https://commons.ufh.ac.za/vital/access/manager/Index ${session.getAttribute("locale")} 5 Book Review: Losing the Plot. Crime, reality and fiction in postapartheid writing https://commons.ufh.ac.za/vital/access/manager/Repository/vital:35712 Wed 12 May 2021 20:31:29 SAST ]]> On becoming an African-Asian English academic at Rhodes University https://commons.ufh.ac.za/vital/access/manager/Repository/vital:21926 Wed 12 May 2021 17:36:32 SAST ]]> Intersecting Diasporas: https://commons.ufh.ac.za/vital/access/manager/Repository/vital:40141 Wed 12 May 2021 15:08:48 SAST ]]> In Search of the “Goodlife": Border Crossing and Agency in Luis Alberto Urrea's Into the Beautiful North and Graciela Limón's The River Flows North https://commons.ufh.ac.za/vital/access/manager/Repository/vital:40142 Wed 12 May 2021 14:30:34 SAST ]]> ‘That ever-blurry line between us and the criminals’: African Noir and the Ambiguity of Justice in MŨkoma wa NgŨgĨ’s Black Star Nairobi and Leye Adenle’s When Trouble Sleeps https://commons.ufh.ac.za/vital/access/manager/Repository/vital:40145 Wed 12 May 2021 14:08:40 SAST ]]> Reviews: Unsettling Questions: Palestine, Israel, the Holy Land and Zion https://commons.ufh.ac.za/vital/access/manager/Repository/vital:40133 Wed 12 May 2021 13:58:46 SAST ]]> ‘I don’t belong nowhere really’: the figure of the London migrant in Dan Jacobson’s ‘A Long Way from London’ and Jean Rhys’s ‘Let Them Call It Jazz’ https://commons.ufh.ac.za/vital/access/manager/Repository/vital:29254 Thu 13 May 2021 06:08:00 SAST ]]>