McGregor and Archie Shepp in Penne-d'Agenais
- Authors: Taris, Philippe
- Language: French
- Type: Article
- Identifier: vital:13655 , http://hdl.handle.net/10962/d1012565
- Description: Photocopied article from the French newspaper Sud-Ouest about a concert in Penne-d'Agenais, France with Chris McGregor's Brotherhood of Breath and Archie Shepp.
- Full Text:
- Authors: Taris, Philippe
- Language: French
- Type: Article
- Identifier: vital:13655 , http://hdl.handle.net/10962/d1012565
- Description: Photocopied article from the French newspaper Sud-Ouest about a concert in Penne-d'Agenais, France with Chris McGregor's Brotherhood of Breath and Archie Shepp.
- Full Text:
L’etude comparative des elements merveilleux dans trois epopees africaines: Soundjata ou I’epopee mandingue, Emperor Shaka The Great: a Zulu Epic et Nsongo’a Lianja: I’epopee nationale des Nkundo
- Authors: Nkaongami, Josue Bosange
- Date: 2017
- Language: French , English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/5590 , vital:20944
- Description: This thesis is a comparative study in Francophone literature which analyses the supernatural factors in three African epics, namely the Sundiata or Mandingo Epic from West Africa by Djibril Tasmir Niane (1960), Emperor Shaka The Great : A Zulu Epic from Southern Africa by Mazisi Kunene (1979), and Nsongo’a Lianja : the National Epic of Nkundo People from Central Africa by Edmond Boelaert (1949). The study analyses similarities and differences between the supernatural figures in these epics and their respective societies using contextual and socio-critical theories. In this thesis it is demonstrated that the presence of supernatural forces is a sine qua non condition for the existence of the epic in the sense that : “the essential mark of the heroic personality in many African folk epics is its reliance on supernatural resources” (Okpewho 1979 : 119). This study shows that in Africa, supernatural forces play vital roles in the society and therefore dominate the African oral epic traditions. Furthermore, the study is significant in the sense that it tries to describe the worldview, especially the religious and cultural beliefs of the particular society or group that produces the epic. The thesis is made up of six chapters. In the first chapter, I outline the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, I examine the impact of supernatural devices on the lives of the epic heroes Sundiata, Shaka, and Lianja, the predictions and divinations about their births, childhoods, exiles or epic journeys, their ascension to the throne as well as their genealogies and deaths. Such analysis allows one to identify the supernatural factors surrounding each stage of the life of the heroes, and to understand further the importance of supernatural forces in the communities and institutions where the heroes exercise their powers. In the third chapter, I discuss the typology of the supernatural forces in the heroic epics Sundiata, Shaka and Lianja, using Greimas’s theory of actants. I divide the characters into protagonists, accessories and opponents. In the fourth chapter, I examine the sources of the supernatural forces prevailing on Sundiata, Shaka, and Lianja. The chapter shows how supernatural agents act on the epic heroes and how these supernatural beings make or mar them in the course of the narratives. In the fifth chapter, I investigate the supernatural factors acting on the heroes’ opponents, and in chapter six, I examine the supernatural forces and heroism of the women in the three epics. In the conclusion, I demonstrate that this analysis of supernatural factors enables us not only to appreciate their place and function in the three African epics under study, but also opens a window onto the culture of the Mandingo, Zulu, and Mongo People’s : their activities, beliefs, taboos and the rules which organise their respective societies. , This thesis is presented in two parts: French and English.
- Full Text:
- Date Issued: 2017
- Authors: Nkaongami, Josue Bosange
- Date: 2017
- Language: French , English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/5590 , vital:20944
- Description: This thesis is a comparative study in Francophone literature which analyses the supernatural factors in three African epics, namely the Sundiata or Mandingo Epic from West Africa by Djibril Tasmir Niane (1960), Emperor Shaka The Great : A Zulu Epic from Southern Africa by Mazisi Kunene (1979), and Nsongo’a Lianja : the National Epic of Nkundo People from Central Africa by Edmond Boelaert (1949). The study analyses similarities and differences between the supernatural figures in these epics and their respective societies using contextual and socio-critical theories. In this thesis it is demonstrated that the presence of supernatural forces is a sine qua non condition for the existence of the epic in the sense that : “the essential mark of the heroic personality in many African folk epics is its reliance on supernatural resources” (Okpewho 1979 : 119). This study shows that in Africa, supernatural forces play vital roles in the society and therefore dominate the African oral epic traditions. Furthermore, the study is significant in the sense that it tries to describe the worldview, especially the religious and cultural beliefs of the particular society or group that produces the epic. The thesis is made up of six chapters. In the first chapter, I outline the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, I examine the impact of supernatural devices on the lives of the epic heroes Sundiata, Shaka, and Lianja, the predictions and divinations about their births, childhoods, exiles or epic journeys, their ascension to the throne as well as their genealogies and deaths. Such analysis allows one to identify the supernatural factors surrounding each stage of the life of the heroes, and to understand further the importance of supernatural forces in the communities and institutions where the heroes exercise their powers. In the third chapter, I discuss the typology of the supernatural forces in the heroic epics Sundiata, Shaka and Lianja, using Greimas’s theory of actants. I divide the characters into protagonists, accessories and opponents. In the fourth chapter, I examine the sources of the supernatural forces prevailing on Sundiata, Shaka, and Lianja. The chapter shows how supernatural agents act on the epic heroes and how these supernatural beings make or mar them in the course of the narratives. In the fifth chapter, I investigate the supernatural factors acting on the heroes’ opponents, and in chapter six, I examine the supernatural forces and heroism of the women in the three epics. In the conclusion, I demonstrate that this analysis of supernatural factors enables us not only to appreciate their place and function in the three African epics under study, but also opens a window onto the culture of the Mandingo, Zulu, and Mongo People’s : their activities, beliefs, taboos and the rules which organise their respective societies. , This thesis is presented in two parts: French and English.
