Wanijalila kuwaya (He has pushed out to a bad place)
- Authors: D. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Tumbuka (African people) , Henga (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tumbuka/Henga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156291 , vital:39972 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-10
- Description: "A bad place, he had trapped me in a bad place. Men have given me disease. Men deceive, they have deceived me with money. They gave me a venereal disease. It has finished the children in my home. I sit down and dream of Miliam." This lament is perhaps a strange basis for a dance except as an extension of the thought in dance drama, the equivalent of religious dancin, the extension of the music into movement. Dance song.
- Full Text: false
- Date Issued: 1958
- Authors: D. Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Tumbuka (African people) , Henga (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tumbuka/Henga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156291 , vital:39972 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-10
- Description: "A bad place, he had trapped me in a bad place. Men have given me disease. Men deceive, they have deceived me with money. They gave me a venereal disease. It has finished the children in my home. I sit down and dream of Miliam." This lament is perhaps a strange basis for a dance except as an extension of the thought in dance drama, the equivalent of religious dancin, the extension of the music into movement. Dance song.
- Full Text: false
- Date Issued: 1958
Gulu wangu (My dog)
- Chikaku and friend, Hugh Tracey
- Authors: Chikaku and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153942 , vital:39539 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-14
- Description: There was once a man who went hunting and caught a buck. He gave the liver and innards to his mother-in-law to cook. She not only cooked them but ate them all herself and tried to hide the fact from her son-in-law who sang to his dog. "Galu wanga, galu wanga n'kamanga. Wanimana matumbo apatsa mkomweni wa lero kamangeni galu." "My dog, my dog, I am going to tie my dog to a tree so that he never goes again to hunt in the bush." "They have not given me the innards, they have given the meat to another. Son-in-law " Go and tie your dog to a tree." Story and song with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Chikaku and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153942 , vital:39539 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-14
- Description: There was once a man who went hunting and caught a buck. He gave the liver and innards to his mother-in-law to cook. She not only cooked them but ate them all herself and tried to hide the fact from her son-in-law who sang to his dog. "Galu wanga, galu wanga n'kamanga. Wanimana matumbo apatsa mkomweni wa lero kamangeni galu." "My dog, my dog, I am going to tie my dog to a tree so that he never goes again to hunt in the bush." "They have not given me the innards, they have given the meat to another. Son-in-law " Go and tie your dog to a tree." Story and song with clapping.
- Full Text: false
- Date Issued: 1958
Angozo
- Authors: Small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160124 , vital:40388 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-17
- Description: Who Angoso might have been and what he had done could not be explained, but the song was no doubt founded on fact, and the singing of this song would ensure publicity. "Amgozo (man's name) you are indiscreet. You have not kept out affair private.
- Full Text: false
- Date Issued: 1958
- Authors: Small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160124 , vital:40388 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-17
- Description: Who Angoso might have been and what he had done could not be explained, but the song was no doubt founded on fact, and the singing of this song would ensure publicity. "Amgozo (man's name) you are indiscreet. You have not kept out affair private.
- Full Text: false
- Date Issued: 1958
Pinda Zimshaya (Hit him again)
- Tinote Dlamini and the Try Singers, Hugh Tracey
- Authors: Tinote Dlamini and the Try Singers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152622 , vital:39324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-03
- Description: These singers came from the motor and transport section of the Usutu Forest Force, and singing mith great favour and action are most entertaining to watch. Mbube song.
- Full Text: false
- Date Issued: 1958
- Authors: Tinote Dlamini and the Try Singers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152622 , vital:39324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-03
- Description: These singers came from the motor and transport section of the Usutu Forest Force, and singing mith great favour and action are most entertaining to watch. Mbube song.
- Full Text: false
- Date Issued: 1958
Sukumuphendula. Part I (Stand up and reply)
- Large group of Swazi men, Hugh Tracey
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152938 , vital:39364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-01
- Description: It is customary to perform this in a wheeling movement before dismisal. It used to be an old regimental custom but is now done when a piece of work is finished as an indication they are now dispersing. "Sukumuphendule we mntaka mahlokohla kudumi nganeno kuking u sebuza abephumanga phesheya. Uligabazi lenjobo kabephumesi godlwe ni vuma kushwi nkhuyanje nkondho tindhwuna taka gwa ne tiphacumu tsethoo." "Stand up and reply (Sebuza) you, son of Mahlokohla. Cannons are firing for King Sebuza, when coming from overseas. You (Sebuza) know how to dance when you come from the palace. We say, Agree! The indunas of Swaziland disagree with these laws." This chant refers to Subuza's visit to England for the coronation of Queen Elizabeth II and was composed to greet him on his return. Ukuhlehla walking and running song.
