Résultats des études menées en Angleterre: détermination de la posologie optimale
- Woodford, R, Haigh, John M, Barry, B W
- Authors: Woodford, R , Haigh, John M , Barry, B W
- Date: 1981
- Language: French
- Type: Article
- Identifier: vital:6449 , http://hdl.handle.net/10962/d1006636
- Description: Les auteurs ont etudie la biodisponibilite et I'activite de formules experimentales et commercialisees de dermocortico'ides en utilisant les essais de vasoconstriction avec et sans occlusion (1, 2, 6, 7, 8, 9). L'application unique de six heures avec lectures multiples a ete largement utilisee dans ce travail et la methodologie en a ete decrite en detail ailleurs (4). Sur la base de ce travail. on a pratique des applications repetees de dermocortico'ides commercialises au Royaume- Uni. en utilisant Ie test du blanchiment de la peau sans occlusion, de maniere a reproduire au plus pres la situation realisee en clinique (3). Ce travail a montre que I'application de cortico'ides trois fois par jour pendant cinq jours aboutissait a une tachyphylaxie considerable de la reponse du blanchiment quelque soit I'activite therapeutique de la formule utilisee. Au bout de deux jours de repos, on a assiste a une recuperation considerable, mais a nouveau une tachyphylaxie aigue s'est installee a la suite d'une nouvelle application triquotidienne.
- Full Text:
- Date Issued: 1981
- Authors: Woodford, R , Haigh, John M , Barry, B W
- Date: 1981
- Language: French
- Type: Article
- Identifier: vital:6449 , http://hdl.handle.net/10962/d1006636
- Description: Les auteurs ont etudie la biodisponibilite et I'activite de formules experimentales et commercialisees de dermocortico'ides en utilisant les essais de vasoconstriction avec et sans occlusion (1, 2, 6, 7, 8, 9). L'application unique de six heures avec lectures multiples a ete largement utilisee dans ce travail et la methodologie en a ete decrite en detail ailleurs (4). Sur la base de ce travail. on a pratique des applications repetees de dermocortico'ides commercialises au Royaume- Uni. en utilisant Ie test du blanchiment de la peau sans occlusion, de maniere a reproduire au plus pres la situation realisee en clinique (3). Ce travail a montre que I'application de cortico'ides trois fois par jour pendant cinq jours aboutissait a une tachyphylaxie considerable de la reponse du blanchiment quelque soit I'activite therapeutique de la formule utilisee. Au bout de deux jours de repos, on a assiste a une recuperation considerable, mais a nouveau une tachyphylaxie aigue s'est installee a la suite d'une nouvelle application triquotidienne.
- Full Text:
- Date Issued: 1981
Run run
- Didier Sourou Awadi aka DJ Awadi (performer, author), Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author), Palm Tree Enter/Africa with P.B.S. Production
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131494 , vital:36587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-06
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131494 , vital:36587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-06
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255499 , vital:52601 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987d
- Description: Traditional song with drum and rattles accompaniment
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255499 , vital:52601 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987d
- Description: Traditional song with drum and rattles accompaniment
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255454 , vital:52592 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986c
- Description: Traditional song with drum and rattle accompaniment
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255454 , vital:52592 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986c
- Description: Traditional song with drum and rattle accompaniment
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255445 , vital:52591 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986b
- Description: Traditional mouth imitation of song
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255445 , vital:52591 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986b
- Description: Traditional mouth imitation of song
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255436 , vital:52590 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986a
- Description: Traditional song with drum accompaniment
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255436 , vital:52590 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986a
- Description: Traditional song with drum accompaniment
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255472 , vital:52597 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987a
- Description: Traditional drum rhythm performance
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255472 , vital:52597 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987a
- Description: Traditional drum rhythm performance
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255477 , vital:52598 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987b
- Description: Traditional drum beating with rattles performance
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255477 , vital:52598 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987b
- Description: Traditional drum beating with rattles performance
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255463 , vital:52593 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986d
- Description: Traditional chant song with rattles accompaniment
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255463 , vital:52593 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 986d
- Description: Traditional chant song with rattles accompaniment
- Full Text: false
- Date Issued: 0000-00-00
Rites de la Circumcision Chez
- Bapere, Les, Composer not specified, Tracey, Hugh
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255490 , vital:52599 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987c
