Capturing the Soweto Uprising: South Africa’s most iconic photograph lives on
- Authors: Simbao, Ruth K
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147036 , vital:38587 , https://theconversation.com/capturing-the-soweto-uprising-south-africas-most-iconic-photograph-lives-on-98318
- Description: Sam Nzima, the photographer who captured the iconic image of the 1976 Soweto Uprising passed awayon May 12, 2018. The photograph was one of six frames showing Mbuyisa Makhubu carrying 12-year-old Hector Pieterson who was shot by police, and Hector’s sister, Antionette Pieterson (now Sithole) running alongside.
- Full Text:
- Date Issued: 2018
- Authors: Simbao, Ruth K
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147036 , vital:38587 , https://theconversation.com/capturing-the-soweto-uprising-south-africas-most-iconic-photograph-lives-on-98318
- Description: Sam Nzima, the photographer who captured the iconic image of the 1976 Soweto Uprising passed awayon May 12, 2018. The photograph was one of six frames showing Mbuyisa Makhubu carrying 12-year-old Hector Pieterson who was shot by police, and Hector’s sister, Antionette Pieterson (now Sithole) running alongside.
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- Date Issued: 2018
Igniting public space at the Chale Wote street art festival in Accra:
- Authors: Simbao, Ruth K
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147048 , vital:38588 , https://theconversation.com/igniting-public-space-at-the-chale-wote-street-art-festival-in-accra-102783
- Description: For the past eight years at the end of every August the James Town suburb of Ghana’s capital Accra has been taken over by the Chale Wote street art festival. During the festival, thousands of people, including local celebrities, artists, musicians, boxers and everyday revellers, move up and down the streets mostly by foot and at times on roller skates or unicycles.
- Full Text:
- Date Issued: 2018
- Authors: Simbao, Ruth K
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147048 , vital:38588 , https://theconversation.com/igniting-public-space-at-the-chale-wote-street-art-festival-in-accra-102783
- Description: For the past eight years at the end of every August the James Town suburb of Ghana’s capital Accra has been taken over by the Chale Wote street art festival. During the festival, thousands of people, including local celebrities, artists, musicians, boxers and everyday revellers, move up and down the streets mostly by foot and at times on roller skates or unicycles.
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- Date Issued: 2018
Installation view: Chale Wote Festival 2018
- Authors: Simbao, Ruth K
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147059 , vital:38589 , https://www.contemporaryand.com/magazines/chale-wote-festival-accra-2018/
- Description: The Chale Wote festival opened on the Day of Re-Membering (20 August), when the Nai Priest poured libations at Brazil House in order to invoke the ancestral spirits. Core events took place on the streets and at various public spaces in James Town from 25 – 26 August. A number of artists including Kiffouly Youchaou, Kresiah Mukwazhi, Va-Bene Elikem Fiatsi (crazinisT artisT), Charlotte Brathwaite, Percy Nii Nortey and the Ubulungiswa/Justice collective created works inside Ussher Fort and James Fort, which were built as slave forts by the Dutch and the British.
- Full Text:
- Date Issued: 2018
- Authors: Simbao, Ruth K
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147059 , vital:38589 , https://www.contemporaryand.com/magazines/chale-wote-festival-accra-2018/
- Description: The Chale Wote festival opened on the Day of Re-Membering (20 August), when the Nai Priest poured libations at Brazil House in order to invoke the ancestral spirits. Core events took place on the streets and at various public spaces in James Town from 25 – 26 August. A number of artists including Kiffouly Youchaou, Kresiah Mukwazhi, Va-Bene Elikem Fiatsi (crazinisT artisT), Charlotte Brathwaite, Percy Nii Nortey and the Ubulungiswa/Justice collective created works inside Ussher Fort and James Fort, which were built as slave forts by the Dutch and the British.
