Chief Gidion Magak
- Authors: Daudi Otuoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178790 , vital:42986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-06
- Description: Daudi praises the chief Gidion Magak for his public work in the location for which he was specially honoured by the government. Praise song, with Thum 8 string lyre and Gara leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
- Authors: Daudi Otuoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178790 , vital:42986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-06
- Description: Daudi praises the chief Gidion Magak for his public work in the location for which he was specially honoured by the government. Praise song, with Thum 8 string lyre and Gara leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
Chifundo chamanga (I long for my mother)
- Authors: Samson Zimba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156845 , vital:40056 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-07
- Description: Sung by a lad of about 12 years old who sang this song in a quiet voice and was much applauded by everyone, whether for the singing or the sentiment, was not clear. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Samson Zimba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156845 , vital:40056 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-07
- Description: Sung by a lad of about 12 years old who sang this song in a quiet voice and was much applauded by everyone, whether for the singing or the sentiment, was not clear. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Chigona mbara (The drunkard)
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155906 , vital:39930 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-11
- Description: As he sang the audience were all making the sound of drinking. The tune, he says, was taken from a certain entertainer in Salisbury who called himself Chigona Mbara. The 'Drunkard'. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Malindi, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155906 , vital:39930 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-11
- Description: As he sang the audience were all making the sound of drinking. The tune, he says, was taken from a certain entertainer in Salisbury who called himself Chigona Mbara. The 'Drunkard'. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Chihibalumuna bembi
- Louis Mulowa and Lunda men, Hugh Tracey
- Authors: Louis Mulowa and Lunda men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183004 , vital:43902 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-16
- Description: "A man who wears a waistcoat without a jacket looks a perfect fool." The most trivial remarks are quite enough to suggest a good dance tune. The lower notes of this Chisanzhi were tuned with wax attached to the underside of the tips of the reeds. Sikinta dances with Chizanzhi Mbira and gourd.
- Full Text: false
- Date Issued: 1952
- Authors: Louis Mulowa and Lunda men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183004 , vital:43902 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-16
- Description: "A man who wears a waistcoat without a jacket looks a perfect fool." The most trivial remarks are quite enough to suggest a good dance tune. The lower notes of this Chisanzhi were tuned with wax attached to the underside of the tips of the reeds. Sikinta dances with Chizanzhi Mbira and gourd.
- Full Text: false
- Date Issued: 1952
Chikangaide (The bird)
- Authors: Young police , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Poilce Headquaters, Zomba, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154956 , vital:39797 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-17
- Description: Once there were some children who took their mother's clothes and gave them to a bird, and the bird started singing and said, "The children were playing and took their mother's clothes and gave them to me knowing nothing because I am only a bird from the bush." The father came and waited for the bird to kill it, but hearing the bird singing so prettily he forgot his anger and in fact went anf gave the bird still more clothes. This is a variation of the old theme of the enchantment of music. It perhaps does not indicate an aeshetic pleasure in the natural song of the blind but rather in the words of the song which it is supposed to have sung. Nthano story song with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Young police , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Poilce Headquaters, Zomba, Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154956 , vital:39797 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-17
- Description: Once there were some children who took their mother's clothes and gave them to a bird, and the bird started singing and said, "The children were playing and took their mother's clothes and gave them to me knowing nothing because I am only a bird from the bush." The father came and waited for the bird to kill it, but hearing the bird singing so prettily he forgot his anger and in fact went anf gave the bird still more clothes. This is a variation of the old theme of the enchantment of music. It perhaps does not indicate an aeshetic pleasure in the natural song of the blind but rather in the words of the song which it is supposed to have sung. Nthano story song with clapping.
- Full Text: false
- Date Issued: 1959
Chikangaude (The spider)
- Daliya Kafaniza, Hugh Tracey
- Authors: Daliya Kafaniza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158003 , vital:40138 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-07
- Description: A long time ago I went to the garden and there came a certain spider which turned into a man who told my children to give him some clothes to wear. The man told the children he had been sent by their mother. So he took the clothes and disappeared. "Children are children, they take their clothes from their clothes bag and give they away to anyone." Story song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Daliya Kafaniza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158003 , vital:40138 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-07
- Description: A long time ago I went to the garden and there came a certain spider which turned into a man who told my children to give him some clothes to wear. The man told the children he had been sent by their mother. So he took the clothes and disappeared. "Children are children, they take their clothes from their clothes bag and give they away to anyone." Story song with clapping.
- Full Text: false
- Date Issued: 1958
Chila twachinda naba matombo
- Children of the Mindola African school, Hugh Tracey
- Authors: Children of the Mindola African school , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182913 , vital:43892 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-06
- Description: A song for Chief Kazembe, also used as a canoe song. These children demonstrate a typically Luunda organum style of singing. Canoe song.
