellophone
- Type: Music , Sound
- Identifier: vital:15803 , JKC15a-24 , http://hdl.handle.net/10962/d1008992 , Tape number: JKC15 , Original tape number: 15 , Track number: 24
- Description: English translation of title: 'I do not want a concubine' , Traditional Venda tune accompanied by the lamellophone and the xylophone , For further details refer to Jaco Kruger recording card: 170
- Full Text: false
Contour plan of Grahamstown
- Authors: AWM , Hodge, WA
- Date: 1934
- Subjects: Grahamstown (South Africa) -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/68301 , vital:29236 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP407 , MP407
- Description: Contour plan of Grahamstown, 1934. Drawn by A.W.M. ; signed by W.A. Hodge, City Engineer. "War time regulations: this plan must not be removed from college premises under any circumstances" signed by E H Wied.
- Full Text: false
- Date Issued: 1934
- Authors: AWM , Hodge, WA
- Date: 1934
- Subjects: Grahamstown (South Africa) -- Maps Maps , South Africa
- Language: English
- Type: cartographic , map
- Identifier: http://hdl.handle.net/10962/68301 , vital:29236 , Cory Library for Humanities Research, Rhodes University Library, Grahamstown, South Africa MP407 , MP407
- Description: Contour plan of Grahamstown, 1934. Drawn by A.W.M. ; signed by W.A. Hodge, City Engineer. "War time regulations: this plan must not be removed from college premises under any circumstances" signed by E H Wied.
- Full Text: false
- Date Issued: 1934
Ecosexual digital war machines: minoritarian environmental desires in the age of new media
- Authors: Weideman, Lisa
- Date: 2021-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10948/54828 , vital:47915
- Description: Today the (Transnational) State Apparatuses of neoliberal capitalism, ranging from educational institutions to mass media and financial institutions, have effectively created and channelled desires towards consumerism, predicated on resource-extractive practices, within the context of what Gilles Deleuze calls societies of control. This control has also intensified in the digital era, particularly through Internet-based technologies which provide increasingly efficient platforms for the escalation of commodification – ironically, despite the reality of ecological crisis being precipitated by the related extractive practices to the point where it now threatens the continued existence of life on earth. , Thesis (MA) -- Faculty of Humanities, School of Language, Media and Communication, 2021
- Full Text: false
- Date Issued: 2021-04
- Authors: Weideman, Lisa
- Date: 2021-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10948/54828 , vital:47915
- Description: Today the (Transnational) State Apparatuses of neoliberal capitalism, ranging from educational institutions to mass media and financial institutions, have effectively created and channelled desires towards consumerism, predicated on resource-extractive practices, within the context of what Gilles Deleuze calls societies of control. This control has also intensified in the digital era, particularly through Internet-based technologies which provide increasingly efficient platforms for the escalation of commodification – ironically, despite the reality of ecological crisis being precipitated by the related extractive practices to the point where it now threatens the continued existence of life on earth. , Thesis (MA) -- Faculty of Humanities, School of Language, Media and Communication, 2021
- Full Text: false
- Date Issued: 2021-04
The aesthetics of hegemony: a speculative design proposal exploring the convergence of surveillance capitalism and brain-computer interface technologies in the future
- Authors: Davies, James Tibbott
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/54417 , vital:46517
- Description: This study examines the power dynamics of surveillance capitalism, and its role in shaping cultural hegemony. The research was expressed using graphic design to illustrate a (potential) future where Brain-Computer Interfaces (BCIs) and surveillance capitalism converge. The critique focused on Google and Facebook’s hegemony in the data-surveillance marketplace and what role this has in shaping global discourse. Both companies are funding the development of BCIs, with the aim of using brain signals as a means of interacting with the digital world, which would give the two biggest advertising companies in the world access to new sources of data. A speculative design framework was utilized to visually question the societal implications of this emerging technology and the funding behind its development. A theoretical investigation of the concepts underpinning critical theory and critical design was conducted to help clarify and critically inform this methodological approach, promoting the use of practice-based design as a critically reflective investigative tool. The resulting artefacts designed using this process were showcased in the form of a website and video that act as a visual embodiment the research, demonstrating the efficacy of this approach and the value of using communication design as a mechanism to question the status quo. , Thesis (MA) -- Faculty of Humanities, School of Visual and Performing Arts, 2021
- Full Text:
- Date Issued: 2021-12