- Full Text:
- Date Issued: 2017
L’entre-deux identitaire dans quelques oeuvres d’écrivains francophones “immigrantsˮ, “cas de Dany Laferrière, d’Alain Mabanckou, de Calixthe Beyala et de Lottin Wekapeˮ
- Kayumba, Viviane Ngoie Banza
- Authors: Kayumba, Viviane Ngoie Banza
- Date: 2019
- Subjects: African literature (French) -- History and criticism , Immigrants in literature , Mabanckou, Alain, 1966-. Black bazaar , Laferrière, Dany. Je suis un écrivain japonais , Beyala, Calixthe. Le Petit prince de Belleville , Wekape, Lottin, 1968-. J’appartiens au monde
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/150929 , vital:39018
- Description: This dissertation examines the theme of hybrid identities in Mabanckou, Laferrière, Beyala and Wekape’s novels : Black Bazar, Le Petit prince de Belleville, Je suis un écrivain japonais and J’appartiens au monde. Hybrid identity raises the issue of identity diversity and contemporary francophone literature is characterised by the emergence of fictional narratives increasingly numerous. This research undertaken is driven by the desire to extend the field of investigation in francophone literature by taking into account a varied corpus of Haitian, Congolese, and Cameroonian literatures. I have opted for writers who settled in a foreign country and have adopted a foreign language that they considered to be part of a foreign literary world; writers who are between two or more cultures which they depict in French. The few existing studies on hybrid identities on these four novels focused more on formal and linguistic analysis and omitted meaningful sociocritic analysis. It is clear that a full study on sociocritic approach on hybrid identity on these four authors remains to be done. The research is demonstrating how different characters created by these four postmodern immigrant French-speaking writers occasionally function similarly in their texts. This gives a clear understanding of the specific behaviour of immigrants characters, vis-à-vis their various situations in the novels, and how these immigrants seek to address the problems they encounter. As this research offers reflections related to the identities and nationalities of immigrants, Laferrière, Mabanckou, Beyala and Wekape’s texts are based on the search for social belonging and a literary membership in this modern world. Therefore, they are analysing their position in a literary field as well as in a social field. In their texts they highlight the Space real or imaginary. In which way and how this Space contribute to the evolution of francophone literature? To what extent does francophone literature takes into account this representation of the Space? These questions lead to a reflection on the position occupied by these authors in the francophone field and the source of their literary inspirations. My interest in these authors is motivated by the fact that, by living and writing in a country which is not their place of birth, they each reveal different aspects of hybrid identity. Each of them, has his or her personal and original way of tackling the problem of mixed identity. They present their characters in different situations and different contexts, showing that each has been in contact with several cultures which they have assimilated and each lived in his or her own way a particular story. My study’s focus is to understand the problems of contact of cultures and their consequences, and to explore how through the characters of the novel, immigrant French speaking writers understood their acculturation as themselves have experienced an identity crisis, resulting from the confrontation of the culture of their new homeland and the culture of their country of origin. For this reason, Bourdieu’s approach “la sociocritique” will help me to found out the origin of the author’s obsession with the question of hybrid identity. I have chosen these four immigrant speaking writers to explore the strategies implemented by the novels’ narrators to construct their identities and to find out how the narrators express the intentions of the authors. In their texts, Mabanckou, Beyala, Laferrière and Wekape have used various strategies to express the quest for identity which gives clear indications of the authors’ creativity such as humour, parody, or solemnity and gravity - and the narrative voices reveal distinctive attitudes in relation to hybrid identity. At this level, other approaches will also be called for, such as the work of Westphal, Doubrovsky, Genette, Colona, etc. Through my investigation, these works present similarities and dissimilarities. Each author tackled the questions of hybrid identities according to his own experience. From there, a different commitment emerges, depending on the degree of inquiry into questions about immigration. These authors all evoke the social precariousness of their characters or the immigrant and privilege an urban framework. The examination of these works allowed me to identify their place in Francophonie literature and to discover the importance of their texts. The four novels relate to the search for identity, an aesthetic way and a search for freedom. They possess aesthetic qualities, they have a high degree of coherence. Their romantic choice shows their creativity and their strategies engender a hybrid writing that stems from their position between several languages and place these novels within the world literature.
