Malaya
- Witmani Phiri, Chewa young men, Tracey, Hugh
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187263 , vital:44592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-05
- Description: "We have no clothes to wear, which is very disappointing. If we work hard we will get money but it will not be enough to buy all the clothes we need." The great economic incentive in many parts of Africa among the young men is fine clothes. Many indeed go to the towns and mines for this primary purpose. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187263 , vital:44592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-05
- Description: "We have no clothes to wear, which is very disappointing. If we work hard we will get money but it will not be enough to buy all the clothes we need." The great economic incentive in many parts of Africa among the young men is fine clothes. Many indeed go to the towns and mines for this primary purpose. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Mungabe
- hewa women, Composer not specified, Tracey, Hugh
- Authors: hewa women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317532 , vital:59950 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2815-XYZ6335
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: hewa women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317532 , vital:59950 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2815-XYZ6335
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ndarama zao kusowa
- Benson Phiri, Chewa men, Tracey, Hugh
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187245 , vital:44589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-03
- Description: Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187245 , vital:44589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-03
- Description: Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
Tototo ine chambila (No, no, not for me)
- Women, Hugh Tracey
- Authors: Women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158553 , vital:40206 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-10
- Description: A woman is reporting to her husband that something is paining her in her husband that something she suspects that venereal disease is starting again. "No, no, I do not want that, no, no, not me. It starts again." Dance tune with bass drum.
- Full Text: false
- Date Issued: 1958
- Authors: Women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158553 , vital:40206 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-10
- Description: A woman is reporting to her husband that something is paining her in her husband that something she suspects that venereal disease is starting again. "No, no, I do not want that, no, no, not me. It starts again." Dance tune with bass drum.
- Full Text: false
- Date Issued: 1958
Bwezi langa
- Authors: Hodede Homwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
- Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
- Full Text: false
- Date Issued: 1950
- Authors: Hodede Homwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
- Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
- Full Text: false
- Date Issued: 1950
Nidapalamula I
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186424 , vital:44497 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-02
- Description: "I do not like this never ending pounding." Simple pounding song in which the one girl echoes the other as they pound in the same mortar with alternate strokes. This echoing style of singing is also used for their rain songs and at first hearing leaves an impression of confusion rather than intent. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186424 , vital:44497 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-02
- Description: "I do not like this never ending pounding." Simple pounding song in which the one girl echoes the other as they pound in the same mortar with alternate strokes. This echoing style of singing is also used for their rain songs and at first hearing leaves an impression of confusion rather than intent. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Nidapalamula II
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186435 , vital:44498 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-03
- Description: Complaining of continous pounding. Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186435 , vital:44498 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-03
- Description: Complaining of continous pounding. Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Ndamutemba Nyanja
- Ganizani Nyirenda, Composer not specified, Tracey, Hugh
- Authors: Ganizani Nyirenda , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317708 , vital:59973 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2822-XYZ6342a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317708 , vital:59973 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2822-XYZ6342a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mbiriyade
- Chewa girls, Composer not specified, Tracey, Hugh
- Authors: Chewa girls , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317688 , vital:59971 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2821-XYZ6341b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Chewa girls , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317688 , vital:59971 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2821-XYZ6341b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Mailole
- Young Chewa women, Composer not specified, Tracey, Hugh
- Authors: Young Chewa women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/316415 , vital:59826 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2767-XYZ6279
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Young Chewa women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/316415 , vital:59826 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2767-XYZ6279
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Inyimbo Copper Belt
- Bulawayo Sweet Rythms, Composer not specified, Tracey, Hugh
- Authors: Bulawayo Sweet Rythms , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/316058 , vital:59784 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2753-XYZ6299
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Bulawayo Sweet Rythms , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/316058 , vital:59784 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2753-XYZ6299
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ine ndikumbira (I am envious)
- Women, Hugh Tracey
- Authors: Women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158927 , vital:40241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-11
- Description: Two dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. "I am envious of my friends wearing evening dress."Andiloko from the Afrikaans word Aandrok. Dance tune with bass drum.
- Full Text: false
- Date Issued: 1958
- Authors: Women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158927 , vital:40241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-11
- Description: Two dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. "I am envious of my friends wearing evening dress."Andiloko from the Afrikaans word Aandrok. Dance tune with bass drum.
- Full Text: false
- Date Issued: 1958
Mbakulumba
- Chewa girls, Composer not specified, Tracey, Hugh
- Authors: Chewa girls , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317683 , vital:59970 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2821-XYZ6341a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Chewa girls , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317683 , vital:59970 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2821-XYZ6341a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Tangu kwata m'cembele
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
Amani mwanena kululuka
- Chewa girls, Composer not specified, Tracey, Hugh
- Authors: Chewa girls , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317703 , vital:59972 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2821-XYZ6341c
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Chewa girls , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317703 , vital:59972 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2821-XYZ6341c
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Kwathu ku Nyasa
- Nyasaland Police Band, Composer not specified, Tracey, Hugh
- Authors: Nyasaland Police Band , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315635 , vital:59736 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2731-XYZ6271
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Nyasaland Police Band , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315635 , vital:59736 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2731-XYZ6271
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ndilandile kalata kwa Masula
- Falesi Phiri, Chewa women and girls, Tracey, Hugh
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187306 , vital:44601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-10
- Description: "When I receive a letter from Masula i'ii read it with all my heart." The women circle and dance around the drummer in the centre. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187306 , vital:44601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-10
- Description: "When I receive a letter from Masula i'ii read it with all my heart." The women circle and dance around the drummer in the centre. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Skekelele canthemwa
- School children at Mwase Central School, Composer not specified, Tracey, Hugh
- Authors: School children at Mwase Central School , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317602 , vital:59960 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2818-XYZ6338
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: School children at Mwase Central School , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/317602 , vital:59960 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2818-XYZ6338
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Manyanda. Kulowa, 1st movement
- Benson Phiri, Chewa men, Tracey, Hugh
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187226 , vital:44587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-01
- Description: A good example of Malipenga and dancing. This is the opening movement of the dance. The word Muganda which is the name of this dance is taken from the sound of the drum which accompany the singing gourds. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187226 , vital:44587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-01
- Description: A good example of Malipenga and dancing. This is the opening movement of the dance. The word Muganda which is the name of this dance is taken from the sound of the drum which accompany the singing gourds. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
Anali kudambo Chingodola (Chingodola went to draw water at the marsh)
- Authors: Mavuto Mlanzi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158490 , vital:40197 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-03
- Description: Chingodola went to the marsh to fetch water, then to fetch firewood and after that to look for relish. Her husband was annoyed that she did not come back sooner and began to swear at her and said "Dammit, you are like a 'galo', a dog. Self delectative song with Kalimba.
- Full Text: false
- Date Issued: 1958
- Authors: Mavuto Mlanzi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158490 , vital:40197 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-03
- Description: Chingodola went to the marsh to fetch water, then to fetch firewood and after that to look for relish. Her husband was annoyed that she did not come back sooner and began to swear at her and said "Dammit, you are like a 'galo', a dog. Self delectative song with Kalimba.
- Full Text: false
- Date Issued: 1958