- Full Text: false
- Date Issued: 1952
- Authors: Children of the Mindola African school , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182913 , vital:43892 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-06
- Description: A song for Chief Kazembe, also used as a canoe song. These children demonstrate a typically Luunda organum style of singing. Canoe song.
- Full Text: false
- Date Issued: 1952
Chilongozi waulende wamoyo zina lake Yesu
- Authors: Aliki Chipupa , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184839 , vital:44277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-04
- Description: Aliki Chipupa the composer of this hymn was a minister in the Church of Scotland at the Bandwe Mission near the lake, and a friend of the blind singer. Beti set it to the Bangwe although at the mission it was always sung unaccompanied. When the recording was played back all the people standing around joined in, the old man Beti singing a seconf part to his own music. As with many African hymns in which the vernacular translation fails to be encompased by the standard number of bars, this hymn demonstrates a free scansion of the lines. (5 plus 6 plus 5 plus 4 bars). Hymn with Bangwe Raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Aliki Chipupa , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184839 , vital:44277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-04
- Description: Aliki Chipupa the composer of this hymn was a minister in the Church of Scotland at the Bandwe Mission near the lake, and a friend of the blind singer. Beti set it to the Bangwe although at the mission it was always sung unaccompanied. When the recording was played back all the people standing around joined in, the old man Beti singing a seconf part to his own music. As with many African hymns in which the vernacular translation fails to be encompased by the standard number of bars, this hymn demonstrates a free scansion of the lines. (5 plus 6 plus 5 plus 4 bars). Hymn with Bangwe Raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Chilumendo chakumona ku menso chilocha (How clean can a man or woman be)
- Luson Mwape Muchalo, Hugh Tracey
- Authors: Luson Mwape Muchalo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nkana mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151725 , vital:39164 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-06
- Description: "Chilumendo chakumona ku menso chilocha. Auchalo cha kumona ku menso filocha." "How clean can a man or woman be? A God is with you and saves you from all your troubles." Mortality sing with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: Luson Mwape Muchalo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nkana mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151725 , vital:39164 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-06
- Description: "Chilumendo chakumona ku menso chilocha. Auchalo cha kumona ku menso filocha." "How clean can a man or woman be? A God is with you and saves you from all your troubles." Mortality sing with guitar.
- Full Text: false
- Date Issued: 1957
Chilungulungu madje (The water snake)
- Chintuta Banda and group of Ngoni men and women, Hugh Tracey
- Authors: Chintuta Banda and group of Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Bancroft Mine, Norther Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154900 , vital:39791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-11
- Description: Drinking song with clapping
- Full Text: false
- Date Issued: 1959
- Authors: Chintuta Banda and group of Ngoni men and women , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Bancroft Mine, Norther Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154900 , vital:39791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-11
- Description: Drinking song with clapping
- Full Text: false
- Date Issued: 1959
Chimangala mangala (The cannibal)
- Daliya Kafaniza and Mang'anja women, Hugh Tracey
- Authors: Daliya Kafaniza and Mang'anja women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158160 , vital:40156 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-13
- Description: Here is one of the rare references to cannibalism in Southern Africa where it was not frequently practised. "Let us go, Achimangala Mangala, let us go. There was a man who asked a woman to marry him. This man used to eat before going to the garden to hoe, and so when he went hoeing he always came back late. A boy used to come and bring him food in the garden and he would ask the boy "how many plates of food have you bought?" This happened frequently and last of all he ate not only the food but the plates and the boy found nothing, and the man had vanished also as he was a cannibal. Story and song.
- Full Text: false
- Date Issued: 1958
- Authors: Daliya Kafaniza and Mang'anja women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158160 , vital:40156 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-13
- Description: Here is one of the rare references to cannibalism in Southern Africa where it was not frequently practised. "Let us go, Achimangala Mangala, let us go. There was a man who asked a woman to marry him. This man used to eat before going to the garden to hoe, and so when he went hoeing he always came back late. A boy used to come and bring him food in the garden and he would ask the boy "how many plates of food have you bought?" This happened frequently and last of all he ate not only the food but the plates and the boy found nothing, and the man had vanished also as he was a cannibal. Story and song.
- Full Text: false
- Date Issued: 1958
Chimwanikoda
- Munthuanengwi Muhlanga, Hugh Tracey
- Authors: Munthuanengwi Muhlanga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180348 , vital:43355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-04
- Description: An unusual musical bow on account of the use of a bridge ith which to divide the string into two segements and convey the sound direct to a small drum like resonator attached to the bow near its center. This simple little bow is played with an ox-tail bow near the point of stress. A thin stick is inserted between the gourd's membrane and the wire, conveying the sound down to the resonator and also dividing the single string into two unequal segments. The player stops the shorter of the two, thus producing the fundamental note on the longer segment and two or three notes on the shorter. It is perhaps strange to think that this product could prove entertaining and satisfactory to the performer. Self delectative song, with Chimwanikoda bowed musical bow, braced.