- Full Text:
- Date Issued: 2019
- Authors: Kayumba, Viviane Ngoie Banza
- Date: 2019
- Subjects: African literature (French) -- History and criticism , Immigrants in literature , Mabanckou, Alain, 1966-. Black bazaar , Laferrière, Dany. Je suis un écrivain japonais , Beyala, Calixthe. Le Petit prince de Belleville , Wekape, Lottin, 1968-. J’appartiens au monde
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/150929 , vital:39018
- Description: This dissertation examines the theme of hybrid identities in Mabanckou, Laferrière, Beyala and Wekape’s novels : Black Bazar, Le Petit prince de Belleville, Je suis un écrivain japonais and J’appartiens au monde. Hybrid identity raises the issue of identity diversity and contemporary francophone literature is characterised by the emergence of fictional narratives increasingly numerous. This research undertaken is driven by the desire to extend the field of investigation in francophone literature by taking into account a varied corpus of Haitian, Congolese, and Cameroonian literatures. I have opted for writers who settled in a foreign country and have adopted a foreign language that they considered to be part of a foreign literary world; writers who are between two or more cultures which they depict in French. The few existing studies on hybrid identities on these four novels focused more on formal and linguistic analysis and omitted meaningful sociocritic analysis. It is clear that a full study on sociocritic approach on hybrid identity on these four authors remains to be done. The research is demonstrating how different characters created by these four postmodern immigrant French-speaking writers occasionally function similarly in their texts. This gives a clear understanding of the specific behaviour of immigrants characters, vis-à-vis their various situations in the novels, and how these immigrants seek to address the problems they encounter. As this research offers reflections related to the identities and nationalities of immigrants, Laferrière, Mabanckou, Beyala and Wekape’s texts are based on the search for social belonging and a literary membership in this modern world. Therefore, they are analysing their position in a literary field as well as in a social field. In their texts they highlight the Space real or imaginary. In which way and how this Space contribute to the evolution of francophone literature? To what extent does francophone literature takes into account this representation of the Space? These questions lead to a reflection on the position occupied by these authors in the francophone field and the source of their literary inspirations. My interest in these authors is motivated by the fact that, by living and writing in a country which is not their place of birth, they each reveal different aspects of hybrid identity. Each of them, has his or her personal and original way of tackling the problem of mixed identity. They present their characters in different situations and different contexts, showing that each has been in contact with several cultures which they have assimilated and each lived in his or her own way a particular story. My study’s focus is to understand the problems of contact of cultures and their consequences, and to explore how through the characters of the novel, immigrant French speaking writers understood their acculturation as themselves have experienced an identity crisis, resulting from the confrontation of the culture of their new homeland and the culture of their country of origin. For this reason, Bourdieu’s approach “la sociocritique” will help me to found out the origin of the author’s obsession with the question of hybrid identity. I have chosen these four immigrant speaking writers to explore the strategies implemented by the novels’ narrators to construct their identities and to find out how the narrators express the intentions of the authors. In their texts, Mabanckou, Beyala, Laferrière and Wekape have used various strategies to express the quest for identity which gives clear indications of the authors’ creativity such as humour, parody, or solemnity and gravity - and the narrative voices reveal distinctive attitudes in relation to hybrid identity. At this level, other approaches will also be called for, such as the work of Westphal, Doubrovsky, Genette, Colona, etc. Through my investigation, these works present similarities and dissimilarities. Each author tackled the questions of hybrid identities according to his own experience. From there, a different commitment emerges, depending on the degree of inquiry into questions about immigration. These authors all evoke the social precariousness of their characters or the immigrant and privilege an urban framework. The examination of these works allowed me to identify their place in Francophonie literature and to discover the importance of their texts. The four novels relate to the search for identity, an aesthetic way and a search for freedom. They possess aesthetic qualities, they have a high degree of coherence. Their romantic choice shows their creativity and their strategies engender a hybrid writing that stems from their position between several languages and place these novels within the world literature.
- Full Text:
- Date Issued: 2019
L’analyse du Panafricanisme dans la littérature africaine d’expression française: étude de Les Soleils des Indépendances d’Ahmadou Kourouma
- Batubenga David-Roger, Ndaye
- Authors: Batubenga David-Roger, Ndaye
- Date: 2021-10-29
- Subjects: African literature (French) History and criticism , Kourouma, Ahmadou. Soleils des indépendances , Pan-Africanism in literature , Postcolonialism in literature , Africans in literature , Identity (Philosophical concept) in literature , Ethnicity in literature
- Language: French
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/${Handle} , vital:45204
- Description: Analysis of pan-Africanism in French African literature: case study of The Suns of independences by Ahmadou Kourouma. (L’analyse du Panafricanisme dans la littérature africaine d’expression française : étude des Soleils des Indépendances d’Ahmadou Kourouma) This study seeks to analyse the concept of pan-Africanism in French African Literature as depicted in The Suns of independences by Ahmadou Kourouma. The theme as well as the plot of the novel are both part of the post-colonial era, when African states acceded to the so-called national sovereignty. Theoretically, this was the end of colonization. Indeed, the advent of independence in Africa was, among other things, the fulfilment of one of the objectives of the pan-Africanism movement. Those objectives, according to Estanilas Ngodi (2003:6), were to promote the well-being as well as the unity of African people and those of African descendants around the world; to ensure equal civic rights for African people; to ensure the total abolition of all forms of racial discrimination; and to demand a self-determination and genuine independence of and for African’s people and states. To understand this challenging concept of pan-Africanism, we will draw inspiration from the studies of Edward Wilmot Blyden (1832-1912) who defined it as emerging a distinctive African personality: It is accepted in this study that the manner in and the extent to which the concept of pan-Africanism will be analysed should not be confused with other concepts such as Negroism or Negritude. The concern of asserting African history and identity by African people is justified by the fact that for centuries the philosophical and anthropological Eurocentric trend that Africans and their cultures and knowledge had no value. For this purpose, Trevor Roper (1963:871) asserted: “Perhaps in the future, there will be some African history, but at present, there is none; only the history of Europeans in Africa. The rest is darkness…and darkness is not a subject of history…” This denial of African history and civilization was, according to Europeans, the reason for the slave trade and colonization, and the development of pan-Africanism was the reaction or resistance against these views. That is the reason why, in the novel (The Suns of 4 independences), Kourouma depicts the concept of pan-Africanism and reveals the need for African people to assert themselves in humanity as being equal to all other races. Indeed, the advent of independence in Africa was an opportunity for Africans to regain their pre-colonial roots. Because it raised hopes and expectations to see Africa being led by its own sons. Unfortunately, independences have become a missed rendezvous or a disappointment for Africans. This argument is confirmed by the metaphor of Fama, a traditional king in the post-independence Africa: find himself “dried and undressed by colonization and Independences” (p.116). Broadly speaking, Kourouma interrogates the evolution of African societies in the light of pan-Africanism and denounces