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- Date Issued: 2018
Zimbabwe mobilizes: ICAC's shift from Coup de Grăce to Cultural Coup
- Simbao, Ruth K, Chikukwa, Raphael, Ogonga. Jimmy, Bickle, Berry, Pereira, Marie H, Altass, Dulcie A, Chikowero, Mhoze, Fall, N'Goné
- Authors: Simbao, Ruth K , Chikukwa, Raphael , Ogonga. Jimmy , Bickle, Berry , Pereira, Marie H , Altass, Dulcie A , Chikowero, Mhoze , Fall, N'Goné
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145665 , vital:38456 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00399
- Description: The International Conference on African Cultures (ICAC) was held at the National Gallery of Zimbabwe in Harare from September 11–13, 2017. Eight delegates write their reflections on the importance of this Africa-based event.
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- Date Issued: 2018
- Authors: Simbao, Ruth K , Chikukwa, Raphael , Ogonga. Jimmy , Bickle, Berry , Pereira, Marie H , Altass, Dulcie A , Chikowero, Mhoze , Fall, N'Goné
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145665 , vital:38456 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00399
- Description: The International Conference on African Cultures (ICAC) was held at the National Gallery of Zimbabwe in Harare from September 11–13, 2017. Eight delegates write their reflections on the importance of this Africa-based event.
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- Date Issued: 2018
Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities
- Simbao, Ruth K, Kouoh, Koyo, Nzewi, Ugochukwu-Smooth C, Sousa, Suzana, Koide, Emi
- Authors: Simbao, Ruth K , Kouoh, Koyo , Nzewi, Ugochukwu-Smooth C , Sousa, Suzana , Koide, Emi
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146055 , vital:38491 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00456
- Description: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in important ways towards a shift of the center of gravity of the global academy, particularly the study of art history in and of Africa.
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- Date Issued: 2019
Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities
- Authors: Simbao, Ruth K , Kouoh, Koyo , Nzewi, Ugochukwu-Smooth C , Sousa, Suzana , Koide, Emi
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146055 , vital:38491 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00456
- Description: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in important ways towards a shift of the center of gravity of the global academy, particularly the study of art history in and of Africa.
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- Date Issued: 2019
Cosmolocal orientations: trickster spatialization and the politics of cultural bargaining in Zambia
- Authors: Simbao, Ruth K
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146044 , vital:38490 , DOI 10.1080/19301944.2018.1532379
- Description: The spatialization of Africa is fraught, and places within Africa tend to be stereotyped by geographies of morality and simplistic rural/urban divides. Focusing on the spatial, cultural, and political bargaining of contemporary chiefs and cultural festivals in 21st-century Zambia, this article delinks cosmopolitanism and Afropolitanism from the city and associated attitudes of urbanity. Positioning place as a trickster character, it argues for a nuanced understanding of time-space imaginaries that refuses to bind people and identities to closed-down notions of place. In this article I propose the term cosmolocal, suggesting that the cosmolocal is an outward-engaging orientation that understands place as a profoundly discursive and situational process and that has the potential to exist anywhere. Many contemporary chiefs in Zambia embrace cosmolocalism, enabling them to escape the limitations of being viewed merely as custodians of culture who are limited to the space of the village framed historically as the warehouse of culture.
- Full Text:
- Date Issued: 2019
- Authors: Simbao, Ruth K
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146044 , vital:38490 , DOI 10.1080/19301944.2018.1532379
- Description: The spatialization of Africa is fraught, and places within Africa tend to be stereotyped by geographies of morality and simplistic rural/urban divides. Focusing on the spatial, cultural, and political bargaining of contemporary chiefs and cultural festivals in 21st-century Zambia, this article delinks cosmopolitanism and Afropolitanism from the city and associated attitudes of urbanity. Positioning place as a trickster character, it argues for a nuanced understanding of time-space imaginaries that refuses to bind people and identities to closed-down notions of place. In this article I propose the term cosmolocal, suggesting that the cosmolocal is an outward-engaging orientation that understands place as a profoundly discursive and situational process and that has the potential to exist anywhere. Many contemporary chiefs in Zambia embrace cosmolocalism, enabling them to escape the limitations of being viewed merely as custodians of culture who are limited to the space of the village framed historically as the warehouse of culture.
