Hayilose amale ye Matshangena
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1956-10-20
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227051 , vital:49405 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT376-K1 , Research no. MS1
- Description: Indigenous topical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1956-10-20
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1956-10-20
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227051 , vital:49405 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT376-K1 , Research no. MS1
- Description: Indigenous topical folk song with singing accompanied by a guitar.
- Full Text: false
- Date Issued: 1956-10-20
He wena mani
- Muwane, Armando Saule, Tracey, Hugh
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189697 , vital:44922 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-14
- Description: Both instruments were played by the performer who also had two littlehome made marionettes dangling on the end of a string from the neck of his guitar which danced opposite each other with the shaking of the guitar, and made their miniature foot prints on the loose sand. He is addressing his remarks to the two little wooden figures and the music itself is of secondary importance. Topical song, with guitar and rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189697 , vital:44922 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-14
- Description: Both instruments were played by the performer who also had two littlehome made marionettes dangling on the end of a string from the neck of his guitar which danced opposite each other with the shaking of the guitar, and made their miniature foot prints on the loose sand. He is addressing his remarks to the two little wooden figures and the music itself is of secondary importance. Topical song, with guitar and rattle.
- Full Text: false
- Date Issued: 1963
Hino Nacional
- Men and women of Nhamaxaxa, Tracey, Hugh
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189600 , vital:44911 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-04
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189600 , vital:44911 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-04
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
Introduction to uChipisa timpondo tamina
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227025 , vital:49403 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT375-J26 , Research no. H1R26
- Description: Spoken introduction to uChipisa timpondo tamina.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/227025 , vital:49403 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT375-J26 , Research no. H1R26
- Description: Spoken introduction to uChipisa timpondo tamina.
- Full Text: false
- Date Issued: 1955-10-11
Karimone
- Mbiza, Shimiti, Composer not specified, Tracey, Hugh
- Authors: Mbiza, Shimiti , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226727 , vital:49368 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT372-J23 , Research no. H1R14b
- Description: Indigenous self delectative folk song with singing accompanied by a mbira.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Mbiza, Shimiti , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226727 , vital:49368 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT372-J23 , Research no. H1R14b
- Description: Indigenous self delectative folk song with singing accompanied by a mbira.
- Full Text: false
- Date Issued: 1955-10-11
Kokwani vo
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226853 , vital:49382 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT374-J25 , Research no. H1R20
- Description: Indigenous topical folk song with singing accompanied by guitar.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226853 , vital:49382 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT374-J25 , Research no. H1R20
- Description: Indigenous topical folk song with singing accompanied by guitar.
- Full Text: false
- Date Issued: 1955-10-11
Kwaya
- Mabasso, France, Young boys and girls from Inkaya village, Composer not specified, Tracey, Hugh
- Authors: Mabasso, France , Young boys and girls from Inkaya village , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226597 , vital:49352 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT370-J21 , Research no. H1R6
- Description: Indigenous folk song for the Kwaya dance, with singing, background cries and clapping.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Mabasso, France , Young boys and girls from Inkaya village , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226597 , vital:49352 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT370-J21 , Research no. H1R6
- Description: Indigenous folk song for the Kwaya dance, with singing, background cries and clapping.
- Full Text: false
- Date Issued: 1955-10-11
Kwaya II
- Shasha, Mariko, Girls from Macia, Composer not specified, Tracey, Hugh
- Authors: Shasha, Mariko , Girls from Macia , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226640 , vital:49357 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT370-J21 , Research no. H1R9
- Description: Indigenous folk song for the Kwaya dance, with singing, background cries and clapping.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Shasha, Mariko , Girls from Macia , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226640 , vital:49357 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT370-J21 , Research no. H1R9
- Description: Indigenous folk song for the Kwaya dance, with singing, background cries and clapping.
- Full Text: false
- Date Issued: 1955-10-11
Kwaya III
- Hodzwana, Julio Temba, Girls from Macia, Composer not specified, Tracey, Hugh
- Authors: Hodzwana, Julio Temba , Girls from Macia , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226649 , vital:49359 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT371-J22 , Research no. H1R10
- Description: Indigenous folk song for the Kwaya dance, with singing, background cries and clapping.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Hodzwana, Julio Temba , Girls from Macia , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226649 , vital:49359 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT371-J22 , Research no. H1R10
- Description: Indigenous folk song for the Kwaya dance, with singing, background cries and clapping.
- Full Text: false
- Date Issued: 1955-10-11
Kwongotela mwananga
- Kawano, Tonganyana Orelio, Composer not specified, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226764 , vital:49371 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT373-J24 , Research no. H1R16
- Description: Indigenous topical folk song with singing and guitar.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226764 , vital:49371 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT373-J24 , Research no. H1R16
- Description: Indigenous topical folk song with singing and guitar.
- Full Text: false
- Date Issued: 1955-10-11
Kwongotela mwananga
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226778 , vital:49373 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT373-J24 , Research no. H1R16b
- Description: Indigenous topical folk song with a spoken introduction, followed by guitar accompanied singing.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226778 , vital:49373 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT373-J24 , Research no. H1R16b
- Description: Indigenous topical folk song with a spoken introduction, followed by guitar accompanied singing.
- Full Text: false
- Date Issued: 1955-10-11
Mafahlowana
- Mashawa, Fabiao Dingani, Composer not specified, Tracey, Hugh
- Authors: Mashawa, Fabiao Dingani , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226709 , vital:49365 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT372-J23 , Research no. H1R13b
- Description: Indigenous self delectative folk song with singing accompanied by a mbira dza waNdau.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Mashawa, Fabiao Dingani , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226709 , vital:49365 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT372-J23 , Research no. H1R13b
- Description: Indigenous self delectative folk song with singing accompanied by a mbira dza waNdau.