- Full Text: false
- Date Issued: 1958
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152938 , vital:39364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-01
- Description: It is customary to perform this in a wheeling movement before dismisal. It used to be an old regimental custom but is now done when a piece of work is finished as an indication they are now dispersing. "Sukumuphendule we mntaka mahlokohla kudumi nganeno kuking u sebuza abephumanga phesheya. Uligabazi lenjobo kabephumesi godlwe ni vuma kushwi nkhuyanje nkondho tindhwuna taka gwa ne tiphacumu tsethoo." "Stand up and reply (Sebuza) you, son of Mahlokohla. Cannons are firing for King Sebuza, when coming from overseas. You (Sebuza) know how to dance when you come from the palace. We say, Agree! The indunas of Swaziland disagree with these laws." This chant refers to Subuza's visit to England for the coronation of Queen Elizabeth II and was composed to greet him on his return. Ukuhlehla walking and running song.
- Full Text: false
- Date Issued: 1958
Opela utumiza (Though you give me cloth)
- Visanza girl's school choir, Hugh Tracey
- Authors: Visanza girl's school choir , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160016 , vital:40369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-05
- Description: The man in the context went away to look for his employer, Mr. Baloni (Mr. Baron) near Lilongwe and stayed away for a very long time. He sent his wife cloth, but she said she did not want just cloth but her husband for whom she would go all the way to Lilongwe in order to be with him. Nsita dance song for women with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Visanza girl's school choir , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160016 , vital:40369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-05
- Description: The man in the context went away to look for his employer, Mr. Baloni (Mr. Baron) near Lilongwe and stayed away for a very long time. He sent his wife cloth, but she said she did not want just cloth but her husband for whom she would go all the way to Lilongwe in order to be with him. Nsita dance song for women with clapping.
- Full Text: false
- Date Issued: 1958
Manja ndi kapolo (Hands are slaves)
- Lonesi Chewane and Joni Hetara, Hugh Tracey
- Authors: Lonesi Chewane and Joni Hetara , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156177 , vital:39959 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-18
- Description: The order of the notes can be changed to facilitate playing certain tunes. One of the players speaks during the playing. Tune without lyrics.
- Full Text: false
- Date Issued: 1958
- Authors: Lonesi Chewane and Joni Hetara , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156177 , vital:39959 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-18
- Description: The order of the notes can be changed to facilitate playing certain tunes. One of the players speaks during the playing. Tune without lyrics.
- Full Text: false
- Date Issued: 1958
Kacaso wabotolo (Spirits from the bottle)
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160043 , vital:40374 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-08
- Description: The simple facts of life like the 'hotness' of chillies or the strength of liquor is quite enough to establish a dance melody. The women of this region appear to have a distinctive and separate musical life. "Brandy from the bottle I do not drink because I find it too hot for me." Chillies are sometimes added to the drink as flavouring. Kacaso, it was explained, meant any strong drink and from the women's point of view this also included bottled beer. Chintala dance.
- Full Text: false
- Date Issued: 1958
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160043 , vital:40374 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-08
- Description: The simple facts of life like the 'hotness' of chillies or the strength of liquor is quite enough to establish a dance melody. The women of this region appear to have a distinctive and separate musical life. "Brandy from the bottle I do not drink because I find it too hot for me." Chillies are sometimes added to the drink as flavouring. Kacaso, it was explained, meant any strong drink and from the women's point of view this also included bottled beer. Chintala dance.
- Full Text: false
- Date Issued: 1958
Nkamuona nkadamphwetheka (If I see him I will hurt him)
- E. J. Mbewe and I. K. Mwale, Hugh Tracey
- Authors: E. J. Mbewe and I. K. Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Karongs, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153597 , vital:39484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-08
- Description: These drinking songs are ideal for singing between friends as reality recedes into oblivion. Half way through the song they call for more beer. Drinking song.
- Full Text: false
- Date Issued: 1958
- Authors: E. J. Mbewe and I. K. Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Karongs, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153597 , vital:39484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-08
- Description: These drinking songs are ideal for singing between friends as reality recedes into oblivion. Half way through the song they call for more beer. Drinking song.