political, economic, and social issues that are affecting Africa in the post-colonial era. These issues include dictatorship, mismanagement, corruption, poverty, and the challenge of regaining African personality from colonial influence. What differentiates my study from the previous research is that I seek to investigate to which extent Kourouma portrays the failure of African society in the light of pan-Africanism before and after the colonialist era, and the impact of this failure upon the establishment of the pan-Africanist vision in Africa. Little attention has been given to the analysis of this novel (The Suns of independences) in this perspective. Kourouma is an Ivorian writer. In 1970, he published his first novel (The Suns of Independences) which is considered as a masterpiece in French African Literature and which many critics have classified it as one of the founding works in African Literature. In this study, in accordance with the novel above-mentioned I have considered three different aspects of pan-Africanism. Firstly, I described pan-Africanism as the search for the dignity of black people. Secondly, I examined it as the desire of regaining or rebuilding the African unity (African states without colonial borders). Thirdly, I analysed it as the return of African people to their history, their origin, and their cultural identity, in short, the return of Africa to its original state before the slave trade and colonization. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-10-29
- Authors: Batubenga David-Roger, Ndaye
- Date: 2021-10-29
- Subjects: African literature (French) History and criticism , Kourouma, Ahmadou. Soleils des indépendances , Pan-Africanism in literature , Postcolonialism in literature , Africans in literature , Identity (Philosophical concept) in literature , Ethnicity in literature
- Language: French
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/${Handle} , vital:45204
- Description: Analysis of pan-Africanism in French African literature: case study of The Suns of independences by Ahmadou Kourouma. (L’analyse du Panafricanisme dans la littérature africaine d’expression française : étude des Soleils des Indépendances d’Ahmadou Kourouma) This study seeks to analyse the concept of pan-Africanism in French African Literature as depicted in The Suns of independences by Ahmadou Kourouma. The theme as well as the plot of the novel are both part of the post-colonial era, when African states acceded to the so-called national sovereignty. Theoretically, this was the end of colonization. Indeed, the advent of independence in Africa was, among other things, the fulfilment of one of the objectives of the pan-Africanism movement. Those objectives, according to Estanilas Ngodi (2003:6), were to promote the well-being as well as the unity of African people and those of African descendants around the world; to ensure equal civic rights for African people; to ensure the total abolition of all forms of racial discrimination; and to demand a self-determination and genuine independence of and for African’s people and states. To understand this challenging concept of pan-Africanism, we will draw inspiration from the studies of Edward Wilmot Blyden (1832-1912) who defined it as emerging a distinctive African personality: It is accepted in this study that the manner in and the extent to which the concept of pan-Africanism will be analysed should not be confused with other concepts such as Negroism or Negritude. The concern of asserting African history and identity by African people is justified by the fact that for centuries the philosophical and anthropological Eurocentric trend that Africans and their cultures and knowledge had no value. For this purpose, Trevor Roper (1963:871) asserted: “Perhaps in the future, there will be some African history, but at present, there is none; only the history of Europeans in Africa. The rest is darkness…and darkness is not a subject of history…” This denial of African history and civilization was, according to Europeans, the reason for the slave trade and colonization, and the development of pan-Africanism was the reaction or resistance against these views. That is the reason why, in the novel (The Suns of 4 independences), Kourouma depicts the concept of pan-Africanism and reveals the need for African people to assert themselves in humanity as being equal to all other races. Indeed, the advent of independence in Africa was an opportunity for Africans to regain their pre-colonial roots. Because it raised hopes and expectations to see Africa being led by its own sons. Unfortunately, independences have become a missed rendezvous or a disappointment for Africans. This argument is confirmed by the metaphor of Fama, a traditional king in the post-independence Africa: find himself “dried and undressed by colonization and Independences” (p.116). Broadly speaking, Kourouma interrogates the evolution of African societies in the light of pan-Africanism and denounces political, economic, and social issues that are affecting Africa in the post-colonial era. These issues include dictatorship, mismanagement, corruption, poverty, and the challenge of regaining African personality from colonial influence. What differentiates my study from the previous research is that I seek to investigate to which extent Kourouma portrays the failure of African society in the light of pan-Africanism before and after the colonialist era, and the impact of this failure upon the establishment of the pan-Africanist vision in Africa. Little attention has been given to the analysis of this novel (The Suns of independences) in this perspective. Kourouma is an Ivorian writer. In 1970, he published his first novel (The Suns of Independences) which is considered as a masterpiece in French African Literature and which many critics have classified it as one of the founding works in African Literature. In this study, in accordance with the novel above-mentioned I have considered three different aspects of pan-Africanism. Firstly, I described pan-Africanism as the search for the dignity of black people. Secondly, I examined it as the desire of regaining or rebuilding the African unity (African states without colonial borders). Thirdly, I analysed it as the return of African people to their history, their origin, and their cultural identity, in short, the return of Africa to its original state before the slave trade and colonization. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-10-29
Lʹétude des thèmes du deuil et de la marginalité dans Le Royaume Aveugle et Reine Pokou, concerto pour un sacrifice de Véronique Tadjo
- Sachikonye, Tsitsi Shamiso Anne
- Authors: Sachikonye, Tsitsi Shamiso Anne
- Date: 2013
- Subjects: Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Language: French
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3603 , http://hdl.handle.net/10962/d1002956 , Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Description: The field of our study is Francophone African Literature and this thesis explores the themes of marginality and grief both experienced by Princess Akissi in The Blind Kingdom and Princess Pokou in Queen Pokou (2004) during their rise to power in their respective kingdoms. The two novels written by Véronique Tadjo from Ivory Coast, are subjected to thematic analysis because they are both based on similar storylines - that of conflict and rivalry within kingdoms resulting in the exile of the two princesses. One of the novels is set in a pre-colonial period while the other is set in a postcolonial era. Queen Pokou, winner of the 2005 Grand Prix Littéraire d’Afrique Noire (which is the most distinguished prize in Francophone African literature), is a retelling of the founding myths of the Baoulé people of Ivory Coast. In her literary texts, Tadjo transgresses the original legend and her reconstruction of this legend is significant because it challenges the ritual sacrifice made by Princess Pokou in order to free her people and to become queen. In The Blind Kingdom (1990), Tadjo highlights the corruption and injustice of the ruling elite. Space is used to reinforce the King’s domination thus a revolution is necessary to overthrow the exploitative power structures in place. The revolution that takes place relies heavily on the participation of Karim and especially on Princess Akissi who chooses to rebel against her father, King Ato IV in order to stop injustice. This thematic analysis, supported by semiotic theory, aims to establish and demonstrate the relationship between marginality of the two princesses, in particular, and their subsequent grief. It sheds light on the reasons for their exclusion from power as well as the nature of the conflicts that occur as they rise to power. The study postulates that certain myths and images are evoked by the novelist to symbolise the exclusion of the two princesses from power.