- Full Text: false
- Date Issued: 1949
- Authors: Munthuanengwi Muhlanga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180348 , vital:43355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-04
- Description: An unusual musical bow on account of the use of a bridge ith which to divide the string into two segements and convey the sound direct to a small drum like resonator attached to the bow near its center. This simple little bow is played with an ox-tail bow near the point of stress. A thin stick is inserted between the gourd's membrane and the wire, conveying the sound down to the resonator and also dividing the single string into two unequal segments. The player stops the shorter of the two, thus producing the fundamental note on the longer segment and two or three notes on the shorter. It is perhaps strange to think that this product could prove entertaining and satisfactory to the performer. Self delectative song, with Chimwanikoda bowed musical bow, braced.
- Full Text: false
- Date Issued: 1949
China mureya
- Zemaria Leon Marunga, Hugh Tracey
- Authors: Zemaria Leon Marunga , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156445 , vital:40002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-03
- Description: The tune is said to be connected with a song about a person who did not like giving food away to anyone else. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
- Authors: Zemaria Leon Marunga , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Tumbuka (African people) , Sena (African people) , Nyungwe (African people) , Folk music , Africa Mozambique Pondola, Furancengo f-mz
- Language: Sena , Nyungwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156445 , vital:40002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-03
- Description: The tune is said to be connected with a song about a person who did not like giving food away to anyone else. Self delectative song with Mbira.
- Full Text: false
- Date Issued: 1958
Chinjilile mwalyanjo (You had better be careful)
- Group of Lozi men, Hugh Tracey
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139770 , vital:37780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-06
- Description: When the girl's initiation is at an end, she is led in the evening to a nearby stream to wash, and whilst she is washing, this song is sung. The initiation period amongst the Lozi lasts for 6 months during which time the girl is taught all domestic skills she will need in later life. Girl's initiation song with guitar, and bottle struck by a nail.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139770 , vital:37780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-06
- Description: When the girl's initiation is at an end, she is led in the evening to a nearby stream to wash, and whilst she is washing, this song is sung. The initiation period amongst the Lozi lasts for 6 months during which time the girl is taught all domestic skills she will need in later life. Girl's initiation song with guitar, and bottle struck by a nail.
- Full Text: false
- Date Issued: 1957
Chinkanda amayi (The woman's beads)
- Three young Nyanja men, Hugh Tracey
- Authors: Three young Nyanja men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155504 , vital:39888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-05
- Description: This kind of performance between three friends is the next step from Nthano story telling, towards light opera, but without a solid theme except the all too common subject of borrowed money. "Work Tsotsi, its your habit to work at night and come late for your food, when it is cold. Tsosti boys and girls eat their food cold." "One man had borrowed money from the other. He hedged when asked where it was, saying "It was given to so and so to give back to him." "This woman has a lot of beads. Never mind even if she had beads all the way from her waist to her feet, it would do me no good, because wise men's wives do not have beads around their waists. So better to have my wife without them." Sketch.
- Full Text: false
- Date Issued: 1958
- Authors: Three young Nyanja men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155504 , vital:39888 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-05
- Description: This kind of performance between three friends is the next step from Nthano story telling, towards light opera, but without a solid theme except the all too common subject of borrowed money. "Work Tsotsi, its your habit to work at night and come late for your food, when it is cold. Tsosti boys and girls eat their food cold." "One man had borrowed money from the other. He hedged when asked where it was, saying "It was given to so and so to give back to him." "This woman has a lot of beads. Never mind even if she had beads all the way from her waist to her feet, it would do me no good, because wise men's wives do not have beads around their waists. So better to have my wife without them." Sketch.
- Full Text: false
- Date Issued: 1958
Chipindura (To turn over)
- Tawagaza Sibanda, Hugh Tracey
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154513 , vital:39741 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-03
- Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. Self delecatative song with Njari (Mbira).
- Full Text: false
- Date Issued: 1958
- Authors: Tawagaza Sibanda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
- Language: Shona, Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154513 , vital:39741 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-03
- Description: The player was playing with the thumb of the left hand, the thumb and first finger of the right hand. The Njari is the traditional instrument of the district having originated from the Buhera district further north over two centuries ago, when it began to displace an older variety called the Mbira-dza-Midgimu. Self delecatative song with Njari (Mbira).