- Description: Traditional song with drum and whistling accompaniment
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bapere, Les , Composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/255490 , vital:52599 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3727 , 987c
- Description: Traditional song with drum and whistling accompaniment
- Full Text: false
- Date Issued: 0000-00-00
Reviens
- Brighess (author, composer, lead singer, chorus, percussions), Turbo (chorus), Le Ziboua Stars (band), Cisky de Panza (chorus, guitar, arranger), Ras live I
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129284 , vital:36257 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-06
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129284 , vital:36257 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-06
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
Retour a la Terre
- N'Gbocho Anoma Jacques (vocals), Kokora Bongoua (written, composed, arranged by), Robert (alto saxophone), Oumar Maxim, Narcisse (bass guitar), Yapo Jimmy, Kilola De Bela Bela (chorus), Tia Pierre (Congas Toumba), Aye Hilarion (guitar), Bongoua Joachim (solo guitar, leader), Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals), Osei Kwame (organ, synthesizer), Mario Zani (tenor saxophone), Georges, Isaac, Akissi Leion (trumbet), Showbiz
- Authors: N'Gbocho Anoma Jacques (vocals) , Kokora Bongoua (written, composed, arranged by) , Robert (alto saxophone) , Oumar Maxim, Narcisse (bass guitar) , Yapo Jimmy, Kilola De Bela Bela (chorus) , Tia Pierre (Congas Toumba) , Aye Hilarion (guitar) , Bongoua Joachim (solo guitar, leader) , Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals) , Osei Kwame (organ, synthesizer) , Mario Zani (tenor saxophone) , Georges, Isaac, Akissi Leion (trumbet) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129560 , vital:36306 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-01
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: N'Gbocho Anoma Jacques (vocals) , Kokora Bongoua (written, composed, arranged by) , Robert (alto saxophone) , Oumar Maxim, Narcisse (bass guitar) , Yapo Jimmy, Kilola De Bela Bela (chorus) , Tia Pierre (Congas Toumba) , Aye Hilarion (guitar) , Bongoua Joachim (solo guitar, leader) , Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals) , Osei Kwame (organ, synthesizer) , Mario Zani (tenor saxophone) , Georges, Isaac, Akissi Leion (trumbet) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129560 , vital:36306 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-01
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
Remix Abissa
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (solo guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127580 , vital:36023 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-08
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127580 , vital:36023 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-08
- Description: Ivorian band with solo and chorus singing, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
Program - Le Monde de la Musique
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Collins, Albert
- Language: French
- Type: Text
- Identifier: vital:13787 , http://hdl.handle.net/10962/d1012820
- Description: Original program from the French magazine "Le Monde de la Musique".
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Collins, Albert
- Language: French
- Type: Text
- Identifier: vital:13787 , http://hdl.handle.net/10962/d1012820
- Description: Original program from the French magazine "Le Monde de la Musique".
- Full Text:
Pour Mieux t'Aimer
- Priscilia Ngando (lead vocal), Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars), Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar), Dany Mouanga, Eric Sefu (solo guitar), Aubin Sandjo, Paul Balong (keyboard), Abel Massock, Fabo Claude, Nono (chorus), Moussa Haissam, Nana Mouskouri, Priscilia Ngando (composers), Aubin Sandjo (drum, percussion, keyboard), Alhadji Mallam Issa (talking drum), Moussa Haissam
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Moussa Haissam, Nana Mouskouri, Priscilia Ngando (composers) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130846 , vital:36488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-04
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
- Authors: Priscilia Ngando (lead vocal) , Mevio-Mayo, Dany Mouanga, Mouasso (rhythm guitars) , Aubin Sandjo, Scorpionkabambay, Mouche Bass (bass guitar) , Dany Mouanga, Eric Sefu (solo guitar) , Aubin Sandjo, Paul Balong (keyboard) , Abel Massock, Fabo Claude, Nono (chorus) , Moussa Haissam, Nana Mouskouri, Priscilia Ngando (composers) , Aubin Sandjo (drum, percussion, keyboard) , Alhadji Mallam Issa (talking drum) , Moussa Haissam
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cameroon Yaounde f-cm
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130846 , vital:36488 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC47-04
- Description: Popular songs from Cameroon, featuring female vocal accompanied by keyboard, chorus, guitar, percussion and talking drum, playing West and Central African rhythms
- Full Text: false
- Date Issued: 2000
Portuguise
- Musique Militaire du Premier Groupment, Force Publique, Composer not specified, Tracey, Hugh
- Authors: Musique Militaire du Premier Groupment, Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/202876 , vital:46582 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-034 , Research no. C2U2
- Description: A song which soldiers marched to accompanied by trumpets and a brass band.
- Full Text: false
- Date Issued: 1949-07-07
- Authors: Musique Militaire du Premier Groupment, Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/202876 , vital:46582 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-034 , Research no. C2U2
- Description: A song which soldiers marched to accompanied by trumpets and a brass band.