- Full Text: false
- Date Issued: 1958
Cinan'gomba (The Eagle)
- Jason Kafunda and Chewa boys, Hugh Tracey
- Authors: Jason Kafunda and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153971 , vital:39549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-02
- Description: A child hunting mice dug a hole and found an eagle inside. The bird told him not to tell his mother that he had found him. As the boy was on his way home the bird sang his song. When he met his mother she asked him why the bird was singing. The boy answered "Because I dug it out". The singing chased the bird until it was tired, so she caught it and killed it. S. "Cinang'omba cinang'omba coyaya ine, CH. Siico cinang'omba. S. Mwanawe, usakanene kwa amako kuti yaye Cimbalame ca banga pa msana ye. CH. Siico cinang'omba." "There is the eagle, there is the eagle. You, child, do not tell your mother that you have seen the eagle with spots on his back." Story and song (Nthanu)
- Full Text: false
- Date Issued: 1958
- Authors: Jason Kafunda and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153971 , vital:39549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-02
- Description: A child hunting mice dug a hole and found an eagle inside. The bird told him not to tell his mother that he had found him. As the boy was on his way home the bird sang his song. When he met his mother she asked him why the bird was singing. The boy answered "Because I dug it out". The singing chased the bird until it was tired, so she caught it and killed it. S. "Cinang'omba cinang'omba coyaya ine, CH. Siico cinang'omba. S. Mwanawe, usakanene kwa amako kuti yaye Cimbalame ca banga pa msana ye. CH. Siico cinang'omba." "There is the eagle, there is the eagle. You, child, do not tell your mother that you have seen the eagle with spots on his back." Story and song (Nthanu)
- Full Text: false
- Date Issued: 1958
A) Kazima (Wait for me) B) I-e-e Gumbwa Gumbwa (How alike things are) C) Mee Mbuzi Mee (My Shephard) D) Amanu (Temper, temper)
- Young boys and girls, Hugh Tracey
- Authors: Young boys and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153320 , vital:39435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-02
- Description: Sung by boys and girls in their separate sleeping huts before falling asleep. Verses such as these are the heritage of most African tribes. a) "Kazima, wait for me, please wait for me. There is some meat on the roof. (I have something to tell you). There is something on the path. There is meat on the roof. b) "I-i-i! How alike things are!. The people here are clever. They visit secretly, so... The meat has gone away. With whom shall I walk? The story is told, so... To whom shall I walk?" c) "My shephard is dead, he striped and fell. Oh dear, oh dear. The goat cries 'me-e-e!" d) "Where has the mother gone? Where is she? She has gone to Malambo. What has she gone for? She has gone to buy millet. What will she do with it? She will make beer. (etc.) Verses are made up as they go along. 4 Children's verses.
- Full Text: false
- Date Issued: 1958
- Authors: Young boys and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153320 , vital:39435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-02
- Description: Sung by boys and girls in their separate sleeping huts before falling asleep. Verses such as these are the heritage of most African tribes. a) "Kazima, wait for me, please wait for me. There is some meat on the roof. (I have something to tell you). There is something on the path. There is meat on the roof. b) "I-i-i! How alike things are!. The people here are clever. They visit secretly, so... The meat has gone away. With whom shall I walk? The story is told, so... To whom shall I walk?" c) "My shephard is dead, he striped and fell. Oh dear, oh dear. The goat cries 'me-e-e!" d) "Where has the mother gone? Where is she? She has gone to Malambo. What has she gone for? She has gone to buy millet. What will she do with it? She will make beer. (etc.) Verses are made up as they go along. 4 Children's verses.
- Full Text: false
- Date Issued: 1958
Najele (The beads around your neck, Najele)
- Ezra Chimpanda and 2 Chewa men, Hugh Tracey
- Authors: Ezra Chimpanda and 2 Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kota Kota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153569 , vital:39480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-05
- Description: "The beads around your neck, Najele, I am tired." Najele was the name of his wife. Drinking song/
- Full Text: false
- Date Issued: 1958
- Authors: Ezra Chimpanda and 2 Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza, Kota Kota District, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153569 , vital:39480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-05
- Description: "The beads around your neck, Najele, I am tired." Najele was the name of his wife. Drinking song/
- Full Text: false
- Date Issued: 1958
Misonzi (Tears)
- Five Chewa women, Hugh Tracey
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156986 , vital:40075 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-18
- Description: It appears quite usual for the women to take a lament as a theme for their dance songs. The sorrow of a woman who has no one to sing with her is a case in point. "There is no friend of mine whom I can sing with. I can sing like a guitar. I have tucked my jacket into my skirt. I cry, having no friend of mine to sing wth." Chintala women dance song.
- Full Text: false
- Date Issued: 1958
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156986 , vital:40075 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-18
- Description: It appears quite usual for the women to take a lament as a theme for their dance songs. The sorrow of a woman who has no one to sing with her is a case in point. "There is no friend of mine whom I can sing with. I can sing like a guitar. I have tucked my jacket into my skirt. I cry, having no friend of mine to sing wth." Chintala women dance song.
