Kwimba Kalimba (To play the Kalimba)
- Authors: E. A. Nkuzana , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156273 , vital:39970 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-08
- Description: "To play the 'Kalimba' is to be happy. I remember long ago when I was a small child when I thought a breast was made of bone. But my mother told me that the breast was not bone, but flesh only. I was fooled long ago, I thought the breast was bone but it is flesh only. Listen my friends, the breast is flesh only." It seems that the obvious meaning of the words is intended to serve a secondary one. Perhaps the revelation of the begining of his natural sex life. Self delectative song.
- Full Text: false
- Date Issued: 1958
- Authors: E. A. Nkuzana , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156273 , vital:39970 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-08
- Description: "To play the 'Kalimba' is to be happy. I remember long ago when I was a small child when I thought a breast was made of bone. But my mother told me that the breast was not bone, but flesh only. I was fooled long ago, I thought the breast was bone but it is flesh only. Listen my friends, the breast is flesh only." It seems that the obvious meaning of the words is intended to serve a secondary one. Perhaps the revelation of the begining of his natural sex life. Self delectative song.
- Full Text: false
- Date Issued: 1958
Kumenda Sanabwere (He has not come to the garden)
- Eight elderly women and two drummers, Hugh Tracey
- Authors: Eight elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155793 , vital:39917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-14
- Description: Kwakwala stayed out in his garded an did not come back into the village as they went off to see what he was doing. He was dressed only in leaves and even ate leaves. When they got to his garden he was not there but at a place where an elephant had died and he was eating it. "He has not come to the garden, I thought I might go and see. He has not come. The elephant died at Magala, I wanted to see it, Kwakwala." The gourd rattles themselves give their name Chitsukulumwe to the dance which they accompany. Chitsukulumwe dance with gourd rattles, drums and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Eight elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155793 , vital:39917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-14
- Description: Kwakwala stayed out in his garded an did not come back into the village as they went off to see what he was doing. He was dressed only in leaves and even ate leaves. When they got to his garden he was not there but at a place where an elephant had died and he was eating it. "He has not come to the garden, I thought I might go and see. He has not come. The elephant died at Magala, I wanted to see it, Kwakwala." The gourd rattles themselves give their name Chitsukulumwe to the dance which they accompany. Chitsukulumwe dance with gourd rattles, drums and clapping.
- Full Text: false
- Date Issued: 1958
Gebede-gebede ulendo wasabwera (Pack-pack, to go and not return)
- Eight elderly women and two drummers, Hugh Tracey
- Authors: Eight elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155784 , vital:39916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-13
- Description: Gebede, gebede is the sound of putting ones things together and the banging together of boxes preparing for a journey. This said to be the most typical of all the Mang'anja dances. "Pack, pack, to go and not come back is like the journey when you do not say goodbye." Chitsukulumwe dance with gourd rattles, drums and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Eight elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155784 , vital:39916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-13
- Description: Gebede, gebede is the sound of putting ones things together and the banging together of boxes preparing for a journey. This said to be the most typical of all the Mang'anja dances. "Pack, pack, to go and not come back is like the journey when you do not say goodbye." Chitsukulumwe dance with gourd rattles, drums and clapping.
- Full Text: false
- Date Issued: 1958
Wazizwa zitini zindata (What did you hear of the trouble)
- Elderly men of Chief Kachere, Hugh Tracey
- Authors: Elderly men of Chief Kachere , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154856 , vital:39786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-06
- Description: An old regimental song of the Ngoni fighting men during the days when they first came up into Nyasaland during the 19th century. The fighting men were forbidden to marry early in Nguni tribes and this perhaps reflects the same regulation. "What did you hear about the wife of that man? Leave those scandals alone." Regimental song.
- Full Text: false
- Date Issued: 1959
- Authors: Elderly men of Chief Kachere , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154856 , vital:39786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-06
- Description: An old regimental song of the Ngoni fighting men during the days when they first came up into Nyasaland during the 19th century. The fighting men were forbidden to marry early in Nguni tribes and this perhaps reflects the same regulation. "What did you hear about the wife of that man? Leave those scandals alone." Regimental song.