- Full Text: false
- Date Issued: 1949-07-07
Photocopied article from the Jazz Magazine
- Authors: Azoulay, Eliane
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Dollar Brand , Mabuse, Sipho
- Language: French
- Type: Article
- Identifier: vital:13485 , http://hdl.handle.net/10962/d1005620 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Dollar Brand , Mabuse, Sipho
- Description: Photocopied article in French from Jazz Magazine about the various South African bands who came to and stayed in Europe, because they were forbidden in their country. There is a short interview of Chris McGregor about his return in South Africa in 1987 and announcing his forthcoming recording with the band Brotherhood of Breath.
- Full Text:
- Authors: Azoulay, Eliane
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Dollar Brand , Mabuse, Sipho
- Language: French
- Type: Article
- Identifier: vital:13485 , http://hdl.handle.net/10962/d1005620 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Dollar Brand , Mabuse, Sipho
- Description: Photocopied article in French from Jazz Magazine about the various South African bands who came to and stayed in Europe, because they were forbidden in their country. There is a short interview of Chris McGregor about his return in South Africa in 1987 and announcing his forthcoming recording with the band Brotherhood of Breath.
- Full Text:
Personnages dans l’espace, Personnages comme espace: une analyse du conte « Barbe Bleue » par Charles Perrault et les révisions de Tahar Ben Jelloun et d’Amélie Nothomb
- Authors: Jimu, Kundai Michelle
- Date: 2023-10-13
- Subjects: Uncatalogued
- Language: French
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/424943 , vital:72195
- Description: Dans un couple, la négociation de l’espace domestique est contesté. Dans le conte « La Barbe Bleue » (1697) de Charles Perrault, cette négociation de l’espace est particulièrement dangereuse. Le mari a un espace privé à lui, interdite à sa femme, dans lequel il cache un secret sinistre : il a tué toutes les épouses précédentes. L’existence de cette pièce menace l’équilibre du foyer, mettant en question le droit à un espace privé, et révélant le danger de garder un secret quand on vit en couple. Quand l’épouse franchit le seuil de la pièce interdite, son mari se met en colère et s’apprête à la tuer. Il s’ensuit une lutte acharnée entre homme et femme, devenus adversaires. Puisque la chambre interdite joue un rôle capital dans ce récit, cela suggère que les éléments spatiaux jouent un rôle significatif au sein du couple. Alors, on vise à analyser le cadre domestique et son rôle dans le rapport entre les personnages. Avant leur mariage, l’épouse avait déjà une idée que Barbe Bleue n’était pas honorable, ce qui remet en question sa décision d’épouser cet homme. Au même temps, on se demande pourquoi l’époux aurait tué toutes les épouses précédentes. Cela incite le lecteur à chercher à mieux comprendre les personnages. A cette fin, on vise à considérer les personnages comme des espaces, eux aussi, ce qui permettra une analyse approfondie de leur caractère et de leurs rapports personnels. Nous ferons la comparaison du conte perraultien avec les versions contemporaines de notre époque de Tahar Ben Jelloun et d’Amélie Nothomb. Dans la version jellounienne, l’intrigue se déroule dans un cadre musulman et maghrébin, tandis que le récit nothombien se situe à Paris. Ces ouvrages présentent donc des perspectives neuves sur Barbe Bleue et sa dernière épouse, et sur le cadre dans lequel ils se trouvent. , For a couple, negotiating the spatial dynamics of their home can be a challenging feat. In the story of “Bluebeard” (1697) by Charles Perrault, this negotiation is presented in an even more grim light. The husband sets aside a private room for himself, off-limits to his wife, in which he conceals a deadly secret, that he has murdered his previous wives. The very existence of this forbidden chamber threatens the stability of the household and raises the question about whether secret unshared spaces between partners are tenable, and indeed whether spouses have the right to keep secrets. When the wife enters this forbidden room and discovers the corpses of his previous wives she provokes the anger of her husband, who then attempts to kill her as punishment. A fierce struggle ensues between husband and wife, who have now become adversaries. Because the forbidden chamber plays a key role in this story, this tells us that space is very important to the relationship between the couple. Thus, we intend to explore the domestic sphere and its role in the relationship between the characters. Prior to their marriage, the wife already has an indication as to her husband’s dubious character, which calls into question her decision to marry him. We also wonder why Bluebeard might have murdered his previous wives. To understand them better, the characters will be considered as spaces, an approach which has the potential to offer a deeper and more holistic analysis of their characters and their personal relationships. We will be comparing Perrault’s tale to two revisions by Tahar Ben Jelloun and Amélie Nothomb, which place the story into different contexts: the Islamic world and modern-day Paris respectively. These two revisions provide interesting and new perspectives on the couple in the domestic space and the ways in which the characters are represented. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2023