- Full Text: false
- Date Issued: 1958
Nasi indoda ingishaya (My husband beats me)
- Five young women and group of men, Hugh Tracey
- Authors: Five young women and group of men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153010 , vital:39372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-09
- Description: The women perform this dance after work or after bringing back the reeds to repair the village palings. These palings are well made with four horizontal strips tied with a woven grass cord (Lutinzi). Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
- Authors: Five young women and group of men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153010 , vital:39372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-09
- Description: The women perform this dance after work or after bringing back the reeds to repair the village palings. These palings are well made with four horizontal strips tied with a woven grass cord (Lutinzi). Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
Amalume (Uncle)
- Boys of Dedza Secondary School, Hugh Tracey
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Dedza f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155948 , vital:39934 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-15
- Description: "Uncle, uncle, uncle, drink your beer carefully. They who hate me, Eyae! They would put poison in my beer. Uncle drink your beer carefully." Drinking song.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Dedza f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155948 , vital:39934 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR088-15
- Description: "Uncle, uncle, uncle, drink your beer carefully. They who hate me, Eyae! They would put poison in my beer. Uncle drink your beer carefully." Drinking song.
- Full Text: false
- Date Issued: 1958
Zanse na Tengani afuna mapass (Everything at Tengani needs a pass)
- George Zongoloti and small girls, Hugh Tracey
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:39905 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-02
- Description: The song is sung partly in Sena and partly in Mangyanja. The drummer sitting on the ground with his drum on his thighs moves the drum on and off his chest by raising and lowering the tips of his feet with heels on the ground. This has the necessary tonal effect when moving the drum half an inch or so only. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
- Authors: George Zongoloti and small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:39905 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-02
- Description: The song is sung partly in Sena and partly in Mangyanja. The drummer sitting on the ground with his drum on his thighs moves the drum on and off his chest by raising and lowering the tips of his feet with heels on the ground. This has the necessary tonal effect when moving the drum half an inch or so only. The singer, George Zongoloti is singing about his troubles. If he wants to go to Southern Rhodesia he has to come Chief Tingami for a pass. If he wants to fish, another pass. Even to make a canoe, he needs a pass. Now he is going back to Portuguese territory over the border because there you can do what you like without a single pass, just what you like! Topical song with Nthikwi drum.
- Full Text: false
- Date Issued: 1958
Tiye Mlongo (Let us go sister)
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153406 , vital:39448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-11
- Description: "Let us go sister, let us go. Go to see the lake. They say the water has gone down. Let us go then. Go, go, go." Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153406 , vital:39448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-11
- Description: "Let us go sister, let us go. Go to see the lake. They say the water has gone down. Let us go then. Go, go, go." Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
Ah la la Mama
- Mpunyuka Madonsela, Hugh Tracey
- Authors: Mpunyuka Madonsela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Bremersdorp District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152686 , vital:39331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-09
- Description: "No woman is any better than any other woman. The only difference is whether you love them or not." This piece of homely philosophy no doubt reflects far more than a merely personal opinion. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
- Authors: Mpunyuka Madonsela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Bremersdorp District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152686 , vital:39331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-09
- Description: "No woman is any better than any other woman. The only difference is whether you love them or not." This piece of homely philosophy no doubt reflects far more than a merely personal opinion. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
Pita uko (Together)
- Johani Kamzimbi, Hugh Tracey
- Authors: Johani Kamzimbi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158973 , vital:40246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-16
- Description: The player held his zither sideways and plucked the far top string with the thumb of his left hand, running over the other strings with his right, alternate strings together. "To go by yourself to Nyanja (Nyasaland) is not good. Better come with me." Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Johani Kamzimbi , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158973 , vital:40246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-16
- Description: The player held his zither sideways and plucked the far top string with the thumb of his left hand, running over the other strings with his right, alternate strings together. "To go by yourself to Nyanja (Nyasaland) is not good. Better come with me." Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
O Jele
- Five Chewa women, Hugh Tracey
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156970 , vital:40074 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-17
- Description: "When you say the name of my husband, do not call him O Mwali, I call him Ojele." A song which reflects a fine point of etiquette, the correct name of her husband. Chintala women dance song.
- Full Text: false
- Date Issued: 1958
- Authors: Five Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156970 , vital:40074 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-17
- Description: "When you say the name of my husband, do not call him O Mwali, I call him Ojele." A song which reflects a fine point of etiquette, the correct name of her husband. Chintala women dance song.
- Full Text: false
- Date Issued: 1958