- Full Text: false
- Date Issued: 1959
Buyani Sangweni (Come to the gate)
- Elderly men of Chief Njolomole, Hugh Tracey
- Authors: Elderly men of Chief Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
- Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
- Full Text: false
- Date Issued: 1959
- Authors: Elderly men of Chief Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
- Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
- Full Text: false
- Date Issued: 1959
Wenda m'manja manja (Go in the hands)
- Elefala Jeremiah Mbewe, Hugh Tracey
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kudaiza, Karonga, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156761 , vital:40047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-03
- Description: This is based upon a song used at the initiation of girls and the reference to Manja indicates that part of the ceremony when the officiators carry the initiate on their hands (manja) during the dance. "Snakes come and bite her, ants come and bite her." Indicating disciplines enforced during the initiation. This instrument was without its 17th string. The tuning of the six strings was:- 656, 616, 576, 520, 488, 432. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kudaiza, Karonga, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156761 , vital:40047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-03
- Description: This is based upon a song used at the initiation of girls and the reference to Manja indicates that part of the ceremony when the officiators carry the initiate on their hands (manja) during the dance. "Snakes come and bite her, ants come and bite her." Indicating disciplines enforced during the initiation. This instrument was without its 17th string. The tuning of the six strings was:- 656, 616, 576, 520, 488, 432. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Lote-lote (Lote)
- Elefala Jeremiah Mbewe, Hugh Tracey
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156752 , vital:40046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-02
- Description: He calls his sister Lote to come with him to find the place where his mother was cast out after she was murdered so that they can bury her. The constant reference to 'sisters' in Chewa songs appears to stem from their matrilocal system. The Bangwe has wire strings. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156752 , vital:40046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-02
- Description: He calls his sister Lote to come with him to find the place where his mother was cast out after she was murdered so that they can bury her. The constant reference to 'sisters' in Chewa songs appears to stem from their matrilocal system. The Bangwe has wire strings. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Udandani makulata
- Authors: Fainos Gasa , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Chewa District, Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154883 , vital:39789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-09
- Description: Scale: 300, 324, 352, 388, 416, 440, 464 vs. This scale seems to be an arbitrary one, the progressive intervals in cents being: 133, 144, 168, 121, 97 and 92. The words have little meaning to anyone but the singer himself. Self delectative song with Bangwe board Zither.
- Full Text: false
- Date Issued: 1959
- Authors: Fainos Gasa , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Chewa District, Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154883 , vital:39789 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-09
- Description: Scale: 300, 324, 352, 388, 416, 440, 464 vs. This scale seems to be an arbitrary one, the progressive intervals in cents being: 133, 144, 168, 121, 97 and 92. The words have little meaning to anyone but the singer himself. Self delectative song with Bangwe board Zither.
- Full Text: false
- Date Issued: 1959
Ayalero makulata
- Authors: Fainos Gasa , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Chewa District, Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154874 , vital:39788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-08
- Description: Scale: 300, 324, 352, 388, 416, 440, 464 vs. This scale seems to be an arbitrary one, the progressive intervals in cents being: 133, 144, 168, 121, 97 and 92. The words have little meaning to anyone but the singer himself. Self delectative song with Bangwe board Zither.
- Full Text: false
- Date Issued: 1959
- Authors: Fainos Gasa , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Chewa District, Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154874 , vital:39788 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-08
- Description: Scale: 300, 324, 352, 388, 416, 440, 464 vs. This scale seems to be an arbitrary one, the progressive intervals in cents being: 133, 144, 168, 121, 97 and 92. The words have little meaning to anyone but the singer himself. Self delectative song with Bangwe board Zither.
- Full Text: false
- Date Issued: 1959
Nkhuku zalila, kunja kwaca (The cock crows, it is light outside)
- Four elderly men, Hugh Tracey
- Authors: Four elderly men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155624 , vital:39900 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-12
- Description: It is likely that this old drinking song came from the Ndau of Southern Rhodesia and Mozambique when this Gomani branch of the Ngoni people came up through their territory capturing wives on their way north about 1830 A.D. Drinking song (Mkhwendo) with 4 bamboo friction sticks.
- Full Text: false
- Date Issued: 1958
- Authors: Four elderly men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Njolomole, Ncheu f-rh
- Language: Nyanja/Chewa/Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155624 , vital:39900 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR086-12
- Description: It is likely that this old drinking song came from the Ndau of Southern Rhodesia and Mozambique when this Gomani branch of the Ngoni people came up through their territory capturing wives on their way north about 1830 A.D. Drinking song (Mkhwendo) with 4 bamboo friction sticks.
- Full Text: false
- Date Issued: 1958
Ife totumika (We have been invited)
- Four Tumbuka women, Hugh Tracey
- Authors: Four Tumbuka women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Zomba, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156243 , vital:39966 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-05
- Description: "We have been invited by Chief Mabuli." To have been invited to a party by a chief appears to have been honour enough to warrant a song. Pendeka is a smart hat worn on the side of the head, very chic, and no doubt set the tone of the wedding party. Wedding song.