- Full Text:
- Date Issued: 2023-10-13
- Authors: Jimu, Kundai Michelle
- Date: 2023-10-13
- Subjects: Uncatalogued
- Language: French
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/424943 , vital:72195
- Description: Dans un couple, la négociation de l’espace domestique est contesté. Dans le conte « La Barbe Bleue » (1697) de Charles Perrault, cette négociation de l’espace est particulièrement dangereuse. Le mari a un espace privé à lui, interdite à sa femme, dans lequel il cache un secret sinistre : il a tué toutes les épouses précédentes. L’existence de cette pièce menace l’équilibre du foyer, mettant en question le droit à un espace privé, et révélant le danger de garder un secret quand on vit en couple. Quand l’épouse franchit le seuil de la pièce interdite, son mari se met en colère et s’apprête à la tuer. Il s’ensuit une lutte acharnée entre homme et femme, devenus adversaires. Puisque la chambre interdite joue un rôle capital dans ce récit, cela suggère que les éléments spatiaux jouent un rôle significatif au sein du couple. Alors, on vise à analyser le cadre domestique et son rôle dans le rapport entre les personnages. Avant leur mariage, l’épouse avait déjà une idée que Barbe Bleue n’était pas honorable, ce qui remet en question sa décision d’épouser cet homme. Au même temps, on se demande pourquoi l’époux aurait tué toutes les épouses précédentes. Cela incite le lecteur à chercher à mieux comprendre les personnages. A cette fin, on vise à considérer les personnages comme des espaces, eux aussi, ce qui permettra une analyse approfondie de leur caractère et de leurs rapports personnels. Nous ferons la comparaison du conte perraultien avec les versions contemporaines de notre époque de Tahar Ben Jelloun et d’Amélie Nothomb. Dans la version jellounienne, l’intrigue se déroule dans un cadre musulman et maghrébin, tandis que le récit nothombien se situe à Paris. Ces ouvrages présentent donc des perspectives neuves sur Barbe Bleue et sa dernière épouse, et sur le cadre dans lequel ils se trouvent. , For a couple, negotiating the spatial dynamics of their home can be a challenging feat. In the story of “Bluebeard” (1697) by Charles Perrault, this negotiation is presented in an even more grim light. The husband sets aside a private room for himself, off-limits to his wife, in which he conceals a deadly secret, that he has murdered his previous wives. The very existence of this forbidden chamber threatens the stability of the household and raises the question about whether secret unshared spaces between partners are tenable, and indeed whether spouses have the right to keep secrets. When the wife enters this forbidden room and discovers the corpses of his previous wives she provokes the anger of her husband, who then attempts to kill her as punishment. A fierce struggle ensues between husband and wife, who have now become adversaries. Because the forbidden chamber plays a key role in this story, this tells us that space is very important to the relationship between the couple. Thus, we intend to explore the domestic sphere and its role in the relationship between the characters. Prior to their marriage, the wife already has an indication as to her husband’s dubious character, which calls into question her decision to marry him. We also wonder why Bluebeard might have murdered his previous wives. To understand them better, the characters will be considered as spaces, an approach which has the potential to offer a deeper and more holistic analysis of their characters and their personal relationships. We will be comparing Perrault’s tale to two revisions by Tahar Ben Jelloun and Amélie Nothomb, which place the story into different contexts: the Islamic world and modern-day Paris respectively. These two revisions provide interesting and new perspectives on the couple in the domestic space and the ways in which the characters are represented. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2023
- Full Text:
- Date Issued: 2023-10-13
PBS 2000
- Didier Sourou Awadi aka DJ Awadi (performer, author), Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author), Palm Tree Enter/Africa with P.B.S. Production
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131469 , vital:36584 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-03
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Didier Sourou Awadi aka DJ Awadi (performer, author) , Amadou Barry aka Doug E. Tee, Duggy Tee (performer, author) , Palm Tree Enter/Africa with P.B.S. Production
- Date: 2000
- Subjects: Rap (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131469 , vital:36584 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC53-03
- Description: Hip hop song sung in English, French and Wolof, accompanied by traditional Senegalese kora and tama musical instruments, as well as Western instruments
- Full Text: false
- Date Issued: 2000
Paris 95
- TP Audiorama Orchestra (performers), Showbiz
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129596 , vital:36310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-05
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129596 , vital:36310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-05
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998