- Authors: Davies, James Tibbott
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/54417 , vital:46517
- Description: This study examines the power dynamics of surveillance capitalism, and its role in shaping cultural hegemony. The research was expressed using graphic design to illustrate a (potential) future where Brain-Computer Interfaces (BCIs) and surveillance capitalism converge. The critique focused on Google and Facebook’s hegemony in the data-surveillance marketplace and what role this has in shaping global discourse. Both companies are funding the development of BCIs, with the aim of using brain signals as a means of interacting with the digital world, which would give the two biggest advertising companies in the world access to new sources of data. A speculative design framework was utilized to visually question the societal implications of this emerging technology and the funding behind its development. A theoretical investigation of the concepts underpinning critical theory and critical design was conducted to help clarify and critically inform this methodological approach, promoting the use of practice-based design as a critically reflective investigative tool. The resulting artefacts designed using this process were showcased in the form of a website and video that act as a visual embodiment the research, demonstrating the efficacy of this approach and the value of using communication design as a mechanism to question the status quo. , Thesis (MA) -- Faculty of Humanities, School of Visual and Performing Arts, 2021
- Full Text:
- Date Issued: 2021-12
Ri ya dzhena Nemukumbela
- Kruger, Jaco (Recorded by), Mulaudzi, Munzhedzi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Mulaudzi, Munzhedzi (Performer) , Composer unknown
- Subjects: Hamutsha , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana , Solo
- Type: Music , Sound
- Identifier: vital:15739 , JKC04b-19 , http://hdl.handle.net/10962/d1008928 , Tape number: JKC04 , Original tape number: 4 , Track number: 19
- Description: English translation of title: 'We are entering Nemukumbela' , Traditional Venda song with tshihwana bow accompaniment , For further details refer to Jaco Kruger recording card: 72
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Mulaudzi, Munzhedzi (Performer) , Composer unknown
- Subjects: Hamutsha , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana , Solo
- Type: Music , Sound
- Identifier: vital:15739 , JKC04b-19 , http://hdl.handle.net/10962/d1008928 , Tape number: JKC04 , Original tape number: 4 , Track number: 19
- Description: English translation of title: 'We are entering Nemukumbela' , Traditional Venda song with tshihwana bow accompaniment , For further details refer to Jaco Kruger recording card: 72
- Full Text: false
Goeie more
- Kruger, Jaco (Recorded by), Thanyani, Jim (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Thanyani, Jim (Performer) , Composer unknown
- Subjects: Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Dende , Braced gourd bow , Solo
- Type: Music , Sound
- Identifier: vital:15901 , JKC03a-10 , http://hdl.handle.net/10962/d1009090 , Tape number: JKC03 , Original tape number: 3 , Track number: 10
- Description: English translation of title: 'Good morning' , Traditional song accompanied by the dende braced gourd-bow , For further details refer to Jaco Kruger recording card: 53
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Thanyani, Jim (Performer) , Composer unknown
- Subjects: Thohoyandou -- Transvaal (Limpopo) -- South Africa , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Dende , Braced gourd bow , Solo
- Type: Music , Sound
- Identifier: vital:15901 , JKC03a-10 , http://hdl.handle.net/10962/d1009090 , Tape number: JKC03 , Original tape number: 3 , Track number: 10
- Description: English translation of title: 'Good morning' , Traditional song accompanied by the dende braced gourd-bow , For further details refer to Jaco Kruger recording card: 53
- Full Text: false
The Mutshongolo Stamping Dance
- Shangaan men (Performer), Composer not specified
- Authors: Shangaan men (Performer) , Composer not specified
- Subjects: The Mutshongolo Stamping Dance of the Shangaan , Shield and sticks (struck together) , Indigenous folk music , Witwatersrand Gold Mines , Johannesburg , Transvaal Province (Gauteng Province) , South Africa
- Type: Sound , Music
- Identifier: vital:15184 , http://hdl.handle.net/10962/d1017305 , MOA12-07 , MOA12
- Description: The Mutshongolo stamping by Shangaan men, accompanied by the sound made when they strike their sticks against their shields , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Shangaan men (Performer) , Composer not specified
- Subjects: The Mutshongolo Stamping Dance of the Shangaan , Shield and sticks (struck together) , Indigenous folk music , Witwatersrand Gold Mines , Johannesburg , Transvaal Province (Gauteng Province) , South Africa
- Type: Sound , Music
- Identifier: vital:15184 , http://hdl.handle.net/10962/d1017305 , MOA12-07 , MOA12
- Description: The Mutshongolo stamping by Shangaan men, accompanied by the sound made when they strike their sticks against their shields , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Tshithethenthe Maride