- Full Text: false
- Date Issued: 1958
Chipungu
- Jespar Lungu and is wife, Hugh Tracey
- Authors: Jespar Lungu and is wife , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Petauke f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184437 , vital:44222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-05
- Description: The man is singing, partly in Falsetto, a duet with his wife. "Chipungu, Chipungu, show me where the meat is." The Chipungu is the Bateleur eagle which features in many songs in this part of Africa. It is sometimes said to be a sign of good luck, and, sometimes, if flies across your path at the beginning of a journey that you should turn back and start again tomorrow. Self delectative song with Kalimba, eleven notes, fan and external resonator
- Full Text: false
- Date Issued: 1957
- Authors: Jespar Lungu and is wife , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Petauke f-za
- Language: Nsenga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184437 , vital:44222 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-05
- Description: The man is singing, partly in Falsetto, a duet with his wife. "Chipungu, Chipungu, show me where the meat is." The Chipungu is the Bateleur eagle which features in many songs in this part of Africa. It is sometimes said to be a sign of good luck, and, sometimes, if flies across your path at the beginning of a journey that you should turn back and start again tomorrow. Self delectative song with Kalimba, eleven notes, fan and external resonator
- Full Text: false
- Date Issued: 1957
Chipuri (The singing gourd)
- Group of 12 Bena Shimba women and Alexis Chovu, Hugh Tracey
- Authors: Group of 12 Bena Shimba women and Alexis Chovu , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Bakwanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139192 , vital:37713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-02
- Description: The hand clapping was done more softly with capped hands. Morality song with 3 Chipuri singing gourds, 1 basket rattle, 1 bottle and hand clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 12 Bena Shimba women and Alexis Chovu , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Northern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Bakwanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139192 , vital:37713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-02
- Description: The hand clapping was done more softly with capped hands. Morality song with 3 Chipuri singing gourds, 1 basket rattle, 1 bottle and hand clapping.
- Full Text: false
- Date Issued: 1957
Chiriri movement.
- Kumbani, Hafu, Chopi perfomers, Hugh Tracey
- Authors: Kumbani, Hafu , Chopi perfomers , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Musical instruments--Africa , Instrumental music , Africa Mozambique Inharrime f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131786 , vital:36749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR001-10 , Field card no. H1K-5
- Description: The leader of this Timbila Orchestra is a well known player and composer, Hafu Kumbani, who has a large number of new Timbila tunes to his credit. The title Bandametu womgeniso appears to be commonly used by the eastern rather than the western Chopi. The Chopi clans which live to the east of the main body of the tribe of the Inhambane District and to speak a distinctive dialect. Those who know the Chopi well, claim that this can also be detected in the style of their plyaing and dancing and in the tunings of their Timbila xylophones. Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the GiTonga of the Inhambane District. Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with 14 xylophones, 2 rattles and one horn.
- Full Text: false
- Date Issued: 1955
- Authors: Kumbani, Hafu , Chopi perfomers , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Musical instruments--Africa , Instrumental music , Africa Mozambique Inharrime f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131786 , vital:36749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR001-10 , Field card no. H1K-5
- Description: The leader of this Timbila Orchestra is a well known player and composer, Hafu Kumbani, who has a large number of new Timbila tunes to his credit. The title Bandametu womgeniso appears to be commonly used by the eastern rather than the western Chopi. The Chopi clans which live to the east of the main body of the tribe of the Inhambane District and to speak a distinctive dialect. Those who know the Chopi well, claim that this can also be detected in the style of their plyaing and dancing and in the tunings of their Timbila xylophones. Regulo Nyankowango is considered to be one of the minor chiefs under Regulo Mikumbi of the Inharrime District. Living as they do to the east of the central Chopi, their dialect is distinctive and influenced by the GiTonga of the Inhambane District. Movement from the Ngodo xylophone orchestral dance of Regulo Nyankowongo with 14 xylophones, 2 rattles and one horn.
- Full Text: false
- Date Issued: 1955
Chirombo woye nditerere
- Mugadzikwa Mwangona (aged 13), Hugh Tracey
- Authors: Mugadzikwa Mwangona (aged 13) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Muzeze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181547 , vital:43745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-13
- Description: An unusaual example of a young Karanga boy playing a Kalimba Mbira instead of the Njari played by his father. The instrument was fan shaped as in Nyasaland. The player is unusually young to be so proficient and was much applauded by the audience. Self delectative song with Kalimba (Mbira)
- Full Text: false
- Date Issued: 1951
- Authors: Mugadzikwa Mwangona (aged 13) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Muzeze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181547 , vital:43745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-13
- Description: An unusaual example of a young Karanga boy playing a Kalimba Mbira instead of the Njari played by his father. The instrument was fan shaped as in Nyasaland. The player is unusually young to be so proficient and was much applauded by the audience. Self delectative song with Kalimba (Mbira)
- Full Text: false
- Date Issued: 1951