- Full Text:
- Date Issued: 2013
- Authors: Sachikonye, Tsitsi Shamiso Anne
- Date: 2013
- Subjects: Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Language: French
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3603 , http://hdl.handle.net/10962/d1002956 , Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Description: The field of our study is Francophone African Literature and this thesis explores the themes of marginality and grief both experienced by Princess Akissi in The Blind Kingdom and Princess Pokou in Queen Pokou (2004) during their rise to power in their respective kingdoms. The two novels written by Véronique Tadjo from Ivory Coast, are subjected to thematic analysis because they are both based on similar storylines - that of conflict and rivalry within kingdoms resulting in the exile of the two princesses. One of the novels is set in a pre-colonial period while the other is set in a postcolonial era. Queen Pokou, winner of the 2005 Grand Prix Littéraire d’Afrique Noire (which is the most distinguished prize in Francophone African literature), is a retelling of the founding myths of the Baoulé people of Ivory Coast. In her literary texts, Tadjo transgresses the original legend and her reconstruction of this legend is significant because it challenges the ritual sacrifice made by Princess Pokou in order to free her people and to become queen. In The Blind Kingdom (1990), Tadjo highlights the corruption and injustice of the ruling elite. Space is used to reinforce the King’s domination thus a revolution is necessary to overthrow the exploitative power structures in place. The revolution that takes place relies heavily on the participation of Karim and especially on Princess Akissi who chooses to rebel against her father, King Ato IV in order to stop injustice. This thematic analysis, supported by semiotic theory, aims to establish and demonstrate the relationship between marginality of the two princesses, in particular, and their subsequent grief. It sheds light on the reasons for their exclusion from power as well as the nature of the conflicts that occur as they rise to power. The study postulates that certain myths and images are evoked by the novelist to symbolise the exclusion of the two princesses from power.
- Full Text:
- Date Issued: 2013
Long live the Jazz, tonight, with McGregor
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Estiva de Dijon
- Language: French
- Type: Article
- Identifier: vital:13725 , http://hdl.handle.net/10962/d1012738
- Description: Photocopied article from the French newspaper Le Bien Public about a jazz festival in Dijon, France, where Chris McGregor's Brotherhood of Breath will be playing amongst other musicians and bands.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Estiva de Dijon
- Language: French
- Type: Article
- Identifier: vital:13725 , http://hdl.handle.net/10962/d1012738
- Description: Photocopied article from the French newspaper Le Bien Public about a jazz festival in Dijon, France, where Chris McGregor's Brotherhood of Breath will be playing amongst other musicians and bands.
- Full Text:
Letter from Jack Lang to Chris McGregor's family
- Authors: Lang, Jack
- Date: 2012-09-20
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13482 , http://hdl.handle.net/10962/d1002618 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied letter from Jack Lang, ex-French Minister of Art and Culture, to Chris McGregor's family.
- Full Text:
- Authors: Lang, Jack
- Date: 2012-09-20
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13482 , http://hdl.handle.net/10962/d1002618 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied letter from Jack Lang, ex-French Minister of Art and Culture, to Chris McGregor's family.
- Full Text:
Letter from Ellert Bernard
- Authors: Bernard, Ellert
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Bernard, Ellert , Jazz musicians
- Language: French
- Type: Article
- Identifier: vital:13559 , http://hdl.handle.net/10962/d1006443 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Bernard, Ellert , Jazz musicians
- Description: Photocopied letter in French from Ellert Bernard who speaks on behalf of Chris McGregor's family, friends and neighbors after the publication of an article in the French newspaper Sud-Ouest which doesn't fully honors Chris McGregor's death.
- Full Text:
- Authors: Bernard, Ellert
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Bernard, Ellert , Jazz musicians
- Language: French
- Type: Article
- Identifier: vital:13559 , http://hdl.handle.net/10962/d1006443 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Bernard, Ellert , Jazz musicians
- Description: Photocopied letter in French from Ellert Bernard who speaks on behalf of Chris McGregor's family, friends and neighbors after the publication of an article in the French newspaper Sud-Ouest which doesn't fully honors Chris McGregor's death.
- Full Text:
Les Trinitaires
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris -- 1936-1990 , Jazz
- Language: French
- Type: Text
- Identifier: vital:13782 , http://hdl.handle.net/10962/d1012814
- Description: Original poster for the music festival Jazz en Lorraine, in France, organised by the association Les Trinitaires.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris -- 1936-1990 , Jazz
- Language: French
- Type: Text
- Identifier: vital:13782 , http://hdl.handle.net/10962/d1012814
- Description: Original poster for the music festival Jazz en Lorraine, in France, organised by the association Les Trinitaires.
- Full Text:
Les elements dramatiques dans les premiers romans (1939-1963) de Nathalie Sarraute
- Authors: O'Grady, Betty
- Date: 1983
- Subjects: Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3617 , http://hdl.handle.net/10962/d1006921 , Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Full Text:
- Date Issued: 1983
- Authors: O'Grady, Betty
- Date: 1983
- Subjects: Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3617 , http://hdl.handle.net/10962/d1006921 , Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Full Text:
- Date Issued: 1983
Leave the place to the melody
- Authors: Nighthawk
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Article
- Identifier: vital:13621 , http://hdl.handle.net/10962/d1012495 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa)
- Description: Photocopied article in French about Chris McGregor, his music style and the various bands he took part of or created, such as Blue Notes and Brotherhood of Breath. There is a picture of Chris McGregor with the article.
- Full Text:
- Authors: Nighthawk
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Article
- Identifier: vital:13621 , http://hdl.handle.net/10962/d1012495 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa)
- Description: Photocopied article in French about Chris McGregor, his music style and the various bands he took part of or created, such as Blue Notes and Brotherhood of Breath. There is a picture of Chris McGregor with the article.