- Kruger, Jaco (Recorded by), Ramakuwela, Elisa (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Ramakuwela, Elisa (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Children's song , Solo
- Type: Music , Sound
- Identifier: vital:15974 , JKC12a-03 , http://hdl.handle.net/10962/d1009163 , Tape number: JKC12 , Original tape number: 12 , Track number: 03
- Description: English translation of title: 'Dance Maride' , Traditional Venda children's song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 133
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Ramakuwela, Elisa (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Children's song , Solo
- Type: Music , Sound
- Identifier: vital:15974 , JKC12a-03 , http://hdl.handle.net/10962/d1009163 , Tape number: JKC12 , Original tape number: 12 , Track number: 03
- Description: English translation of title: 'Dance Maride' , Traditional Venda children's song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 133
- Full Text: false
Tshitaka tsha Gole ndi dzunde
- Kruger, Jaco (Recorded by), Rapulu, Sarah (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Rapulu, Sarah (Performer) , Composer unknown
- Subjects: Tshakhuma , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:15964 , JKC12a-13 , http://hdl.handle.net/10962/d1009153 , Tape number: JKC12 , Original tape number: 12 , Track number: 13
- Description: English translation of title: 'Gole's forest is a royal field' , Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 135
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Rapulu, Sarah (Performer) , Composer unknown
- Subjects: Tshakhuma , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:15964 , JKC12a-13 , http://hdl.handle.net/10962/d1009153 , Tape number: JKC12 , Original tape number: 12 , Track number: 13
- Description: English translation of title: 'Gole's forest is a royal field' , Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 135
- Full Text: false
A study of the airflow on the windward slope of a transverse dune in the Alexandria coastal dunefield
- Authors: Burkinshaw, Jennifer Ruth
- Date: 2021-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/52734 , vital:43883
- Description: Our understanding of the evolution of dune morphology has been hampered by a lack of empirical observations of airflow behaviour over dune forms. Sand dunes intrude into the atmospheric boundary layer and convergence of streamlines results in an acceleration of airflow up the windward slopes of dunes. This study examines the airflow structure and corresponding bedform development on the windward slope of a 7 m high transverse dune on the edge of the Alexandria coastal dunefield, Algoa Bay, South Africa. The Alexandria dunefield is subjected to a trimodal wind regime, consisting of the dominant south-westerly which blows all year round, summer easterlies and winter northwesterlies. The morphology of the study dune, Dune13, is controlled by the easterlies and north-westerlies, and reverses seasonally with respect to these two winds. Seven section lines 30 m apart and normal to the dune crest were surveyed regularly over the period of a year to monitor the reversal process. Three detailed topographic surveys were also done during this period. Airflow behaviour was monitored during the year. Wind speed profiles on the windward slope of the dune were measured using 4 to 5 vertical arrays of anemometers positioned from the base of the dune to the crest on a 1 selected section line. Usually 4 to 5 anemometers were deployed in each vertical array, from a height of 6 to 10 cm above the surface, up to a height of 150 cm above the surface. Initially 8 microanemometers were available; ultimately 28 anemometers were run simultaneously. An independent weather station at an elevation of 6 m recorded the unaccelerated flow. Local gradient measurements and erosion and deposition rates were recorded along selected section lines. Strong summer easterly winds (14 m/sec at 1.4 m above the dune crest) were measured on a dune slope in the process of being transformed from a slipface to a stoss slope. The following winter, light north-westerly winds (typically B m/sec at 1.6 m above the dune crest) were measured on the new windward slope already reversed by the prevailing winter wind. Airflow data confirm the compression of airflow against the windward slope resulting in a non-logarithmic wind speed profile. Compression results in an increased shear velocity within 30 cm of the dune surface, and the dune slope is eroded. Higher up in the wind speed profile, shear velocity decreases to 0.1 m/sec. It is not known at what height the wind speed profile recovers from the intrusion of the dune into the boundary layer. High values of shear velocity (1.6 m/sec) above the rounded crestal area of the dune record the recovery of the wind speed profile from flow divergence, which is a response to the rapid reduction of dune gradient and is accompanied by deposition of sand in this region. 