- Full Text: false
- Date Issued: 1955-10-11
Maiyo, Ngondo
- Nkhoma, Joviani, Composer not specified, Tracey, Hugh
- Authors: Nkhoma, Joviani , Composer not specified , Tracey, Hugh
- Date: 1957-06-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Wankie Colliery f-rh
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231004 , vital:49841 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT445-L66 , Research no. L2B7b
- Description: Indigenous folk song of lament, with singing accompanied by a banjo board zither with 7 metal strings.
- Full Text: false
- Date Issued: 1957-06-18
- Authors: Nkhoma, Joviani , Composer not specified , Tracey, Hugh
- Date: 1957-06-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Wankie Colliery f-rh
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/231004 , vital:49841 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT445-L66 , Research no. L2B7b
- Description: Indigenous folk song of lament, with singing accompanied by a banjo board zither with 7 metal strings.
- Full Text: false
- Date Issued: 1957-06-18
Makandana
- Mbiza, Shimiti, Composer not specified, Tracey, Hugh
- Authors: Mbiza, Shimiti , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226717 , vital:49366 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT372-J23 , Research no. H1R14a
- Description: Indigenous self delectative folk song with singing accompanied by a mbira.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Mbiza, Shimiti , Composer not specified , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226717 , vital:49366 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT372-J23 , Research no. H1R14a
- Description: Indigenous self delectative folk song with singing accompanied by a mbira.
- Full Text: false
- Date Issued: 1955-10-11
Makarita
- Men and women of Nhamaxaxa, Tracey, Hugh
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189605 , vital:44912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-05
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189605 , vital:44912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-05
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
Makarita nyaku hakanye
- Men and women of Nhamaxaxa, Tracey, Hugh
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189620 , vital:44913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-06
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189620 , vital:44913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-06
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
Maluzano
- Kawano, Tonganyana Orelio, Tracey, Hugh
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226983 , vital:49398 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT374-J25 , Research no. H1R22
- Description: Indigenous topical folk song with singing accompanied by a guitar, a mandoline and a kazoo.
- Full Text: false
- Date Issued: 1955-10-11
- Authors: Kawano, Tonganyana Orelio , Tracey, Hugh
- Date: 1955-10-11
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Mozambique Macia f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/226983 , vital:49398 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT374-J25 , Research no. H1R22
- Description: Indigenous topical folk song with singing accompanied by a guitar, a mandoline and a kazoo.
- Full Text: false
- Date Issued: 1955-10-11
Marcha
- Timoses, Comecado des Amigos, Tracey, Hugh
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189661 , vital:44918 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-10
- Description: Small dance groups such as this one are given to making impromptu patriotic speeches and to imitating the sound of the drums and trumphets of the local army band with their home made drums and singing horns. No one can say when singing horns were first introduced to this region. Speech in Portuguese and imitation military march, with 4 singing horns, 1 bass Gulu drum, 2 small drums fixed together and bell.
- Full Text: false
- Date Issued: 1963
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189661 , vital:44918 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-10
- Description: Small dance groups such as this one are given to making impromptu patriotic speeches and to imitating the sound of the drums and trumphets of the local army band with their home made drums and singing horns. No one can say when singing horns were first introduced to this region. Speech in Portuguese and imitation military march, with 4 singing horns, 1 bass Gulu drum, 2 small drums fixed together and bell.
- Full Text: false
- Date Issued: 1963
Maria e madala
- Muwane, Armando Saule, Tracey, Hugh
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189688 , vital:44921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-13
- Description: The perfomer was his own rattle player holding the rattle in his right hand. He is typical of the casual entertainer who use two or three chords repeated endlessly on their topical allusions which nowadays pass for serious song making. They frequently advertise themsleves, constantly mentioning their own names during the course of the song or as an introduction, as in this case. Topical song with guitar and rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189688 , vital:44921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-13
- Description: The perfomer was his own rattle player holding the rattle in his right hand. He is typical of the casual entertainer who use two or three chords repeated endlessly on their topical allusions which nowadays pass for serious song making. They frequently advertise themsleves, constantly mentioning their own names during the course of the song or as an introduction, as in this case. Topical song with guitar and rattle.
- Full Text: false
- Date Issued: 1963
Maruraba
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189651 , vital:44917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-09
- Description: The Gulu was played with a rubber headed beater (like the Chopi 'Tikongo') and the hand. The two Daiero were played with a pair of light sticks. The style of dancing which has persisted among the GiTonga of the Inhambane region for many decades appears to be solely the dance du ventre, performed either by men or women in which almost every possible action of the pelvic region below the waist is employed with tedious repetition. It is doubtful whether teh dance music of the GiTonga would have any attractions for other local tribes. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963
- Authors: Groupo Jazzi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189651 , vital:44917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-09
- Description: The Gulu was played with a rubber headed beater (like the Chopi 'Tikongo') and the hand. The two Daiero were played with a pair of light sticks. The style of dancing which has persisted among the GiTonga of the Inhambane region for many decades appears to be solely the dance du ventre, performed either by men or women in which almost every possible action of the pelvic region below the waist is employed with tedious repetition. It is doubtful whether teh dance music of the GiTonga would have any attractions for other local tribes. Dance (Dance du Ventre), with 4 singing horns, Puundu, 1 Bombo Gulu bass drum abd 2 Daiero drums.
- Full Text: false
- Date Issued: 1963