- Full Text:
Le theme de l'absence dans le theatre d'Arthur Adamov
- Authors: Jones, Rosalind
- Date: 1978
- Subjects: Adamov, Arthur -- Criticism and interpretation , French drama -- History and criticism , Absurd (Philosophy) in literature
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3637 , http://hdl.handle.net/10962/d1013401
- Description: [From Introduction]. L'oeuvre dramatique d'Arthur Adamov (1908-1970) s'lténd sur une trentaine d'années et révèle une grande variété d'influences et d'intérêts. Depuis son point de départ "absurde" des années quarante en passant par une période oú s'imposent des préoccupations d'ordre social et politique pour aboutir á une fusion des sujets métaphysiques et des sujets engagés dans un théâtre qui est de nouveau non-réaliste et onirique, nous pouvons tracer des influences aussi diverses que celle provenant de Flaubert et des premiers surréalistes, de Strindberg et de Kafka, de Dostoîevsky et des expressionnistes russes et allemands, de Buchner, d'Antonin Artaud, de Brecht et de Karl Marx.
- Full Text:
- Date Issued: 1978
- Authors: Jones, Rosalind
- Date: 1978
- Subjects: Adamov, Arthur -- Criticism and interpretation , French drama -- History and criticism , Absurd (Philosophy) in literature
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3637 , http://hdl.handle.net/10962/d1013401
- Description: [From Introduction]. L'oeuvre dramatique d'Arthur Adamov (1908-1970) s'lténd sur une trentaine d'années et révèle une grande variété d'influences et d'intérêts. Depuis son point de départ "absurde" des années quarante en passant par une période oú s'imposent des préoccupations d'ordre social et politique pour aboutir á une fusion des sujets métaphysiques et des sujets engagés dans un théâtre qui est de nouveau non-réaliste et onirique, nous pouvons tracer des influences aussi diverses que celle provenant de Flaubert et des premiers surréalistes, de Strindberg et de Kafka, de Dostoîevsky et des expressionnistes russes et allemands, de Buchner, d'Antonin Artaud, de Brecht et de Karl Marx.
- Full Text:
- Date Issued: 1978
Le test de McKenzie-Stoughton: méthode de mesure de l’effect réservoir
- Woodford, R, Haigh, John M, Barry, B W
- Authors: Woodford, R , Haigh, John M , Barry, B W
- Date: 1981
- Language: French
- Type: Article
- Identifier: vital:6448 , http://hdl.handle.net/10962/d1006635
- Description: A la suite de I'observation que firent Mac Kenzie et Stoughton en 1962, montrant que I'application locale de cortico'ldes anti-inflammatoires peut produire un blanchiment de la peau, des tests ont ete mis au point pour apprecier la constitution d'une telle paleur chez des sujets volontaires. Les techniques qui ont ete publiees sont variables quant a la methode d'application (avec ou sans occlusion), la duree d'application du cortico'lde (.c'est-a-dire duree breve de 6 a 8 heures ou prolongee de 16 a 20 heures) et quant a la methode d'appreciation de la reponse, enregistree par exemple comme etant presente ou absente, ou bien cotee, soit avec une simple lecture,. soit avec des lectures repetees, pendant un certain temps. Les auteurs ont mis au point des essais standart de vasoconstriction avec et sans occlusion, pour apprecier les preparations quant a leur efficacite clinique pour determiner la biodisponibilite des cortico'ldes a partir des supports pour applications locales. A condition que I'investigateur et Ie volontaire se conforment strictement au protocole du test les methodes suivantes ont une precision surprenante d'appreciation (Barry et Woodford, 1978).
- Full Text:
- Date Issued: 1981
- Authors: Woodford, R , Haigh, John M , Barry, B W
- Date: 1981
- Language: French
- Type: Article
- Identifier: vital:6448 , http://hdl.handle.net/10962/d1006635
- Description: A la suite de I'observation que firent Mac Kenzie et Stoughton en 1962, montrant que I'application locale de cortico'ldes anti-inflammatoires peut produire un blanchiment de la peau, des tests ont ete mis au point pour apprecier la constitution d'une telle paleur chez des sujets volontaires. Les techniques qui ont ete publiees sont variables quant a la methode d'application (avec ou sans occlusion), la duree d'application du cortico'lde (.c'est-a-dire duree breve de 6 a 8 heures ou prolongee de 16 a 20 heures) et quant a la methode d'appreciation de la reponse, enregistree par exemple comme etant presente ou absente, ou bien cotee, soit avec une simple lecture,. soit avec des lectures repetees, pendant un certain temps. Les auteurs ont mis au point des essais standart de vasoconstriction avec et sans occlusion, pour apprecier les preparations quant a leur efficacite clinique pour determiner la biodisponibilite des cortico'ldes a partir des supports pour applications locales. A condition que I'investigateur et Ie volontaire se conforment strictement au protocole du test les methodes suivantes ont une precision surprenante d'appreciation (Barry et Woodford, 1978).
- Full Text:
- Date Issued: 1981
Le Grand Livre du Jazz
- Authors: Berendt, Joachim-Ernst
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz musicians
- Language: French
- Identifier: vital:13568 , http://hdl.handle.net/10962/d1006520 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz musicians
- Description: Photocopied article from the French book Le Grand Livre du Jazz about the renewal of the Big Bands in Europe at the end of the '70s and beginning of '80s. Chris McGregor's Brotherhood of Breath is described in the middle section of the article.
- Full Text:
- Authors: Berendt, Joachim-Ernst
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz musicians
- Language: French
- Identifier: vital:13568 , http://hdl.handle.net/10962/d1006520 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz musicians
- Description: Photocopied article from the French book Le Grand Livre du Jazz about the renewal of the Big Bands in Europe at the end of the '70s and beginning of '80s. Chris McGregor's Brotherhood of Breath is described in the middle section of the article.
