${session.getAttribute("locale")} 5 Cosmopolitanism and the unfollowable routines and rituals in Ishtiyaq Shukri’s The Silent Minaret: Wed 12 May 2021 20:32:30 SAST ]]> 'Amanuensis' and 'Steatopygia': the complexity of 'Telling the Tale 'in Zoë Wicomb's David's Story Wed 12 May 2021 18:53:28 SAST ]]> Beyond the threshold: explorations of liminality in literature. A book review Wed 12 May 2021 17:07:10 SAST ]]> Niq Mhlongo told us# FeesMustFall, or why the surface matters in Dog Eat Dog: Wed 12 May 2021 16:36:00 SAST ]]> Making room for the unexpected: the university and the ethical imperative of unconditional hospitality Thu 13 May 2021 08:49:08 SAST ]]> A “place in which to cry”: the place for race and a home for shame in Zoë Wicomb's Playing in the Light Thu 13 May 2021 07:20:47 SAST ]]> “[A] ll just surface and veneer”: the challenge of seeing and reading in Ishtiyaq Shukri’s I See You Thu 13 May 2021 02:20:32 SAST ]]> “Wishy-washy liberalism” and “the art of getting lost” in Ivan Vladislavić’s Double Negative: Thu 13 May 2021 00:12:03 SAST ]]>