- Full Text: false
- Date Issued: 1958
- Authors: Four Tumbuka women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Zomba, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156243 , vital:39966 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-05
- Description: "We have been invited by Chief Mabuli." To have been invited to a party by a chief appears to have been honour enough to warrant a song. Pendeka is a smart hat worn on the side of the head, very chic, and no doubt set the tone of the wedding party. Wedding song.
- Full Text: false
- Date Issued: 1958
Nanga mondithawe (Wherever you go)
- Four Tumbuka women, Hugh Tracey
- Authors: Four Tumbuka women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Zomba, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156257 , vital:39968 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-06
- Description: "Whithersoever thou goes I shall go." To Salisbury to Nairobi I shall go with you." Taken from the words of Ruth in the Bible and put into the local setting. It was sung by the wives of the local police recruits who indeed may have to follow their husband, if not to Salisbury and Nairobi at least to anywhere in Nyasaland. A sentimental song.
- Full Text: false
- Date Issued: 1958
- Authors: Four Tumbuka women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Zomba, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156257 , vital:39968 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-06
- Description: "Whithersoever thou goes I shall go." To Salisbury to Nairobi I shall go with you." Taken from the words of Ruth in the Bible and put into the local setting. It was sung by the wives of the local police recruits who indeed may have to follow their husband, if not to Salisbury and Nairobi at least to anywhere in Nyasaland. A sentimental song.
- Full Text: false
- Date Issued: 1958
Kwathu kumangulu (At Mangulu, our country)
- Frank Nantibule, Hugh Tracey
- Authors: Frank Nantibule , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Salima f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155883 , vital:39927 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-09
- Description: The country of Mangulu, the land of the Angulu or Lomwe is to the South East of Nyasaland. The song is taken from a young people's dance song. Self delectative song.
- Full Text: false
- Date Issued: 1958
- Authors: Frank Nantibule , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Salima f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155883 , vital:39927 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-09
- Description: The country of Mangulu, the land of the Angulu or Lomwe is to the South East of Nyasaland. The song is taken from a young people's dance song. Self delectative song.
- Full Text: false
- Date Issued: 1958
Mnyamata (Young man why dont you marry?)
- Frank Nantibule, Hugh Tracey
- Authors: Frank Nantibule , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Salima f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155892 , vital:39928 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-10
- Description: The singer makes only the simplest remarks in his lyric such as "Go to Jubeki" (Johannesburg). Self delectative song.
- Full Text: false
- Date Issued: 1958
- Authors: Frank Nantibule , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Salima f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155892 , vital:39928 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-10
- Description: The singer makes only the simplest remarks in his lyric such as "Go to Jubeki" (Johannesburg). Self delectative song.
- Full Text: false
- Date Issued: 1958
Lita, tende ngewelo (Lita, let us go to the hut)
- George Zongoloti, Hugh Tracey
- Authors: George Zongoloti , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155712 , vital:39908 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-05
- Description: This song refers to the custom of young people's sex play which normally results in marriage. Lita was a young girl who was refusing to sleep with her young lover. Now she had a baby and the baby died, so her lover complained about his lost child. He said, "give me back my child, Fasanai and Thompson, so much have I paid to marry you and have a child. If I do not get a child, I shall go to Rhodesia, to Lilongwe, to Lourenco Marques ot to Johannesburg or Cape Town to get a child. Fasanai and Thompson, you must bring my baby back because it is you who killed my child." Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155712 , vital:39908 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-05
- Description: This song refers to the custom of young people's sex play which normally results in marriage. Lita was a young girl who was refusing to sleep with her young lover. Now she had a baby and the baby died, so her lover complained about his lost child. He said, "give me back my child, Fasanai and Thompson, so much have I paid to marry you and have a child. If I do not get a child, I shall go to Rhodesia, to Lilongwe, to Lourenco Marques ot to Johannesburg or Cape Town to get a child. Fasanai and Thompson, you must bring my baby back because it is you who killed my child." Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
Nana, ndili kupita (Sister, I am going)
- George Zongoloti, Hugh Tracey
- Authors: George Zongoloti , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155703 , vital:39907 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-04
- Description: "Sister, I am going, keeping crocodiles, fish and everything there as you do! Do not play with young boys or girls. The small boy will kill you and might keep those things I told you about, rice, maize and flour which belong to you. So mind you do not play with them!" The singer keeps some magical objects such as crocodiles and fish with which to make her own magic. The singer warns his sister not to show the children her magical objects or she will be punished for it. Topicla song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155703 , vital:39907 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-04