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- Date Issued: 2019
David Kolaone fought for the right to define himself and his art:
- Authors: Simbao, Ruth K
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146981 , vital:38582 , https://theconversation.com/david-koloane-fought-for-the-right-to-define-himself-and-his-art-120687
- Description: Dr David Nthubu Koloane, who was born in South Africa in 1938, was an extraordinary pioneer in the visual arts who fiercely defied any form of categorisation. As an artist, teacher, mentor, curator, arts administrator and author, he fought for the human right to define oneself and to determine one’s own future.
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- Date Issued: 2019
- Authors: Simbao, Ruth K
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146981 , vital:38582 , https://theconversation.com/david-koloane-fought-for-the-right-to-define-himself-and-his-art-120687
- Description: Dr David Nthubu Koloane, who was born in South Africa in 1938, was an extraordinary pioneer in the visual arts who fiercely defied any form of categorisation. As an artist, teacher, mentor, curator, arts administrator and author, he fought for the human right to define oneself and to determine one’s own future.
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- Date Issued: 2019
Pushing against ‘China-Africa’ slowly, and with small stories:
- Authors: Simbao, Ruth K
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146778 , vital:38556 , http://www.somethingweafricansgot.com/about-1
- Description: the new focus on african arts and critical thought.
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- Date Issued: 2019
- Authors: Simbao, Ruth K
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146778 , vital:38556 , http://www.somethingweafricansgot.com/about-1
- Description: the new focus on african arts and critical thought.
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- Date Issued: 2019
"Knowing With": New Rhodes Board Navigates Collaboration, Intimacy, and Solidarity
- Baasch, Rachel M, Fọlárànmí, Stephen, Koide, Emi, Kakande, Angelo, Simbao, Ruth K
- Authors: Baasch, Rachel M , Fọlárànmí, Stephen , Koide, Emi , Kakande, Angelo , Simbao, Ruth K
- Date: 2020
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147514 , vital:38645 , https://doi.org/10.1162/afar_a_00523
- Description: Rhodes University (or UCKAR), based in Makhanda, South Africa, joined the African Arts editorial consortium in 2016 and its first journal issue—vol. 50, no. 2—was published in 2017. Initially the board was run by Ruth Simbao, with the aim of developing collaborations with other scholars, particularly those based on the African continent and within the global south (Simbao 2017: 1). For the second Rhodes issue (Summer 2018), Simbao worked with Guest Board Member Amanda Tumusiime from Makerere University, and for the third Rhodes issue (Summer 2019) she collaborated with Stephen Folárànmí from Obáfémi Awólówò University, Ilé-Ifè, Nigeria, who at the time was a Postdoctoral Fellow at Rhodes.
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- Date Issued: 2020
- Authors: Baasch, Rachel M , Fọlárànmí, Stephen , Koide, Emi , Kakande, Angelo , Simbao, Ruth K
- Date: 2020
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147514 , vital:38645 , https://doi.org/10.1162/afar_a_00523
- Description: Rhodes University (or UCKAR), based in Makhanda, South Africa, joined the African Arts editorial consortium in 2016 and its first journal issue—vol. 50, no. 2—was published in 2017. Initially the board was run by Ruth Simbao, with the aim of developing collaborations with other scholars, particularly those based on the African continent and within the global south (Simbao 2017: 1). For the second Rhodes issue (Summer 2018), Simbao worked with Guest Board Member Amanda Tumusiime from Makerere University, and for the third Rhodes issue (Summer 2019) she collaborated with Stephen Folárànmí from Obáfémi Awólówò University, Ilé-Ifè, Nigeria, who at the time was a Postdoctoral Fellow at Rhodes.
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- Date Issued: 2020