- Full Text:
La possibilité de la révélation et du salut dans les religions non chrétiennes : le debat protestant contemporain
- Authors: Matungulu, Givule Floribert
- Date: 1994
- Language: French
- Type: Thesis , Masters , MTh
- Identifier: vital:1307 , http://hdl.handle.net/10962/d1018215
- Full Text:
- Date Issued: 1994
- Authors: Matungulu, Givule Floribert
- Date: 1994
- Language: French
- Type: Thesis , Masters , MTh
- Identifier: vital:1307 , http://hdl.handle.net/10962/d1018215
- Full Text:
- Date Issued: 1994
La masculinité dans quelques oeuvres des romanciers Francophones Africains
- Joseph, Joy Ifeanyichukwu Osarumwense
- Authors: Joseph, Joy Ifeanyichukwu Osarumwense
- Date: 2019
- Subjects: Masculinity in literature , Men in literature , African fiction (French) -- History and criticism , Bâ, Mariama. Chant écarlate , Fassinou, Adélaïde, 1955-.Modukpè le rêve brisé , Sanusi, Ramonu Abiodun, 1961-.Le bistouri des larmes , Sanusi, Ramonu Abiodun, 1961-.Un nègre a violé une blonde à Dallas , Baboni, Azaratou.Vie de femme, vie de sang
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/97512 , vital:31446 , DOI 10.21504/10962/97512
- Description: This thesis is a sociocritic and comparative study in Francophone African Literature which examines how male and female authors depict masculinity amongst African men in selected works of Francophone authors and how it affects the emancipation of women in the society. These include Mariama Bâ’s Un chant écarlate (1981) from Senegal, Adelaïde Fassinou’s Modukpè le rêve brisé (2000) from Benin, Ramonu Sanusi’s Le bistouri des larmes (2005, 2010) from Nigeria, Azaratou Baboni’s Vie de femme, vie de sang, (2011) from Benin, Ramonu Sanusi’s Un nègre a violé une blonde à Dallas, (2016) from Nigeria. The study analyses the various forms of masculinity in the selected works of Francophone authors. The study also examines the notable similarities and differences in the portrayal of male characters in the novel and how prevailing environmental factors determine the themes in the novel. This study has demonstrated that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity in West Africa. These forms of masculinity have negative effects not only on the woman but affects the society in general. Furthermore, the study pleads for a social change with respect to Molara Leslie-Oguundipe’s theory on stiwanism (Ogundipe 1994: 229-230) The thesis is made of six chapters. In the first chapter, we outlined the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, we examined Raewyn Connell’s theory of Masculinity and Molara Leslie-Ogundipe’s theory of Stiwanism with respect to the selected novels. Raewyn Connell’s theory on masculinity a sociological theory was employed in analyzing the social patterns of societal relationships, social interaction and culture, while Molara Leslie-Ogundipe’s theory on stiwanism a literary theory mirrored the West African Society. Such analyses helped us in identifying how socio-cultural and religious contexts influence the attitude of men towards women. In the third chapter, we applied sociocritic and comparative analyses between Mariama’s Bâ’s Un Chant Écarlate and Adelaïde’s Fassinou’s Modukpè le rêve brisé. The study focuses on how hegemonic and marginalized forms of masculinity influences racial discrimination in mixed marriages, polygamy, unwanted pregnancy, secondary sterility and single motherhood. These masculinities had negative effects on women and the society. The study also analyzed how both male and female characters employed stiwanist strategy in enhancing peace and harmony in the society. In the fourth chapter, the study examined how hegemonic and marginalized forms of masculinity influenced domestic violence, primary sterility, female genital mutilation and its negative and permanent damage to the health of women, the loss of lives of women and children in Ramonu Sanusi’s Le bistouri des larmes and Baboni Azaratou’s Vie de femme, vie de sang. The study also examined how women can rise above traditional norms with respect to stiwanist activites. The fifth chapter analyzed the influence of socio-cultural and political challenges in a contemporary society with respect to marginalized form of masculinity. In the sixth chapter, the study concluded that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity. These forms of masculinites have negative effects on both sexes (male and female) as well as the society.
- Full Text:
- Date Issued: 2019
- Authors: Joseph, Joy Ifeanyichukwu Osarumwense
- Date: 2019
- Subjects: Masculinity in literature , Men in literature , African fiction (French) -- History and criticism , Bâ, Mariama. Chant écarlate , Fassinou, Adélaïde, 1955-.Modukpè le rêve brisé , Sanusi, Ramonu Abiodun, 1961-.Le bistouri des larmes , Sanusi, Ramonu Abiodun, 1961-.Un nègre a violé une blonde à Dallas , Baboni, Azaratou.Vie de femme, vie de sang
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/97512 , vital:31446 , DOI 10.21504/10962/97512
- Description: This thesis is a sociocritic and comparative study in Francophone African Literature which examines how male and female authors depict masculinity amongst African men in selected works of Francophone authors and how it affects the emancipation of women in the society. These include Mariama Bâ’s Un chant écarlate (1981) from Senegal, Adelaïde Fassinou’s Modukpè le rêve brisé (2000) from Benin, Ramonu Sanusi’s Le bistouri des larmes (2005, 2010) from Nigeria, Azaratou Baboni’s Vie de femme, vie de sang, (2011) from Benin, Ramonu Sanusi’s Un nègre a violé une blonde à Dallas, (2016) from Nigeria. The study analyses the various forms of masculinity in the selected works of Francophone authors. The study also examines the notable similarities and differences in the portrayal of male characters in the novel and how prevailing environmental factors determine the themes in the novel. This study has demonstrated that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity in West Africa. These forms of masculinity have negative effects not only on the woman but affects the society in general. Furthermore, the study pleads for a social change with respect to Molara Leslie-Oguundipe’s theory on stiwanism (Ogundipe 1994: 229-230) The thesis is made of six chapters. In the first chapter, we outlined the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, we examined Raewyn Connell’s theory of Masculinity and Molara Leslie-Ogundipe’s theory of Stiwanism with respect to the selected novels. Raewyn Connell’s theory on masculinity a sociological theory was employed in analyzing the social patterns of societal relationships, social interaction and culture, while Molara Leslie-Ogundipe’s theory on stiwanism a literary theory mirrored the West African Society. Such analyses helped us in identifying how socio-cultural and religious contexts influence the attitude of men towards women. In the third chapter, we applied sociocritic and comparative analyses between Mariama’s Bâ’s Un Chant Écarlate and Adelaïde’s Fassinou’s Modukpè le rêve brisé. The study focuses on how hegemonic and marginalized forms of masculinity influences racial discrimination in mixed marriages, polygamy, unwanted pregnancy, secondary sterility and single motherhood. These masculinities had negative effects on women and the society. The study also analyzed how both male and female characters employed stiwanist strategy in enhancing peace and harmony in the society. In the fourth chapter, the study examined how hegemonic and marginalized forms of masculinity influenced domestic violence, primary sterility, female genital mutilation and its negative and permanent damage to the health of women, the loss of lives of women and children in Ramonu Sanusi’s Le bistouri des larmes and Baboni Azaratou’s Vie de femme, vie de sang. The study also examined how women can rise above traditional norms with respect to stiwanist activites. The fifth chapter analyzed the influence of socio-cultural and political challenges in a contemporary society with respect to marginalized form of masculinity. In the sixth chapter, the study concluded that hegemonic and marginalized forms of masculinity are the dominant forms of masculinity. These forms of masculinites have negative effects on both sexes (male and female) as well as the society.