- Description: "Sister, I am going, keeping crocodiles, fish and everything there as you do! Do not play with young boys or girls. The small boy will kill you and might keep those things I told you about, rice, maize and flour which belong to you. So mind you do not play with them!" The singer keeps some magical objects such as crocodiles and fish with which to make her own magic. The singer warns his sister not to show the children her magical objects or she will be punished for it. Topicla song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
Ndachinyuka, Pitoria (I will say no more, Pitoria)
- George Zongoloti and chorus of small girls, Hugh Tracey
- Authors: George Zongoloti and chorus of small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155721 , vital:39909 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-06
- Description: The two people mentioned in the song are imaginary and not actual people. "I will not say any more, Pitoria (sometimes pronounced Vitoria by the singers). For you have no teeth left. "Yes" she said, "but you Bitoni, when you come near you sound like Thomas, you make a noise like a motor car engine. When you laugh you make a noise like a maize mill." Pitoria was an old woman who was married to Bitoni. He told her she was now to old. Topical song with Nthikuri barrel drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and chorus of small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155721 , vital:39909 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-06
- Description: The two people mentioned in the song are imaginary and not actual people. "I will not say any more, Pitoria (sometimes pronounced Vitoria by the singers). For you have no teeth left. "Yes" she said, "but you Bitoni, when you come near you sound like Thomas, you make a noise like a motor car engine. When you laugh you make a noise like a maize mill." Pitoria was an old woman who was married to Bitoni. He told her she was now to old. Topical song with Nthikuri barrel drum.
- Full Text: false
- Date Issued: 1958
Zanse na Tengani afuna mapass (Everything at Tengani needs a pass)
- George Zongoloti and small girls, Hugh Tracey
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:39905 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-02
- Description: The song is sung partly in Sena and partly in Mangyanja. The drummer sitting on the ground with his drum on his thighs moves the drum on and off his chest by raising and lowering the tips of his feet with heels on the ground. This has the necessary tonal effect when moving the drum half an inch or so only. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:39905 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-02
- Description: The song is sung partly in Sena and partly in Mangyanja. The drummer sitting on the ground with his drum on his thighs moves the drum on and off his chest by raising and lowering the tips of his feet with heels on the ground. This has the necessary tonal effect when moving the drum half an inch or so only. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
Kolota ali kudwala (Kolota was sick)
- George Zongoloti and small girls, Hugh Tracey
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155694 , vital:39906 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-03
- Description: The voice of the singer is strongly affected by the vibrations of the drum and its mirliton. He sings partly in Sena, partly Mang'anja. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155694 , vital:39906 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-03
- Description: The voice of the singer is strongly affected by the vibrations of the drum and its mirliton. He sings partly in Sena, partly Mang'anja. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
Wakazali Inhaminga (She has married at Inhaminga)
- George Zongoloti and small girls, Hugh Tracey
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsu, Port Herald District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156027 , vital:39943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-03
- Description: Inhaminga is the village in Mozambique beyond the Zambezi river from this district about 100 miles away to the south and about half way to the port of Beira. The drum held horizontally between the knees, membrane facing outwards-mirliton upwards, the player sitting on the ground. By raising and lowering his legs slightly the drummer presses the open end of the drum on and off his chest. The lower notes are produced while the oriffice of the drum is off his chest. The drum which had a 7 inch membrane was 12 inches tall. The water-lizard skin was weighted with paste on the inner surface and was attached with wooden pins. Nthikwi dance with cylindrical, weighted drums and mirliton.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsu, Port Herald District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156027 , vital:39943 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-03
- Description: Inhaminga is the village in Mozambique beyond the Zambezi river from this district about 100 miles away to the south and about half way to the port of Beira. The drum held horizontally between the knees, membrane facing outwards-mirliton upwards, the player sitting on the ground. By raising and lowering his legs slightly the drummer presses the open end of the drum on and off his chest. The lower notes are produced while the oriffice of the drum is off his chest. The drum which had a 7 inch membrane was 12 inches tall. The water-lizard skin was weighted with paste on the inner surface and was attached with wooden pins. Nthikwi dance with cylindrical, weighted drums and mirliton.
- Full Text: false
- Date Issued: 1958