2 The erosion pin data act as a simple and sensitive test for changes in gradient, reflecting the dune's response to changes in the airflow regime. The shape of the dune plays a major role in determining the extent of the compression and the distribution of shear velocity up the slope. Increased shear velocity is experienced on that part of the slope which is nonaerodynamic with respect to the prevailing wind. Under unidirectional conditions, feedback between flow and form results ultimately in a slope with a curvature such that shear velocity increases systematically upslope. The survey data and erosion pin data record the reversal process as the dune achieves a new steady state during each wind season. The existence of a non-logarithmic wind speed profile makes it difficult to know what relevant measure of shear velocity is to be used in sand transport equations. Future work should include wind speed measurements within 10 cm of the surface. An ideal study modelling aeolian bedform development would utilise wind tunnel measurements, combined with field measurements such as obtained in this study, for comparison with numerical modelling. The study needs to be extended to 3-dimensional airflow measurements. , Thesis (MSc) -- Faculty of Science, School of Environmental Sciences, 2021
- Full Text:
- Date Issued: 2021-04
- Authors: Burkinshaw, Jennifer Ruth
- Date: 2021-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/52734 , vital:43883
- Description: Our understanding of the evolution of dune morphology has been hampered by a lack of empirical observations of airflow behaviour over dune forms. Sand dunes intrude into the atmospheric boundary layer and convergence of streamlines results in an acceleration of airflow up the windward slopes of dunes. This study examines the airflow structure and corresponding bedform development on the windward slope of a 7 m high transverse dune on the edge of the Alexandria coastal dunefield, Algoa Bay, South Africa. The Alexandria dunefield is subjected to a trimodal wind regime, consisting of the dominant south-westerly which blows all year round, summer easterlies and winter northwesterlies. The morphology of the study dune, Dune13, is controlled by the easterlies and north-westerlies, and reverses seasonally with respect to these two winds. Seven section lines 30 m apart and normal to the dune crest were surveyed regularly over the period of a year to monitor the reversal process. Three detailed topographic surveys were also done during this period. Airflow behaviour was monitored during the year. Wind speed profiles on the windward slope of the dune were measured using 4 to 5 vertical arrays of anemometers positioned from the base of the dune to the crest on a 1 selected section line. Usually 4 to 5 anemometers were deployed in each vertical array, from a height of 6 to 10 cm above the surface, up to a height of 150 cm above the surface. Initially 8 microanemometers were available; ultimately 28 anemometers were run simultaneously. An independent weather station at an elevation of 6 m recorded the unaccelerated flow. Local gradient measurements and erosion and deposition rates were recorded along selected section lines. Strong summer easterly winds (14 m/sec at 1.4 m above the dune crest) were measured on a dune slope in the process of being transformed from a slipface to a stoss slope. The following winter, light north-westerly winds (typically B m/sec at 1.6 m above the dune crest) were measured on the new windward slope already reversed by the prevailing winter wind. Airflow data confirm the compression of airflow against the windward slope resulting in a non-logarithmic wind speed profile. Compression results in an increased shear velocity within 30 cm of the dune surface, and the dune slope is eroded. Higher up in the wind speed profile, shear velocity decreases to 0.1 m/sec. It is not known at what height the wind speed profile recovers from the intrusion of the dune into the boundary layer. High values of shear velocity (1.6 m/sec) above the rounded crestal area of the dune record the recovery of the wind speed profile from flow divergence, which is a response to the rapid reduction of dune gradient and is accompanied by deposition of sand in this region. 2 The erosion pin data act as a simple and sensitive test for changes in gradient, reflecting the dune's response to changes in the airflow regime. The shape of the dune plays a major role in determining the extent of the compression and the distribution of shear velocity up the slope. Increased shear velocity is experienced on that part of the slope which is nonaerodynamic with respect to the prevailing wind. Under unidirectional conditions, feedback between flow and form results ultimately in a slope with a curvature such that shear velocity increases systematically upslope. The survey data and erosion pin data record the reversal process as the dune achieves a new steady state during each wind season. The existence of a non-logarithmic wind speed profile makes it difficult to know what relevant measure of shear velocity is to be used in sand transport equations. Future work should include wind speed measurements within 10 cm of the surface. An ideal study modelling aeolian bedform development would utilise wind tunnel measurements, combined with field measurements such as obtained in this study, for comparison with numerical modelling. The study needs to be extended to 3-dimensional airflow measurements. , Thesis (MSc) -- Faculty of Science, School of Environmental Sciences, 2021
- Full Text:
- Date Issued: 2021-04