- Full Text:
- Date Issued: 2019
La femme dans l'oeuvre litteraire de Jean-Paul Sartre
- Authors: Seiler, Miriam Zimet
- Date: 1977
- Subjects: Sartre, Jean-Paul, 1905-1980 -- Criticism and interpretation
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3641 , http://hdl.handle.net/10962/d1014302
- Description: [From introduction]. Pourquoi examiner Ie rôle de la femme dans l' oeuvre de Sartre? Jean-Paul Sartre est l'un des philosophes les plus importants de ce siècle, un philosophe qui s'est consacré ấ un examen de l'homme et de ses rapports avec l'existence par la liberté conscienter; un penseur qui a montré son individualisme dans le domaine de la politique, n'acceptant que ce qu'il trouve défendable; un romancier et un dramaturge dont l'oeuvre a connu un succès mondial.
- Full Text:
- Date Issued: 1977
- Authors: Seiler, Miriam Zimet
- Date: 1977
- Subjects: Sartre, Jean-Paul, 1905-1980 -- Criticism and interpretation
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3641 , http://hdl.handle.net/10962/d1014302
- Description: [From introduction]. Pourquoi examiner Ie rôle de la femme dans l' oeuvre de Sartre? Jean-Paul Sartre est l'un des philosophes les plus importants de ce siècle, un philosophe qui s'est consacré ấ un examen de l'homme et de ses rapports avec l'existence par la liberté conscienter; un penseur qui a montré son individualisme dans le domaine de la politique, n'acceptant que ce qu'il trouve défendable; un romancier et un dramaturge dont l'oeuvre a connu un succès mondial.
- Full Text:
- Date Issued: 1977
L'insoumis chaleureux
- C., Fara
- Authors: C., Fara
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Jazz musicians
- Language: French
- Identifier: vital:13505 , http://hdl.handle.net/10962/d1005766 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Jazz musicians
- Description: Photocopied article about Chris McGregor one year after his death. The article is announcing a concert tribute to Chris McGregor. There is also a picture of him playing the keyboards.
- Full Text:
- Authors: C., Fara
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Jazz musicians
- Language: French
- Identifier: vital:13505 , http://hdl.handle.net/10962/d1005766 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Jazz musicians
- Description: Photocopied article about Chris McGregor one year after his death. The article is announcing a concert tribute to Chris McGregor. There is also a picture of him playing the keyboards.
- Full Text:
L'image du peuple dans Le premier homme d'Albert Camus
- Heynderickx, Nathalie Marcel Madeleine
- Authors: Heynderickx, Nathalie Marcel Madeleine
- Date: 1996
- Subjects: Camus, Albert, 1913-1960. Premier homme
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3577 , http://hdl.handle.net/10962/d1002150 , Camus, Albert, 1913-1960. Premier homme
- Full Text:
- Date Issued: 1996
- Authors: Heynderickx, Nathalie Marcel Madeleine
- Date: 1996
- Subjects: Camus, Albert, 1913-1960. Premier homme
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3577 , http://hdl.handle.net/10962/d1002150 , Camus, Albert, 1913-1960. Premier homme
- Full Text:
- Date Issued: 1996
Journalist Claude Wauthier and musician Chris McGregor invited by Amnesty International
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Wauthier, Claude , Amnesty International , Jazz
- Language: French
- Type: Article
- Identifier: vital:13723 , http://hdl.handle.net/10962/d1012736
- Description: Photocopied article from the newspaper le Républicain Lorrain about the week of conferences organised by Amnesty International with Claude Wauthier. Chris McGregor with his trio will be performing at the end of the week. There are 2 pictures with this article. The top picture is a portrait of Chris McGregor and the bottom picture is a drawing by Patrick Rauzier for Amnesty International.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Wauthier, Claude , Amnesty International , Jazz
- Language: French
- Type: Article
- Identifier: vital:13723 , http://hdl.handle.net/10962/d1012736
- Description: Photocopied article from the newspaper le Républicain Lorrain about the week of conferences organised by Amnesty International with Claude Wauthier. Chris McGregor with his trio will be performing at the end of the week. There are 2 pictures with this article. The top picture is a portrait of Chris McGregor and the bottom picture is a drawing by Patrick Rauzier for Amnesty International.
- Full Text: